#its been so long since ive done a parallel play movie...

[housefreak]

misread this as lesbian. can we get a lesbian production company. please.

#warching vacancy bc matthew is attempting vacancy 2 yayy #its been so long since ive done a parallel play movie... #movie lb

[6of575]

my goal is to try and make at least a post a day on here, even if its nothin very interesting to anybody else

i feel like,,, if i can finally successfully make it a habit to post and engage, it might just trick my brain from task avoidance

so! post done and heres the part for me thats fun:

(under a cut since its ramblin long)

the books im currently reading concurrently are some conlang construct books mr am got me that have been on my wishlist for ages, along with a very cool book about black holes and theories surrounding them, which mr am loaned to me from his collection

one of the things we share is a love of science and space, and more specifically, stars and time travel and all the things about our known universe that black holes straight up break

i have a lot of fun chatting with him; i really cant overstate the value of a friend so genuine, who i am never too much of, and i can talk about all my interests without the reflexive dread creeping on in

all that bullshit i learned growing up, yanno the kind: "im boring, im dumb, who could possibly enjoy swapping rock facts, much less listen to hours of it even when it our interests DONT align"

like, theres so much else about my friendship with him thats meaningful, but thats top tier right there

and lately? ive gotten a few others in my corner, who when i share, im starting to feel like that with them, too

its so weird! to have gone from one person to a tiny community of folks (and i mean little! its like,, five? six? of us max usually) that thrive on a love of the weird and the cringe and the stubborn hope

plenny others have waxed more eloquent than me about this sorta thing--how fandom spaces come sorta pre-fab with common, shared interests that its fans bring, and they build their fort and theres rules already laid out, and it becomes a second (sometimes first) home, of sorts

but when its starting from scratch, when its about stuff and is made by people that others just wouldnt ordinarily invest in or look at without outside prompting, thats not the same! its not a bad thing, more neutral, but its stressful, its really such a lonely feeling

except--when you finally find it, that person, and thats a community of its own, and it can grow, and suddenly you swappin stories, throwing jokes! and memes and links and hey inevitably, theres also those what ifs about your little guys

and everything is srs and sacred and everything is hilarious and "i cant believe this is real life" levels of stupid

you get to learn habits and quirks and whole personalities

"hey this reminded me of you" "hey, check out this view" "oh, thats right, yer the possum dude" "you love medieval lore--and i read this, and what do you think about it, too"

its suddenly kind of a fandom space after all, and its like, still work of course, reaching for and keeping more and being a person with, it aint that neat or pretty

but its got warmth and joy and expansion, after a lifetime of making yourself small enough to try and fit

you end up fans of your friends, fans of their life, hyping each other up and up and up about the most mundane shit and it starts to look like not even the skys the limit

planning things to do together, spending long hours into the night to parallel play with vidgames or watchin movies like time aint nothin thisll last forever, right? (it doesnt, always, but thats also part of this, and the ones that stay, the ones that work with you

those are the ones waking up to backread your chats like its the morning newspaper

and your life matters

like its better than the best hot goss, its saturday morning cartoons and their favour ice cream flavours

only now we adults and its also commiseratin over breakups and bills, and cross-country moves, and its celebrating that i saw chickens in the yard today and you finally got your boygirlthemsomethin gender fuckery juice)

idk idk idk

i feel some kinda way about all that

i never thought id make it so far that im nearly forty

never thought id get to ask "okay, well, now what? what do i wanna do, and try, and be?"

im... starting small i think, and im for reals happy, happier than i have been in years; i learned how to be alla my friends biggest fans, and im starting to finally believe

other people can feel that way about me

i just really think thats kinda neat

#6oftext #hexfold glories: transparent stories

[madisonrooney]

im not that involved in the tangled fandom but i have some Thoughts on the finale/series overall now that its done so i figured id share. im a little under the weather so sorry if these are kinda scattershot

(spoilers below)

for starters, ive been watching since the beginning and was hype since it was announced. i love tangled the movie, probably in one the higher tiers of my fav disney movies, not to mention it was the first tv show wed gotten based on disney movie since emperors new school 11 years prior.

at first i was skeptical about them giving rapunzel her long hair back. it was pretty clearly just a marketing ploy but it was done pretty well in the pilot which i really liked so i could get behind it.

i thought the first half or so of s1 was really good and really cute. it was just a sweet little slice of life in corona. 

i started to get disappointed in the show once queen for a day came around. varian is my fav character (more on him later) and i didnt really like his villain arc. it felt really out of nowhere. not an obvious villain, not a surprise twist villain, just a character that didn’t feel like should’ve been a villain at all. it just didn’t bode well with me. 

i also felt that the jump from slice of life show to high stakes, serialized show was far too abrupt. even tho i liked the second half of s2 and all of s3 better (more on that later as well), it still seemed to have an uneven balance of light and heavy plotlines. i dont wanna sound like one of those people who hates filler episodes. filler episodes are good, but need to be done in the right way at the right time, and i feel like this show didn’t do that very well.

speaking solely on the high stakes, i really feel like they were too high for a show of its kind. in a way, i felt it was somewhat disrespectful to the source material. the show isnt canon, and i feel like it made some big changes that effected the story and characters from the movie, which i think is taking a step too far if youre working on a tv show thats made by an entirely different crew than the film (even tho its the same cast). like, eugene’s dad being revealed and being given a backstory, gothel having a daughter, it just felt like too much for me. compare it to, say, the dragons series, which had very high stakes but also fit snugly between the first and second movies, and took great effort so that nothing they did effected the films’ stories. the showrunners on the dragons show were even consultants on the third movie, so they all flow together nicely.

but rapunzel and the great tree reeled me back in and i was much more invested from there forward, main reason being it gave me my favorite trope (that was kind of already there, but even moreso from this point on): a bubbly girl and an angsty girl who are somehow best friends, though they may be at odds sometimes, like during this arc. i became way more invested in cass as a character and rapunzel and cass as friends (or a ship, im fine with either).

my problems with the imbalance and too high stakes didnt go away with the remainder of s2 or with s3 but my investment in cass’ arc (AND THE REDEMPTION OF VARIAN WHICH I WAS HOPING FOR) was enough for me to put my issues with the show at least somewhat aside.

as far as more things i liked about the show:

VARIAN

he is my fav character and has become one of my new fav characters of all time. i have this thing i think ive mentioned before where if i like an actor and like a show he’s in i love the character twice as much as i otherwise would. so having one of my fav broadway actors whos in one of my fav broadway shows play him made him an instant fav. but i also just love how cute and quirky he is.

cass!

like i said, i love cass and grew to love her more through her newest arc. partially for the same reason as with varian with the VA thing. i dont know much about eden espinosa but ik shes played elphaba and i love that they employed so much broadway talent for this show (more on that later). since the show has started, ive gotten into rent, and she was broadways final maureen, so thats cool too. but beyond just that, i love her arc and personality and of COURSE her relationship with rapunzel, that being one of my fav aspects of the show. it fits right in with liv and maddie, riley and maya, trish and jessica, webby and lena, luz and amity (depending on how the rest of the owl house plays out lol) and im HERE FOR IT. also, despite the fact that i wasnt a huge fan of the high stakes, i give the crew a lot of credit for making a main character a villain for an entire season. thats a big step for disney to take that i dont think theyve come anywhere near before and i give them props for that.

the broadway and disney alum cast!

weve got james monroe iglehart, pat carroll, christian borle, gavin creel, laura benanti, jane krakowski, etc. and as a broadway nerd i love that, not to mention that some of these people had worked with alan menken before which is awesome

the fact that they brought back the ENTIRE movie cast PLUS alan menken is amazing. i dont think any other show based on a movie can quite attest to that

so, onto the finale itself

- i was worried varian may go bad again especially given his initial resistance to eugene suggested his dad might go bad but that didn’t happen so yay. i noticed other people mentioning musical call backs but the only one i noticed was let me make you proud and it made me so happy - ALSO VARIAN BEING THE ROYAL ALCHEMIST IM SO PROUD OF MY SON - this being disney, i figured cass getting redeemed was probably inevitable, but i’m still relieved it happened. now i dont have the bad taste left in my mouth jessica jones gave me. and i loved how her redemption went, seeing her so vulnerable and letting herself be that vulnerable in front of rapunzel CRYING INTO HER ARMS LIKE MY HEART. they really made her very broken, it reminded me a lot of maya hart. sometimes disney channels not willing to go that deep but im impressed they did. - i was kinda hoping it would be revealed that gothel wasn’t actually cass’ mom, i remember seeing some people hoping for that, cuz, again, i feel like thats a bit much to change from the movie canon, buuuut that didnt happen. oh well. - I WAS HOPING FOR I LOVE YOUS BETWEEN CASS AND RAPUNZEL AND WE GOT IT AND WE GOT A HUG AND IM ALIVE - lance adopting the kids was adorable - all the movie parallels were *chefs kiss*

everything wrapped up so nicely and im really happy with it as a finale!

that aside, again, i do still have some issues with the show. so im gonna take a moment to shamelessly plug big hero 6 the series bc imo that does the movie to show adaption FLAWLESSLY.

tl;dr: great finale, despite both loving and hating some things about this show, yall should watch big hero 6 the series, im love varian

#tangled the series #rapunzels tangled adventure #tangled

[bladekindeyewear]

Boots Reads Homestuck Epilogue(s) Part 10 - Candy Part 1 again

I was told that finishing the epilogue MAY make me feel better by some with opinions, with some vague hints that the ridiculous start of Candy may have underlying reasons, so now that I’m awake again (though my stomach is roiling a bit again) I’m gonna take another crack at it.

Alright, so I was also hinted that this Candy part ends with a different cliffhanger, so maybe those two will cancel out?  That’s my hope anyway.

Reading page 1 again since I didn’t finish the very tail end of it... alright, so WHY IS ROXY CRYING again????  Was she just PRETENDING that she didn’t know it might turn out bad for John if he went at the end of the last one?  Was there some weird mind-rewriting going on?  Is the crying a symptom of this whole thing potentially being an our!Callie fanfic and she knows what’s being dodged??  Don’t know.

Alright, let’s have him save Gamzee and... is Vriska going to get saved in this version?  Or is that descent into the black hole without seeing what happens her well-deserved comeuppance while only the ghost version of Vriska truly figured out how to be happy?

==>

Dirk acknowledges him when he zaps back, but it’s YOUNG Dirk so hopefully there isn’t any stupid Meat stuff going on.

...Yeah, Gamzee immediately being repentant is weird as shit.  Maybe he Chucklevoodoo’d Callie into escaping him into this whole candied mess so he could start shit, I dunno.  That or this isn’t really Gamzee or someone’s manipulating him or etc etc etc.  The hint I got earlier was that if I thought Calliope wanting to bring Gamzee back and everyone just rolling with it was a little out of character, there are “reasons”, so I’m just going through all of this under the assumption that some emotion-manipulating weirdness is going on regardless.

