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sanchoyo · 3 years

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danny phantom, season 3, episodes 7-13 thoughts! cannot believe im finishing this series so fast. ...cannot believe it ended like that...uh. one of the weirdest finales to a show I think I've seen, it really stood out against the rest of the series, and not in a good way, in my opinion. I paused to yell in caps lock...several times, I think, out of anger... BUT. ANYWAY, HERE WE GO.

see prev episode thoughts in this tag <3

-the fentons putting the kids to Work in the lab, with NO SAFETY GEAR. AT ALL. THEY JUST GOT BACK FROM SCHOOL AND ARE TIRED!!! and when jack asked how danny his day was and danny tried to say it was bad jack cut him off :( for the 400th time, i am stealing these kids.

-maddie and jack IMMEDIATELY SELLING THEIR LAB AND WORK FOR A LOT OF MONEY. and danny cant get into the portal anymore, oh no!!! he could always just steal vlads I Guess.

-THEY ARE VLADS NEW NEIGHBOR. OH MY GOD. this is a sitcom format. a butler came with the new mansion. i would absolutely try a kiwi fudge milkshake, why is the butler disgusted.

-the..guys in white bought the lab to shoot a missile. into the ghost zone thru the portal. bro i hate these guys

-jazz straight up setting her new bedroom up in the library. i am very very jealous

-"RATED E, FOR ENTRAILS"

-I like how the 14 year olds very quickly realize if the giw destroy the ghost zone itll destroy OUR ZONE because its just. like. the other side of the quarter so to speak. and the giw, a fully funded government agency, didnt consider that...(or worse, are willing to risk that anyway...)

-a...graphic novel version of the constitution? what in the world have you been READING SAM

-'cool, I always wanted to be called a meddling kid!' scooby doo reference...

-can they keep the butler. I love him.

-ecto latte....I also want to try that. is ectoplasm edible...

-YESS I KNEW DANNY WOULD USE VLAD'S PORTAL. vindicated.

-DANNY WHY DIDNT YOU JUST ASK JOHNNY NICELY. STEALING HIS BIKE IS SO SO RUDE.

-youngblood is also into astronaut stuff, thats really cute. and him being like 'phantom, dude!! :D' ALL EXCITED. THATS ADORABLE.

-the slapstick comedy of the giw slipping and falling and running into shit in the lab. is funny, but also, because this lab has NOOO safety codes in practice. god its a wonder dannys the only one to have died here...

-JOHNNY, SKULKER AND YOUNGBLOOD HELPING DANNY!!! I keep saying it but the other ghosts helping him. is my fav thing in the world. and, it's a really good thing the missile in the real world was harmless...otherwise the fentons wouldn't have had a home/lab to come back to...

-WULF WANTED POSTER!!! we havent seen wulfy in so long :( very funny the box ghost is offended by how much these ghosts are wanted for. first off, what do ghosts even DO WITH MONEY. does the ghost zone have its own currency??? what are ghosts BUYING

-the box ghost is So Funny, im so glad hes still got his bubble wrap. u are VERY wanted in THIS house box ghost. you are SO scary king. dont give up on ur dreams

-this needs to be a meme format. I made a transparent version, very very messily, for future use.

-this is a Fellow and a Friend

-box ghost accidentally bringing lunch for everyone, and giving people at the mall free shoes. SHOES ARE SO EXPENSIVE, ID BE SO GRATEFUL. helpful king. i feel SO bad for him lmao, he's putting in SO much effort. he wants the evil aesthetic So bad but hes Just Too Silly. I understand your plight, box ghost....

-oh my god. pandoras BOX. 'THOSE OF US IN THE BOX TRADE' HOW MANY ARE IN THIS BOX TRADE. I WANT IN. pandora is a multi-armed ghost goddess and i love her.

-SKULKER WHY ARE YOU RUNNING FROM THE EVIL UNICORN?? YOURE A HUNTER!! JUST SHOOT IT!!!!!!! JUST HUNT IT!!!

-box ghost...where did you get the cowboy hat. I respect it, i just want to know

-JAZZ COMING IN WITH THE BAZOOKA TO FIGHT THE 10 HEADED DRAGON!!! YEAH!!!!!!!!!!! and the rest of the fentons I Guess

-ignoring the sam/danny moments. I simple do not see them.

-...why doesnt danny just fly over the maze. or do the whole 'real world people act as ghosts in the ghost zone' and turn back!!! I know its just to show off the ghost greek monster designs. but STILL.

-danny being like. um. hi pandora. i found your box. >< polite...PANDORA IS SO GIANT. GIANT GHOST WOMAN. SHES GOING TO BEAT BOX GHOSTS ASS. another ghost thats nice to danny to add to the list :) and HER FORCING BOX GHOST TO APOLOGIZE. and having sandwiches with danny after making box ghost clean up. I LOVE HER.

-DANNYS 'BEWARE' AT THE END JAKHDJFKN

-okay, when dash pulled out danny's seat and was calling him buddy, for half a second I was like 'this is a prank, hes gonna pull it back' BUT THEN FRIGHT KNIGHT MY BELOVED IS BACK. AND EVERYONE STARTS CHANTING FOR DANNY TO BEAT HIS ASS WITH GHOST POWERS AND DANNY DOES WAY TOO EASILY, and im like, yup, this is a dream LMAO

-danny is getting an A+ in science :) my smart son

-DANNY WAKING UP FROM THE DREAM RIGHT BEFORE KISSING SAM AND BEING LIKE 'that was a dream...no, a NIGHTMARE!' same. not to be a hater but, shouldve been val. maybe I am a hater

-...danny running and checking the 'tapes'...why is his whole house constantly being recorded. hes been in ghost form/fights plenty of times in his house. does he have to run and wipe the tapes after?? every single time?? god

-letting this image speak for itself

-this is SO cursed

-NOCTURN'S DESIGN FUCKS SO HARD. the Venice mask vibes. also his space pattern not moving while the rest of his animation does is big chowder vibes. but this guy is basically the sandman but Evil, huh. I love dream plots. also, nocturn's design feels very similar to clockwork, like, red eyes and a scar over the same eye, but also just the purple, and the Cosmic Vibes. I want to see them fight. anyway nocturn's va was also avatar roku AND alfred in several batman cartoons.

-the 'sleepwalkers' designs were super cute in shape (kinda remind me of oogie boogie! pillow-cased shaped, which is appropriate for the 'king of dreams's minions) until I looked closer at their eyes. why do they look sewn shut!! (they open their eyes a few times, so they aren't, but they look like it...)

-I like how this show has been pretty consistent (with a few exceptions) about a Ghost Being Huge (or getting larger) = Very Powerful

-2 months of summer camping??? wtf, do camping things usually take that long?? I've never been to a camping...thing like that. but isnt that basically their entire summer??

-'the entirety of nature is your bathroom!' and thats why I do no camping despite loving nature LMAO.

-sam, at least TRY TO BE NICE TO THE OTHER GIRLS YOU'RE GOING TO BE SHARING A CABIN WITH. also, the amount of times people in this show have their SHOES ON THE BED!!! IM DISGUSTED

-swamp creature Is A Ghost. Big Foot is a Ghost. starting to think in this universe, every single cryptid or legend is a Ghost Actually

-paulina crying not only because star is missing, but because SHE FORGOT HER SUNBLOCK AND SHE BURNS SO EASILY!!!! okay girlfriends

-ghost cops are the real monsters at the camp. i.......I mean. fair. no one missed you walker

-WULF!!!!!!!!!!! WULF IS BACK!!!!!!!! MY FRIEND WULF :D MI AMAS VIN!!!!! kaj danny lernis Esperanto :)

-'relax kid, we arent here to do any harm' *immediately shoots danny* yeah. ghost cops. and also danny bringing walker 'wulf' and walker IMMEDIATELY SUCKING DANNY IN A THERMOS. FUCK OFF

-haha walker Bald. and haha walker Frozen Now

-the fenton thermos can...reverse its polarity to close portals? okay

-LIBERA MIA AMIKO. :")

-ohhh they end the ep with them star gazing, thats pretty cute...

-dani is back! ...with a new voice actress? wiki says AnnaSophia was in 3 diff movies in 2007 when this aired, so she was probably too busy... (including, bridge to terabithia aka the movie that ripped my heart out that I mentioned in the first ep Dani was in...kinda wanna rewatch it now)

-shes still scared of vlad, who's still being creepy and spying on her. 'shes hardly going to come home to daddy!' I WONDER WHY. also does vlad's cat look more evil than last time? love the concept of him going shopping for cats and being like 'give me your most EVILEST looking cat, please, so I can pet it in my spinny chair dramatically!' ...oh god white cat hair on his black suit. I have a black cat and her hair is still way too noticeable..

-vlad has a big 'valerie' button in his office. can he be pressing that button every episode, thanks

-'theres a GIRL called dani phantom?' yeah valerie. no relation, obviously, even with her looking EXACTLY like danny. so sad valerie just wants to help her dad and her get out of the place theyre in now and vlad using her. ill MAUL HIM

-dani having to STEAL FOOD. :( and valerie immediately being like oh poor kid :(( and trying to help her!!! and then dani immediately helping valerie!! this episode is starting SO well

-...and then valerie catching her. DAMN IT. and being surprised dani knew danny?? HELLO VALERIE I KNOW YOURE SMARTER THAN THIS. I AM SO SORRY THEY WROTE YOU THIS WAY. I STILL LOVE AND BELIEVE IN U !!!

-valerie lying her ASS off for a chance at gettin danny. ok <3 also 'they couldnt catch a ghost if it was living under their own roof' JSDHKJHNK

-danny. why dont you just tell valerie!! this would be so much easier if he was direct. there is NO way valerie would hurt danny (fenton) she'd be HORRIFIED. esp since she got on board helping dani!!

