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undertalethingems · 3 years

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You are a wonderful comic artist and storyteller, do you have any tips for someone looking to start a comic?

heh, thank you ^^

It’s kind of funny, but a random blog i had checked out happened to have been asked essentially the same question, so i’ll echo their reply--first of all, don’t jump right into a huge comic right off the bat. you don’t wanna get 40 pages in and realize it’s not for you, get burned out, and limp along until you eventually have to give up. that sucks for everyone. so, try out shorter comic formats first so you get the hang of it and learn what works for you. unexpected guests isn’t the first comic i’ve done--it’s just the most successful because i’ve learned from past projects. mostly what not to do, but hey, that’s important too.

but for any comic, i think the other most important thing is to have a plan. have a plan for your story, have a plan for your art, have a plan for your schedule.

putting the rest under a cut because it got long =u=;

i’ve mentioned this before, but I didn’t have Unexpected Guests fully written when I started drawing it as a comic. but, I had a good idea of where I wanted things to go and knew it’d be a while before I caught up, so I wasn’t too worried about that. As long as i kept working on the story, i wouldn’t run out of material, and i did eventually finish the story well before the comic met any of the parts i may have gotten stuck at. Having a story or script laid out ahead of time keeps you from running out of material or having to come up with something new for every update. it lets you plan out character and plot arcs ahead of time, and if you do end up having to drop the comic for one reason or another, you can at least let your readers know how things were meant to pan out and give them closure. you can always edit things along the way--nothing’s entirely set in stone until you draw it out and post it, and there are definitely things in the comic version that aren’t in the fic, and vice versa. so being flexible is an important skill as well.

planning your art is important too, and comics take a little more of it than a singular work. there’s a lot that affects how a comic looks--not just the art style of the characters, but the actual page layouts too. each panel is a picture unto itself, but it’s part of a whole, and how you shape and position each one can add--or detract--from what’s going on in your page. And then when it comes to actually drawing the thing, keep in mind that you’ll have to stay fairly consistent. is a full-color, fully-shaded style sustainable for you? or will you get burnt out or potentially hurt yourself with a particularly complex style? could you save that for splash pages and use something simpler for the main body of the work, the way manga artists often do? try to go with what will actually help you tell your story--which may not be a complex style because it takes too much out of you to draw.

unexpected guests looks the way it does not because it’s the best art i can possibly do, but because it’s the best i can draw that’s still relatively quick and easy. i don’t worry about getting it to look perfect, because that’s just extra pressure and time and energy i don’t necessarily have the ability to deal with, and i want to tell my story--and i have a lot of story to get through. so that’s what i focus on. having an art style that supports that goal makes a huge difference, and planning for it ahead of time just as much.

Lastly, having a schedule--some kind of structure--has helped me keep up with my comic a lot, and it’s also advice i’ve seen for building a following online. So, having a set date you want to have pages done, and giving yourself enough time before then to meet that date, keeps you on track--and then having a date your fans can look forward to, where you show up consistently in the tags, helps people find you and know you’re actively updating. For a while I could update every week because I had the free time, but after I got a new job, I had to give myself two weeks--and that’s still hard to meet sometimes, even with the art style i use.

Ultimately, what works for you is going to depend on a lot of factors. but taking some time to think about what you want to achieve, and what will realistically work with your schedule and skills, will up your chances of success. Studying comics you like can help you get an idea of what works, and there are a couple books about comics that are often recommended too--’Understanding Comics” and “Making Comics” by Scott McCloud. Both books get into the nitty-gritty of how comics actually work in terms of both art and storytelling, so they might be interesting to you as well as a more general look at comics.

and of course, this is just speaking from my experiences! it may not help you at all, but i hope it gives you something to think about :”D

#undertalethingem chats #art tips with undertalethingems #i'm no expert but i like to think i've maybe learned some stuff that could help other folks =u=;

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phantom-soldat · 5 years

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Meeting Sebastian Stan.

This is not an opportunity I ever expected to have, at least not anytime soon. When he was first announced to be a guest at MCM Comic Con (London, May 2019) I had a bunch of people tagging me in the announcement post. Sebastian is an actor that means a lot to me - He’s caring and has struggled with a lot of the same things that I struggle with; from anxiety to depression, and generally being a bit lost in the world. We’ve all seen the posts of him commenting on fan’s posts, giving them advice while simultaneously putting more positivity and support into the world. For this reason, and more, he is incredibly inspiring and important to me. I aspire to be as supportive, caring, loving, goofy and giving as this man.

So, when he was announced, I knew I had to meet him. For me, it wasn’t an option: I had to. It was simply too important for me not to.

One thing I had wanted to do before I met him was get a tattoo of the Winter Soldier, however, due to money issues and time, etc, I had never had the opportunity to get one before comic con. Until comic-con. Another opportunity came up when MCM announced that they were having tattoo artists at the convention, and so I booked in with a lovely lady by the name of Laura, from Empire INK in Edinburgh. Thankfully, I managed to save up enough money for the tattoo - Through both selling possessions and saving up money from my day-job.

She was absolutely lovely and great with communicating the design I had in mind. I wanted something to match the other tattoos on the opposite arm; a portrait, with his signature at the bottom (on my opposite arm I have a Hela portrait). The Bucky tattoo would be on my left inner forearm, covering self-harm scars with something - someone/a character - that means so much to me. Bucky, much like myself, has been through a lot of mental issues. He’s lost, finding his way, but despite all of the issues he’s had? He’s made it through it all, he’s continued fighting despite all of the challenges he’s faced... and that’s something I can remind myself: I can fight and get through the challenges I face. I will survive, and have survived. The significance of this tattoo, and getting Sebastian to sign it, was and is extremely important to me.

