No, because I'm not over processing "Now & Then" and freaking out about what a perfect epilogue it is for the Beatles, but also what a perfect homage it is to John & Paul's friendship. And how much it feels like destiny.
The words "Now & Then" have so many strange ties to these boys. Because:
-> John's last words to Paul (during a meeting that no one could expect was their last) were: "think about me every now & then old friend".
-> John was murdered in December 1980. In February of 1981 a friend of Paul's - fellow musician Carl Perkins spent a week with him, participating in a recording of a song for his album. To thank him and Linda for their hospitality during the time, the night before he was meant to leave, Carl sat down and spontaneously wrote them a song titled "My Old Friend". He played it to them the next morning and Paul started crying and had to leave to gather himself. Linda McCartney then assured Carl it was okay and thanked him for helping Paul, because he had problems facing his emotions about the attack before that. And then she stopped and asked him "but how did you know?" and Carl had no idea what she meant. She explained that the only people who knew what John's last words to Paul were was her and Paul himself. And then she revealed what those words were. Carl had no idea, but he ended up accidentally including them in that song.
The chorus of that song went as follows:
My old friend,
Thanks for inviting me in
My old friend,
May this goodbye never mean the end
And if we never meet again this side of life
In a little while, over yonder,
Where it’s peace and quiet
My old friend,
Won’t you think about me every now and then
Paul then insisted on recording that song with Carl Perkins, which they did - and recalling that story later Carl said that Paul felt like that song was sent to him by John through Carl.
-> By now we all know the story of how this "new" Beatles song came to be - After John's death, Yoko found a demo tape of songs he never completed, that she then handed over to Paul so that him, George & Ringo could record the last new Beatles songs in 1995 as part of an anthology that was being released. (they wanted to record new material, but had promised never to do so without all the members included. So using these demos was the only way).
There's lots of places that claim the tape with the demos had "For Paul" written on it by John - but admittedly, I haven't actually seen a source quoted. Still - the fact that one of the songs on that last demo of new material they ever got from John was titled with some of the last words he ever said to his best friend? The lyrics of that song being what they are? Come on.
(It very much also just felt like a song for Paul to me. With how complex that relationship was - how intense all the emotions were - through love and diss tracks to still calling each other best friends while they weren't on good terms. Missing each other).
Then - destiny working the way it did, not allowing them to record that one track in 1995 because of the awful quality. Making it so that it was their actual last song in 2023. Because only now did the technology allow for seperating those vocals and fixing them up so that they can actually be used.
Like are you kidding me??? It was that one. The one that felt most special.
-> Bonus fact. The back of the record sleeve has a photo of a special art piece on it - from George Harrison's collection. One that provides another serendipitous moment in connection to these words:
Image source: [x]
And I'm just supposed to be alright with all of this?????????
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I’ve been seeing this float around on Facebook lately and it’s bugging the crud out of me:
What is with everyone’s obsession with insisting it’s bad to need to be rescued? For as long as the human race has been on the planet, people have had problems that they needed other people’s help to resolve. Needing help is not a failing nor should it be the takeaway from these princesses’ stories as if it’s a bad thing that makes them weak. Yes, they do need help. Your point?
Snow White and Aurora were both under a curse that rendered each of them effectively dead. Were they supposed to magically wake themselves up? I’d want to be rescued if I were them. Plus, breaking it down to “she needed a prince” belittles the efforts of the Seven Dwarfs and the Three Good Fairies, who did most of the legwork in the resolution of their respective movie plots out of deep platonic love for the girls under their care. Then there’s Cinderella, who lived in an abusive household. It’s not a weakness that she wasn’t able to get out of that situation on her own, and once again, giving all the credit to the prince (and credit where credit is due, he did search far and wide for her and was able to take her away from that life in the end) detracts from the aid provided by the Fairy Godmother who enabled her to get out in the first place. All of these ladies had more helpers than just their princes, and it is because of the combined love and efforts of all of these people that our heroines were able to have their happy endings. There are plenty of great stories where the heroine is able to fight for herself, but these particular stories aren’t about that because these ladies are each in terrible circumstances where they simply don’t have the ability to do so. They do what they can, but in the end they can’t save themselves alone and there’s nothing wrong with that. These are beautiful stories about having people in your life that value you enough to fight for you when you can’t fight for yourself. Wouldn’t we all want someone to come to our rescue when there’s nothing we can do about our situation? Is it not a good and comforting moral to show that there are people in your corner who will show up for you no matter what the circumstances?
The other thing that’s bugging me about this:
Leia has to be rescued. By a man, and at that, one who could technically be seen as a prince. No one bats an eye at this, because it’s understood that she’s being held prisoner on the Death Star and couldn’t possibly be expected to get out of that on her own. It’s not seen as a weakness that someone had to come for her and take her away from there. Leia is awesome and is rightfully acknowledged as a great heroine, but she also needs help sometimes, because everybody does.
So WHY do people get so hung up on these princesses who also shouldn’t be expected to get out of their own prison cells of eternal sleep or abusive family by themselves? Why the strong negative reaction to girls needing outside help in such serious scenarios? For all that people say these stories teach girls to sit and wait for a man to save them, the stories themselves absolutely never try to say that, and frankly, with the opposite trend in recent years of fictional women who have to do everything on their own and can’t be shown to need help because they have to be the Strong Female Character, I’d be far more concerned about the impact that would have on girls. Far better to say you might need help at some point in your life than to instill the idea that you’re not a strong girl or not good enough if you can’t do everything by yourself.