*is held* :)

-look at valerie and danny. flying together. about to go beat vlads ass together <333

-DANI SCREAMING AS VLAD IS MELTING HER. WHAT THE FUCCCK

-...fucking vlad convincing valerie hes a good dude with his stupid duplication. FUCK. DANNY JUST TELL H E R

-jesus christ how many times has danny had to watch loved ones die. even if she didnt stay perma-dead. glad they fixed her...

-valerie and dani pranking danny when he came out, oh :( cute...them havin fun and laughing together...babies

-BUT THEYRE JUST LETTING DANI LEAVE, AGAIN??? SHE WAS PREVIOUSLY STEALING FOOD. CHRIST GIVE HER A PLACE TO LIVE. OR A FAMILY. actually, I think it'd be really cute if, since danny isnt ready to out himself, dani went and lived with valerie?? dunno if her dad would have the money but,, it'd be a cute concept. big sis valerie...

-'tomorrow, it's game on!' 'and ill be ready to play!' THE FLIRTING....DANNY/VALERIE REAL

-oh my god,, valerie found out about vlad in the end. But he doesn’t know she knows!!! the DRAMA!!! HOLY SHIT THAT ENDING.

-this episode was. SO Much and probably one of my favorites out of s3. (I mean, there has been a gross lack of valerie this whole season, so thats not a hard choice to make...)

-FINALE EPISODE TIME.

-the title screen looks different! so no title card...

-vlad has his own fucked up satellite that looks like him?? okay. why does the animation look so different?? are they mixing cg in?? for what. anyway, vlad and the gang in SPACE. danny is 100% living his astronaut dreams rn

-'defeating frostbite' YOU BETTER NOT HAVE. YOU STOLE HIS COOL MAP. FUCK YOU VLAD

-wait oh my god. vlad is the final series boss, isn't he. I half expected a fake out, for another boss to show up midway, and for him to finally have to have a real truce with danny for this ep. ITS THE FINALE. VLAD FEELS SO UNDERWHELMING.

-And it's like-- his character isn't bad, i just feel like..he has more potential! they WANT him to seem like some smart super evil genius, but the way he's written makes that SO hard to believe...but the solid backstory and design is THERE and its FRUSTRATING.

-...DANNY CALLING VLAD OUT SAYING HE NEEDS THERAPY LMAOO THATS WHAT IVE BEEN SAYING.

-my grandpa technus is in the finale too :) 'well look on the bright side, at least im not downloading them illegally!' he says while stealing dvds. feels like hes calling me out. im watching this series on a bootleg website lmao. anyway, him turning the tech into a transformer. love that

-mASters BLASters sTOp diSAsterS shut the fuck up. you will never be valerie or danny. bite chomp kill. violence

-like this if u crie everytiem

-my god the 3d/cgi mixed in looks SO BAD IT DIDNT AGE WELL AT ALL

-the white stripe in dannys hair kinda rules tho. did he just KILL HIS GHOST HALF??? 'revert his human half back to normal' UM. you ever unkill yourself. why are his friends/jazz so mad about it, he'll be in a lot less danger!! christ. they can still hunt ghosts!! as humans!! if they want to!! hes 14 if he wanted to be normal. let him. vlads stupid little team has things COVERED apparently. why are they acting like this. jazz would never act like this. is this fake whats going ON

-oh my god jack was in a college band. vlad was also in the band. what did instruments they play. i didnt need that headline to tell me they sucked, but i want to KNOW MORE REGARDLESS

-valerie was here for 0.3 seconds.

-sam calling danny selfish. the audacity. no one is stopping YOU from hunting ghosts, girl. valerie does it!!

-I'm halfway through the episode and incredibly underwhelmed so far.

-why would they send jack and 3 teens to space to destroy the asteroid. why not professional astronauts. not even the 3 teens that have already been to space this episode...

-jack getting beat up by teenagers. ON TV. IN SPACE. I GUESS. I GUESS EVERYONE AGREED TO SEND JACK BECAUSE..VLAD SAID SO? we know it was to embarrass jack, but why would everyone agree. why didnt any other space program Do More or whatever, they sent like, 3 rockets/missiles tops?? no way

-danny attempting to punch vlad in the face. i WISH HE WOULDVE LANDED THAT HIT.

-vlad outed himself on live tv, on purpose? and BLASTED AT THE TEENAGERS HE HIRED. LMAO. HES HOLDING THE WORLD HOSTAGE, MAKING THEM PAY HIM BILLIONS TO STOP THE STUPID ASTROID. THATS YOUR GRAND PLAN??? REALLY. REALLY. im like. lmfao

-jack just now, on the last episode GETTING TOLD HE MADE VLAD A GHOST. THIS SHOULDVE HAPPENED WAY SOONER. jack's reaction was one of the only times in this entire show hes seemed human. 'an old friend? no. you? yes.' GET HIS ASSSS ACTUALLY. HE STRAIGHT UP LEFT VLAD IN SPACE. GOD DAMN. that is a Murder! I mean, I guess vlad could fly back to earth, but...I mean, he'll have to, right? no food in space. (that we KNOW of...)

-'thE WHolE EArtH, INTangiBLe?!' oh my god.

-...the white strand of hair somehow still had ghost dna, I guess, and getting blasted turned him back into phantom. I GUESS. I GUESS.

-the fentons being the first to clap for danny despite not knowing hes phantom...that was sweet. and very sudden character development, not at all gradual over the course of time or episodes like it probably should have been...

-sam and danny kissing. IT SHOULDVE BEEN VALERIE, BUT OKAY, I GUESS. also, its a little underwhelming, considering theyve kissed already...

-ALL of the ghosts being ready to beat danny's ass? really. no they wouldn't, they've worked together before, and some of those ghosts are friendly!! cringe. why is the last ep written like this. I mean they came thru at the last minute but. was really cringing for a minute there, why did they write it like that

-valerie is there for another 0.3 seconds! ....she should've been more involved. dani is also there! for also like 0.3 seconds. almost fast enough to miss. (btw, I think shes still homeless at this point, are, we going to...do ANYTHING ABOUT THAT IN THE LAST 5 MINS OF THE SHOW)

-the cgi smoke or whatever it is. this whole post is me saying the cgi is bad, but IT IS.

-'danny or should we say. DAAANNNNY.' this is like the 3rd or 4th time hes been outed damn, but to the whole world, again. and valerie saw, and is just. an extra in the bg clapping. bro im so mad.

-TUCKER IS THE NEW MAYOR? WHAT THE FUCK?? HES 14.

-i think. this is still linked to the dream ep a few times ago. hes still dreaming. this is a plot a 14 year old would write. this feels like a bad fanfic. so much got rushed, and not tied up. vlad wasnt really even the villain this episode, a fucking. non-being asteroid was.

-they kiss again. ok. sure. whatever at this point.

-VLAD IS NOW A FREE-ROAMING SPACE NOMAD. I GUESS. THATS. SURE. WHATEVER. THE END, I GUESS. cannot believe I'm saying this, but: they did vlad dirty.

-IF YOU'RE GOING TO MAKE HIM A VILLAIN, MAKE HIM A VILLAIN!!! DON'T MAKE IT A METEOR!!! STOP BEING WISHY WASHY WHO WANTS TO SEE DANNY VS ASTEROID!!! I didnt even WANT vlad to be the final villain because his character is SO back and forth (esp this season.) but he has done some FUCKED UP SHIT AND I WANTED THE WRITERS TO DOUBLE DOWN, PERSONALLY, IF THEY HAD TO MAKE HIM THE FINAL BOSS. the cabin ep where he basically held danny and maddie hostage? FUCKED. THE DANI THING? FUCKED. FUCKING COMMIT AND MAKE HIM ACTUALLY SCARY OR HAVE HIM FUCK OFF AND AGREE TO A TRUCE!! WHAT IS THIS DYING IN SPACE NONSENSE. (and, he will (fully) die out there, right? still half human, still needs food and water. I imagine he'll like, slowly half-die but this time his human side is dying. will he come back 100% ghost? we dONT KNOW. WE DONT GET TO SEE, ITS PLAYED LIKE SOME FUNNY THING AT THE END, THEN THATS IT!!! WHAT!!!)

-I don't know how to articulate how FRUSTRATING THAT IS. having him basically out himself and ''hold the world hostage'' does not track at all in my brain. like. he's always been scary because he is HUMAN, TOO. like, if he was 100% ghost, he'd be LESS scary, but vlad MASTERS has more power and influence than vlad PLASMIUS because of his position as mayor, his money, too, and his (supposed, s3 made me doubt it) intelligence/manipulation skills, and his being in good graces with jack made it HARD FOR DANNY. him outing himself for,, money and to 'control the world' i guess?? MONEY WAS NEVER HIS LIKE, MAIN GOAL. yeah obv he likes money and is materialistic and values his Rich Life, but hes got billions, the end goal? 1. getting maddie (and or danny as his son, but to me he always treated that as secondary) 2. ruining jack. this feels like they wanted to say 'oh he just wants POWER' which is. HMM?? OKAY?? obv he /does/ want power (usually over certain ppl, tho), but seeing him try to get it like this FELT WEIRD SOMEHOW. weird like the ep where he tried and failed to take over various historical civilizations, because like,, how is that realistically going to do anything for him?? just, being in that time forever and never seeing maddie aka Goal #1 again?? HELLO??? this was like that, but worse

-this was such a weird ending to an entire show. why did season 3 only have 13 episodes?? why did it feel so weirdly paced?? WHY WAS THE ENDING LIKE THAT. I think. I am going to pretend I did not see that. fucked up, dudes. I'm like...hm. I shouldn't have watched that because now I'm mad. valerie sweetie im SO sorry you shouldve been more present. it felt like..if they knew this season was going to be short, and the last season, they should've spent more time wrapping up EVERYONE'S plot lines for the entire season. imagine how cool it wouldve been if every single ep of season 3 was working towards something, a big, nice wrap up at the end, with nothing feeling TOO rushed because they'd been heading towards the End for the whole season....