Which leads to the first picture.

First picture. So, on the first day of comic-con (the Friday) Sebastian wasn't there. This was the day I booked in for a full-day session for my tattoo. Laura, my artist, was absolutely ecstatic as she’s also a fan of the guy, and was super pumped to find out that Sebastian would be seeing her work. The session lasted for, roughly, seven hours with only one five-minute break for both my artist and I to have something to eat. During the course of the tattoo, the MCM staff came up to view the process of the tattoo; the security were very excited about it, and got the media team to come down to the section of the hall where all of the tattoo artists were. It was all very exciting, talking to them was lovely - They were all so supportive, kind and frequently returned throughout the course of the day to see the process. Alas, the media team turned up and took a few photos: One of which winded up on the MCM social media sites: Instagram, Facebook, Twitter. Both Laura and I freaked out, it was getting a lot of attention.

Second/third picture. Saturday came around fairly quickly. This was the day where I would try to get my autograph - The day I HAD to get it, as to not disturb the healing process of my tattoo. I was dressed as Wakanda Bucky that day, deciding to cosplay something more comfortable due to both the pain from my arm, the hot weather, and the fact that I couldn’t restrict my arm in tight costumes.

Before the convention, I had put together a little gift-box for Sebastian to give back to him the love, care and gratitude he gives to his fans. Inside, there was a Winter Soldier book (Civil War) that I had made him; personalised on the inside to, firstly, look like it held Winter Soldier documents which lead on to messages I had collected from fans. All stories about how he had changed their lives for the better, how he had made a positive impact on the world. I included other gifts, too, like a t-shirt (that says ‘Straight Outta Cryo’, much like his ‘Straight Outta Romania’ shirt), some drawings of mine, a Bucky, Nat and Sam tsum-tsum and a little lego figurine of Bucky.

So, with the box in my arms, I waited for about an hour and a half in the autograph queue. Although I missed his panel, it was worth it, because I knew that if I had attended that I would only spend more time waiting, and less time with my friends later on.

While waiting in the queue, I was alone and full of anxiety. This was a big moment for me. I’d actually see him. Meet him. Something I’d been waiting for years and years to have the opportunity for. People were trying to snag sneaky pictures of him: going on their friends shoulders just to get a peak of the infamous Seb Stan.

Eventually, it was my turn to walk up to the table where he was signing. Due to the sheer amount of people that were there, it was very rushed, for they wanted to get through as many people as possible: I knew this going in, and so I’d been going over and over what I’d say to him in my head. With a smile, he greeted me; it was clear that he was tired, having flown in the previous morning and hadn’t stopped working since. Rumour has it he worked through his breaks to continue meeting fans - between the photo-ops, the panels and the signings he must have been really exhausted, with jet-lag on top of that, and so I felt really bad for the guy.

In brief words I explained my gift to him, and he smiled and let out a laugh upon hearing what the t-shirt said. At the time he didn’t open the box, because it was simply too busy to do so and the convention staff were pushing him to continue going through as many people as he could. In the panel I had missed, or the panel the next day (I can’t remember which one) I believe he referenced this and said how he wished he could spend more time with us all, and talk to us all properly. I still treasure every second I got to spend with him, though, because as previously stated, it was a moment that is extremely close to heart, and I know a lot of people wouldn’t have had this opportunity (this was also why I gathered fan messages, so that I could give him something from them in-case they never do have this opportunity).

The convention staff got me to show him what I wanted signed: Most people brought posters, or pop-vinyls, but I showed him my arm and said I’d like my wrist tattooed. He delicately held my hand and arm as he signed it, and then I was on my way once I had thanked him.

Afterwards, I immediately called up my bestfriend and burst into tears. I had met him. I had thanked him. I had given him a gift and, now, I would have his autograph on me forever, knowing that I have a very personal reminder to myself: I can do this. Whatever ‘this’ is, I can do it.

Due to the overwhelming emotions I was having, the busy crowds, the heat, and the pain and toll the tattoo session the previous day had caused me, I did have quite a big panic-attack. During this time, I had to go outside and get some fresh air, but my best-friend stayed on the phone with me and calmed me down - I am eternally grateful for his friendship and support, and for moments like these when he helps ground me back to reality.

This leads on to the next photo; where, once I’d had some fresh air, a drink and some food, I went back inside to get the signature tattooed. Once again, Laura and I freaked out over it, and I told her all about it excitedly as she finished up tattooing the autograph and shading around it. She even went back over the little red star at the top of my wrist, which Seb had signed over. Laura did an amazing job with the tattoo, and worked the signature into it flawlessly. I can’t thank her enough.

Sunday. This was the day that my photo-op was booked (that was an entire process of its own. Tickets sold out within 2-3 minutes - I am so, SO thankful that I managed to snag one). Much like the autograph process, the MCM staff were trying to get through as many people as possible, and so the entire thing was very ‘click and go’. Generally, this is the case with photo-ops at conventions - It’s less personal, more of a ‘capture the moment’ type of thing.