Anyway. Justice for the classic Disney princesses.
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Hello! ♠️ Anon here
So...super duper cliché ask, but I got another idea, ya' know Steven Universe right? If you do then I think you know where I'm getting at with this. What if Player could fusion with their vessels? Like they change their appearance and gain some different abilities, but they also need to keep a balance in the emotions or at least be at some level of synchronization to keep the fusion together (Ex. If one part feels very different about something or experience a strong emotion but the other doesn't the fusion breaks)
Heya ♠️ Anon! Another Anon asked about this as well, complete with some art, so I'm going to compound their ask with this and share their art at the end of my response (cause there is quite a lot of it wow 0o0).
Within my own fic verse and self ship, I've added the idea as semi-canon like... What if the characters could fuse (a la Dragon Ball or Steven Universe)? What would those fusions be like, what would be their biology, their PSYCHOLOGY even? How would it embody their relationship? Would they be multiple people existing within one thing, or are they close enough that the fusion would be its own sort of person for as long as it is done?
Anyway I am leaving this to encourage you and others to think about their own spins on this! I have art of some of mine as well as interpretations of what those fusions function like, but they're all for my self insert haha. Feel free to just use them for ideas. Faers name is F94G (pronounced as "Frag" as in "frag grenade" and written in LEET/L337.) The fusions present are F94G/Hank, F94G/Doc, F94G/Deimos, and F94G/Tricky. (On my self ship blog are full descriptions of what those fusions have going on with them but like... Lil nervous to out that I'm sorry lol.)
Anyway the art! Enjoy toying with the ideas! - The other Anon <3
Alright, to finally get to the topic of fusion, I think if emotional stability is what keeps it together, the Player would have a difficult time keeping it together. It's not like all of the characters are particularly emotionally volatile or unregulated, but given how experiences of strong emotion could break a fusion, there is the question of whether the type and level of love the grunts have could do so. Love to the level of obsession and ignorance of rationality at times definitely is a strong feeling, so it would at least be a lot for the Player to come to terms with.
Since we're on that topic, I think that this would also be an effective way for the boys to sort of "confess" how deep their love for you really is. It's one thing to convey it through any number of love languages, it's another to fully project the pure feelings themselves. No matter how long it may take you to fully process this sudden rush of adoration and overwhelming happiness the perspective grunt feels, you'll never doubt their feelings for you, so that's a bonus.
When it comes down to how the fusion appears, its personality, and general behavior, this can be attributed to who you'd be fusing with. With Doc and Jeb, they'd be more reserved, while Deimos, Sanford, and Hank would likely lead to a more expressive fusion. (Though a fusion with Hank is unlikely to be very verbal given how he doesn't talk a lot).
Tricky's fusion would likely be more difficult to keep together as well, considering his unpredictable personality and how the improbability drive effects him. It's a challenge that he's more than excited to take on, mind you, so even if that's a difficulty, you can make it work.
Either way, I do think the resulting fusion would be extremely confident with themselves due in no small part to your vessel's love for you (in addition to how self-satisfied they feel that they're your partner for this). You could make this a less obvious feature considering you're probably calm not completely obsessive with your affections compared to them, but it's still easy to see, regardless of who you fuse with.
Speaking of any other specific traits can be rather difficult considering how each vessel would imprint their mark on the fusion, and the fact that the character of the Player is a reader insert ofc. However, it is likely that the more dominant traits of the vessels would still make themselves apparent. For example, Hank's fusion with you would probably still find violence as the solution in a great deal of situations, while Jeb's fusion would take on much of his savior complex. If you want to get really wild, I'm willing to bet that Phobos' god complex would also permeate through the fusion you would create, and it's only enforced by the fact that you (an actual god, insofar as he's concerned) are a part of it.
As for abilities, with grunts like Sanford and Doc, you probably wouldn't gain much except for perhaps increased strength and intelligence. Hank's agility would definitely come into play, and given how The Machine refuses to let him die, they likely wouldn't let a fusion do so either. Deimos' pyrokinesis would occur in the fusion as well, as would all of Tricky's odd abilities.
I think the appearance of the fusion is better left up to your interpretation as the reader, but in my mind, you'd probably will have both a visual cross and your eyes, which is very interesting. Having more arms is also pretty basic for a fusion, so that's to be expected as well. I believe it's really up to you though, as I'm not one to assign many physical traits the Player anyway lol. Plus, this can lead to some extremely creative results, as can be seen with the wonderful art below with F94G (the other asking Anon's OC). :)
(and lastly for reference, the lil grunt doodle of F94G)
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a pair of scenes out of The Comic™ that had to get cut: Cassius doing his best impression of Cassandra with the foreshadowing re: Publius raising his hand over his face to block out the sun and later Publius taking an arrow to that exact hand at Carrhae
I ended up scrapping it because there was an underlying dialogue in the second scene where Octavius asks Cassius what he’s seeing, and the thing is, Cassius is too far away to actually see when Publius gets hit, and originally I wrote it in because of Cassius and his thematic eye sight out of Shakespeare, but this comic isn’t about that and keeping it in would have just too many underlying implied themes going on.
that said, I’m still kind of fond of it, so here we go!
Plutarch’s Crassus
Cassius and Brutus: the Memory of the Liberators, E. Rawson (there’s a very fun counter argument that Cassius should actually be compared to Tiresias instead, but I went with Cassandra)
The Cassandra Scene in Aeschylus’ ‘Agamemnon,’ Seth L. Schein
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