I will probably end up writing a follow up full series thoughts post. In a couple of days so I can sit with my thoughts. BUT. overall, I really liked the show! (ignoring the finale and some of the moments that aged pretty poorly...) it was charming and a fun concept and very fun to watch in general :) and I am pretending the finale didnt happen <3 and I’m gonna dive RIGHT into the dp tags and mix fanart and posts in my queue, very excited to run and look at that 🏃🏻 (and, of course, make more fanart myself hehe >:3)

#dp thoughts #danny phantom #sanchoyorambles

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corvidshipping · 3 years

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modern au red/milo dump while i try to get myself together to answer asks nd work on ATJ:

(tw for alcohol mentions near the end, also this is an EXTREMELY long post, its so long that even after i split it into categorized sections each section could be its own post)

CLOTHING

milo absolutely has no sense of fashion. i feel like this is basically canon - for the styles at the time, he dresses fairly basic, mostly focused on looking put together for his job (definitely dresses aimed more towards how he would like to be treated by his peers, despite his actual position - then again our best example outside of the expedition is when he's about to deliver what he considers the most important presentation of his life, so who knows, maybe he usually dresses like a slob). aside from that his main concern seems like practicality and comfort. his wardrobe is dominated by earth tones - beiges and greens set with white and greys. all of that taken into account, i can see him dressing like this in a more modern era:

basically- a lot of cardigans, usually collared shirts or comfortable turtlenecks (since he does still occupy a research position at the smithsonian, even if only in title), big ol' coats, khakis and chinos and slightly stiff dress pants complete with ironed creases. i can see him wearing similar clothes outside work, just more comfortable - jeans and knitted shirts, henleys, more turtlenecks, and comfy cardigans over short sleeved shirts. i dont really see him wearing a lot of prints, i think he'd veer more towards solid clothes in lighter colors, but maybe he has a few. hes definitely the kind of guy to think of wearing the single graphic tee he owns as "bold and wild".

im very married to the idea of him wearing converse though. i cant explain it. milo in converse keeps me going in this world

hes kind of broke so i think maybe he got the converse secondhand maybe? or a gift of some kind. aside from the converse i can see him wearing a lot of oxfords and maybe wingtips

i want to see him in a hawaiian shirt so bad. i am losing it at this thought. he buttons it all the way up to his neck like someones awkward dad. milo wears a hawaiian shirt to "let loose". he wears it with like, khakis. or knee length jorts AHHHHDJHDSGJHDSJGh

a tie??? does he wear his hawaiian shirt with a tie???? does he think it makes it look cooler?????????? i am sobbing

red is the COMPLETE opposite. in the canon 1914 setting, red is already very rebellious for an AFAB person of their era- theyre openly a suffragette, they frequently refuse to wear skirts even in public and dress in mens clothes even before they were openly nonbinary, despite not being accepted into the male-dominated research fields and colleges they continue to educate themself with or without help, they purposely aim for an "unfeminine" silhouette when they dress, refuse to wear corsets, etc. (spoiler alert- there's a clear reason they get on so well with audrey in ATJ)

theyre also easily mistaken by people that didnt know them prior to their transition for being just a very small/young cis man- even though they canonically have a very soft "traditionally feminine" face

so basically, in any era theyre set into, red is always gonna aim to be ahead of the curve- both in their personal beliefs and practices and in their fashion. theyre also very androgynous in their clothes, although they tend to aim a bit more masculine (thats partially due to the era though, and having been forced into skirts exclusively for their entire life- i think in a modern setting where its more acceptable for AFABs to dress and act in a less hyperfeminine way, theyd be more okay with a fluidity in their gender presentation).

all that taken into account, i can see them dressing like this:

lots of baggy clothes, especially baggy jackets and shirts. they like loose fitting high waisted pants like JNCO jeans, cargo pants, etc but they arent averse to pencil legs. they rarely ever wear skinny jeans or drainpipes though. messy hair is a lifestyle for them- their haircut is definitely home-done

you know how in BICSTLY they used to have really long hair before they cut it? in a modern au i can see them impulsively doing the cut at like 3am and waking milo up at his door cause they screwed it up and he ends up having to help fix it (even though hes literally no better at cutting hair than them. worse even)

definitely have an undercut bob- bob on top, shaven on the bottom layer. they might end up growing their hair into a mullet at some point if they get bored. probably dyes their hair all the time out of boredom and then regrets it later and has to use dye remover.

lots of ripped tights and fishnets, leggings with big loose crop tops, big hoodies, safety pin jewelry and homemade jewelry. maybe some sticknpokes.

all that said, they still know how to dress in a professional situation. since its a modern au theres really nothing holding them back from the education and career they canonically want but cant get in the 1910s, so i imagine they would work at the smithsonian as well, maybe their father helped them get the job? potentially in that case they might be his assistant- after all, he trusts their opinion on artifacts more than anyone else's.

at work you can still very much see the punk/skater/grunge/goth style but its more understated- turtlenecks, high waisted and looser dress pants, lots of black, slightly unbuttoned collared shirts with a loose overcoat and no tie

since i elaborated on milos shoe taste i may as well elaborate on red's: they definitely wear converse as well, probably newer than milo's since their father is fairly wealthy and they can afford it. they also have a doc martens collection. they have a pair of demonias but they never wear them and milo is really the only person to even know they own them, let alone see them in them. they really dont like to wear heels much, but they own a few just to play around with. they have a bad habit of wearing any laced shoes untied, but they never trip over the laces. they also use lace code- their most-worn Docs have purple laces on the right foot and yellow on the left. some of their Docs have (reclaimed) pink laces.

has an extensive pin collection including feminism pins, anti-racism pins, punk-related pins, skater-related pins, and pop culture pins (80s music, modern music, old movies, etc)

MUSIC TASTE

milo's into a lot of older music- stuff from the 50s is his favorite. really into jazz and ballroom style stuff. his favorite band is queen, i think- he likes the old-fashioned sound, the jazz-chamber-ballroom influences, the diversity of their lyrics, and the complexity between the guitar riffs, the basslines, and freddie's vocal runs as well as the vocal harmonies.

sometimes he hums good old fashioned lover boy to red and they two-step in the living room in their pajamas :pleading:

also very into rush. yes, he is a rush guy :pensive:.

also listens to a surprising amount of lo-fi? he really likes stuff that remixes older music with hip hop and lofi elements, like earl grey. nearly exclusively into instrumental stuff but also very into louie zong. he listens to it while he works a lot.

knows a lotttt of foreign artists, especially niche ones. fuckin LOVES casiopea

red's spotify is a goddamn mess. everything from 2000s emo, to classic 70s punk, to post-punk and new wave, to 90s pop, to rap. they cant be easily classified at all

their favorite bands are oingo boingo, prince, queen (they listen to a lot of their harder-rock music, but milo knows theyre into the ballads too. theyll never tell anyone else though), doja cat, lil nas, fall out boy, and billie eilish.

red recites the intro monologue to lets go crazy very seriously to make milo laugh, sometimes. they get very into it with their facial expressions. sometimes it devolves into a full air guitar/keyboard/drum and wild dancing session. milo does not know how to participate in this but he loves watching them have fun with it. sometimes they pull him off the couch to make him dance with them, though

they are a huge sucker for dark pop, vaporwave, retrowave, EDM, hip hop, emo, punk... etc etc. anything that combines any two or more of those genres in an original or interesting way gets their attention right away

there's a lot of sharing between the two of them- even though their music tastes are so different, they like a lot of the others taste, and theyre always up to listen to whatever their partner is playing.

red is a huge softie, and milo has found them more than once listening to or humming something he was playing for them the other day because it reminded them of him

speaking of which- in the 1914 canon, red can play piano. i think that carries over to a modern au, where they could play piano and by extension keyboard. i like to think they experiment with a lot of instruments but i doubt they ever really mastered any others. maybe theyre okay at drums or bass?

they learned to play and sing teo torriatte for milo, as a surprise. when they first performed it for them, they had everything set up for when he got home from work- the lights were dimmed, they had candles lit around the keyboard, they draped stuff in cloth to make it look pretty, they scattered flower petals around. when milo walked in and saw it all, he almost proposed then and there- the only thing that stopped him was that he would kick himself for the rest of his life if he did that without a ring.

HOBBIES/ACTIVITIES

milo is still an avid chess player in this, but i like to think hes in some kind of groupchat or text or discord server for it. he doesnt necessarily consider any of the others in the chat close friends, but he does know them all by name

he tries to get red into chess but they never really get it

he tells them all about the stuff that goes down in the games and they just. do not understand. but they love listening to him get excited about it anyway

"red you're not gonna BELIEVE this, eddie played an italian game on star today! i thought for sure she would see through it since everyone knows it but she slipped and he beat her in like, 13 moves! i wouldnt have believed it if i hadnt been there!"