On this day, I was dressed as Black Widow from The Winter Soldier. It wasn’t the best costume I have ever worn, admittedly, but I was excited for my photo-op none the less. My costume broke on the way to the con, but I wasn’t going to let that stop me, and once again I was waiting in a long line for one last moment with Sebastian.

I knew that he likes Bucky and Natasha’s relationship in the comics, and that he would’ve liked them to be together in the movies. This is a ship that I also sail, along with Stucky, but I thought that being Nat would be a lot better as it’s also something that he enjoys. I actually managed to capture a sneaky video on my phone of me approaching him during the photo-op. They were very strict about no-photos apart from the one you paid for, which I understand, but at the same time, this was too important for me not to try and grab sneaky videos, etc. So I did. Sue me. (Please don’t, I’m going to be a poor student soon).

As I approached him during the photo-op, he looked a lot less tired, which I was thankful to see. He greeted me with a smile once more, and I showed him my finished tattoo - I kind of stood my ground and spoke to him very briefly before the photo-op was taken. Most people were conveyor belted through their sessions with him, but I was determined to show him the finished product. With a smile and an expression somewhat akin to awe, he said that it was amazing. We soon moved onto talking about what I wanted for the photo-op, and it took a split second for us both to get into position.

I wanted to look as if we were dancing romantically, as Natasha has a history of ballet. The final photo in the post was my photo-op, and I couldn’t be happier with it. It was a very full-on weekend, but I enjoyed every second of it.

Thank you MCM for giving me, and others, the opportunity to meet such an amazing man. Thank you Sebastian for flying all the way to London to take the time to meet your fans in England. Thank you Laura, for being an amazing tattoo-artist and for the nerdy talks we had during my tattoo session, and for giving me a piece of work on my art that is very, very treasured to me; and, finally, thank you to all of my friends for supporting and loving me, for continuously encouraging me to step out of my comfort zone and to keep on fighting.

And continue fighting on I will, just like Bucky.

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franeridart · 6 years

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dude your recent demon & angel kiribaku art reminds me a little bit of aziraphale and crowley from good omens!! like aziraphale would be angrier as baku obvs but still i thought of it and it made me happy lol

A lot of people have mentioned that in the tags/under the post and that makes me!!! super happy!!!! Good Omens is one of my fav books and Crowley one of my fav characters, so the comment feels nice! I wasn’t specifically thinking about them when drawing it, but possibly a bit I was influenced anyway!! I wonder if what made everyone think about them was Kiri’s sunglasses? It’s not noticeable but I did give him glowing eyes too after all haha

Anon said:Have you ever thought about how op a TodoBakuDeku fusion would be? (if they could stay together that is lol!)

Never thought of it tbh, but at this point I’m pretty sure with a lot of work on Baku’s part they’d be able to stick together long enough! He wouldn’t find it comfortable but they’d def be one of the strongest three-people-fusions in the class - not the strongest, tho, since they all have the same sort of straightforward offensive power when it comes to their quirks, I think I could find three people who’d make a stronger fusion... Baku Kiri and Momo, for example, would be even more impressive imho! Since all their quirks cover a different field, and their minds/personalities mesh well enough to have the right amount of planning and instinctive reaction/self-preservation and safety of others/pride and self-doubt/lawfulness and chaotic acting and so on. Even just as a team, without counting them as a fusion, I think they’d make one of the most balanced ones! Compared to that putting Todo Deku and Baku in the same place is just a recipe for disaster more often than not haha

Anon said:no, i move slow, I wanna stop time, I'll sit here til I find the,, inspiration to draw,,,,,,

LMAO it’s a song about art block after all, I feel every word in it a whole damn lot hahaha

Anon said:Art block or no art block, I love everything you come up with 💜

AW HECK ANON you’re so sweet!!! Thank you so much!!!!! ;O;

Anon said:Mixing thei hero names? So uuuh King Riot?

We still don’t know Baku’s hero name, so anything might be, really! It’s why I didn’t outright have Kiri mention any idea, I got no clue myself where he was going with it haha it’d be cool if his hero name were Ground Zero, because it’d mix well with Red Riot imho (Red Zero or Ground Riot or Red Ground, they all sound nice!) but what if Baku’s hero name ends up just being Katsuki, after all? How do you mix that with Red Riot? (the answer is Red Victory, or Akatsu!! from akai (red) + katsu !! ngl I’ve thought about this a lot lmao) anyway so many possibilities so little known facts!

Anon said:I love the details on Kiri and Baku's skin. Great job!!

THANK YOU SO MUCH!!!!

Anon said:!!!!!!!!!! fran oh my god your zine piece is so beautiful!!!!!!!

Sob thank youuu!!!! I’m glad you liked it!!!! ;O;

Anon said:i just got my zine and the art and writing was so lovely, i loved your comic at the end. an amazing way to end the zine♡

THANK YOU!!!! I’m jelly, I still haven’t gotten mine ;O; I hope the comic was easy to read even in printed form, I’ve been worried about that for months hahaha rip at least there’s the pdf

Anon said: i’m in love with your kiri bday art!!!! with the colorless art like that, are we allowed to color it? of course no posting it, but just for fun.

If you promise not to post it, I’m cool with it! Thank you for liking it enough to want to do that!!! Seriously tho don’t post it if you do

Anon said:Can you draw more kamisero? g u d q u a l i t y s h i p ma' dude.

