seeing leosagi trend on twitter makes me so happy though at the same time i kinda avoid it cuz a majority of it is yu/ichi usagi that's with leo and i don't wanna ruin the fun of the people who enjoy the samurai rabbit show, i tried getting into the show a month ago but it just... did not catch my eye the same way rise did
maybe it's cuz the show's not technically about the og usagi or the fact that i struggle to care about cast and story itself cuz it feels... boring to me? idk, it's just hard for me to get into shipping rise leo with yu/ichi when i'm not really interested in the character or show (yu/ichi i mean), esp when i'm more attached to everyone's version of rise usagi
sorry if this seems a bit ranty ^^;;;
Okay 1. I was answering another ask when I saw this and deiced nope I need to answer this! 2.no so yes let us talk about this because i see you I feel you and get what you mean as well.3. Sorry this is gonna be a lil long.
Okay so I recalled when they originally announced doing the samurai rabbit show and I was excited cause Usagi content. Forgot about it till finally getting back into tmnt after being convinced to finally watch rise cause o didn't when it originally aired. Which sent me down a rabbit hole obsession on usagi in time for the Samurai Rabbit show coming out. And to make this easier when I say Usagi I’ll be talking about Usagi Miyamoto and Yu/ichi for Usagi Yu/ichi yes I know they have the same first name that's the point it’s just for clarification here.
Now I do not mind the show it’s fine for what it is and I think Yu/ichi is cute and interesting but I have a love hate thing for the show. I spoke to a mutual on tiktok about this and I know I made a post on my thoughts about the show. I like the concept of Usagi descendant Yu/ichi trying to become a samurai in a future time period when Samurai aren’t around, because he idolizes Usagi. Only to find out Usagi is a bad guy so he tries to clear their name. Despite that set up its not really what we get and Yui/chi didn’t really clear their name im still annoyed about that. I do still enjoy Yu/ichi mostly the design I even drew some inspiration from it for my own rise usagi because I liked the bangs. And I do find he and rise leo could be fun buuuuuuuut He is not the Usagi I want.
See as I have gotten more into Usagi’s own series I have just really come to love the character even more and love the idea of him in rise compared to a cross over with samurai rabbit. I just love the idea of the conflict in personality I just want him to be a grounded samurai who is emotionally in touch. Like especially with Leo going into his role as a leader I just love the idea of that being when he meets Usagi because of how special that friendship is in the 03 series. Besides I enjoy the Lore of Usagi Yojimbo and would love tidbits of it in rise uwu
Well I will still share and enjoy ship art of both cause i’m greedy and like Leosagi I do agree with people that the two should have different ships names. I saw seabunny mention for rise leo and yu/ichi and thats cute. But yeah well the sudden boom on twitter been nice to see and I have a friend who prefers that version simply cause yu/ichi is cannon over a rise usagi is. Thats fine though I also feel there another reason for the push on yui/chi i’m just being skeptical though so i wont say that in this. I just personally perfect Usagi myself over yui/chi. Again theres nothing wrong with him it’s just well I feel hes getting more praise than what is earned really. Based off the show am I a fan of it? eh I like it i don't know if its something i’ll re-watch I wish the writing was better I kind wanna do a fix it fic for it but that's a lot of work compared to one shots lol
TL;DR: Well I dont mind yu/ichi as a charater when it comes to the leosagi thing esp for Rise I’m in the side of Usagi Miyamoto over Usagi Yui/chi. And feel they should have different ship names also 03/2012 usagi > over any other usagi uwu
11 notes
·
View notes
when your children are still babies, they get so so upset when gojo comes home and doesn’t immediately pick them up. your baby has recently learned that the sound of the front door opening and closing usually signals the return of their father so tonight, when the door opens, your baby’s head perks up. when he finally takes his shoes off and makes his way into the home, he spots his little angel on the couch. “hi baby!” he coos at them with a smile on his face and his hands full with some packages. “let me go put these down and i’ll be right back!” he tries to explain, to which your baby just obliviously smiles at, just happy to see their father and know that he’s giving them attention. but when they realize that he’s leaving their sight and didn’t immediately pick them up… oh have mercy. it becomes a shit storm because who does he think he is?? to not give his baby all his time and attention! gojo comes running back into the living room confused as to why they’re crying but as soon as he picks them up, they stop crying and start giggling. what a dramatic little baby you’ve been blessed with. the apple doesn’t fall far from the tree ig
— doc dad levi anon
SHUT UPPPPP because you know Satoru loves the attention too, they’re a perfect match together bye. All you can do is stand, bemused, as Satoru picks up the baby and almost instantly quells his crying, rocking him back and forth before stretching his arms to hold the kid at eye level with him and cooing, “Oh, I’m sorry my love, I missed you too, soooooo much,” Satoru bends his arms to brush their noses together and grin at the giggles the baby emits, “You missed me too, yeah? Aren’t you the sweetest little thing, missing me like that? So precious.” Satoru covers the baby in kisses and sweet words for nearly five straight minutes and they both love to bask in each other’s attention (you have the videos to prove it).