"yes sweetie please tell me more" (barely disguised pained expression)

red is a skater and a regular at the skate park by the smithsonian

most regulars there know them by name, they can spot a newbie a mile away

they have a sticker of a broken tv with a skull inside of it on the underside of their board, its become recognized as a symbol of them unofficially

since theyre so regular and have been going there a lot longer than most of the other skaters that frequent the place, a lot of what they say is kind of just accepted as the rules

they have a bad habit of lecturing new kids who show up without knee/elbow pads or helmets at the very least. all the other skaters enforce it too. kids dont end up showing up without protective gear very often after their first visit

they brought a first aid kid and left it there and everyone has kept it stocked pretty well without them having to have much input. its kind of just a communal first aid kit

they once drew the broken tv symbol on the inside of a half-pipe and everyone started calling it red's ramp after that

they also started calling the bowl at the center of the park the Soup Bowl and now thats just accepted as the name. some of the newer kids genuinely thought that it was called that by the park and were shocked when they found out it was just a random nickname red gave it one day

theyve brought milo a few times but hes extremely awkward on his feet and could never really get his balance on a skateboard, and quite frankly red is afraid of what might happen if he tried even a low ramp, so he usually just sits at the rim of the bowl while red skates around

everyone knew he was their boyfriend before they even met him. a few of the regulars called him by name right away. one of them was certain red had brought him before.

but no

they just talk so fuckin much about him that its like they already know him

aside from skateboarding, red is pretty good on rollerskates/blades

they tried to take milo to a roller rink once but it was a disaster and they ended up going home, changing into pajamas, ordering chinese food, and marathoning movies till they fell asleep on the couch together. so not a total loss

theyre both very into movies. red is deep into horror and milo likes indie/art movies and just Cannot handle horror at all, but they both agree on old movies, from the 80s and 90s to like the 30s.

red has shown milo some of the classic horror movies and the niche old ones (from like the 40s) since theyre not difficult to stomach

every so often when red brings up wanting to see a horror movie milo is like "aw babe we can watch that tonight i promise it wont be bad" and he genuinely thinks he can handle it this time

he cant

he never can

it is always a lie

red ends up holding him every time and talking him to sleep, but it thankfully never causes like a major panic attack or anything like that

they love going to museums together, of all kinds. they love art museums. they also go to aquariums and aviaries

sometimes they like to go to other history museums and criticise the veracity or accuracy of exhibits/translations, all in good fun of course. theyre never actually being mean about it

SIDENOTES/UNCATEGORIZED

they both used to work at starbucks, when they were younger and before they worked at the smithsonian. they worked at separate stores 2 blocks from each other.

milo cant stand soda or carbonated drinks, red can and will chug a java monster in order to survive a long workday if they must. milo is constantly concerned for their health and wellbeing

they r both lightweights when it comes to drinking. they can split a six pack and both be falling-over drunk by the end of the night.

given the changes in beauty standards people DEFINITELY think milo is more attractive than they would in 1914. cmon. hes a lil twinky nerd. you think people wont eat that up?

he never really catches onto the flirting much though

did u think i would forget ki/da and the others? youd be wrong.

i simultaneously like the idea of something similar to the movie happening, but also just like... ki/da just being a regular person living on the surface. in either case they r all friends still

in the case of ki/da just being a regular person on the surface- i like the idea of atl/antis just being A Place in this au, maybe its a bit of a closed off country though? like, not many foreigners live there and to get there you basically need to be there as a diplomat or a scholar

maybe ki/da visits DC as a diplomat? she is a princess, after all

red meets audrey online cause they both yell at the same misogynistic asshole on twitter

they exchange discord names in the replies of the tweet and tell the guy not to interrupt them while theyre talking in his replies

i like to think red and milo are selected to go on an academic visit to atl/antis (to learn about the culture, with permission of the king), and audrey ends up as the mechanic on the ship during the visit and theyre like (spiderman pointing meme) at each other

red and audrey have so many inside jokes that they basically speak a different language. milo gets some of the terms from context and pop culture (they use "so very" in real life- as in "wow, that shirt is so very.") but he is hopeless to learn all of it

one of their inside jokes is any variation of "milo hot girl summer" and they REFUSE to explain it to him no matter how much he begs

milo wears that iconique tank top on the ship and they say it literally any time he bends over, picks anything up, reaches for anything, moves, BREATHES. he is bewildered and at this point concerned

(in truth, the joke came from red taking a really blurry picture of him in a short sleeve shirt where he looked pretty cute and captioned it "milo's having a hot girl summer rn" and they just could not stop repeating it once audrey met him IRL)

they have a minecraft world. i do like to believe that every so often vinny finds a way in- theyre never sure how- and griefs the shit out of them by blowing up EVERY. monument.

this post is getting long bc im enraptured by the idea of an atl/antis modern au so im cutting it off here but expect WAY MORE later

#paper_heart.txt #s: i didn't say it's the smart thing. but it is the right thing #alcohol ment tw

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madisonrooney · 3 years

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hi it's your secret santa! first of all HAPPY BIRTHDAY!! i hope you have a wonderful day! how are you celebrating, if you are at all? safely, i hope! either way i hope you manage to find a way to have a great day full of love!! consider my christmas gift a belated birthday gift as well lol. anyway i loved reading your last answer, it was so thoughtful and sweet. i realized after reading that i barely know anything about dove lol so follow up q: what about dove makes you love her so much?

sorry for the late response! the last couple days have been v busy and ive been super tired and dissociative on top of it so i made a point to save this bc i wanted to give it my full attention!

first of all thank you!! i was going to do a virtual meet and greet with one of my favs from jersey boys but he got confused about timezones so we rescheduled but were doing it next week! then i went to a virtual walt disney family museum panel, had pizza for dinner and watched some liv and maddie, my mom made a cookie cake that we ate while watching the grinch musical, and then some friends and i watched the jersey boys movie together over skype!

im so glad you enjoyed reading my last answer! and oof thats another loaded question (i love it tho)

- like i said when first talking about what drew me to her and liv and maddie, a big thing is just how much passion and love she puts into her characters. ofc she puts passion into every character she plays, but its the passion she puts into characters like liv, maddie, and mal that means the most to me. that goes back to the fact that ive dealt with a lot of negativity directed towards me for enjoying disney channel, and then you have dove out here saying “yah im a teenager/twenty-something who not only respects what theyre doing on disney channel, but puts my all into it” not to mention she even won an emmy for playing liv and maddie in season 4! i hope that passion and talent has started to change the conversation about disney channel, and tbh i think it has at least a bit. ofc, none of this is to say other people her age acting on disney channel arent talented and passionate, but idk, something about her has always stood out to me. i find her to be more animated and expressive than most. it can be hard for me to read emotions in live action movies and shows, so thats been really important for me. not to mention she was not only playing the lead but TWO lead characters on a four season show with distinct personalities but also subtle similarities. AND the main character in the biggest DCOM franchise in years for 5 years running now. PLUS the fact that there was a period where those were both happening at the same time. she was only 16 when she started all this and hadnt even had any big roles prior to it!! she had a lot of responsibility so it was amazing to see her not only pull it off, but excel at it.

- i just love like....her aesthetic?? shes always seemed to be a very old soul to me, into old jazz music and poetry and stuff like that. its just very charming. and for her to have that aesthetic on top of being a disney channel actress is a fascinating juxtaposition.

- this is kind of sappy and it gets tiring to hear it said over and over again but that doesnt mean it isnt true: i love how transparent she is about her struggles with mental health issues, trauma, and such. she has been for a long time but even more so over the last year or two. no shade to anyone else, but a lot of actors dont really give you a look into their personal lives, they just share and promote their product. im not saying theres anything wrong with that, its good to know what youre comfortable sharing, ive just felt all the more close to her with her being as open as she is, especially as someone who has gone through trauma myself, albeit different from hers.

- kind of connected to that, i love how important spreading kindness, positivity, and love is to her. thats another thing thats been said a million times but still, its very important to me.

for example. she’ll randomly tweet things like “i love you” a lot. im one to always think of the thought process that goes on behind whatever someone posts, texts, etc., bc personally i put a lot of a thought into pretty much anything i say or do before i put it out there publicly, probably bc of my social anxiety. even tho its a simple statement and takes her a couple seconds to post, she still had to have the thought “i want to remind my fans that theyre loved” or something along those lines. and she has this thought FREQUENTLY. to just randomly get a notification every few days or weeks or so of her saying something like that is just very heartwarming to me.

the reason i connected with miley so much when she helped me through my initial trauma was bc it felt like even if no one loved me, she loves her fans, thus she loves me. thus the person i love and admire the most loves me. even if its only one person, it can be enough. it was for me at the time. i feel that same way with dove. when she came into my life, i didn’t feel as unloved, but her love was still helpful to me.