Maybe? Currently it really isn’t between my top priorities but who knows

Anon said:FRANNNNN!!!! Your comic for the Take My Hand zine!!!! I'm gonna cry! It's so beautiful and the boys are so perfect! Your art is so amazing, I was so thrilled to see your piece. Not to mention the detail you put in. Their hands killed me! With Bakugou's palms and Kiri's arms! Ugh, I just can't, I love it so much.

I’M SO GLAD YOU LIKED THE HANDS it’s weird bc that one panel is probably my fav in the comic and I was so sure no one was gonna really notice it but!! So many people did!!!!! It makes me so happy oh man ;O;

Anon said:Hey coulda maybe make a traitor Kaminari comic?

Nope! No traitor arts here, sorry! SInce I don’t believe any of the theories to the point of finding them outright laughable, any art I could ever make about it would just come out looking either fake or ridiculous and no one wants to see that lmao

Anon said:your take my hand comic!!! it's so good!! thank you for doing the boys so well ;;;

!!!!!!!!!!!!!!!!!! THANK YOUUUU!!!!!!!!

Anon said:I don't know if you remember, but a couple months ago I asked if it'd be okay for me to write something based on a few of your art pieces. Would that still be alright? Your art is gorgeous and makes my brain think and brings joy to me all the time ^^ would absolutely link to the art and credit you. that's not even a question :)

That still depends on which art you’re specifically talking about! And thank you so much for the compliment!!

Anon said:I don’t know if you read fan fiction, but I have one to suggest to you! It’s called, “It’s Obvious When You Lie”. Only three chapters are out so far, but it’s really good!

I’ll add it to my marked for later list then!! Thank you so much for the rec, I don’t easily try out ongoing fics so this was very nice of u!!!

Anon said:In the body switch AU Todoroki sees how fucked up Midoriya feels around Bakugou('s body?) and realizes wow fuck this guy has traumatized my bf. I wonder what I can do to fuck w/ him so the day before they switch back (So Bakugou can't do much in retaliation) he takes Bakugou's body and does the stupidest bullshit ever as revenge

HECK anon sorry but nothing like this would happen ever as long as I’m the one writing the AU! For three main reasons! One, I don’t think Deku is traumatized at all! His relationship with Baku at the moment is actually pretty damn neat and on equal footing, you go you two, growing so much!! Two, Baku and Todo are friends!!! And Todo would never be a dick to Baku instead of just talking to him, if he had a problem with him!! Three, even if one and two weren’t true, Deku has no need for knights in shining armor fighting his battles for him!! He’s a strong independent boy and if he hasn’t fought Baku over this it’s probs cause he doesn’t want anyone to fight him over it!!! Also in this specific AU Todo and Deku aren’t dating, so the scenario doesn’t work for me! Sorry!

Anon said:Have you ever thought about krbk wedding?

I have! And I’ve talked about it on here a few times too! Lately I’ve been thinking about it again tho, from a designs point of view, because!! There’s that very neat post going around tumblr about that wedding photos in which one of the two grooms has a white tux with a cape, and I’ve been thinking about a variation of it for Kirishima’s wedding suit :0 something red instead of white, but generally similar! It’s a lot of effort to draw it so I still haven’t, but yeh!!

Anon said:Hello! I read this fic about your cat comics and the author said to send you some love in their end notes so here is some well-deserved love: your art is beautiful! It's why I became interested in BakuShima and I would not have loved these characters as much if it weren't for you. You also seem to be a very nice person, your mind is beautiful and I am glad you exist

G O DS this is such a nice ask!!!! thank you so so much!!!! ;O;

Anon said:Non chiedo una risposta a questo messaggio, anzi. Volevo solo dirti che trovo la tua arte FANTASTICA, e non sai quanto i tuoi comic e tutto il tuo lavoro mi ha strappato più di un sorriso in brutti momenti. Sapere che sei italiana mi ha fatto totalmente impazzire. Continua così, hai del talento vero. E grazie!

NUHHHH GRAZIE A TE PER ESSERE COSI’ GENTILE OMFG !!!!!!!!!! ;A;

Anon said:Okay okay okay! I adore your art! Could you maybe... draw some KiriBaku fantasy? If it’s not too much to ask! It can be as simple as can be! Your art is just really cute!

Yes I can and yes I will!!! Definitely and in the near future, did you know one of the app games JUST revealed a fantasy wolf Baku as a special halloween chara?? It’s just fantasy Baku with wolf ears and tail, but he’s adorable and I’ve been wanting to draw him since I saw him this morning ;O; so cute!

Anon said:Pssst. Singer Baku, Guitarist Kami, and Drummer Kiri. A good hc if I do say so myself.

It IS a great thought!! Drummer Kiri and Singer Baku have always been a weakness of mine too, so heck!! What a good image! If we put Jirou on bass and vocals too and sero on keyboard and mina on guitar, you make my fav band right then and there hahaha

Anon said:I'm not in the BNHA fandom at the moment but your art still continues to give me the warm fuzzies

GODS ISN’T THIS A NICE ASK!! I’m happy I can make you enjoy even characters you’re not specifically into! Thank you so much for sticking around!!!! ;O;

Anon said:i just got into bnha and fell in love with your art, started going through your sketch tag, and then realize that youre the person who made a bunch of haikyuu comics i loved a while ago so im! very glad to rediscover your stuff!!

HOLY GODS THAT’S NEAT!!! Welcome back!!!! ;O;

Anon said:I love it when you draw kiri with his hair down 💕💕💕 so good, so pure 💕💕💕💕

Oh boy thank you!! ;O; he’s so much easier to draw with his hair spiked for me, knowing people like the way I draw his hair when down means a whole damn lot!!