Oh shit, Gamzee’s going to start recounting his character reasons for doing bad stuff in a surface-hope of justification and understanding.  All the characters immediately recognize how painfully groanworthy this is going to be.

GAMZEE: AnD sUcH iS wHy I’m GrAbBiNg HoLd Of My RePeNtAnCe As FiRm AnD sErIoUs As I wOuLd A wHoRe’S tItTy!

Yeah, that really encapsulates how “serious” all of this is.  And of course, John’s not having any of it.

Yeah, Terezi wouldn’t have any of it either, remotely.

Something feels different, but he can’t put his finger on it.

Hm.  The aforementioned manipulation-weirdness?

==>

Okay, so it’s kind of Dirk who notices something different and is cancelling his stupid villain plans, got it.

Volatility of causality, huh?

(I’m going to be going through these parts a little faster than the Meat section, unsurprisingly.)

==>

Okay, Rose and Kanaya, are we gonna cure her substance abuse or--

With all the distance between them lately,

God damnit, have Dirk’s manipulations extended that far OFFSCREEN or is this legitimate character distancing???? Because either is BAD.  >:(

Right, now that the plot and “relevance” has been sidelined over to a different timeline, Rose can now breathe easy free of her condition.  And whichever parts of her condition were, perhaps, IMPOSED on her.  Fuck.

I’m going to try my fucking best to cling to this, hope I can carry on a memory after this is over that DOESN’T imagine Rose trapped in a fucking existential dying villain coma with a hard fucking cutoff that promises nothing is ever coming to resolve it ever.  (Or Jade in a somewhat-similar sidelined situation, or Jane doomed to fuck herself over and everyone else too, or...)

What’s slipping away instead is the feeling that any of it mattered at all. Was she insane to be so consumed by such lofty concerns, and is she only beginning to experience clarity today, for the first time in ages?

Yeah, you’re no longer in a timeline of Light and relevance.  And that’s not so bad, which is something you never expected to be true given your derision of the concept.  Void is pretty goddamn alright.

--Oh right, the illness and substance abuse probably caused plenty of distance between them.

KANAYA: There Was A Feeling I Couldnt Shake That Something Terrible Was Going To Happen To Us KANAYA: Something That Neither Of Us Could Stop KANAYA: A Powerful Outside Force That Would Take You Away From Me KANAYA: And I Couldnt Stop Myself From Thinking That Maybe KANAYA: Maybe That It Would Be For The Best ROSE: Kanaya... KANAYA: I Can Now See That This Is Completely Ridiculous

For some reason, this doesn’t settle my stomach much?  It’s clear Andrew wove this in here so that if you read Meat first, you’d be able to acknowledge readily how this diverged in a way the characters kind of recognize, and... I’m not sure what I’m even saying.  It’s like there’s hope that this is TRYING to take the bad taste out of my mouth, but I don’t believe it overly much.

ROSE: What a relief, considering that we are both going to be young and magically fit literally forever.

Wait, so they DID find a way to extend their non-ascended friends’ lifespans to practical immortality?  Jane’s Life powers?  Something else?

==>

yay jade.  more extended dave metaphors.  calm down stomach.

JADE: i never thought id be thinking of you as my weird nerd friend by the time we were in our twenties

Heheheh.

DAVE: yeah well i never thought youd be like the premiere woo girl on the planet

Had to look up what a “woo girl” was.

Yes Jade go flirt them to death

What she’s planning isn’t a seduction. It’s a public service.

Pff

(And yeah, she’s being pushy but at least she doesn’t go DIRK FAR about it.)

DAVE: its incredible hes driven at least ten people off the site by creating thinly veiled parody accounts of their usernames

Oh my gosh, Karkat’s good enough to ANDREW HUSSIE them?!???  :D

That’s incredible.

Karkat knows damned well what a husband is. He’s been force-fed enough bad movies from Dave to pick up any human euphemism you could name. He still plays dumb sometimes, for comedic effect, to irritate his friends, or simply to avoid a topic of conversation altogether.

Yeah, it was always pretty clear that about HALF of the trolls pretended not to understand something human that they knew about just for comedic effect and they knew it.  :)

It would be pretty easy to mistake his reaction for arousal, so it’s understandable that Jade is extremely surprised when Karkat snaps his jaw shut and chomps down on her hand.

PFFFFHahahahah :D

And yep, Jane cancelled her run at Dirk’s direction.

DAVE: lets all just thank whichever christ was responsible for making whatever decision resulted in her deciding not to do that

*nod nod*

JADE: well i hope she gets a better hobby JADE: there are a lot of less ominous things she could do with her time KARKAT: WHAT, LIKE FUCKING HER WAY THROUGH HALF THE POPULATION OF EARTH C?

Jade pinches his ear and twists hard, smiling pleasantly.

JADE: get fucked karkat

Yeah, this is about the level of violence/threat I’d expect from Jade when anyone slut-shames her for perfectly acceptable behavior.

==>

There is almost no crime on Earth C, and so almost no one locks their door.

Huh.  I guess post-scarcity might do that.

Alright, we get to see Jane being less of a fuckass.

Dirk was the one person on Earth C who took the state of the locksmith industry with the seriousness it deserved.

Pffff

JAKE: Thats my theory at least. Maybe its tommyrot but i have faith that dirk will be back. After all where is he going to go?

Good question that wasn’t answered in Meat, so of course Jake says it here obliviously.

JAKE: I must admit i am rather half rats at the moment. JANE: You’re what? JAKE: Haha sorry that was a pretty obtuse way of putting it wasnt it. JAKE: What i mean to say is that ive been powdering my hair quite a bit today.

Andrew is SO good at making Jake sound completely incomprehensible.

...Ouch, Jane, don’t drink so hard! D:

The “morbs”??

JAKE: Dirk has that manner about him does he not? JAKE: A way about him that makes you feel like whatever you do as long as it does not involve him it doesnt count for dick.

Yeah, fuck Dirk.

Hm... is the absence of relevance affecting them, or some other manipulation? It’s not just the LACK of Dirk’s manipulation.

JAKE: Except of course for that time when you were under mind control and had me trussed up in your lair as you pontificated villainously about using me as a breeding stud to create a blood lineage for your incumbent corporate space empire.

A fate Dirk seems to agree with, judging by Meat.  Let’s sidestep that fucking entirely, thank you.

...yeah, I didn’t expect Jake’s response to be any less oblivious than exactly that.

==>

So why DID Callie bring Gamzee back, anyway?  Is there some secret use for him in mind?  Was she manipulated into it?  Maybe BY Gamzee?  Hm.

...alright, priestly with followings.  That ain’t good.  Is he aiming for Clown President MK2?

Everything Callie and Roxy have done and said in this Candy section so far seems creepily contrived, possibly by design.

...okay did they have some kind of weird agreement? Like, “okay John is gonna make his choice, and if he chooses to stay i try dating him instead of you, Callie”???  That’s... no that can’t be it.  Roxy’s NEVER acted THIS oblivious before.  What’s she playing at?

GAMZEE: mY fUcKiN *gUy*. :o) JOHN: ... GAMZEE: My DuDe AnD mY nInJa AlIkE. GAMZEE: mY *hOrN* dOoOoG. JOHN: ... GAMZEE: mY hOrN tO tHa MoThErFuCkIn DoG. ;o) JOHN: waiter! help!

I’m imagining Gamzee now as a sweaty and homeless, unkempt Guy Fieri.

Yeah, this doesn’t look like it’ll be fun.

==>

...Swifer Eggmop.  ¬_¬”

There’s a third member of their social group who definitely hasn’t arrived at the conclusion that his power and influence should be meted out responsibly either. Neither of them speak his name, however. For some reason, it feels like a shadow passing over the sun. A brief spike of pain flickers through Rose’s head, a bolt that strikes between her eyes and splinters out. There is color and light behind it. A vision that tears through the material reality in front of her and gives her a brief glimpse into a parallel reality where things are very different.

Yeah, fuck Dirk.

...Pff. Yeah, Rose WOULD mimic the record-scratch gesture.

Don’t invoke “never seeing Vriska again” like that, you’re really tempting fate.

Heh, Rose is finding some Light in the darkness, wanting to do something that’s meaningful on an expressive level with this Vriskgrub business.

Hm... why is my stomach a little less uneasy?

I sure hope it stays that way.

==>

KARKAT: OH MY GOD, ARE THE MECHANICAL GLUTES ON THAT BILLBOARD ACTUALLY PADDED WITH PLUSH TO MAKE THEM MORE LIFELIKE?

Heck Yes

...Yes, touch the butt, Karkat.

Jade, pouting a bit, glides in between them and uses her Space powers to teleport Dave’s phone out from the center of his traumatized palm and into the pocket of her sweater.

Hm!  So she still has teleportation abilities over a limited range even without her Green Sun boost, that’s nice.  :D

After all, where would these two pitiful beta boys be without her?

Oh my fucking god stop being Dirk, Jade.  And never use that narrative language again, even in your head.  Heck, even if Dirk’s the one WRITING this still, don’t even think CLOSE enough to think those words.

...yeah this sounds like an Active player class taking things slightly too far.

Thank you, Karkat, for drawing the consent-line in the sand.  Looks like Jade’s backing off a little.

--hold on, wait, Dave kissed him? He did, so why is-- let me read back up--

Dave doesn’t answer. She answers for him by leaning down and planting a dry, affectionate kiss on Karkat’s cheek.

Okay I misread this line earlier.  Jade kissed Karkat when neither of them were looking and is BLAMING Dave.  Hmm.

Alright, Dave ollies outie.  Karkat tumbles down some hillstairs.

Jade could probably catch him. Actually, she could easily do it, but it doesn’t seem like the kind of favor you should do in a fledgling kismesissitude.

Thaaaat’s a little presumptuous??

JADE: well i guess im eating grub spaghetti alone JADE: *again*!!!

:C

I’d be sadder if you didn’t bring it down hard upon yourself but

:C

==>

Yeah, John, better clear up this Callie business because it’s muddy as heck why Roxy would just drop everything to try things out with you.

Ah, we’re bringing up the gender identity thing on this side too, hm?

More serious talk, this is good, reading reading...

The glasses clink together clumsily, and water gets all over the complimentary breadsticks.

Oh no.  This had better not be Olive Garden.

ROXY: no one else has ever made me feel like this

--not Calliope???

What the heck is even going on.

Dave’s coming for some bro help it looks like.

==>

It’s hilarious how much Dave is freaking out about this, and how completely in-character it is.

JOHN: holy fucking shit. JOHN: there’s a gay snooze button? DAVE: yeah man theres a gay snooze button JOHN: wow.