- of course i need to specifically talk about her kindness in person too. dont get me wrong (ive been saying that a lot havent i lol), i totally and completely loved her long before i met her, but naturally, i love her 10x more after the experiences ive had getting to know her in person.

i could go ONNNNNNN about the experiences ive had with her, and i have lol, and if you already heard me ramble about this in the server i apologize, but the most important thing ive taken away from every encounter ive had with her is this: she always goes the extra mile. she always goes out of her way to make people feel special. what i mean by that is she could say/do HALF as much as she has when meeting me and i would still leave over the moon feeling loved. you can tell she does this in excess bc she really truly means it and cares about people like me, she doesnt have any kind of ulterior motive and isnt just going through the motions doing whats asked of her, she simply cares about me and the rest of her fans. some examples - the first time we met, i was sobbing (lol) and she hugged me for a really long time, rocking me back and forth, brushing my hair with her thumb, calling me sweetheart and honey. she even started to tear up a bit herself. - a couple months later, i went to my first liv and maddie taping. i was preparing to reintroduce myself (i looked a little different bc id been cosplaying as maddie the first time i met her) and ofc when preparing myself, i fantasized pretty heavily as i usually do and pictured myself showing her the pic of us on my phone, her gasping, jumping out of her chair screaming, and hugging me, thinking that was probably way more than i was gonna get. that is EXACTLY what happened. then she went on to tell me how my costume made her whole weekend. things like this would continue to happen where i would set the bar impossibly high and not only would she meet it but she’d exceed it. - our usual interaction from there on would start with her face lighting up when she saw me, her calling me some kind of cute name like love or baby, and then hugging me without me even having to initiate it. - when i saw her in mamma mia, i didnt know when id be seeing her again afterwards after pretty consistently getting to see her for 2 years, so i wanted to make sure we got some kind of closure. at the stage door, i reminded her how much she meant to me and just expected like an “aww i love you too” or something back, but she said “you are an angel in my life” and i will never forget that. obvs, i havent told her ALL the details about what she and her characters mean to me but like...she can tell. she can tell if im in a homemade maddie costume sobbing into her arms that theres something there, and shes VERY appreciative of that. - i thankfully got to see her at a meet and greet a few months later and every time i thought i should get going cuz i didnt want to hold the line up, she would just open her arms for another hug. speaking of being appreciative, she even said “thank you for being such a supportive fan.” as i left, i turned around to say one last goodbye. i made sure she wasnt with the next fan yet and yelled out “bye!” and she yelled back “I LOVE YOU!!” and blew me a kiss. again, its the little things. - i saw her at a small panel in new york a few months after that. she walked in the room when the lights were down as they were playing a clip, she quietly waved hi to everyone, then saw me and loudly whispered HI BABY!!! and stopped on her way to the stage to give me a hug. (then she looked at me from the stage and asked which way i thought she should cross her legs for the interview lol) - sometimes when she sees im next in line, shell give me a knowing smile or whisper “hi baby!!” or something like that. she saw me in the crowd after clueless and seemed to make a point to come to me last bc she knew wed be talking for a while, which we did. she even told me she’d seen me in the audience, asking if i was in the front on the left, which i was.

even all that is still just scratching the surface. weve “known” each other for 5 years now and every time i think she’s done the most she can do, she outdoes herself again. not to mention when im at these events, i see her treat all the fans she meets with all of that kindness too. naturally all of this has made me love her all the more.

- finally, lets just be honest here..........................shes REALLY fucking hot.

#gcwca secret santa #Anonymous

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angrylizardjacket · 5 years

Text

And All The Queen’s Men {Roger Taylor}

A/N: 5486 words. Okay wow. Please bare with me, this is a long one and also a bit of a different one. Written in the style of a Rolling Stone article. Finished it at 7am. Prompt & support from the lovely @ginghampearlsnsweettea

[And All The Queen’s Men ‘verse masterpost]

Warning: Minor character death, in both senses, it’s a baby, it’s not graphic it’s just mentioned, but just thought I should let you know.

And All The Queen’s Men: how the lines blurred between Queen and and the Queen of Jazz Rock.

An article almost two years in the making, after their last tour, which I was invited along to in order to write the initial article, the rock sensation Queen split, a decision, I am lead to be believe, was instigated by front man Freddie Mercury, and though Giselle Jones had continued to make music, even before her very public, on-stage breakdown, her lawyers had me keep the article to myself. Now, with the band’s reunion, and Live Aid having been a massive success with both powerhouse musical names coming back into the public eye, I’ve invited them back to my office for one last interview, but mostly to beg them to let me publish this article.

Which, obviously, they allowed.

It’s 1985, and with them all sitting in front of me, I feel a sense of deja vu. There are some changes, of course, Roger Taylor’s hair is shorter, Giselle Jones is wearing jeans and a sweater rather than her well-known cocktail dress, but John Deacon’s still smiling at me, Brian’s looking about the room, perhaps seeing if anything’s changed, and Freddie Mercury’s draped casually on the left of the only non-Queen member of the bunch.

But before I get into the past two years, maybe I should take you back a bit, to when Giselle and Queen began collaborating.

Giselle Jones began in the late sixties as the front-woman of a swing band in a thirties theme pub known as Modern Glamour. Tall, elegant, with a voice like honey, she had a small following of regulars that frequented the pub, but had kept her passion from music from her family, claiming she was merely a waitress at the establishment, since her father was an executive at EMI, and she didn’t want to seem like the subject of nepotism.

However, one fateful day, her father brings music industry giant to the pub for lunch, hoping to catch Giselle at work and introduce her, but as you know, they both got a lot more than they bargained for. Foster sees potential in her, and offers her a contract if she’s willing to modernise her act, and as we all know, she does.

When Giselle releases her first album in 1970, Velvet Roses, which would be the first and only “Jazz” record to hit the Top 40 charts for that year, Queen are still playing pub gigs around London, though they’re looking at recording their first album, which would eventually get EMI’s attention, but that’s still not for a while. At this point, they’re the biggest fish in a very small uni-pub pond, and they need the means to grow. So out goes the band’s van, for one night in a recording studio.

“Like, in retrospect, of course it was the right decision.” Taylor leans against the back of the sofa he’s sitting on in my office in 1982, voice contemplative and fingers locked together as he looks into the past. “But I was twenty-two at the time, selling my van was a big deal.”

“A big enough deal that you wrote a song about it.” Giselle adds, sitting beside him in the middle of the sofa. Deacon hides a smile though May doesn’t hide his snort of laughter.

The smirked remark is at odds with her look. While the boys are all in various states of brightly patterned shirts and jeans, looking casual and comfortable; Giselle wears white, sequinned, off-the-shoulder gown that hugs her figure and hits the floor, a slit in the thigh where her leg crosses, dark skin a stunning contrast to both the white fabric of her dress, and the leather of my sofa. Hands folded in over her knee, there’s not a singular hair out of place where she’s got it slicked back; I can’t look at her directly, she’s so focused and well put-together that it’s like staring at the sun.

The contrast has always been apparent in their various works, though Mercury has, in the past, cited her as an early inspiration for his desire to add a certain classical gravitas to rock and roll, and though she hasn’t publicly stated anything, the amount of covers Giselle has performed lived could fill an album. And now, here they are, about leave for a double-billed tour of the US, which I have been asked to join.

But their connection goes back much further than this, all the way back to 1975, to the release of the smash-hit single Bohemian Rhapsody That very same year, Giselle releases her fifth single, Dinner and a Show, a lyrically dissonant, heart pumping anthem that’s a metaphor for the way any type of review fuelled her, since it meant people were talking about her work.

You serve yourself on a platter; your putrid delights, / yet how can I refrain? / You don’t come to flatter, you don’t want to go / so come on baby, / don’t you know? / You’re treating me to dinner and a show.

Giselle’s usually silky performance is turned into a masterclass of vocal gymnastics as she slides easily from the rough intensity of rock and roll, to the smooth purr of jazz as she sings about eating critics for breakfast.

They say a free mind makes the meat so tender / now you’re on the menu and I’m a big spender

The song itself comes as a response to her former manager about how her “aggressive” move to music that more stylistically rock and roll was alienating older audiences, though Foster, still her producer at the time, was pushing for her to skew to a younger audience, and it seemed as though he had gotten his way.

The real change, however, was the B-Side of the record. After speaking to Jim “Miami” Beach, Queen’s lawyer, regarding potentially covering one of the band’s songs, Giselle reveals that she was eventually told to just ask them directly.

“I gave Miami a letter that basically explained that I’d like to cover one of their songs for my new album,” Giselle gives me a thin smile, and I feel like I’ve done something wrong, even though I’m assured by Brian that her public persona “is just like that sometimes”.

“- and I thought it was a joke! I said ‘yeah, sure, what’s the worst that could happen’.” Mercury laughs, leaning forward elbows on his knees and eyes shinning with amusement. “I did not believe for one second that Giselle, Giselle-” repeating her name for emphasis, his hand comes to quickly rest on hers where she still has them perfectly still on her knee, a moment of solidarity, “wanted anything to do with us. Hand Held Heart had been at the top of the US charts for almost three whole weeks the year before.” Letting out a long, wistful sigh, Mercury sits back, still grinning, though he’s got this far away look on his face now.

“So we’d been stuck on a farm, recording A Night At The Opera for weeks with no outside communications, ” May fills in where Mercury’s faded into his own memories, and Taylor slings arm around Giselle where she’s actually relaxed somewhat, hands now in her lap. Curiously, she doesn’t shrug him off. “And when we get back, it turns out that she’s put a jazz cover of Jesus, yeah, that song from our first album, on the B-Side of her newest single.”

“Freddie practically had a heart attack.” Deacon adds, patting Mercury’s shoulder fondly.

In her own way, she was continuing the trend that Dinner and a Show had started, and that seven-inch single would bestow upon Giselle the title of Queen of Jazz Rock. It hadn’t been the first time she had acknowledged the band publicly, by the time she had released the single, her public persona had gained enough traction that, a few months prior to her recording of the cover, a reporter had asked if Killer Queen, Queen’s biggest hit at the time, had been written about her. The question had been caught on camera by the reporter after one of her tour stops in the Midwest of America; the footage is a favourite of fans, including myself, of the way she doesn’t even turn, simply calls over her shoulder, ‘they should be so lucky’, and she gets into her waiting car.

“I never took offence,” Mercury tells me, both in 1982, and 1985, as I bring it up both times to consolidate the origins of their musical partnership.

“You wouldn’t, you were all starry-eyed for her back then.” Taylor leans back to address Mercury behind Giselle’s head, but only when he says it the first time, in 1982.

“It was a bit of a dig at us,” Deacon agrees with the drummer, nodding before shrugging. “A lot of good came out of it, though.” The others seem to agree, but Giselle herself has stayed quiet. For the first time since the interview started, she looks away from me, gaze dipping as she seems inclined to speak, though she takes her time to weigh up her words before she says them, wondering exactly what will and will not be printed.

