during the pandemic I was lucky and was doing some volunteer work rather than being in quarantine, essential personal and all that (hurricanes and wildfires didn't stop)
in 2021 I left that job and for 3 years I have done nothing since cause some of that said work exacerbated and added new quirks to my already funky brain
I feel like that's just an excuse but my therapists and medical professionals have told me otherwise
In particular I can't drive which fucks everything up when you live in that nightmare section of suburbia where you can't walk anywhere and the only thing around are strip malls with pricy restaurants
Though there is a library close by that I frequent, it's not one of the two where events happen where I might talk with other humans (beyond the common courtesy talk)
I've also gotten so highstrung i act fucking aggressively or panic when i start talking to literally anyone for more than the 5 second chat with a store clerk
I need to find people I can parasite their automobility for and I'm plenty likeable so it shouldn't be a problem once I get to an activity (it's taken me years of therapy to somewhat believe that, let me indulge that particular delusion and truth)
I'll start by screaming here, and by trying to actually showcase my stories online, still, even that will be a problem cause of my aforementioned funky brain
I don't know what the point of this was, maybe its just noise, and it's definitely an invitation for communication, but it's unlikely many or any will see this (or they/you will be anxious too)
It's also likely I'll be too frightened to do anything about potential first contact and delete this account before I end up engaging with you native aliens (humans but my brain is funky and I don't understand y'all sometimes, least of all myself)
Anywho, I think my messages are open. I'm pretty chill I think, if you want to be a dick that's fine too.
As for things to talk about i think I'm a standard nerd with a little more travel experience than most.
/End incessant droning
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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hi what do you think abt t4t kakayama (it's canon to me tbh)
:) hi ty for the question. i will do two sweet pictures of them being intimate and then under the cut there's going to be a longer very unsweet and more technical response
so i'm usually not a very shippy person! but that said i am also on the record as an occasional kakayama + kakayamagai enjoyer
i do hc them both as trans and in different ways w/ different experiences of transition and identity! i have no interest in proving my view as canon, but i do regard my reading of the text (text here including the anime) as a valid interpretation of yamato's experience of identity
yamato, for example, imo, doesnt have any real lived experience of being raised as a child of any gender. he was an experimental subject, and then he was Danzō's weapon/vessel for the mokuton, and then he was in anbu.
in a fun little word game which should not be taken seriously: it'd almost be more fitting to describe him as "adgender" rather than "transgender" since the prefix "trans" implies moving across where the prefix "cis" means to stand still, but the prefix "ad" means "to move towards" and i headcanon him as somebody who was degendered as a child, not in a cool nonbinary way, but instead in a dehumanizing, objectifying way, so his experience of creating his identity and his gender along with it is one of moving toward the concept of gender
this word doesn't and wont exist, but bc of the way english works it would probably be simplified to be spelled precisely the same as "agender" in the same way that "aggression" came from latin "aggredi" which came from "ad" (meaning to/toward) and and latin "gradus" (meaning step) (essentially the combination means "to step to" [in a threatening manner])
the only diferences is where agender (meaning no gender) is pronounced ay-gender, the agender that comes from adgender would be prounounced more like "uhgender" in the same way that agressive isnt pronounced like "ay-gressive" but instead like "uhgressive"
and then...as for kakashi? i just decided on vibes. i didn't think hard about it.
i guess i should also say that, while i draw kakayama very infrequently, when i do draw it i usually try to be very apparent about the transness in the artwork if i can?
especially if i'm drawing anything more intimate than a peck on the cheek.
it's no secret that shipping is often times the most energized part of fandom, and i kind of don't want to produce romantic or sexual artwork which will be enjoyed by people who don't think trans people can be attractive? or who find that trans headcanons make a character uninteresting to them? or worse, "ruin" a depiction of a character to them?
often i think about in terms of. IF there are people that follow me that love my work (usually) and think that kakashi or yamato are hot (usually) and love kakayama (usually) but get frustrated or even uncomfortable out when i draw them as explicitly trans? then i'm drawing all intimate artwork of them as explicitly trans.
it's a little like...nobody gets to love my work if transgender characters are a turnoff for them. that's the bar for entry, is the way i think of it, but really its more like putting onions in a dish. if you want to eat the dish you have to eat the onions. if you don't want to eat the onions, don't eat the dish. all the meals i make contain onions. i'll never compromise on my intention to put onions in every dish i make. that's my ninja way, as the kids say.
especially in the climate we're in right now.
i don't know. i have a lot of feelings about how most fandoms tend to view trans men, especially in terms of romantic and sexual relationships. I'm doing a bad job of expressing the depth of how much seeing how fandom treats trans male identity and transmasculine bodies impacts the way that i draw + write kakayama, but genuinely it's something i think about every single time i create content about them.
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one weird and annoying effect of me spending so much time on mainly american social media and watching all these american shows and movies and reading books by american authors and having all these online friends from america etc etc is that like.. when i write i no longer feel like i can set my stories in france? like, bc i write in english it feels like i need to set my stories in an english-speaking country, and the us is the easiest one to set up (i think in a way it kinda feels like the "default setting" of western media?). i feel like if i wrote a book set in france itd be weird or confusing to people, and also im always bugged bc like.. the stuff i write in english cannot be directly translated into french, like it doesnt correspond 1:1 to french sentences, and so if i set a story in france im always bugged bc i think "but that cant be what the characters are actually saying, because theres no equivalent to this in french". so i end up setting a lot of my stuff in the us, except ive only been to the us once and not long enough to get a good impression of what living there is like (not to mention ive only been to nyc), so i also feel like when americans read my stuff theyre gonna immediately go "huh? thats not how things are here. this author is a hack who cant do research." .. so then sometimes i set my stuff in fictional countries or in an ambiguous impossible setting which mixes stuff from various english-speaking countries + france, but then that makes my story immediately less grounded. this is such a big issue that it blocks me from writing entire stories i wanna write bc i just cant even begin to put them somewhere 😔
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