I love these two’s conversations

......wait, Dave’s been holding off on kissing Karkat because of what he thinks JADE might think???? D:

JOHN: i almost managed to forget that she was trying to fuck you and karkat.

Pfffffffff  :D

Yep.  I love it being put so bluntly.

Reading on... yeah, for some reason I also always figured that the end result of a nice three-way relationship between those three people would be Jade and Dave essentially both just glomming onto Karkat more than each other?  Hm.

JOHN: i mean... it doesn’t sound... JOHN: *canon*?

...I hope you’re just talking about his coin flip explanation and not DaveKatJade.  >:(

John wonders when talking to Dirk has fixed anything for anyone.

Nod nod.

She grins up at John with shimmering, adoring eyes. They’re reflecting every star in the sky, all for him.

Seriously, what the hell.  Is Roxy hypnotized?  Putting on an act?  A voidy act??

I’m not doubting that Roxy COULD feel that way about John, I’m doubting the suddenness and the way Calliope is being deliberately ignored in the situation, which is so goddamn obvious that JOHN is uncomfortable about it.  There’s something seriously strange going on.

It itches at the back of his head, the idea that he might have just fucked up Dave’s entire life.

D:

Alright next post after a bit of breakfast.

#Homestuck #Homestuck Epilogue #Upd8 #Homestuck Liveblog #bladekindeyewear #BlastYoBoots

[recentanimenews]

10 Western Media That Would Make Great Anime

When we anime fans tire of lamenting for the adaptation of manga after manga, or light novel after light novel, we tend to turn our imaginations away from Japan. After all, anime is no stranger to adapting western media. Many books, shows and movies have been adapted from western media into anime form, including Deltora Quest, Spider Riders, Witchblade, Howl’s Moving Castle, Highlander, and Supernatural just to name a few.

This got me thinking of my own wishlist of western media that would make great anime. Here are 10 shows, books, and movies that would make awesome anime adaptations.

  Mortal Engines by Philip Reeve Book Series - Dream Studio: Production I.G. - Dream Format: TV Anime

If you’ve never heard of Mortal Engines, no sweat. It’ll be your new favorite thing in no time. This YA quartet from British author Philip Reeve follows Tom, an apprentice historian atop the city of London. When he’s thrown out of the city, he sides with Hester Shaw, an assassin with the resistance after the life of his master, Thaddeus Valentine, who she blames for the death of her mother.

Sounds pretty run of the mill YA right? My bad. I forgot to mention all of the cities run on tractor wheels. Oh, and the cities eat other cities for resources. Oh, and there’s this huge conspiracy surrounding the city-eating cities, and this huge plot to destroy them. It’s cool that Peter Jackson’s directing a film adaptation of the series, which is due out this December, but just imagine this as an anime...

Harry Potter by J.K. Rowling Book Series - Dream Studio: A-1 Pictures - Dream Format: TV Anime

Does Harry Potter really need an introduction? I feel like we all know about the boy who lived and his battle with he-who-shall-not-be-named. The cliffnotes version of Harry Potter is that an abused orphan turns out to have an incredible magical gift required to stop some of the wizarding world’s most malevolent forces. In addition to his studies, he must juggle fighting the dark forces, and maintaining the friendships he makes at Hogwarts.

  Harry Potter is essentially fantasy shonen in book format. It has the magical boarding school. It has the perfect shonen protagonist and sidekicks. The duels would be incredible to see animated. Hagrid would be moe AF. The mythical creatures would be a sight for sore eyes. But most importantly? QUIDDITCH EPISODES!

Railsea by China Miéville Novel - Dream Studio: Madhouse - Dream Format: Movie

China Mieville’s Railsea is an interesting reimagining of Moby Dick. Except instead of a sea, it’s a giant desert covered in endless, winding train tracks – the titular railsea. And there’s no whales. Only giant moles. The story follows Sham Yes ap Soorap, a young assistant doctor on a train that hunts giant moles for meat (think whaling but with moles). Her journey among the pirates, monsters, and salvagers alike kicks off when she comes across a series of photographs aboard a trainwreck that hint at the impossible existing.

The history behind the now-derelict world of Railsea, coupled with the mixture of gripping drama and havoc reminiscent of kaiju films, would make for a solid animated feature, the visuals of which I’d only trust to Madhouse.

A Song of Ice and Fire by George R.R. Martin Book Series - Dream Studio: MAPPA - Dream Format: Movies

Okay, so it’s Game of Thrones, but all the characters are moe idols. That’s it. That’s the show.

More seriously though, A Song of Ice and Fire would make a downright wicked fantasy anime. This large-scale fantasy epic has such an incredible assortment of characters, rich history, and gratuitous violence that would be a treat to see in anime form. It’s tough to really pinpoint the plot, since so much is going on, but A Song of Ice and Fire centers on a number of noble families – such as the Starks or Lannisters – vying to claim the throne of Westeros.

If there’s one studio out there that could handle A Song of Ice and Fire, it would be MAPPA. MAPPA’s history with dark fantasy anime series such as Rage of Bahamut or Garo only strengthens my confidence in their ability to breathe some animated life into the franchise.

A Scanner Darkly by Philip K. Dick Novel - Dream Studio: SHAFT - Dream Format: TV Anime

You may know A Scanner Darkly from that weird rotoscoped movie where Keanu Reeves, Robert Downey Jr., and Woody Harrelson play a rag-tag group of friendly drug addicts. The movie itself was based on the Philip K. Dick book of the same name. It follows Bob Arctor, who lives parallel lives as both a drug addict and undercover police agent. Undercover agents report to their superiors in scramble suits, which scramble their identities. The kicker here is that Bob Arctor’s undercover gig? Spy on Bob Arctor.

The drug-addled, paranoia-fueled philosophy behind the day-to-day of drug addicts living in a world where the war on drugs was lost makes for an interesting dynamic, especially with the sci-fi enhanced police work behind it. The only studio I’d trust visually with this would be Shaft, if only to see drug-addict head tilts.

  Peep Show British Comedy Series - Dream Studio: Kyoto Animation - Dream Format: TV Anime

I know this sounds like a weird one, but stick with me. Peep Show is a British sitcom that follows mismatched flatmates Mark and Jeremy – Mark being the uptight 9-5er and Jeremy being the easy-going partier. They don’t always see eye to eye, but sometimes friendships need that. Sometimes Mark needs to loosen up a little. Sometimes Jeremy needs to grow up a bit. As long as they have each other, nothing bad can really go wrong, right? Well, as human nature would have it, things tend to go wrong – quite often, rather quickly.

KyoAni’s bread and butter tends to be slow-paced slice-of-life shows, so if any anime studio would revel in adapting a sitcom, it’d be them. The gimmick of Peep Show is that the camera angles don’t tend to be traditional, and often are shot from the direct view of Mark or Jeremy. It would be interesting to see how that worked in anime form.

Kitchen Nightmares Reality TV Series - Dream Studio: David Production - Dream Format: TV Anime

If Kitchen Nightmares were adapted into an anime, I think it’d probably be a lot like Food Wars!, but Gordon Ramsay yells at Soma every 5 minutes. More realistically, it would follow a rather manly Gordon Ramsay on his trek across Japan in search of crestfallen restaurants in desperate need of an upgrade. Now throw in some Jojo-styled manliness – the likes of which only David Production could replicate – and we have ourselves a recipe for the perfect anime.

The translation of Ramsay’s infamous potty mouth would be a peculiar one, but seeing a muscle-clad Gordon Ramsay faffing about a kitchen screaming oi, teme at the sous chefs would be a treat we could all sink our teeth into.

The Day of the Triffids by John Wyndham Novel - Dream Studio: Wit Studio - Dream Format: Movie

There’s always room for more horror and suspense anime, ones about sentient walking plants doubly so. The book follows Bill Masen, a scientist who specializes in the care, study, and cultivation of triffids – towering venomous carnivores cultivated for their oils. After waking up from temporary blindness following a triffid strike, he finds everyone is now blind from green flashes brought on by comets the night prior. Now Bill must make his way through the streets of London in search of safety.

  While horticulture itself usually isn’t scary, there’s something eerily unsettling about the fact that poisonous man-eating plants walk the streets. Wit Studio would probably be the only studio which could replicate that suspense and terror, having done it perfectly in Attack on Titan and Kabaneri of the Iron Fortress.

  Star Wars Sci-Fi Media Franchise - Dream Studio: Ufotable - Dream Format: TV Anime

With Ufotable’s success at adapting large scale media franchises such as Fate, this sci-fi space opera could be in no better hands. Anime is no stranger to the world’s 2nd largest media franchise either. There are loads of references to the movies in various anime and manga, including Daicon IV, Berserk, Gintama, Doraemon, and Princess Jellyfish, just to name a few. Some fans have gone as far as to draw parallels between the Jedi of Star Wars and Newtypes of Gundam (whether that’s intentional or a coincidence being how close the two were to releasing).

  The coming-of-age rebellion story, coupled with the gratuitous tie-fighter dogfights and lightsaber battles, would make for one show you’d be on the edge of your seat for week after week. I think each trilogy could probably be adapted in one cour, but at this point, I’d even take seeing Clone Wars reanimated in its entirety as long as Ufotable got their hands on it.

  The Hitchhiker's Guide to the Galaxy by Douglas Adams Book Series - Dream Studio: Bones - Dream Format: Movies

From spaceship-stealing presidents to poetry-loving aliens, The Hitchhiker’s Guide to the Galaxy has a special charm that boys, girls, and little green people across the universe can love. It follows the incredibly British Arthur Dent, who in attempting to stop the demolition of his house, learns from his best friend Ford Prefect that the Earth is about to be demolished. After a few pints at the pub, the two hitch a ride on a ship and proceed on a journey through the stars in search of answers to life, the universe, and everything.

Anime has the unique marketability to sell just about anything. Look at Dr. Pepper sales after the first series of Steins;Gate aired back in 2011 after all. If the Japanese towel industry ever finds itself in a slump, anime studios know just what British science fiction series to adapt.

BONUS: King of the Hill Animated TV Series - Dream Studio: P.A. Works - Dream Format: TV Anime

You got that right: we’re doing a meme entry! King of the Hill has already claimed some notoriety in anime fandom as being one of the greatest anime of all time (if only second to Cory in the House).

King of the Hill follows the Hank Hill, his family, and their dysfunctional band of friends and neighbors as they navigate the challenges of daily life, propane, diminished glutes, lawnmowers, and more. Sometimes Hank’s modest sensibilities are challenged, but as a man of his word and a man of character, he never stands down.

While the closest we’ll probably ever get to a King of the Hill anime was the 1-hour episode where they went to Japan, we can only hope that one day, you’ll get a Crunchyroll notification that says “Release: King of the Hill - Episode 1”.