“It was a bit of s**t thing to say. I was twenty-four and I panicked, I had to keep up my... this persona.” She gestures now to herself, breaking the entire physicality as she lets herself lean back, and I feel like I can breathe, seeing her act so human. Adjusting, she lets herself rest of the slightest of diagonals, shoulder to shoulder with Taylor’s arm still around her, now with Mercury petting her knee in solidarity.

Once in the tour bus, the difference between Giselle Jones, the woman, and Giselle, the singer and personality, becomes almost jarring to see. As soon as we get into the bus, she strips off the gown she was wearing, I turn away, though the others don’t seem to be bothered by it, May takes the dress to a waiting assistant by the door, and when I turn back, she’s in a pair of sweat pants and Taylor is tossing her shirt several sizes too big for her. For the first time since I’ve learned about her, Giselle looks comfortable, looks approachable and, for lack of a better word, non-robotic, taking a hairbrush from a drawer and flopping onto one of the beds as she brushes out the gel, apparently not bothering with a shower just yet.

“I showered this morning.” She seems to have caught my confused look, and explains herself. With her guard lowered in the familiar situation, her natural voice shines through, a rich, yet feminine alto, reminiscent of her singing voice. It adds to the list of things that add character to her beyond what her “persona” could ever convey. Or perhaps that’s the point.

The bus itself is almost too small for the five performers, and I’m certain it won’t fit me, but Giselle and I watch as they cram a blow up bed onto the kitchen table. It looks stable, and for the opportunity to experience living in such close quarters with such big names, I’d take anything.

“Sorry, darling, Paul takes the only spare bed.” Mercury informs me as I shimmy up onto the bed to test if it would hold. I had thought that the vehicle was at capacity, though it does make sense that the band’s day-to-day manager, Paul Prenter, would be travelling with them. That being said, I hadn’t realised there was even a spare bed, there was only five, perhaps none of them had wanted to be subjected to the blow up bed and decided to share instead.

When we finally get on the road, I get to finally see their true dynamics emerge. We all know the Queen dynamics by now, brotherly yet volatile, at times. I had worried for Giselle at times, the concept of living with four men (five if you count Prenter, who Giselle does not seem to, when I ask her about it, though I don’t think that’s a subject I should pry about, judging by the look on Taylor’s face where I can see him lounging at the back of the bus). However, I should have not have been worried; first of all, despite the youthfulness of their appearances, performances, and spirit, these are all men in their 30s, Giselle herself being 31 at the time of writing (1982), and they all have experience living with women, and with each other.

“First tour was a nightmare.” Deacon’s joined me on the blowup bed, is sipping tea as we travel along. “We learned real quick how disgusting close quarters can be.” He’s a quiet soul, but observant, and honestly I really enjoy his company. Anyone who can weather over a decade of rock and roll and come out as calm as him deserves some sort of recognition. “It’s much better now. Mostly.” He smiles like it’s an inside joke, but won’t elaborate. Giselle and Taylor refuse to clarify what he means by that, May just laughs when I ask him, directing me back to ask Taylor and Giselle, and Mercury calls them all gossips.

It’s something about the tour lifestyle that must bring out the childishness in them all, which comes out strongly during dinner. They shove my blowup bed into the sleeping quarters when dinner is served, and the five of us manage to cram into the tiny booth the bus allows. May, Deacon and Giselle are in charge of cooking dinner, sausages, potatoes, and peas, since apparently Prenter and Mercury have taken lunch duties, and Roger has put himself in charge of getting coffee and tea for everyone in the morning.

“We should really eat breakfast.” Giselle muses through half a mouthful of food.

“I do!” Deacon, next to me, comes back with, pouring some more peas onto his plate.

“You just eat cereal from the box, Deaky, that’s not breakfast.” Taylor counters him, which just causes the rest of the table to devolve into an argument about what counts as breakfast. Prenter, who has joined us for the meal, looks like he’d rather be napping or still driving, and makes quiet work of his meal.

Roger Taylor goes to sleep after me, and wakes up before I do, and I’m not sure how he does it. Or where he sleeps, the other beds seem taken. He wakes me up on the first morning by shoving my bed, which slides a few centimeters, but isn’t about to fall off it’s perch.

“You want coffee?” I’m barely functioning at this point, and his question baffles me. “Tea? Coffee? Deaky’s cereal? We got some left over sausages.” He lists off, probably due to my clear confusion, he seems exasperated, even though he’s definitely wearing pyjamas too. He’s still scowling a little when I tell him how I like my coffee, but he doesn’t complain, and it tastes exactly like I like it when he hands it over. The bus is stationary, so he can put the cups by the bedsides of those they are for, but interestingly enough he joins me on the table/bed.

I know the origin story of Queen, I think everyone does at this point, so I ask him instead about the subject of my article; how Queen got involved with Giselle.

“You wanna know how I met Giselle?” It’s not exactly what I asked, but he’s already thinking about it, looking past me to the sleeping quarters with a frown. He plays absent-mindedly with the chain around his neck, and with the ring attached to it. “I thought everyone knew about that, the whole thing where we hated each other from the start?” When I ask if it was true, he actually laughs, though it’s more a snort of derision, if I’m being honest. “Of course not. Mostly.” They all seem to like that word, I hadn’t taken them all to be vague.

“I told him to take a long walk off a short pier.” Giselle will clarify for me later that day, joining me as I take a smoke break at one of our bathroom stops, not that there isn’t a toilet on the bus, they just try to avoid using it as much as possible. She doesn’t smoke, claims she never has, but enjoys the company, while the boys are buying snacks at the gas station. I ask when it was, she gives me another thin smile, but not like it had been in the office. Here it’s the punctuation to an earlier joke rather than a judgement.

She tells me about how she actually met them all, recording her second album, after her 1972 performance on Top of the Pops, you know the one. It had cemented Giselle’s now iconic aesthetic of an off the shoulder, floor length sequinned gown, silk gloves, and bold red lipstick, dark hair falling victory curls, the whole look reminiscent of an old Hollywood star, though there was red glitter trailing from her lips, and on her gloves in a theatrical fabrication of blood. It had been a look inspired by her musical roots, and the theatricality of the then-popular glam rock, a movement which would inspire many of Mercury’s tour looks also.

She was twenty-one at the time, still “developing her persona”, when she found that the in-house recording equipment at EMI was being used by the then-still quite unknown Queen. Or rather, according to Giselle, just Taylor.

“He was packing up the last of his equipment, and he makes a pass at me, thinks I’m an intern.” We can see the boys leaving the gas station, Taylor himself heading the pack. “So yeah, told him to take a long walk off a short pier.” She laughs, seems to hold the memory quite dear. “That b******d has the gall to look me in the eyes and ask who I am.”

“Did he know who you were?” When I look at her, she’s still smiling, tipping her head to the side as the boys draw close. She seems to be paying attention to me, but not a lot.

“Yeah, told me later he was just pissed I didn’t throw myself at him. That’s why I said that, ‘they should be so lucky’ thing, actually, that motherf****r right there.” The way she says it, raising her finger to point at him, makes me think it’s a story she’s told before, one that he knows about.

“You talking about me?” Taylor yells, and Giselle is quick to answer that she is. “Don’t spill all my secrets.” It sounds like an order, but his smile says it’s not, it’s weirdly playful, a dynamic I didn’t expect from them, especially considering their history. I raise the point. She laughs at me.

“You’re kidding, right?”

Prenter calls for everyone on the bus, and Giselle doesn’t think to clarify once we’re back on board.

The tour, I should have mentioned earlier, is a double feature; Queen is promoting their album Hot Space, while Giselle is promoting her own, The Bend Before the Break. When I ask her about the album itself, she talks happily about a few of the songs, however when I bring up my personal favourites, Ache and Heaven Sent, she turns very quiet.

I will end up watching most of her performances, and to this day, I have never seen something as raw and spiritual as Giselle performing Ache.

The lights dim as the joyful Meant to Be finishes. On the studio recording, a double bass starts the song, long, grieving and angry notes that pick up in tempo as it’s joined by drums and a piano, and finally, her voice, low, bitter and seductive in equal measure. Here, there’s silence, as she gently croons the open lines, face illuminated by only a single gold light, as swirling red and purple lights move about the stage.

While saying you were sorry, / you burned me from the outside, in. / Now I’m calloused all over, / And too tired to feel the sting. / But I feel the ache, / feel the ache / feel the ache. / I’ll still let you back in.

She plays the piano herself for this song, a skill, I later learn Mercury had taught her many years ago. It’s a song that tugs at your gut, gets you thinking about how you keep people in your life who aren’t the best for you. She ends the last chorus with a long, mournful wail that you feel in your bones.

I’ve never heard a crowd so quiet as when she finishes Ache, the penultimate song of her set list, unless you count encores.

The final song of the night is always Heaven Sent, a bright, headbanging anthem with the musical gravitas of a full jazz band. It was her single from the album, it topped most charts. You know the one. The radio won’t stop playing it.

Divinity with a neon glow / it hung above his head, / promoting his next show. / Didn’t even try to find my light, / just the darkness he’d bestow. / Heaven sent me the Morningstar.

“I was cheated on.” Was all she will say about the songs.

The others steer clear of those songs as well, when talking about the album, as well as the titular song, The Bend Before the Break, though Giselle claims she has moved on from the feelings associated in all three songs.

“I wrote them first on the album, I’ve moved on.”

Each of the boys seems very protective of Giselle at times, though Taylor is by far the worst. If I’m being honest, was weird to me, they’d been at each other’s throats publicly and professionally for almost a full decade after Giselle’s initial comment, however the vitriol had died down in the past few years, so I enquire about that about halfway through the six week tour.