Something kinda funny tho is… you’re 98% sure your son can tell that Satoru will give into quickest lmfaoo. Your baby cries sometimes when you have to leave him, sure, and can definitely throw a fit when he wants your attention—but he seems to know to cry (or squeal, or babble, or screech) on demand for his sucker of a father. Nanami, Shoko, Megumi, and Yuuta (your on rotation band of baby sitters) have noticed that the kid loves to be held and has no shame gesturing for it—but they’ve never experienced the baby crying when they so much as step away for a moment, unless he’s hungry or needs to be changed. You don’t have the heart to tell Satoru he’s being played tho, so you just let them have their moment <333 (not that it would matter, Satoru can’t stand to see your kid cry in any capacity, so he’d go right back to giving in; plus it’s a win-win in his book anyway: baby stops crying, and he gets cuddles from his son).
(Then again, you think the need and love for attention might just be genetic, because Satoru has cried big tears a handful of times just leaving you and your baby at home for a few hours).
1K notes
·
View notes
BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.
(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)
OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.
Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.
So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.
And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if
A) they only watched the first episode, or
B) they cannot grasp the slightest bit of nuance in a character, or
C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.
While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.
Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.
And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.
And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.
"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.
Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.
Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.
On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.
And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?
So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.
Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.
Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.
However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.
Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.
This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.
Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.
96 notes
·
View notes
yknow i could very easily accept someone not liking the mobile kh games if people actually gave... understandable reasons??
mostly i've heard that they're 'inaccesable'. which. they're in general more accessable since the console they run on is a phone, a device more people have than a ps4. though, granted, it is the offline version of both games only.
however, if you don't have a phone, have limited space on your phone, or are uninterested in a mostly unplayable game, all of which are understandable, there are cutscene compilations (ux (story important, all), dr) available on youtube too!
if the lots of reading is the issue then there is a completely dubbed version of the cutscenes of ux and you can easily find voiced playthroughs of both union x and dark road on youtube as well.
(for instance, here is a playthrough of dark road that i watched as my phone needed repairs by the time i had caught up with the series enough to move onto khdr. but, of course, there are many more options if you simply search up 'kingdom hearts [dark road/union x] playthrough' on youtube. find whichever one suits the kind of videos you like to watch best!)
if you don't have the time to sit through all of the cutscenes, there are summaries also avaliable! here is a video one for union x, and though unfortunately i can't find a similar one for dark road, it is also always acceptable to just read the wiki section on the story of the game! (here is the union x wiki section as well)
the other major complaint i've heard is that it's 'too confusing' or that the story 'doesn't make sense in parts'.
to which i first must ask, what part of kingdom hearts does make sense to you then? many many signifigant, heavily important parts of this series can be the most mind boggling things you have ever read or heard. so much so that we are known as the fans of that overly complex and insane disney game. that is what we are known for!!
and more to an actual point, there are many many people out there in this fandom who would be thrilled to talk to you about parts of the plot you found confusing. who have posts pages and pages long on minute details.
we are all fans of this weird ass game series and we all can. i don't know. help each other, newcomers and people who have been here awhile alike. us fans who like the mobile games are no different. we are willing to share and help and explain anything you need.
and as for the take that the mobile games are 'unimportant'.
strelitzia, someone deeply important to marluxia, larxene, and ventus' backstories, is seemingly implied to be one of the main characters in kh4 and if you have no knowledge of union x, then you likely have zero idea who she is.
the foretellers and the master of masters are being set up as potential villians in the next arc of the series. all of these characters were introduced in union x, four years before back cover released. and while yes, back cover gives the perspective of the foretellers more while union x is from the eyes of the keykids, there are many interactions with the foretellers in union x, beyond the scope of back cover, that are deeply important to the plot and establishment of their characters.
while yes, dark road has drastically less set up for the future in it, as all of the characters featured are now dead, it gives a lot of depth to xehanort and eraqus both. eraqus' behaviours and motivations are given reason—not necessarily morally good ones, and certainly not ones that always provide justification for his actions, but actual fully defined reasons for it all.
as it has always been with kh, every game is important to understand the story. you couldn't simply play kh1 kh2 and kh3 and expect to understand everything, and you can not expect to understand everything if you don't at least know surface level of the stories of the mobile games too.
you do not have to play them yourself. they do not have to be your favourite games in the series. if you are reading this and you hate them, you can stay not liking them even for all i care.
but you have to accept that they are important to the plot of the series. that they can not simply be ignored if you want to grasp the entire story of kingdom hearts.
114 notes
·
View notes