What about you folks? Got a favorite book, comic, TV series, or movie you want to see in anime form? Sound off in the comments below!

  ---

  Zach Godin writes about the manga he reads and collects over at his website, Rusted Culture. Feel free to say hi on Twitter: @zachjgodin

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

[aion-rsa]

What DC’s Infinite Frontier Means for Batman and Joker

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James Tynion IV has been writing Batman in some form or another for his entire career. He began his time at DC Comics by writing backup stories for Scott Snyder and Greg Capullo’s Batman during the New 52 era, fleshing out the history of the villainous Court of Owls before landing his first owl-centric series titled Talon. Tynion was one of the lead writers on Batman Eternal and Batman & Robin Eternal, two weekly series that mainlined years of Batman continuity back into the New 52. And following the Rebirth reset, he got a long run with the Bat family on Detective Comics. 

With all that time on the Bat-books, it’s a little surprising to see the deluge of ideas still pouring out of the writer now that he’s got the flagship title all to himself. Tynion took over after Tom King’s 85-issue mega run, and proceeded to pit Batman against an entire city of clowns in “Joker War” after stripping the Dark Knight of his greatest superpower: his money. Tynion returns to the Dark Knight for the Infinite Frontier era, the post-Dark Nights: Death Metal status quo that has an energy to match Tynion’s voluminous idea output.

We had a chance to talk with him about a new year of Batman stories, his next big arc, and the surprising Joker solo book spinning out of “Joker War.”

This interview has been lightly edited for clarity.

Den of Geek: When we last talked to you, you were just getting Punchline into the wind and just getting cracking on Joker War. Now we’ve got Joker getting his own series, you’ve got Batman past the big 100th issue milestone. You’re the boss now, right? 

James Tynion IV: :laughs: Right. And to be honest, when I came onto the title, the company had certain things that they were looking to accomplish with the Batman title. So I had a list of things that I needed to accomplish in the book, which is honestly part of why I leaned into creating so many new characters, especially once I got [artist] Jorge Jimenez as a creative partner. It was because those were the elements that I had the most control over. And in doing it because the company had where they wanted Batman to end at, where they wanted Joker then. 

But then as things started to change and it started to look like I was going to be staying on the title for the long haul, they started asking me “totally blue sky, what would you do next year if you had total carte blanche to do whatever you want?” And I said “I want to do a Scarecrow story.” 

There’s a Scarecrow story that has been in my head since I was working on the [Batman] Eternals, since I was working on Detective Comics. It’s changed a lot since then, but there there are some core pieces that I’ve wanted to explore in a big Batman story for years. And now taking everything I’ve learned from my first year on Batman, taking everything I’ve learned from working with Jorge Jimenez, and also just looking at the state of the industry and the state of DC Comics in particular, I wanted to try some new stuff. I wanted to see what was possible and sort of test the limits of how far we can push the Batman mythology and still have it feel like a Batman book. And that is what we’re up to next year, and I’m really really excited about it.

Scarecrow as a character has always been a great, classic Batman villain. But he’s also got some mission overlap. He’s creepy and scary like the Joker is. He’s a brilliant scientist like Hugo Strange. What makes Jonathan Crane stand out as different and important and worth examining to you?

Well, I think there’s a really interesting parallel between Dr. Crane and Batman, which is the fact that Batman, by putting on the costume, is trying to instill fear in people. That is part of the core mission of him trying to put on that costume. It’s the belief that criminals are a superstitious and cowardly lot and if he makes himself into something that seems inhuman and frightening, criminals are going to be scared out of their mind. In a weird way, it’s a psychological experiment on criminals that Batman is waging war with. 

With Jonathan Crane, with Scarecrow, he is someone whose entire modus operandi is trying to unlock all of the secrets of fear and doing it with the amorality of a classic mad scientist. He doesn’t care how many people get hurt around him, but he’s genuinely fascinated in scientific terms. He thinks he is unlocking some of the truths of human nature and he’s willing to use the entire city as the testing grounds for that. But in a weird way, so is Batman. And that’s why the name of the big arc is “Cowardly Lot.” 

Post-Joker War, you’re taking [the Joker] outside of Gotham, right? Where are you most excited to send him and why?

Honestly, there are a bunch of exciting places. I like showing him in places where it’s tonally incongruous for him to be. Like, I like Joker in the sun. It’s just the most bizarre thing possible with his pasty white skin, just him out on a beach laying with some sunglasses is really, really wild. 

But tonally, what I was really excited to explore is the idea of what is the whole secret criminal underworld that spans across the globe? How do people like the Joker stay off of Batman’s radar for years at a time sometimes before they reemerge to cause their latest havoc? And what are the support systems that hide these people away and all of that. 

One thing that I tapped into was a little bit of real life history, with the ratlines out of Europe at the end of the second World War, where a bunch of Nazis basically snuck into South America and changed their names and identities. And a lot of those similar systems are how organized crime evade the authorities and set down roots in places where you can’t be extradited. 

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By John Saavedra

Joker, in particular, he is someone who appears to be a part of that world, because he is part of organized crime. He is the Clown Prince of Crime. But at the same time, he is such a chaotic element that he cannot…he walks into those systems, and those systems think they can control and contain him, but they can’t. And so a lot of those players who have been burned by him before are just as eager to take the Joker down as the heroes of the world. So that’s some of the core pieces that we’re trying to unpack here. 

The element of the Joker that I’m most excited about is the fact that Joker does not necessarily make a great protagonist, because he’s someone you can’t really get into the internal life of. So emotionally the real protagonist of the Joker series is going to be Jim Gordon, who is one of my all time favorite characters, and the character I’ve been missing writing the most while getting to make my mark on the Batman mythology. So getting to put him up front and center with all of his very personal enmity towards the Joker, that is really exciting. And it also gives the book its tone. I keep referring to Joker as a horror noir book. This is this is me trying to do something that feels a bit more like a work of crime fiction, with the horror knob dialed up to 11. I honestly think the first issue is one of the best things I’ve written for DC.

Joker is going to function more like a kind of Jason Voorhees, right? He’s a horror movie villain rather than the focus of the story?

He is. Everything in the book happens because of the Joker, and the Joker is in every single issue of the book. But it is about the people who are pursuing the Joker, and the Joker playing with the people who are pursuing. He is both the Hannibal Lecter and the Buffalo Bill of the book. There is still a Will Graham, Jim Gordon is the Will Graham/Clarice that he’s playing with along the way.

You are obviously a very well established horror guy, but the artists on your horror books generally have a certain art style to them. Something Is Killing The Children [Tynion and Werther Dell’Edera’s horror comic about exactly what it says on the label] and Department of Truth [Tynion’s book with Martin Simmonds about conspiracy theories that become real], they don’t look like your typical superhero books. Guillem March has a vastly different art style to what Martin Simmonds and Werther Dell’Edera are doing on the other books. Has Guillem’s art style changed your approach to the horror in Joker at all? Or has your horror brought something different out of Guillem’s art?

One of my first books for DC comic was a title called Talon back in 2014, and Guillem March was the artist. I had been a fan of Guillem’s work, but I started realizing how good he was at the horror moments. Because he has this style that, I think you can see a lot of Joe Kubert. In his line work, it has a kind of Gothic edge to it. I’ve always loved writing some really scary moments for him. And I tried to tap into that, again with Batman…I think that his work on [Joker] so far is my favorite stuff he’s done in all the time that we’ve worked together, which has been pretty much my entire career. 

Who’s your definitive Joker? When you’re dragging in a script, what Joker stories do you go back to to try and catch his voice again?

Oh, boy, that’s a really good question. One of the north stars just because of how closely I’ve worked with him, and for how long, is the Scott Snyder Joker. I think Scott got into the Joker’s head more than almost any other writer in the modern era. There’s a certain element of the Joker as the devil who just knows how to hit every single emotional pressure point on your body to make you afraid and to pick you apart. And the idea of him being almost ever present and in this solitary, terrifying way. So there’s an element of that, that I always bring in. 

But I’m never going to be able to shake the Mark Hamill voice from my head. There is an element of Joker when he’s at his most performative and he’s always performing to an audience, [but] it depends who the audience is. Sometimes the audience is Batman, but his voice changes a little when he’s talking to other villains and those are the stories that I’ve always loved. When I was doing my Legion of Doom one shots during Scott Snyder’s Justice League run, writing him as a foil for Lex Luthor was incredibly fun. Even going all the way back when I was doing the backup stories in the New 52, writing a Joker up against Two Face or up against Penguin or up against Riddler. He has a very different dynamic with all of them that is a little more playful because he’s not trying to kill them. He’s just trying to mess with them. So that Joker gets a little more Mark Hamill where he is a bit more of the clown. 

But honestly, my favorite Joker story ever is Batman Beyond: Return of the Joker. I think it captures all of the sides of him. It’s him at his most performative, but you also see the deep hatred and also the incredible intelligence of the character, which is the thing that makes him so dangerous. The Joker would not be effective if he wasn’t as smart as Batman. The scary thing is he’s always playing a larger game. And it’s a larger game that does not necessarily follow a logic, but he can follow every step of it.

So we’ve got Jim [Gordon] in the Joker book. I’ve also read Barbara [Gordon], Bluebird, Punchline, [canonical best Batgirl] Cass [Cain], and Stephanie Brown are all showing up there.

Yeah, in the Joker book, there are also going to be backup stories continuing from the Punchline one-shot that I co-wrote back in November of last year, and continuing the story of Leslie Tompkins and Bluebird investigating Punchline’s past while she’s on trial for her crimes committed during the Joker War event. That story is going to continue there. 

Barbara Gordon is going to play a key role in that book, especially her relationship with Jim Gordon. Joker looms large in both of their pasts but also in both of their recent pasts. In the Joker War tie-in issues, we saw the death of James Gordon Jr. and that’s going to be one of the key things that sets the story in motion here. So, there is both a loss in their family instigated by the Joker that sets the Gordon family on this journey. 

The Gordon family is a very central force in the book, and tied very closely into that is the new arrangement in which we have Barbara Gordon working a bit more [behind the scenes, but] has not fully given up the Batgirl costume. But she is working more and more as Oracle again. And because she’s behind the computer, she is using Cassandra Cain and Stephanie Brown as her agents in the field, as her Batgirls. And so we are playing and building out that whole dynamic. 

A lot of people are very happy with that.

I’m very happy about it. :laughs: And we have big plans for all of the Batgirl characters in the line that will become more and more clear as the year goes on.

Is everything pointing back towards each other? You’ve got the big Scarecrow story in Batman, you’ve got all of the toys that you’ve brought into the Bat-family hanging around with Clownhunter and with Ghostmaker. But it sounds like they’re kind of eventually going to converge again.