Anon said:Hello! First I love your account and artwork! Second will you ever be drawing Mako and Taiyou again? They are so adorable! Also Bakugou and Kirishima seems like amazing dad's!

Thank you!!! And yes I will! I have another ask around here asking about them, so maybe soon! Just gotta find the right idea to draw, I got a bunch but they’re all way too long for my curret attenton span level sadly hahaha rip

Anon said:lmaaaaooo my boi kaminari be having an emotional awakening

Kaminari is like, he’s always somewhere subconsciously known that Baku’s objectively pretty, but since he knows him so well and he’s always around him and most of the times they’re bickering and making fun of each other he’s never actually realized, so now he’s like oh, NOW I see it hahaha

Anon said:hi u probably get this enough but I wanted to give u all my appreciation for ur art thank u for sharing it with us I love everything u post ♡♡♡

THANK YOU!!!! It might be greedy of me but this sorta asks are never enough for me, so seriously thank you for taking your time to drop by and be so nice!!!

Anon said:Could you please draw more of the body swap au? Or what if a different pair of students were to switch?

I’m not gonna draw any other switch with other students, because before settling on Baku and Todo I went through a lot of possibilities and came to the conclusion that nothing would be as funny as Baku and Todo switched are (or at least nothing Horikoshi hasn’t already done himself lmao) so there’s that. I might draw more of them switched, but to be honest with you the only idea with that concept I have right now is Bakugou forgetting he’s suddenly taller and continuously walking into things around the dorms, so there’s that as well hahaha

#fran answers #a lot of !!!! in this one #today i'm feeling !!!#it's a nice feeling #hahaha #anonymous

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carridine-blog · 4 years

Text

The Perfect Stereoscope

This post features a collection of images that I’ve labelled “stereoscopes” over the years. Some are conventionally, some are unconventionally stereoscopes. Before jumping in I wanted to offer the chance to appreciate the perfect stereoscope. This stereoscopic image was constructed of no less than ten individual photographs. They were combined in photo-editing software and together compose an image both visually pleasing and analogically philosophical.

Stereoscopes: How to Make a Finger Hotdog

A stereoscope allows the perception of three-dimensions from two dimensional images. How it works: two images show the same thing from slightly different points of view mimicking binocular vision. One image for each eye. The two images unite in the mind and create the perception of depth. Many people people have difficulty seeing the desired effect. This most often turns out to be because they have difficulty allowing their eyes to see independently one from the other. If you have trouble see the depth here is a brief how-to do that.

1. 2. 3.

Starting simple:

This shape is excerpted from this larger one. I like the image because the high contrast makes it almost calligraphic which makes the sudden appearance of three dimensions all the more dramatic. Calligmagic!

You can make stereoscopic images simply starting with a video clip. A panning shot traveling roughly 10 centimeters (the space between the eyes) will provide the two images needed. Take screen captures until you find the ones that work. Here’s one I did of a bust of Dante I saw in a little cabinet in a big antiques place.

The following caption is a bit repetitive but repetition is good for learning, no? The difference in the screen grabs in the next one though

Here is the possibility of seeing William Blake’s life mask in three dimensions without being in its actual presence. I constructed this stereo-image by screen-grabbing two images from a video featuring the mask. The video camera was moving just enough during the shot to provide these two aspects. The two slightly different aspects simulate views from two different eyes. The video is for Patti Smith’s cover of “Smells like Teen Spirit.”

Here is a stereoscope or comic strip I made with Blake’s Lifemask and two of Messerschmidt’s sculptures.

This is from a post originally named “to stay near the well spring.”

Commenting on an old my post of mine, Nick Mullins said, “Looking through artists’ websites, I sometimes see a thumbnail that looks really interesting, but when I click on it to get the full-sized image, I find that the real image is nothing like what I thought I was seeing in the thumbnail. Sometimes I have gone back and tried to do a sketch from what I thought I saw in the thumbnail. Your discussion of the fish that became a man in a tarp reminded me of that. Sometimes an accident of vision is more interesting than the reality.”

(Here’s an elaboration of what I replied to him:) Yes my efforts have always included either accident or collaboration — you get to new places faster. Plus, employing accidents it’s easier to appreciate what others might see in my work. It’s only in recent years that I’ve realized that what I simply straight-forwardly produce is a new place to a person seeing it for the first time. It was the most obvious thing but it hit me like a thunderbolt.

Generally I like to think that the accident or other kind of unexpected input points us to a reality we wouldn’t have conceived without it. I don’t mean that in any mystical way. I mean in just the same way a new sound of music will direct our attention to or express a mood we’ve never heard expressed before. Novelty and re-cognition are wrapped up together. Our ability to invent ways to express our experience, to share our experience, always lags behind experience itself. When someone finds a way to say something new about something true, its like a gift we already possess.

I totally get the thumbnail experience. Very often I screen capture a thumbnail at the resolution I like it and then blow it up in photoshop. The resolution might be fuzzy but most times it retains the thing I saw in it.

It’s true of my own work. I like to work really small: I tend to make less marks and their interrelations are clearer. Then when I blow it up — used to be on xerox machines or cameras, now it’s scanners mostly — I work to catch the rhythms evident in the little one. Yeah, without projectors, cameras, etc., most of my work would be postage stamp sized.