“We set them up.” May is the first to answer, sipping tea with myself, Deacon and Mercury. Since both Giselle and Taylor adjourned to the sleeping quarters. I ask him what he means.

“They tell it better.” Mercury interjects, but May argues that they’re asleep anyways so it’s not like it matters. Deacon agrees with Mercury, but quiet enough that May ignores him.

“So by ‘79, we’ve collaborated together, us and ‘Zelle, I mean,” the nickname is mostly used by May and Taylor, though Deacon uses it on occasion, “a couple of times, and we love her, right boys? We love her-” looking around, both Mercury and Deacon are nodding along, responding to a story they’d both heard before, though it was interesting for my first time hearing it, “but Rog is about ready to stab her with his drumsticks, but that’s just how he is.”

“Threatened to stab me once.” Deacon adds the unnerving information with complete serenity, focused on his cup.

“Me a couple of times.” Mercury shakes his head, as if it were some schoolboy prank rather than a stabbing threat.

“Like I said, just how he is. So we decide to send them to a place where they can bond over complaining about everything else, apart from each other.” I asked how it worked out for them and I watch as their faces fall. This terrible blind date idea must have gone horribly. “They hate the restaurant, which is good, but he goes to leave and bumps the table, spilling beer all over her dress, which is bad,” well, obviously. He pays me no mind, “and she elbows him in the face when she’s putting her jacket on - still don’t know how that one happened - but he still says he’ll take her home because it’s late, except-”

“To preface,” Deacon jumps in here, adding a little more milk to his tea, “she hates I’m In Love With My Car.” The song? Deacon nods. “Rog wrote it.” I can connect the dots, but I’m still confused as to how that lead to them being friends.

“Friends.” Mercury actually laughs into his cup.

“He takes her home anyways, she tells him the song’s s**t bu the sentiment wasn’t far off.” May finishes, shrugging.

“It was a real nice car.” Deacon shrugged, before looking straight at me. “And she still hates the song to this day.” There’s an air of finality to his words that is entirely unwarranted. That isn’t the point of the story; how are they friends now? Did they hook up in his car? Is that what they’re implying, I feel like such a gossip asking these questions.

“Did they ho- ? Yeah, of course.” May laughs, and though it clears some things up, I’m still rather confused. It’s probably reading on my face, because it looks like something else is dawning on him. “You know they’re married, right?”

No. No I did not know. Now I feel like an idiot.

I wonder if The Bend Before the Break is about Taylor? I can sense I’ve touched a nerve when I ask, and Mercury abruptly changes the subject, though the air still doesn’t feel right. When I head back through the sleeping area to get a new pen from my luggage, I catch a glimpse of Giselle napping in her bunk, Taylor too, asleep with his arm around her. She’s even wearing a wedding ring. I’m kicking myself for not noticing sooner. The chain with the ring around Taylor’s neck makes sense now. A lot of things make sense now.

For the next four days I feel like I’m being shunned, I’m the last to be told about dinner and have to eat the leftovers, Giselle barely says two words to me, Taylor just keeps glowering, and someone let the air out of my bed on the second night. It’s childish, but it’s in line with what I expect from them, regarding this sort of issue, I’m just glad Taylor hasn’t poured my coffee on me in my sleep, or spat in it. He just didn’t make it, which I suppose is probably the safest option for me.

The only apology I can think of is to offer to buy them all drinks, but it works well enough, and the next morning I wake to a fresh cup of coffee, and a very hungover Taylor. At least he’s dedicated to his job.

The rest of the tour passes without further incident. I still stand by Ache as one of my favourite musical performances of the decade, though I don’t mention it to Giselle, and now that I know the dynamic between her and Taylor, I can’t stop seeing it. Honestly, readers, they’re all over each other, which is expected from a man of Taylor’s reputation, but it’s still a little jarring to see the two of them so cozy. I must have been blind not to see it before.

When we part ways, Giselle is a little stiff with me.

“You brought up some feelings that I just... hadn’t actually dealt with at the time, which f******d me up.” She tells me in retrospect, sitting in my office with the rest of the boys in 1985. Live Aid was a few weeks ago, and since they all returned to the spotlight, I asked if they wanted to come and reflect on the past few years. The one thing that hasn’t changed is the fact that Giselle still swears like a sailor.

“A lot’s happened in the past few years.” Taylor’s still very protective of her, and after everything that’s conspired, at least from what I know, it’s warranted. We talk about the band splitting, how it had hurt the band as a whole, and even Giselle, who was at the time seeing a counsellor with Taylor. I’m hesitant to broach the topic of their relationship, though they seem like a solid until now, sitting before me, holding hands and leaning against one another.

I ask if Giselle’s breakdown was due to the band splitting, though I’m hesitant if I’ll get a response. Her smile is sad, which is mirrored by the rest of the band. I can guess her response before she says it.

“No.”

You all know the moment I’m talking about, the last concert for her last album, as of this publication, Finally, Sunlight where she had receive pleas from the audience for an encore. When she came back out, part of her makeup had been smudged around her eyes, and you can hear her sniffle over the microphone. (”I’m so sorry, I lost someone close to me, I thought I could keep it together for one night.” Dabbing at her eyes, she sits at the piano and laughs, but there’s no heart in it. “But I’ve got five more minutes left in me, let’s go, Atlanta.”) The song she plays is Somebody to Love, a slow, soulful cover, and the audience is almost unanimous in their raised lighters and slow swaying. As she goes on, she just starts crying harder, missing notes, hands shaking; the extended ‘Looooord’ before the chanting becomes a desperate wail, a plea to the heavens, and she collapses onto the piano, sobbing audibly as the instruments all come to uncertain halt and lighters go down in confusion.

From the crowd, a single voice begins to chant ‘Find me somebody to love. / Find me somebody to love.’ and a single voice turns to a theatre, full to the brim, as they sing when she can’t, still crying against the piano. Lighters go up, and together the audience and the band finishes the song where words have failed her. It was televised locally on the night, and still brings me to tears when I watch it now.

“We lost our daughter.”

For those of you reading this who are shocked, I am too. Sitting there like a fool, not saying anything.

“I was on tour, and Rog was at home with her,” even now, Giselle is getting a little teary-eyed, not that I blame her. Both Taylor and Mercury have an arm around her, and May has a hand on her shoulder, Deacon sitting on the back of the sofa right behind her. A unit. A family. “I wanted to go home, she was getting really sick, and I know he was doing everything he could, but I just- I wanted to be there... but my label threatened to sue me for... millions.” It sounds like it’s hard to say, and she’s wiping a tear from her eyes. I offer her the tissues on my desk. “But I should have gone home. I should have been there by her side, I should have done more.” Taylor whispers something to her and she leans against him, taking comfort in him.

“I had to call her, tell her that... that she’d passed. The day of the show. She’d been so upset for week, ‘Zelle that is, and everything just-” Taylor manages to get a great handle on his emotions, despite his misty eyes and shaking hands. “We’re alright now though, see? Nothing can tear us apart.” Though his voice does drop, so I think he’s saying it more for Giselle’s benefit. I give them all time to collect themselves, stop to get hot drinks for everyone, and everyone finally seems happy enough to answer when I ask what’s next for them.

“Music, of course.” Mercury says, now holding what was Giselle’s free hand. The rest of the gathered musicians agree. I ask if we’ll be hearing any sort of collaboration between Queen and the Queen of Jazz Rock. Taylor snickers, pulling Giselle close.

“Yeah, but not in the way you mean.” He ignores the rest of the men’s shouts of disgust, as well as his wife’s own gagging noise, which I can see on her face she regrets as she covers her mouth with caution, before giving the okay.

“No, we’re okay, we’re good.” She assures everyone, before looking at me. “What he meant to say is that I’m pregnant.” She clarifies. Taylor is still grinning.

“Don’t be gross, Rog.” May calls from the other side of the sofa, and Taylor has the gall to look accosted.

“What’s next for me, after everything that’s happened, is family.” Giselle says over the sounds of her husband’s indignant huffs, though his expression turns soft at her words, and they ignore the ‘boo’s of everyone else as they kiss.

“Could you be less gross around company?” Deacon asks, still mild-mannered as ever. This seems to be the cue for the interview to end, as Taylor of Giselle-

“It’s Giselle Taylor, by the way, I’m sorry I hadn’t corrected you earlier.” She corrects me now, as [Roger] Taylor leads her out of the door. The rest of the band seem mildly exasperated at their antics, but still ready to answer my questions. After everything that’s happened, I’m a little overwhelmed, I’m not sure where to go from here.

Perhaps my next article will be on Live Aid.

#roger taylor #roger taylor imagine #roger taylor x oc #queen #bohemian rhapsody #borhap #bo rhap #queen imagine #freddie mercury #brian may #john deacon #the angry lizard writes #bohemian rhapsody imagine

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coursingwater · 7 years

Note

1 4 7 14 15 30 for Diana, 3 5 18 24 38 42 for Caderyn

OK SO FOR DIANA

1. A little-known talent of your SS?

most of her talents she makes pretty apparent just by living, jumping and flipping around, fighting and all that fun jazz but prewar she was also pretty good at voice impressions. She might do it occasionally to bug people like you’re minding your own business and suddenly you hear the voice of Billie Holiday telling you you’re a cutie and to have a nice day. though that’s the only notable voice she can do other than some general cartoony sounding voices.

4. Is your SS good at keeping secrets?

Shes very good when she wants to be. She thinks its rude to break trust and tell secrets given to you if theyre serious. But if its something weird like “lol i saw x6-88 tryna hide the last box of snack cakes and pretend like there wont no more” then u know she SNITCHIN.