Oh, absolutely. You can’t have two parallel threads going if you don’t plan to have them intersect. And honestly, one of the big things that I am most excited about this next era is how closely together all of the writers are working. There are certain things you can only pull off in a connected superhero universe. And especially like in the era right now, there is an incredible opportunity at DC which is, we have Black Label and books in the YA space and all of that. There are more straight up the middle, back to basics Batman stories being told that are more in the classic mold. And then there is stuff written for all ages audiences with the Bat family characters. So it frees the main line books to go a little further, where we don’t need to reset everything to the status quo, we can kind of push the status quo a little bit and change it 

The guiding idea that I’ve been going back to over and over is we’re further down the timeline than we’ve ever been before. If you look at Batman The Animated Series as a kind of core archetypal peak Batman moment where you have Batman, you have Bat Signal in the sky, you have Jim Gordon on the roof of the GCPD, you have a Tobin at his side, he’s in Wayne Manor, and Alfred’s in the Batcave. That is the era of peak Batman. And then you see at the end of the spectrum, you have stories like The Dark Knight Returns and Batman Beyond. We’re now at the midpoint of those two points. And that’s really exciting to me. Because you get to play with a Batman who’s a little worried that he used to be more effective than he is. Because when he first came on the scene, he cleaned up crime, he was all that, he made it for a better city, but then everything started pushing back even harder. And the city started becoming a more dangerous thing. 

And now Bruce Wayne is no longer a billionaire. He’s still wealthy, still a millionaire, but now he can’t just buy up all of Gotham City and try to fix it. He’s having to re-approach what he’s doing, build his methods back from the ground up. He’s doing it with the Bat family. But this is not an all powerful Bat God who can solve any problem that’s put in front of him in 30 seconds. This is someone who has to do the grunt work, the detective work, and touch up on his training and push himself to new limits, despite the fact that he’s not as young as he used to be. And I think that that makes for exciting storytelling. 

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

I’m really excited. And seeing how the other writers in the line are tapping into the new elements of the status quo. The hope is creating an era of Batman comics that people come back to long into the future. I want people to look at this era and be like, “that’s my favorite era of Batman.”

The post What DC’s Infinite Frontier Means for Batman and Joker appeared first on Den of Geek.

from Den of Geek https://ift.tt/37CrQMB

#aion-rsa #Den of Geek

[beigetortoise]

Synecdoche, New York

I just watched Synecdoche, New York.

There will be spoilers, but I don’t think the point of this movie is in its plot. You might need to watch it twice anyway.

What you probably know about it is: “A theatre director [Caden] struggles with his work, and the women in his life, as he creates a life-size replica of New York City inside a warehouse as part of his new play”. This is bollocks.

I.

Synecdoche, New York is a movie about how it feels to be stuck with no self-love, not knowing that you need it, not knowing how to get it. Never being loved unconditionally. Spending your whole life in this state. Having no idea what’s wrong with you.

Caden’s wife doesn’t even dislike his play—she doesn’t think it’s worth anything. “I can't get excited about your restaging someone else's old play, it just... There's nothing personal in it.” Later she leaves him.

Pretty Hazel is into Caden. But when she finally gets him to come to her place, she makes him beg for a kiss:

—Does [the drink] make you wanna kiss me? —Kind of. —Tell me why. —Because I feel a lot of longing. —Beg a girl, why don't you? —Please, Hazel. —On your knees. [...] I want you to beg me on your knees for a kiss.

During sex, Caden breaks down and starts crying: “I'm just really confused. I'm sorry. I... I'm really sick. And I think I'm dying”. Hazel’s response is “You should go”.

Fast forward, Caden is old now. Scroll to the title image and back. He is going to have sex with Tammy—an actress playing Hazel in his play. “You're very pretty”, he tells her, and follows with “Sometimes I wish I could be pretty like that”. Maybe he could’ve gotten unconditional... something... if he was a girl.

—What, you wish you were a girl? —Sometimes I think I might have been better at it.

Tammy tells Caden that he’s pretty, but he doesn’t believe it. Immediately after they are shown in a car. It’s morning. Tammy goes “I shouldn’t have drunk so much fucking beer last night”—his fear, I think, is validated.

Before dying, Caden’s daughter asks him “I want to forgive you, but I need you to ask for forgiveness first”. He begs, and then she says “I cannot forgive you” and dies.

II.

What does Caden do with all this?

After getting a MacArthur grant for his previous work, he decides to write a play. “You see, the idea is to do a massive theater piece. You know, uncompromising, honest”. So he buys a huge warehouse and hires a lot of actors.

How do you write something uncompromisingly honest? Caden addresses the assembled troupe during their first meeting:

“We'll start by talking honestly, and out of that, a piece of theater will evolve. I'll begin. I've been thinking a lot about dying lately.”

We don’t see anybody else “beginning”, though. For the rest of the movie, it’s mostly just Caden’s life. An actor playing Caden, and an actor playing Hazel. An actor playing Caden’s second wife, and an actor playing her new boyfriend after she leaves Caden. Paralleling everything happening to Caden in real life.

I had a similar idea when I was a kid, in a long-distance relationship (and my first relationship overall). “I had better save all chat logs”, I thought. “Later I will write a book about this relationship—just the whole history of it. It will be so awesome. Everybody will love it. And be jealous, too.”

Caden’s idea is: “if I show people my life, maybe this will amount to something”.

It’s not narcissistic rage (“and they will see how I suffered”). He doesn’t try to embellish anything, doesn’t try to present himself better than what he is, doesn’t try to draw a lesson. “Theater piece. Something big and true and tough. I'm gonna finally put my real self into something. [...] The MacArthur is called ‘the genius grant’, and I wanna earn it.”

In other words—if he manages to show people his true self, his idea of human experience (both his and others’), they will love him.

III.

Charlie Kaufman, the writer and director of Synecdoche, New York, doesn’t talk about it much. But it doesn’t matter, because three years after the movie he gave a lecture pretty much explaining it. I talked about it on my other blog—Charlie Kaufman does public self-therapy.

[When writing, do yourself, not somebody else.] It isn’t easy but it’s essential. It’s not easy because there’s a lot in the way. In many cases a major obstacle is your deeply seated belief that you are not interesting. And since convincing yourself that you are interesting is probably not going to happen, take it off the table. Think, ‘Perhaps I’m not interesting but I am the only thing I have to offer, and I want to offer something. And by offering myself in a true way I am doing a great service to the world, because it is rare and it will help.’

Caden tried it, but missed a crucial ingredient. He is not trying to help the world by offering his understanding of human experience—he is trying to sell himself.

But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope. It’s done so for me and I have to keep rediscovering it. It has profound importance in my life. Give that to the world, rather than selling something to the world.

This is what he doesn’t do. He does it to be counted as a genius. He thinks he’s dying, and he wants to prove himself, to amount to something. Kaufman hopes to change himself by being honest about his experience—Caden thinks he’s already good enough, but nobody sees it.

Caden spends forty years trying to create a truly monumental play, all just to get someone, anyone, to relate to him. Imagine that.

IV.

In the end, by some twist of dream logic Caden merges with another character—Ellen, who was Caden’s runaway wife’s cleaning lady.

As a side-note: if you’ve seen the movie—note how Caden finds comfort in doing Ellen’s job. Cleaning is the only thing he does that is directly useful to others. It has meaning. If only he had figured it out earlier.

The shot above is not from the end of the movie. What happens in the end is better.

Everybody has left the set. Caden sees a woman. “Would you sit with me for a moment? Because I'm very tired and lonely.”

She does not reject him. She does not roll her eyes. They sit together. The woman is Ellen’s mother. “I feel like I've disappointed you terribly”, he goes. “Oh, no. I am so proud of you”, she replies.

By this time, he is no longer the director of his own play. He’s given up the role. He wears an earpiece telling him what to do, how to act.

“Ask her if you can put your head on her shoulder”, instructs the earpiece.

—Can I lay my head on your shoulder? —Yes. —I love you. —I love you too.

At last, unconditional love.

And then he dies.

P.S.

Kaufman’s preface to the published version of the movie script:

They want me to write an introduction to this thing. They’re pestering me. This guy, Keith, at Newmarket Press. [...] So here I am, as I knew I would be once I agreed to having this thing published, trying to write an introduction and being mad at Keith. I don’t even know Keith. I’ve never seen him, as far as I know, which may be completely untrue. I may have met him forty times and not paid attention. I don’t even know his job title, that’s how much Keith and this screenplay book are part of my life.

[...] He’s an annoyance to me. That is all he is. But if I stop and think about it, which I just did, if I try to broaden my view of the world, which I just did, I realize that every moment I exist as me, Keith exists as Keith. He is not the occasional letter in my e-mail box. Every moment of every day, he is living a life somewhere far away from me. As an experiment, I decided to e-mail Keith and ask him to tell me a bit about himself.

[...] Wow. Keith’s letter did way more than I anticipated. Now I love Keith. Now I feel a connection with him. There are so many things I love about Keith’s letter. Not the least of which is his willingness to participate and his openness in talking about himself, his leap of faith that I would not abuse the confidence. I love that he took me seriously. It made me think: How many hundreds of people have worked on this film whom I’ve never had a conversation with, whom I don’t know at all, didn’t think it was important to know?

#Synecdoche New York

[unproduciblesmackdown]

since ive decided ask lists are just things i answer all at once instead of reblogging or whatever here's a halloween one ive filled out, as breathlessly exciting an update as any of them

When you die, what do you want done with your remains? • this is a tough one. the deterioration of the body in any form is just like...pretty impossible to make peace with, there's an inherent revulsion there. but i suppose i have to know that when i'm dead i wont care. i dont want a funeral for sure, i mean i think coffins are kind of weirdly gross so just being dumped in a hole is fine, or really just left in the woods for the coyotes is a noble death, or set on fire is fine, or whatever. let science have it

What is the weirdest thing you own? • ive never really owned anything halloween-ish, especially not now. i do have a necklace with a tiny bit of coal from the titanic, there's nothing spooky about that save for a giant dead mechanical behemoth in the frigid pitch black abyssal depths

Have you ever played with a Ouija Board? • no

Do you believe in ghosts? • not "officially," but really yeah sure

Have you ever had an encounter with things that go ‘bump in the night’? • no. once when i was playing in the trees by our house with my sister and her friend and they said they saw a ghost off in the distance, i didnt like to wear my glasses back then so i couldnt have made out whether anything was there or not

Do you have a Deja Vu story? • no it's just happened at random, unremarkable times / circumstances so routine that i'm sure i was remembering the other week or smthing

Do you still trick-or-treat? • no

Have you ever had a black cat cross you, and have a streak of bad luck afterwards? • no i see a black cat every day and for their sakes i wish nobody would think they were unlucky

Least favorite thing about Halloween? • i dunno. bad movies coming out

Favorite Serial Killer? • none of them, i hate you

Favorite thing to do in a Graveyard? • uh try not to step on graves as a show of respect

Favorite Halloween Movie? • i like scary movies in general but i guess im always in the mood for coraline

Favorite Ghost Story? • i dunno...i havent heard many good ones from like, people directly, but then there's snap judgment and stuff. i like the one about a lady moving into a house with a ghost lady teaching her how to use the antique oven and bake pie crusts and protecting her from rude, bloodstain-leaving ghosts

Have you ever contacted a loved one from beyond the grave? • no. i havent even had a real loved one die on account of no close familial relations and being no-friends mcgee

Your biggest fear? • i don't like mold

Favorite Pumpkin flavored food? • pumpkin seeds

Candy corn or Popcorn Balls? • popcorn balls sounds like i'd rather just eat the popcorn loose, candy corn is fine and everyone pretending its uniquely disgusting really ought to just relax

Trick, or Treat? • treat, obv

Best halloween you ever had? • i think i enjoyed being a bat once. having wings is fun

Do you go to Corn Mazes ? • ive been to one or two i think

Haunted Houses? • i think ive only been through one our college did? idk

Do you own any human remains that arent your own? • does anyone if they werent left their aunts skull via her will or something? no, i don't

Have you ever smashed a pumpkin? • no

Do you like Apple Cider? • yes!