Speaking of stamp-sized:

The first image in this post, which I’ve renamed “At the Waterfall” is based on this one here. This one is reproduced at it’s original size. I got the larger image from this small source by a kind of divination. I used to use this process all the time. It combines the two things we just talked about: seeing things in small things and seeing things accidentally. The larger image is a painting mind you: I started with a penciled-in grid and painted all those little dots myself. So there. The smaller image is from a photo from a black and white newspaper which I hand-colored and amended with pen. It is hard to tell now but the original photo was of a boy staring at the camera from behind a fence. The fragment I used shows (or used to show) his fingers poking through chain links in the fence.

Stereoscope: Artaud et le Momo.

William Blake and Robert Crumb: Neither Two Nor One

Blake illustrates a passage in Dante’s Inferno, Canto 25 describing a six legged snake attacking a thief, which Dante modeled after a passage in Ovid’s Metamorphosis.

Inferno XXV 58-69.

“Ivy was never so rooted to a tree as the horrid beast entwined it’s own limbs round the others; then, as if they had been of hot wax, they stuck together and mixed their colors, and neither the one nor the other now seemed what it was at first: even as in advance of the flame a dark color moves across the paper, which is not yet black and the white dies away. The other two were looking on, and each cried, “oh me, Agnello, how you change! Lo, you are already neither two nor one!“.”

Charles S. Singleton translation

“So never did the barbed ivy bind/ A tree up, as the reptile hideous/ Upon another’s limbs its own entwined;/ They clave together, — hot wax cleaveth thus, — / And interfused their colors in such wise/ That neither now appeared the same to us: / Just as in burning paper doth uprise / Along before the flame a color brown / Which is not black as yet, and the white dies. / The other two each shouted, looking on, / “O me, Agnello, how thou alterest! / Lo, thou’rt already neither two nor one!”

Melville Best Anderson translation

Style: visual identity & equivalence

I made this post card to send to James Kochalka when his daily comic AMERICAN ELF reached the ten year mark. My image is based on a photo of Kochalka and his kids and on a somewhat famous painting by someone else.

Here’re the same elements presented as a comparison, bits of multiply reproduced (degraded) GUERNICA and grid paper atop pages from Kochalka’s THE HORRIBLE TRUTH ABOUT COMICS. This is from a series of photographs I took: videotaped collages I made while I was designing a previous version of this web site (no longer extant.)

And here again a comparison involving the GUERNICA baby: this time posed against Minnie, Vinny, and some Mayan Glyphs. I appreciate glyphs, especially with regard to their foreignness. I am always looking to achieve in my drawing and writing the formal quality I appreciate most readily in markings that are illegible to me.

And finally, GUERNICA baby and some grafitti I copied from a barrier on the side of southbound Route 17, around Allendale, NJ. (Graffiti no longer extant, except in the series of photos I took. I believe this tag says or originally said, “Messiah.”)

Another Stereoscope: Bill and Lynda B.

Stereoscope juxtaposing Plate XI from William Blake’s ILLUSTRATIONS OF THE BOOK OF JOB (1826) and Panel 2, page 74 from Lynda Barry’s THE FREDDIE STORIES (1999). Separated by 173 years, sharing a similar vision. I’m sure Lynda Barry has seen this image of Blake’s. Does that make her’s a copy of his? Not necessarily. Blake himself found the poses and compositions for his divine visions in reproductions of Renaissance Masterworks.

I find this likeness wonderful and marvelous. I have notes for an essay I’d like to put up as a permanent page here. For now, though, I will suggest the direction the essay would take with a quote from Paul Piehler’s THE VISIONARY LANDSCAPE (pps 19-20):

“The major poets of medieval visionary allegory regard themselves as part of a cumulative tradition, in which each allegorist recapitulates, refines and develops the thought and imagery of his [sic] predecessors, exploring new dimensions of traditional topics, and, most important, attempting to integrate earlier thought and imagery pertaining to the topic into a coherent whole …”

Is 173 years a long time? A bit too long, I guess, for any one of us to endure. Whatever the number of years, Blake seems irrevocably long ago, from the age of revolution, the mythical time of our era’s origin. His words, images and ideas shine through history like a dead star. He has, it seems, joined history — that flat offensive significance of human life which the living are barred from entering.

Meanwhile, Lynda Barry has such a knack for the voices of adolescence and childhood she seems to resurrect a reader’s own past. The memories she stirs live again.

That makes THE FREDDIE STORIES all the more a marvel: in it Freddie undergoes a “journey to the underworld” which employs imagery familiar from Dante’s journey, even Virgil’s journey. But she builds Freddie’s journey of ” psychic redemption” out of such recognizable, contemporary stuff that she invites us to our own inside of a visionary landscape that has floated along with people for thousands of years.

Style Coloring Page.

“The deeper the influence of the formal, decorative element upon the method of representation, the more probable it becomes that formal elements attain an emotional value. An association between these two forms of art is established which leads, on the one hand to the conventionalization of representative design, on the other to the imputation of significance into formal elements. It is quite arbitrary to assume a one-sided development from the representative to the formal or vice versa, or even to speak of a gradual transformation of a representative form into a conventional one, because the artistic presentation itself can proceed only on the basis of the technically developed forms…”

— Franz Boas, “Representative Art,” pps. 82-83 Primitive Art (1927)

Stereoscope: Blake of the Shtetl.

