#kamel mennour

[almostarts]

François-Xavier Lalanne, ‘Hippo Bar’, 1976-1996,

Bronze, 105 x 200 x 67 cm (41.3 x 78.7 x 26.4 in).

Courtesy of Kamel Mennour

#art #design #furniture #sculpture #bar #hippo #francois-xavier lalanne #bronze #fun #poetry #kamel mennour #hippobar #drinks #cocktails

[bizarreauhavre]

Huang yong Ping

#bizarre au havre #contemporary art #sculpture #installation #artist #kamel mennour #huang yong ping #exhibition #art contemporain #artiste #exposition

[jordi-gali]

Claude Lévêque

Vive la neige

, 2010

Photo: archives kamel mennour

https://dailyartfair.com/exhibition/7800/arredoluce-mohamed-bourouissa-ronan-erwan-bouroullec-liam-everett-olivier-gagnere-douglas-gordon-petrit-halilaj-jaime-hayon-jeppe-hein-pierre-jeanneret-jacob-friedrich-kirstein-alicja-kwade-bertrand-lavier-claude-leveque-nate-lowman-philippe-parreno-jean-prouve-rob-pruitt-tomas-saraceno-rirkrit-tiravanija-tatiana-trouve-group-show-kamel-mennour

#kamel mennour #claude leveque

[mesillusionssousecstasy]

CHEZ KAMEL MENNOUR

#art #art therapy #art account #art paris #interior #intérieur #furniture #meuble #daniel buren #kamel mennour #siège #parisien interior #intérieur parisien

[loeilenchambre]

Hicham Berrada Presage Paysage chimique évoluant dans une cuve en verre, lumière

"Présage" / Hicham Berrada 

On peut voir cette oeuvre à la Bourse de Commerce - Pinault collection jusqu’au 22 mai, à l’occasion de l’exposition Avant l’orage mais aussi à la galerie Kamel Mennour jusqu’au 18 mars.

#hicham berrada #bourse de commerce - pinault collection #expos #photographie #vidéo #galerie kamel mennour

[woundgallery]

Camille Henrot, Femme allongée et dents de requin (Woman Lying Down and Shark Teeth), from ‘Collection préhistorique’ (Prehistoric Collection), 2009, c-type print, 40 × 30 cm. Courtesy: © the artist, ADAGP, Paris, and kamel mennour, Paris

#camille henrot #art #photography #teeth #natural forms #archeological #black and white #contemporary art

[tygerland]

Photo, 1981, by Gary Lee Boas, from his book New York Sex 1979-1985 (Galerie Kamel Mennour, 2003).

#80s #nyc #lgbtq #guys #photos #gary lee boas #1980s #lucy's pork #street #culture #queer #gay #men #boys #queer history #urban #city life #ed koch #👽

[mentaltimetraveller]

Alicja Kwade,

Hypothetisches Gebilde 2016 Cuivre, granite, malachite / Copper, granite, malachite 181.3 x 160.2 x 217.7 cm (71.38 x 63.07 x 85.71 in.)

at kamel mennour

#Alicja Kwade

[thinkingimages]

Nobuyoshi Araki, Untitled. Tirage cibachrome, 76 x 60 cm © Nobuyoshi Araki. Courtesy the artist and kamel mennour, Paris/London. 

#nobuyoshi araki

[mybeingthere]

François-Xavier Lalanne, ‘Hippo Bar’, 1976-1996,

Bronze, 105 x 200 x 67 cm (41.3 x 78.7 x 26.4 in).

Courtesy of Kamel Mennour.

[artspaume]

#exposition #selfartnews #galerie #art #paris #critique #esterolle #Galerie MENNOUR

[fettesans]

Top, screen capture from The Metamorphosis of Birds, directed by Catarina Vasconcelos, 2020. Via. Bottom, Dhewadi Hadjab, Untitled, 2022, Oil on canvas, 310 x 240 cm, from the exhibition Acte I : Vaciller at kamel mennour, Paris. Via.

See also, Tung Walsh x Guy Bourdin.

A new study suggests that falls in smoking, drinking, drug use, and other risky behaviors among Western teens is heavily driven by a decline in “unstructured socializing” — that is, unsupervised parties or other face-to-face interactions.

--

The monster signifies something other than itself: it is always a displacement, always inhabits the gap between the time of upheaval that created it and the moment into which it is received, to be born again. These epistemological spaces between the monster’s bones are Derrida’s familiar chasm of differance: a genetic uncertainty principle, the essence of the monster’s vitality, the reason it always rises from the dissection table as its secrets are about to be revealed and vanishes into the night.

Jeffrey Jerome Cohen, from Monster Culture (Seven Theses), 2017. Via.

#diptych #linked excerpts

[jordi-gali]

Tatiana Trouvé. Rennes -2018 – © Photo. Jean-Manuel Salingue © ADAGP, Paris Courtesy the artist, and kamel mennour Paris/London https://www.neo2.com/fiac-2018/

#tatiana trouve

[abwwia]

CAMILLE HENROT, End of Me, 2021

Bronze, plastic tubing, jeans

230 x 62 x 120 cm / 90 1/2 x 24 3/8 x 47 1/4 in

Exhibition view, The Stomach and the Port, Liverpool Biennial, 2021 © ADAGP Camille Henrot Courtesy the artist, kamel mennour (Paris/London) and König Galerie (Berlin/London/Seoul) Commissioned by the Liverpool Biennial 2021. Photo: Rob Battersby

#CAMILLE HENROT #art by women #art #palianshow

[yunhyongkeun]

Lee Ufan  From Point, From Line: 1976 - 1982 Installation view, kamel mennour Paris

[bboucquey]

Art walk - Paris fall 22 - galery art history conquest