Do you live near any ‘spooky’ places? • a cemetary abt 100 ft from where i sleep. the whole state is haunted tho

Do you ever get goosebumps? • only when i'm cold

Have you ever seen a dead body apart from a funeral? • no

Have you ever broken into an abandoned house or building? • uhhh, yes

Do you believe in Vampires? (not sparkly ones, kids) • you're exhausting, questionnaire. no it was olden people trying to explain disease? and later, why sex is bad

Your scariest memory? • uhh....i dunno i was easily creeped out but also still seeking out horror genre stuff for ages and would be wary af all the time. nothing really comes to mind as "oh man, this was the scariest thing to ever happen to me." being in the bathtub when a circuit breaks is a moment or two of joy, the bottom floor of the dorm i was in for a couple of yrs was a horror movie hallway but also had bathrooms (when the one we shared with the adjacent room was occupied) and a kitchen, and once when i went down there alone i'd taken the elevator (which i also dont love) and the door opened to like pitch blackness and im pretty sure i just waited for it to close and then went back upstairs

Ever heard white noise from a turned off tv or radio? • no

Weirdest Coincidence? • none

Have you ever bobbed for apples? • no

Ever had your fortune told? • no

Favorite skin disease? • what the fuck does this mean!!!! none of them for christs sake

Do you see figures in your Peripheral vision? • not really, unless its like "something is vaguely person-shaped and my peripheral mistakes it for a person" or the occasional movement that's not there. when i stay up too long (like, 40 hrs and beyond) that gets exacerbated

Have you ever seen someone die? • not that i ever knew of

Have you ever caught something large on fire? • no

Favorite ‘fictional’ bad guy or monster that you wish was real? • uh.....a....griffin. not that they're supposed to be evil. theyre just cool

Do you believe in multiple dimensions or worlds? sure, there could be other spatial/time-al dimensions. or parallel universes at all. and life on other planets

Ever held a Seance? • no. once we found a secret seance room in the abandoned basement of the semi-abandoned old house on campus

Ever made a potion of any sort? • no

Ever worn ‘funeral attire’ outside of a funeral? • what is this supposed to mean? no...? i wore a shirt i wore to a funeral outside the funeral, because it was just a black tank

Have you ever made a blood pact? • no just pinky promise anyways ppl

Have you ever worked a spell? • no

Do you believe in curses? • not really but i dont think its for sure not real either

Ever had an animal or pet see something that you cant? • i mean cats do this all the time but not like "dog aggressively barking at nothing" or w/e

Have you ever gotten lost in the woods at night • no

Have you ever caught a photo of a ghost? • no

Have you ever played Bloody Mary? • no

[furederiko]

I've sort of lost track of holidays and festives since the year began, but today's Good Friday!!! Meaning it's a good friday to post a Random News Digest as well... Ahahahaha!

Fantastic Beasts and Where to Find Them

The quest for young Albus Dumbledore has come to a close. Warner Bros has entrusted the iconic role to... none other than Jude Law. Which shouldn't come as a surprise, considering the Brit actor's long history with the studio, from the "Sherlock Holmes" series to the upcoming "King Arthur: Legend of the Sword". Personally, I still think Rafe Spall would make a better Albus, but perhaps the movie needs more of Law's... star power considering the first "Fantastic Beasts and Where to Find Them" wasn't exactly the big "Harry Potter" hit that WB expected. Beside, Law also suits the "younger man and quite a troubled man" criteria better than Spall.

The down side of this casting, is the general assumption that the sequels will put more focus on the bromancing frenemy between his Dumbledore and Johnny Depp's Gellert Grindelwald. It has been hinted that the two characters have shared a rather 'close' relationship in the past, perhaps even something that was somewhat romantically inclined. Okay, let me correct that. J.K. Rowling has said it herself that "Dumbledore fell in love with Grindelwald, and that added to his horror when Grindelwald showed himself to be what he was.", so it's more than just mere speculation. Thus, it IS going to be interesting to see how Law and Depp come to blow with one another, which is what many "Harry Potter" fans should be dying to see. Then why do I call it a 'down side'? Because at least for me, it's Eddie Redmayne's Newt Scamander...'s magical ZOO that was the prime highlight of the first movie. Those creatures, with the chemistry between Alison Sudol's Queenie and Dan Fogler's Jacob Kowalski coming hot in second place, are the part that I found to be delightful. These three characters, alongside Katherine Waterston's Tina, have all been confirmed to return, so one would easily wonder how these New Yorkers are going to fit in the story that takes place in Paris and Watford, England. Admittedly, Tina and even Newt himself, were pretty dull and boring for a lead. But it would feel like such a crime if they are put aside to the corner, as the spotlight is stolen by Law and Depp instead.

It is currently unclear whether the next movie will once again feature two separate storylines going in parallel with one another. But that's exactly what's currently generating the concern for some people. David Yates will be returning to helm the second movie, so let's just hope he'll find a way to make the sequel feel more... balanced and evenly focused. "Fantastic Beasts and Where to Find Them 2", a tentative title for now because I'm not even sure if it will be accurate to the story anymore, is set to be released next year on November 16th, 2018. That's when we'll see whether this will turn out to be a magical Brokeback Mountain between Law and Depp, or another adventure of Newt & Co.

DC Films

Pray tell, why are we getting another poster for "The Justice League"? The popular notion is that WB is launching one as preparation for that last trailer debuting in theaters alongside "The Fate of the Furious". Yet when you look at the timing, somehow it just feels rather inappropriate. I mean, why not release it alongside those character posters and teasers last month? Can't remember? Those ones that oddly arrived on the same week to Spider-Man's posters and trailer. Sounds dejavu? Because Marvel Studios had just debuted the trailer and first poster for their upcoming Thor movie as well! You know, the one that will premiere just two weeks ahead of "The Justice League"!

Aaaah yes, THAT is the reason why calling this as coincidence is hokey at best. As if WB is trying to convince audience that... yes, despite the muted colors and the joyless forced humor, their grand ensemble movie is as colorful and fun. Now I can't help but wonder if this is a direct answer to that hillarious FANMADE video that's casually making fun of Ben Affleck's Bruce Wayne and Gal Gadot's Diana Prince... LOL. Anyway, my point is... hogging on another movie's spotlight is acceptable, since many studios have been doing this since the Hollywood's dinosaur age. But I do really wish WB would stop being so dickish, while at the same time, being utterly obvious about it. Stop positioning themselves as the angry envious rival, subtly but blatantly creating flame wars with Marvel, because it does them no good. Acting all offensive in a non-existent competition is the wrong thing to do, because it makes them look BAD instead!

"Wonder Woman" also made news because the movie is said to be tracking for a $83 million opening. Eventhough it is unfortunately lower than DC Films' previous two movies, it sure didn't stop fans from turning into bragging mode and stuff. After all, that's how the internet works, and sorry to say, precisely the way 'DC fans' tend to overreact with things both good and bad. Meanwhile, another outlandish rumor hit the internet, claiming that WB will release not one, not two, but FOUR Batman-related movies in the year 2019. Yeah, judging from the studio's track record on announcing DC projects, only to end up losing directors or getting back to first page rewrites... over and over again, that sounds too good to be true, right? Despite all that, just imagine the headlines and numerous thinkpieces immediately run by various entertainment, and fansites. Well, at least until WB's producer Jon Berg and DC Entertainment's President Geoff Johns themselves shot down this report in their own hillarious way. I don't know about you, but THAT is what I call FUN.

Last but not least, Dolph Lundgren has joined "Aquaman" to play merman(?) King Nereus of Xebel. Making him the third antagonist after Patrick Wilson's Orm, and Yahya Abdul-Mateen II's Black Manta. That's not counting the likelihood of Willem Dafoe's Dr. Vulko turning evil, of course. Director James Wan has confirmed this casting himself, and Lundgren will likely join production when it begins on May in Hawaii. Although having the former Punisher sounds good, once again, this casting felt a little toooo obvious to be a coincidence. After all, we just got a hot rumor surrounding Sylvester Stallone's important role in the upcoming Guardians movie. And when you start remembering that Lundgren used to play as Stallone's rival/opponent in "Rocky IV" before teaming up in "The Expendables" series? Aaaaaah, it's another act of spite, right there! Oh WB, when will you ever learn...

Transformers

Have you seen the latest trailer for "Transformers: The Last Knight"? I certainly haven't, because I'm totally not looking forward to see this movie anytime soon. But I heard it was great, and well... probably the best one this movie has released so far. Honestly, after the lackluster tragedy that was "Transformers: Age of Extinction", I never would've thought that we're going to get a 5th movie of this winding-down franchise. And this is just the beginning of another array of sequels, because director Michael Bay himself has explicitly stated to MTV that... "There are fourteen stories written. And there’s good stuff. So, I would like to do one of them, though.". 14? SERIOUSLY?!! Dang it, for a guy who thought "Transformers: Dark of the Moon" was meant to be the last, this statement felt like an offensive mockery. Anyways, this 5th movie is set to arrive on June 23rd. I'm personally more curious about whether it will rake as much money as the previous one. Somehow I suspect it won't, but general audience seems to love this franchise... so, we'll see.