Here is a stereoscope I’ve had in my possession for over 10 years. On the right is an illustration by Maurice Sendak (1928-2012). It is one of Sendak’s illustrations for Herman Melville’s PIERRE. Under the image is a caption that reads, “an unbidden, most miserable presentiment.” On the left is a doodle from a private letter by Henry Fuseli (1741-1825) an artist to whom William Blake admitted a debt. In the Tate Gallery’s catalog of Fuseli’s work this drawing is titled “Caricature of the Artist Leaving Italy.” The naming of Sendak as the “Shtetl Blake” I take from Margalit Fox in her obituary of Sendak in today’s New York Times. (May 8th, 2012)

Blake: Stereoscope as Comic Strip.

These are plates 9 & 10 from William Blake’s little book FOR THE SEXES: The Gates of Paradise. I grabbed them off of the wonderful site The Blake Archive. One way to read them is as adjacent comic book panels: ‘this happens and then this happens.’ Another is to read them as slightly different views on the same thing, as in a stereoscope. Another possibility is that they are completely unrelated.

One day in the maze …

the rat met the minotaur.

Seriously though

Style and Stereoscope.

Human creators do not have access to the atomic level (artists anyway) and must discover their own smallest building block. Each must innovate an idiosyncratic [mark] to which a life’s work can be devoted. Rilke speaks of it in terms of Cezanne, Rodin, and his own poetry: “Somehow I too must discover the smallest constituent element, the cell of my art, the tangible immaterial means of expressing everything…” After this discovery the artist is free to become a laborer and to spend every minute of life working at “expressing everything.”

I figured I might as well post one of my favorite all time comparison lessons on that style discovery. Above are two well known paintings by Van Gogh. One is painted by the artist we know Van Gogh becomes and one is painted before Van Gogh fully realized that transformation. I think the chief difference between these two paintings is how each painting relates to itself. The difference between these two painting styles is in the relation between what the painting conveys and how it is rendered. In the first, the smoking skull image, an idea of something is conveyed, however vaguely, without regard to how it is rendered. The idea is communicated then we notice how it is communicated, the calligraphy in which it is written. In the second one, the sunflower, what the painting conveys is conveyed through how it is rendered. It contains no abstract-able message by which we can paraphrase it and do without the painting. The painting is all. I like to think that both paintings have the same thing to say. They are both Van Gogh expressing something, but only in the second painting is the artist mature enough to say what he means. In that maturity he became capable of “expressing everything.”

When Worlds Collage.

This is a collage in white grease pencil (china marker) of drawings I copied from Lynda Barry and Robert Fludd. I chose Fludd’s drawing, which I saw for the first time on the front of a book catalog, because it uses the phrase “mundus imaginabilis.” I mistook his drawing as a diagram of Sufi mystic experience which I had just been reading about in books by Henry Corbin. It turns out that Fludd’s ideas were a bit different but by the time I found that out, the drawing had been made. I combined the drawing of the mundus imaginabilis (which now that I think of it may be the mundus imaginalis in Corbin) with drawings from Lynda Barry because it suited my abiding interest in the difference in accounts of visionary experience in different periods of history.

The Lynda Barry drawings I took from her 100 DEMONS, one of the most enjoyable books I have ever read. These panels come from the introduction where she describes the writing exercise which gave rise to the book (and the title of the book): intending nothing, leaving her brush free to record her every stray thought, she captures the demons that enter her mind. If you haven’t read 100 Demons, I’m not sure what you’ve been doing. You must read this book.

I did this drawing initially as a card for my friend Avy’s 30th birthday. I liked it so much that I made three prints of it, giving one to Avy, one to my friend Kat, and one to someone else (OF).

I post this drawing today because I spoke to Kat on the phone and because today, after years of waiting, I received my copy of Lynda Barry’s latest, THE NEAR SIGHTED MONKEY BOOK. Years ago, I put my name on a list so that I could have it as soon as it was available but its publication was repeatedly delayed. I kept getting little e-mails from Amazon saying, “Sorry, not yet” and “oop wait a second.” So the book finally arrives — with $7.50 due COD — and Kat tells me Kyle bought the book for her a week ago from the bookstore!

Kat and I spent the rest of our conversation talking about writer’s block, ways of breaking it and how Lynda Barry is the coolest. Always good to talk to you, Kat.

Two without captions.

And finally here’s a stereoscope of me

A life mask taken when I was 30 years old. Twenty three years ago.

A Variety Of Stereoscopes The Perfect Stereoscope This post features a collection of images that I've labelled "stereoscopes" over the years.

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laurabwrites · 7 years

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Going through the Ideas List

I think it is time to go through my list of story ideas again, discuss getting started on some of the prompts that'll turn into flash or short fiction and deleting the ones that have turned too cryptic or I won't get to for some other reason. If nothing else, on the personal level, explaining my organizational process will get me to reassess how it's working for me.

I have a paper and pencil notebook I write scenes freehand in, jot down quotes, and take notes on writing panels and videos on writing. Every so often (maybe twice a year), I'll go through the notebook(s) and copy any phrases or quotes that still spark story ideas into my to-do app (Wunderlist). In that app, in addition to my chores and day-to-day household stuff (very useful for reminding me to do stuff on an irregular schedule), I have lists for currently active projects, keeping up with this blog, things I want to look into for improving my writing, what I think of as administrativia, and finally, the relevant list: Story Ideas.