7. What is your SS’s opinion on body modifications?

She likes cute looking people and stuff. if you do something outlandish like 20 piercings in your face or tattoo your entire body up with some weird shit shes gonna think you’re off your rocker.

14. Happy birthday! What kind of present would your SS want prewar and postwar?

Honestly she wanted cake, really gourmet cake on her birthday and other junk food,, its the one day where she would just say fuck a diet and pig out. She used to love pizza but now the thought of eating one makes her extremely guilty knowing someone died going to get her one.

15. Something that grosses your SS out?

ghouls honestly. She wont say it to anyone because its rude and they cant control the way they look but it seems so painful to be one. like if you touch them its like shoving your hand into an open sore and she cant do it without some internal preparation first.

30. What is your SS’s favorite drink? Prewar and postwar!

prewar it was a good ol birthday cake ice cream flavored milkshake. nowadays its clean water or a nuka cola. any kind but cherry is best.

AND NOW CADERYN

3. Bedroll on the side of the road, or wait until a settlement to rest?

Bedroll on the side of the road, hell, sleep on the ground he doesnt give a fuck the world is shit HES READY FOR DEATH EAT HIM IN HIS SLEEP PLEASE.

5. Your SS’s worst habit?

Eating people tbh. He knows hes gotta stop but hes making a point.

18. Something that makes your SS laugh without fail?

Theres not a lot of things in his life like that. I think perhaps most puns that are actually good? Its kinda hard to make him genuinely laugh.

24. Something you like that your SS would hate?

HMMM, I GUESS?????? Fishing. I think its fun but he has no patience for something thats so not immediately gratifying.

38. Random Radstorm! How does your SS react?

He just stares, he likes the green sky and thinks its a cool new look, he wishes there were more. its pretty.

42. Does your SS try to stay clean? Or do they embrace the wasteland?

The moment he reached the institute and found a shower he knew there was no going back, he was never leaving this place again. he was gonna wash away his sins. He needs to be clean.

#long post #about diana #about caderyn #Anonymous #asks

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lesbianyennefer · 7 years

Text

ok ive finished andromeda and so im gunna collate my final gathered thoughts below:

All in all its been a good game but for the first time in my life in not just a mass effect but a bioware game i dont LOVE it i cant even say i think its very good - ive even been edging on outright disinterest and boredom at various points throughout. bioware games for all their faults have always made me get fully into their stories get completely immersed in the world and in mass effects case in their characters too. but andromeda is the first time ever that i find myself saying if someone asked me how good it was i would say meh. if someone asked me how the latest installment in my favourite thing to exist on this planet was i would say meh. as someone who for whom the original trilogy is genuinely my favourite thing in existence there arent words for how much it upsets me. im not even like ‘i wanna play again!!!’ like i usually am because im usually still so immersed in the world. here are some thoughts and delving deeper into the things that stood out to me:

- the writing: its poor. there have been a few funny moments and lines and most of the main quest dialogue lines are good but compared to what we are used to from mass efefct it PALES. only one moment of real enjoyment stands out to me in the entire game and that was the movie night one - of the only moments in the game I got happy about like the original trilogy. the writing for dialogue not just with npcs but with companions is often clunky, nonsensical, boring and adds nothing to furthering knowledge/relationships. i honestly couldnt tell you a lot about many of them because the conversations didnt pertain to actually getting to know them. it says in the codex that they all consider me close friends but its never been mentioned that they even considered me one nor can i recall when the friendship actually got going or how we reached the ‘close’ part. similarily a lot of criticism from critics was about the base elements being rehashed from the original and its true. so much has just been copy pasted from the ot in a way that actually makes this version less interesting. the big ‘reveals’ in the story are also so badly done that when jaal mentioned the angara were made by the jaardun is it? i didnt have a wow moment like mass effect has given me in the past i was so confused by everything going on i was just like what? nobody seemed to make a big deal out if either considering an entire race just found out they were genetically engineered. the only real ‘wow’ moment i had in the game was finding out ellen ryder was still alive and jien garson was murdered and even then you cant tell anyone and its pretty much forgotten!! ryder knows that jien was murdered by possibly this benefactor who seems to have ulterior motives for all of them and she also knows the reapers invaded and as far as shes aware eradicated the entire milky way. maybe thats something that should be shared with leadership hmm? (as much as i hate tann)

- the plot: touching on the last the plot was, to me, nothing to write home about. ive always enjoyed that mass effect has a linear storyline that you get stuck into and follow through at a good pace. now i know they said andromeda was going to be more exploration based game - which i would normally like! - but not when the exploration has almost nothing to do with the main story and is so fucking much that you could play for 3 days 12 hours a day and not get to the next bit of the main storyline!! when you space it out too much the audience - or i - loses all connection with the sporadic main plot and what we are actually supposed to be doing so much so that by the time you go to play the next segment you dont even really know why youre there or whats going on. similarly the plot never made me go :O which the ot did a lot. an example ive mentioned before is that seeing the citadel always makes me go ahhh!!! the nexus by comparison is pretty boring. despite its flaws i love the storyline surrounding the reapers and it always gets me each time i play. sitting her writing this if you asked me to detail the main plot of andromeda i honestly couldnt. i cant remember what i did or in which order. theres no substance or linearity.

- the exploration: i again cant believe im saying this but swtor a mmo game from 2011 has more interesting open worlds with more MANAGEABLE and relevant side quests than andromeda. they might be beautiful but none of the worlds stood out to me - though i loved elaaden and the downed remenant ship star wars reference. i dont mind doing a few bland side quests but when there in the 50s and they lead you on goose chases across entire planets i begin to get agitated. i cant recall the amount of times i had to go back to planets like kadara for one 5 minute firefight and a couple of lines of dialogue. going through the galaxy map animations, the landing animations, the lift down to the slums then crossing the threshold to actually reach the map to THEN find your destination? yeah im pretty done by then.

- side quests: tying into the above side quests! bioware hinted theyd learned a lesson from dai and taken inspiration from the witcher 3 for their approach to side quests and they appear to have done neither. there are MORE side quests than there were in dai and i actually didnt mind dais but andromedas have become an issue for me - probably because there were so godamn many. they dont have any baring on the story and they are bland and uninteresting mostly fetch quests. i hate bringing the witcher into this because i dont like giving praise to cd projekt red but the truth is bioware could stand to ACTUALLY learn from the witcher 3. the side quests in that are small in number, long in plot and actually connected to the main story. they dont make you feel like youre straying from the plot, their content is deep and very good and they quite often have major consequences. see triss’ quests in novigrad. one thing i will say is they did seem to take a little of the last into andromeda. some choices have consequences ie saving the salarians over the krogan. that was pretty cool but still underdeveloped.

- the relationships: by the end of the story i can say I love all my squadmates despite the fact that i feel like i barely got the chance to know them (the only one il say i dont know at all well enough to love em is gil who has no content aside from the incredibly uncomfortable jill storyline and i wonder why hes the negelected one hmm?). i loved how they moved around and talked to each other but the amount of times i went round to see them and they had nothing to say was a LOT compared to the fact that in me3 everytime you went to see someone they had something (or multiple somethings) to say often without having to enter into a cutscene style animation just to see if they actually want to talk. in terms of romantic relationships ( i romanced peebee) i was disappointed by how little your romanced companion interjects on the story. at least in peebees case there was very little content and she seemed hardly bothered when my ryder got injected then killed herself and then died AGAIN to save them aside from a little snarky “hands off” comment when the archon grabbed her face. she mentioned a little bit back on the ship but compared to me3 and how liara/garrus/ash/kaidan would interject a lot on mission and have hints to their romance sprinkled throughout it felt like another forgotten thing. not one person on the ship mentioned me and peebee aside from a quick thing from sam when i went to see him in my cabin. also jazzed up sex scenes dont mean anything if the rest of the relationship is bland and overlooked. i prefer liara and sheps me3 scene 10x over peebees (my little gay heart still cries).

- the music: WHERE WAS THE MUSIC??!?! one of my favourite things about games FULLSTOP and the cherry on top of mass effect has always been the music. to this day i love the atmosphere that noveria creates and vigil makes me fucking cry. the suicide mission gets me pumped and leaving earth leaves a gaping hole in my chest. (diverting a bit even dai had fantastic music. in hushed whispers, the lost temple and thedas love theme are among my faves.) aside from the heleus galaxy map music and the ambient from that one destroyed planet i cant recall a single piece of music that stood out. i can remember about 3 tunes overall the map, the main menu and the one that plays a lot when you fight kett. there wasnt even any proper ambient music for the worlds!!!!! there arent words for how upset i am that theres no fucking mission themed bangers. im just really sad about this.

i think at the end of the day a big reason for me why i havent loved it is because as ive said before it doesnt feel like mass effect to me. to a pretty great extent i think the reason for this is the decision to move to the Andromeda galaxy. the absence of shep and the crew and the normandy is another huge factor but rather unavoidable in terms of continuing the games, but moving to andromeda has robbed the series of everything that made it mass effect. the mass relays, the citadel, the council, the alliance, earth, thessia, palaven they all made mass effect mass effect. Not to mention the quarians (one of my fave races ever), the drell, the volus, hanar, batarians, vorcha they were all a part of what mass effect IS. even the architectural style of the colonies, the nexus its all different and it doesnt have any connection to the ot and the world it created. andromeda feels like its own game completely unrelated to mass effect and one that when considered on its own has an incredibly shaky foundation and sporadic storytelling. at the end of the day it was fun to pass the time but as a huge mass effect fan i feel it was incredibly disappointing and to be quite honest i dont consider it a part of the mass effect i love.

#i guess this is kinda like a review lmao #but yeah ofc heavy me:a spoilers #becky speaks

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