SONY Marvel Universe

SONY Pictures has found its Miles Morales! What for? That animated "Spider-Man" movie that is set to be released on December 21st, 2018. Yes, the same date that recently has been occupied by "Aquaman". The young actor privileged to lend his voice for the animated Miles is none other than Shameik Moore. Fans might argue that Morales is half black, half latino in the comics, whereas Moore is not. But this is an animated movie, which only requires his voice, so I don't think it should be a problem. The actor himself shot to fame following his debut in Rick Famuyiwa's "Dope", later starred in the Netflix drama "The Get Down", and will next be seen in "The Pretenders". Speaking of "Dope", who would've guessed that it was such a good movie, eh? I mean, most of its main cast has gotten big comic book roles now. Tony Revolori is soon to be seen as Flash in MCU's Spider-Man. Kiersey Clemons is Iris West in DC's who-knows-when Flash movie, a feature that was almost directed by Famuyiwa. Zoe Kravitz was in "X-Men: First Class". And now Moore. Should we expect anyone else from that movie?

Aside from Moore, another cast who has joined the movie is Liev Schreiber. Schreiber portrayed Sabretooth in "X-Men Origins: Wolverine", and is currently well known as the lead actor of "Ray Donovan". According to the same report, Schreiber will be voicing the movie's antagonist/supervillain, though his character is being kept a secret for now. If I didn't know better, I have a feeling that Schreiber is going to voice Otto Octavius, or more popularly known as Dock Ock. Unless he's being assigned to voice Kraven the Hunter, which might also work when you put into account his previous ferocious comic book role. Then again, just like Moore, only his voice will be utilized, so he can practically play anyone. LOL. Hollywood's favorite duo Phil Lord and Chris Miller are writing and producing this movie, while Bob Persichetti and Peter Ramsey will co-direct the movie. Considering this is an animated movie, shouldn't they start working from now? I mean, animation is unlike live action movie, because it needs to be done at least 2 years in advance to achieve the highest quality. Let's just hope that this movie will be able to stand against the rising tide of "Aquaman" when it arrives next year. Otherwise, this might spell trouble for SONY's ambitious universe.

X-Men Universe

In a very surprising (but seriously pleasant) announcement, "Deadpool 2" has discovered its future-mutant Cable. And my oh my, it's Mad Titan Thanos himself, Josh Brolin!!! Yes, scoring his second Marvel role, Brolin's Cable will be featured in not one, nor two, but FOUR future X-Men movies. Popular speculation says that his next movie will be "X-Force", if not "New Mutants" as well. He's joining Ryan Reynolds who is returning to produce and star as lead character Wade Wilson, as well as Zazie Beets who will portray Domino. Interestingly, Brolin has played a comic book character before, as the titular character in the critically and financially failed DC movie "Jonah Hex". Which means, he and Reynolds are fated kindred spirits from the get go! That's nothing but true fact, no matter how Reynolds openly 'complains' about it... LOL.

No offense to David Harbour, Brad Pitt, or Michael Shannon, but Brolin sounds too perfect for this role. Not just in terms of looks, but also in the actor's ability to play the straight-faced man with a penchant to infuse his character with various kinds of intensity. "Old Boy", and "Sicario" are great examples of this. Created by Rob Liefeld and writer Louise Simonson, Cable is the complete opposite personality to the obnoxious, oddball, and foul-mouthed Deadpool. He's a tough, no-nonsense mutant whose gruff attitude and mysterious aura didn't waste time to attract a great number of fans. He has also been paired with Deadpool ever since. Suffice to say, it's a character that is right up on Brolin's alley, with "Men in Black 3" as its easiest example. With this sequel expected to arrive in 2018, production for the David Leitch feature is set to have a June start in Vancouver. Brolin is currently filming his Thanos role with Marvel Studios in Atlanta, and might even have completed his motion-capture part already. So rest assured, scheduling issue is not even a thing. Interestingly, both movies will be released next year, which means, 2018 would be a truly Marvel-ous year for Brolin!

Marvel Studios

Have you seen the mindblowing first teaser of "Thor: Ragnarok"? The long awaited teaser was simply rock and roll AWESOME, wasn't it! Not only director Taika Waititi delivered a Thor Odinson's movie that already felt distinctly different to his previous solo features, he also imbued it with his signature quirky fun but gorgeous colorful style. It felt like this least-favored franchise of the Marvel Cinematic Universe has finally embraced its funky Asgardian glory and cosmic side, eh? As if that's not enough to please us, it has already scored an amazing achievement by being the most-watched trailer that both Disney and Marvel Studios ever released! Is this a good sign? Most definitely. In fact, this was such a splendid teaser, I'm actually hoping that Marvel Studios won't be releasing anything else after this. This one's more than enough to grab audience's attention.

The official poster that came afterwards, though? Perhaps it didn't quite leave a similar impression, but arguably still emitted a strong promise of colors and style. Especially with all those Rainbow-Bridge-tone illuminating the titular character. Just look all those gorgeous colors, right? Chris Hemsworth is looking cool with that new haircut, and of course, don't forget the absence of Thor's beloved Mjolnir. Seriously, this movie is going to be strangely fun but epic! November 3rd, 2017 can't come soon enough.

But let's not get ahead of ourselves too soon. "Ragnarok" is still 7 months away, and there's "Guardians of the Galaxy Vol. 2" and "Spider-Man: Homecoming" that we need to anticipate first! With all three releases of the year looking equally fun and colorful, it would be a mistake to skip any one of them, right? HUGE mistake. And we can expect the first screenings reactions from "Vol 2" pretty soon. Why? Director James Gunn, along with stars Chris Pratt, Zoe Saldana, and Dave Bautista have kicked off the sequel's worldwide promotional tour in Tokyo, Japan last week. Not surprising, because it is set to hit theatres in Australia, Southeast Asia, and other international countries theatres starting on April 25.

As for the North American region, if I'm not mistaken, some of the press members are going to be the first to see it, just a few days from now. I bet early social media reviews and responses will arrive pretty much the same day. That's also the same reason why it's going to get harder and harder to avoid spoilers spreading throughout the internet. Even interviews and press roundup have slowly reveal details about the movie, much earlier than we expected. For example, Kurt Russell has spoken to Total Film (via Flickering Myth) on whether we'll be seeing a "Tango and Cash" reunion in this movie between his Ego the Living Planet, and Sylvester Stallone's mysterious character. Nah... I won't spoil anything about it, just go ahead and read the article if you're up with a little spoiler.

For the time being, "Vol 2" is tracking for a $150 million domestic debut. This is considerably close to the opening of "Captain America: Civil War", and also a solid improvement to the $94,3 million debut of the first "Guardians of the Galaxy" back in 2014. It's hard to predict whether this opening estimation is on point or not, because even "Beauty and the Beast" have magnificently surpassed its initial tracking number (and has broken the $1 billion mark yesterday). There's always a chance that the same accomplishment will occur with "Vol 2", considering the franchise is now sitting on everyone's top 5 most favorite among the MCU. Not to mention, "Vol 2" is the first movie that will kick start the 2017 Summer Movie season in the US. I guess we'll have to wait and see, and hope the best for the sequel. Because if it's good, then I bet Gunn would not shy away from returning to create a "Vol 3".

As for "Homecoming", several rather spoilery details of the movie might have landed online as well. In this case, regarding the "Daily Bugle" existence in the MCU, several scene descriptions from an event held in Tokyo, the possible appearance of other Avengers beside Robert Downey Jr.'s Tony Stark, as well as actress Angourie Rice's true role in the movie. Hailing down from a Tom Holland's fanbase account on Twitter, these reports felt... a little hard to fully believe, because it could very well be a subjective assumption on their part. So do take them with a huge grain of salt.

Finally, remember that candid photos of Elizabeth Olsen filming an action scene for "Avengers: Infinity War" in Edinburgh? There's a video version of it now, and one that looks rather... dire and serious. This scene once again hinting that Olsen's Scarlet Witch and likely Paul Bettany's Vision will come into blow with a CGed henchmen, presumably the Black Order members. If you're curious, then go ahead and check it on Youtube. Assuming it hasn't been taken down, of course. Inline with the casting announcement from FOX, it seems Josh Brolin would have concluded his part as Thanos in May so that he can join the production for "Deadpool 2" in Vancouver. Which is probably why the "Infinity War" production will then proceed with his Black Order members instead.

Netflix

This might sound surprising, but it's the last category for today! Yes, because I have no topics for the game section. LOL.

It wasn't long ago that we heard Marvel's "The Defenders" has wrapped its production, to pave way for the second season of Marvel's "Jessica Jones". Looks like Marvel's "The Punisher" has followed suit as well with its completion. A Twitter fanbase account for lead actor Jon Bernthal, reported that the cast has thrown away a wrap party for the production that began on October 2016. Judging from this, it's safe to assume that the series will in fact arrive later this year instead of next year. It's a little suspicious though, that it wrapped just a few weeks after "The Defenders" eventhough they started at relatively the same time. Considering the mini series only has 8 episodes, does this mean "The Punisher" might be a more compact/shorter series than those previous four? I sure hope so, because forcing these serialized shows into a 13 episodes with materials enough for maybe 10 at most, certainly didn't work charm. Said sentiment has even become one of the loudest talked-about criticism thrown at them. Here's hoping Netflix will realize this issue and solve it accordingly, because seriously, watching Marvel's "Iron Fist" alone has already worn me out.

Meanwhile, Netflix is reminding its audience that the 2nd season of "Sense8" will arrive in May 5th, by launching an official trailer. Which is highly necessary, because even I have forgotten that I've written about this fact before! YIKES!!! The inability of Netflix to set a fixed annual release date is admittedly troublesome, as it tends to wore out its devoted audience due to uncertainty of when to expect any continuations. "Sense8" and "Voltron Legendary Defender", as well as their uncertain delays are good examples of this particular issue.

IMHO, "Sense8" is a show that would have benefitted from having its second season arriving as soon as possible, preferably in mere months apart (just like the Network side, perhaps?). The first season was undoubtedly slow if not poorly paced, and the story only got interesting and intense in the last two-to-three episodes. It undeniably felt like an extended intro for the real story, thus forcing viewers to wait too long (remember, first season was launched in 2015!) to see what's next (one that hopefully explores the REAL intrigue behind them), simply doesn't do any good. Sure, there was a "Sense8: Christmas Special" on December 23rd last year, but I doubt many even knew it existed nor have watched it. I sure haven't, because even I only remember about it just now, FOUR months later. LOL. And to be honest, although I'm probably among the few who DID enjoy the first season, I've realized I'm not that anxious to see the second. Why? I have forgotten whatever was happening in it, so seeing this new trailer only succeeded in making me scratch my head in confusion. That is NOT good...

Thankfully, Netflix's bingewatch functionality helps to counter this problem. After all, unlike movies that come and go, we can view any of their original shows anytime we want. So those who haven't seen the first, can plan their start later by watching both seasons all at once. Trust me, I believe that would be more effective for this series. So right now, I'm patiently waiting for the critics' reviews first before actually checking the second season. While at the same time, re-watching the first season one by one, which might be a challenge because sadly this show doesn't have a strong rewatchability. My only hope is, I won't end up forgetting about this plan in just a few weeks after release. LOL.