There are 33 items on the list right now, one of which was added two days ago, while discussing a different piece I'd written with Partner. The list never ends... Or gets any shorter... At any rate, I'm thinking that I should break this list up into three lists and group the results in a folder labeled Story Ideas. The new lists would be flash/short stories, novellas, and novels, all based on how long I think the relevant idea would turn into, story-wise. I'll have to revisit that after I walk through the current list.

The first item on the list is simply labeled 'Writing Prompts' and has the following sentences, phrases, snippets, and such saved as subtasks:

"Let's just get this out of the way," I said. "One of you idiots is likely to die."

Even astronauts get the blues: or why boredom drives us nuts.

How DO you break up with a demon?

"The tag line of the robot apocalypse is going to be 'From you okay? I learned it from watching you.'"

Your Third Wheel is Flat

Witches Brew

Aesthetic terrorist

"In my defense, the octopus started it."

The first one came from a blog post on Scalzi's website a few years back, as the first line of a project he was working on at the time. The second was a headline to a science article I saw on NPR at some point. The fourth one came from an episode of The Drunk & The Ugly (I don't even remember what they were talking about), and the seventh one comes from RPPR's Caleb describing Ross's taste in music, movies, books,... The last one I grabbed from Reddit's writingprompts subreddit the other day and ended up writing a story to on the commute home. Well, a first draft anyway. The rest, I honestly don't remember where they came from.

Deciding to go through my list also got me to set up some Google documents and actually get started using these prompts. It's not like I'm going to magically have a story burst forth like Athena; I have to make the time to write them and setting up each with their own document eases the start-up cost for me. So yeah, in the week since I decided to write this post and made the documents, I've written a revenge fantasy piece for the first one that will almost certainly never see the light of day, a 635 word short for the second that I'm pleased with (needs a revision pass obviously, but they always do), am a third of the way into a story off the third prompt, and have a decent first draft off the eighth prompt.

Look, the octopus started it, okay?

In all seriousness though, I think I am going to delete the fifth and sixth ones as not meant to be. I'm not sure what I was thinking about when I wrote that the fifth one down anymore and it's not sparking any ideas now. Beyond a "is that word salad or something?" The sixth one is just too generic for me to want to save or work with right now.

Please note that when I said first, I meant the first item that had been added, not the one at the top of the list. So if I mix up my terminology talking about the next (arbitrary) set of items, my apologies. But. This set is always a short two of three word encapsulation of the idea with notes attached to the item. The five oldest are:

Second contact

Summoned demon baby

Time loop

Superhero rape

AI authors

Second Contact stems off of a story I read as a teenager about first contact between humans and another species, not on one or the other's home-worlds, but because both had sent scientific exploration ships to the same astronomically interesting spot on space. And let me tell you, tracking down that title and author roughly 15 years later when all you remember is the plot was a bit rough (Murray Leinster's First Contact from 1945 btw). My idea is that the two species have worked out a general treaty to share science exploration ('cause money/resources) and discover a third species, this time at their home planet. I'll be honest, I haven't read a first contact story with multiple species as one side before, which is part of why I want to write it. The tracking down the citation for the original story is because I do want to reread the original before I start, to try to be faithful to the technology and characterizations Leinster did. A bit of homage to a story that stuck with me for more than a decade and a half. I think this one would tend towards a long shot story or short novella, to do the complexity of the issues involved justice.

The second idea came from a scene I had pop into my head, probably somehow related to Hellboy. Not that I know what prompted me to recall Hellboy. But the scene was some poor schmuck in military fatigues standing in the middle of a summoning circle comforting a crying demon baby, and then trying to gingerly hand the baby back to their parent. Who'd now been summoned into the same circle. The story idea and notes then came from trying to work backwards from that scene in order to make it plausible and an appropriate stinger/story ending. This one is definitely in the short story range, possibly flash fiction.

I'm torn about the third one. It originated out of an impulse to invert the 'magical black person' trope, but I'm not sure I have enough of a plot or characters to justify this impulse. It'd use the crazy amount of cop dramas I grew up watching as a story structure, but beyond having an older white lady as the mentor and a younger queer black guy as the two leads and the guy eventually raising the baby version of the lady (hence the time loop), I don't really have that spark of what the story is. So do I keep this one in the list and periodically pull it out to try and develop it or let it go? I'm not sure yet, so it survives for a while more.

I'm just going to copy out my notes for number four:

First trial for mental rape via chemically/psychically forcing someone to feel sexual desire at a gay conversion 'therapy' camp.

Yeah, this one came out of reading about the comic Jessica Jones and television show. Short story length.

Number four came out of reading a review of a new science fiction book, I think, and after review, is probably going away. To quote my notes again:

AI emulation of the author's mind comes with every copy of a book/game/text – how does literary critique change

This is sounding more like a think piece essay than a story now, and I do not have a background in literary critique, either the theory or the practice. Also I'm not finding it that interesting anymore, to be honest. I'm pretty sure I read that book review back when I first started critiquing and getting critiqued on Scribophile, which is probably why the idea of how critique would change if you had access to the author's creative process was interesting.

So, there's some of the oldest ideas I've kept around for writing projects one day. Next week I'll walk through the other 27 more quickly, and possibly include talking about that Tumblr draft section I've got too.

#organization #story ideas

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webpostingpro-blog · 7 years

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New Post has been published on Webpostingpro

New Post has been published on https://webpostingpro.com/now-you-can-easily-save-web-articles-to-your-kindle-on-ios/

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