#Random-News-Digest #random thoughts #news #movie #fantastic beasts and where to find them #dc #justice league #transformers #spider-man #animation #deadpool #Marvel Studios #thor: ragnarok #Spider-Man: Homecoming #guardians of the galaxy vol. 2 #Avengers #infinity war #netflix #the punisher

[woohooligancomics]

Webcomic Whimsy: Parhelion

Welcome to the Woohooligan Weekly Webcomic Whimsy! I've given a couple of interviews in the past, but this is my first experience with reviewing. If you have any suggestions for improvements, feel free to leave a note. If you're a webcomic author and would like a review, you can see my announcement and review rules here.

Title: Parhelion

Author: Riley Smith • Twitter • Tumblr

Site: ParhelionComic.com • Patreon

Genres: Experimental, Dystopian, SciFi, Space Opera, Black Comedy, Experimental, Surreal, Action/Adventure, Gay Space Pirates, A day in the life of a bargain-bin Han Solo

Rating: PG, T for Teen - adult situations, some language

Updates: ??

Synopsis: (from ParhelionComic.com/about) - The World’s Collective, an ambitious plan to unite the galaxy, has just formally collapsed. A despondent interpreter hires a pirate to retrieve some personal files from his office, and they hit it off. Meanwhile, wheels are turning throughout the galaxy, with all kinds of plans at cross-purposes. Warlords lock horns, Boltzmann Brains fight for freedom, and plenty of people just want some peace and quiet.

The first thing anyone is bound to notice about Parhelion is its experimental art style. I suspect this will be a case of "love it or hate it" with very few people in the undecided camp. It certainly has its appeal, with a kind of "baroque simplicity", (which in English means it looks more complicated than it is). Although later chapters get some monochromatic coloring, there's never full color and it might be better that way. Even when a character is human, the lines of the form often don't intersect, leaving a gap at a joint like a waist or elbow, so full color might look out of place. With alien characters, all bets are off, as there's barely a passing nod to notions of anatomy. One drawback to this style is the ambassador from the Planet of the Floor Lamps! (See, it's like Planet of the Apes but...)

A small side-note: so far, Riley is the only author I've reviewed who maintains an annotated synopsis of all his chapters. It's a nice touch if you'd like to see the whole outline of the story in advance.

If you don't mind an occasional character who looks like office furniture, there's a dystopian space opera here that you might enjoy, hot on the heels of a failed galactic government called the Collective. The first page opens with, "like it or not, civilization is built on stimulants, pornography and worse." I'm not sure if the author thinks poorly of porn or if they expect the reader to. I personally think porn is like other industries, there's some bad stuff to be had, but there are also unscrupulous insurance people making money off of the death or misfortune of others. So I won't personally single-out the porn industry as "bad stuff", and stimulants? Meh... coffee is a stimulant. But if you're expecting any porn in this comic, remember that any dick picks will inevitably look like a Tinkertoy with this style of art. (There isn't any porn, it's T for Teen.)

But I digress... that opening line is intended to set the mood of Parhelion's dystopian future. The main character, Peter, is jaded while not being entirely cynical, describing the recently collapsed Collective as "a beacon of hope, smothered at birth by a pack of vultures."

Peter meets his alien, soon-to-be partner, a translator named Cerril, at a bar. In fact, Peter interrupts Cerril's week-long alcoholic bender, mid-gargle-blaster. You see, Cerril's an ivory tower jackoff who used to work for the Collective, before it's untimely collapse just days or weeks before the story started. That's why he needs all the booze. What he didn't know is that Peter needs a translator.

This is also a good time to point out another small problem with the art style, which is, when you use straight, perpendicular lines for your dialog balloons, especially when you're drawing in black and white, the dialog can easily get lost in the illustration, like it does at the bottom of the above page. Or it can create parallel tangents or fake panels like at the top of the previous page.

There's also a fair amount of black comedy or "gallows humor" in Parhelion, like Peter insisting to terms for his own murder, specifically that it be an involved and painful mano-a-mano affair. And Riley occasionally gets technical. Unlike Star Wars in which the function of the protocol droid C-3PO is simply assumed, Riley stops for a couple pages to explain why Cerril's job title is "translator" instead of "office clerk". Oh, but I was wrong about the Tinkertoys...

Several pages are devoted to developing the characters for Peter and Cerril before there's been any real plot. Peter presents himself as a happy-go-lucky space pirate, a kind of bargain-bin Han Solo. And it turns out that the falling-down-drunk Cerril isn't entirely cynical either.

I know I sound like a broken record here, but I see a lot of what I feel is slow pacing in the webcomics I'm reviewing. Maybe it's just me, maybe I'm being a little overly critical on this point. Having said that, I'm seventeen pages in and while I've gotten some good character development for Peter and Cerril, I still haven't seen any plot development beyond "you need to bring me the translator and you can't refuse because I'm your pirate-boss and you're in deep." For reference, a standard issue of a Marvel or DC title is twenty to twenty-four pages, so if this were one of their books, we'd be on the very last couple of pages with only just the basic character development covered.

That's when we see Peter's gnarly missing-eye scar... or is that mechanical? Hard to tell.

But I do think they make a good team... it's basically that bargain bin Han Solo teamed up with a drunken, curmudgeonly C-3PO.

Note that in the bottom half of this page, those are supposed to be fully human, factory-direct hands, with no modifications. It's that sort of thing that makes me say I think this art style will be fairly polarizing: you'll love it or hate it, there won't be a lot of indifference. The hand on the left looks like a bunch of straw sticking out of a sleeve and the one on the right looks like a garden rake. Yeah, he's a bargain bin Han Solo, but this picture makes him look like a badass, one-eyed, space-pirate scarecrow from the land of Oz.

At the beginning of their three-day trip, Cerril asked Peter to steal something for him. By day three, Cerril finally explains that it was just some personal files he wouldn't be able to retrieve from his offices after the Collective collapsed. That's when it's revealed that these particular space pirates are gay, although that reveal is weirdly subtle and kind of sprung on the reader out of the blue like a jump-scare in a horror movie, or maybe a Rickroll. (I'm bringin' back ALL the dated memes, bae!) Pete and Cerril mention "neck marks" without any indication they had been playing tonsil hockey, although that's preceded by some peculiar seating arrangements that weren't foreshadowed in any way. So in a storytelling sense, it feels like we went from teeth-clenched teamwork to the power of love while skipping the middle part where "I'm going to murder you in your sleep, you slaver" gradually becomes "let's slip into something more comfortable".

And then they touch-down on what appears to be literally the land of Oz, right off the yellow-brick road, just outside of the Emerald City. There's even an old-fashioned hand-made crossroads sign.

Just in time to let us know that three days alone in the ship wasn't nearly enough time for sex! Seriously, you need at least a week for a proper blowjob.

But if you thought Peter's missing eye looked painful, it's nothing compared to the hopelessly tangled earbuds that comprise the "face" of the tyrant known as the Basilisk.

Although some of the Baroqueness is rather nice.

We've had a few budget cuts, so the part of Parliament's architectural columns will be played by butt-plugs. (You can't unsee it! You're welcome.)

Starting in the second chapter, Riley starts getting creative with the lettering, occasionally replacing a character or two with an alien symbol. The only pattern I can see is that a particular letter or combination is always given the same symbol, so what would be "th" becomes a single symbol that vaguely resembles a J, making "the" look like "je". It's obviously not used for the purpose of censoring swearing, since the page starts with the phrase "fucking joke" (a priest, a rabbi and a minister walk into an orgy). Given that, I can only imagine that these random substitutions are purely for the purpose of adding an alien flavor to the narration or dialog of certain characters. Personally, I'm not on-board. Riley's already added some similar decoration around the dialog box, and I feel like that's the more appropriate way to create that flavor. These substitutions in the text keep interrupting my reading flow as I have to stop to workout what "video#at" or "fai#ful" mean. It's only a fraction of a second for any individual word, however even that fractional pause is noticeable and mildly irritating as a reader. Like I said, the style of this comic is experimental, and experimentation always comes with some risk and sometimes it pays off. I just don't feel like, as experiments go, this text experiment was a keeper. What do you think?

It isn't until the fourth page of chapter two that Peter and Cerril officially become partners, with a little light comedy that reminds me a little of C-3PO's pitch to uncle Owen in Star Wars IV, except that Cerril is arguing against going with Alison. (That may have a lot to do with my already saying Cerril reminds me of C-3PO.)

While the writing on this page is good and Cerril's body language is well done, the page as a whole has several trouble-spots. There are several ways the first panel could have been composed without letting the dialog cut into the top of Alison's head. While it's not hard to figure out in this particular case, dialog from a character off-camera is frequently shown as it is here in the 2nd and 3rd panel. This is problematic for a couple of reasons, one because there's no visual difference between these dialog boxes and a narration box. That's not confusing on this particular page, but I could easily see it becoming confusing on other pages. Second, and more importantly, I've seen a few more recent pages where this is done in a scene with three or more characters and it's not always apparent who's speaking. Use of colored dialog boxes or a small symbol indicating the character could resolve this issue, although as an artist myself, I would work a little harder to keep the speaking characters on-camera. I might still use the symbol on some infrequent occasions if I were having a really difficult time with the composition of a specific page. I just don't think the off-camera boxes should be a frequent occurrence... reserve them for when Dorothy finally meets the Wizard.

And on page six of the second chapter, we're finally on to our dynamic duo's first suicide mission (of many, natch). I'm pretty sure they have one of those hole-punch coupons, they get a free sandwich after every fifth suicide mission they complete. Loyalty is important, yo!

Don't worry though, the veteran Peter has a plan! Peter's plan is to show up unannounced to a definitely hostile, likely heavily armed facility, and say "Hi! I'm peter! Go fuck yourself!" Which, of course, works every time. No, seriously, nobody even mentions it being weird and they make plans with the manager of the hostile station to go get tacos later.

But Peter wants to to know you don't fuck with a space-pirate's tacos, you spineless corporate cuck!

And since Parhelion is more of a black comedy than an adventure (I'm sure it's in there somewhere), this taco tirade is the big mistake where shit gets real. (Yeah, no, it's totally not lazily waltzing in on a hostile, likely heavily armed base. That part was cake.)

I really like that dramatic last panel on page fifteen of chapter two, so that's where I'm going to end this review.

So there's my pitch. If you enjoy tongue-in-cheek space opera, surreal and experimental illustration, and gay space-pirates, it's worth a look at Parhelion!

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Thanks! Sam

#webcomic #review #scifi #space opera #black comedy #gallows humor #dystopian #GLBT #experimental #surreal