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#like I did not like the Colleen Hoover books
calamitousxlove · 1 year
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I do not like Colleen Hoover books at all, two out of the three I read are probably the worst books I’ve read this year. That being said, I feel like her books are getting the twilight treatment 🧌 otherwise known as: has reasons to be given valid critiques, but instead is hated solely because it has a big audience of young women/girls. Like, I have never met a Colleen Hoover girly that wasn’t nice 💔 why are we insulting the girls who enjoy reading those books, when it’s easy to acknowledge that just because someone likes something doesn’t mean it’s good.
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busysavingtheuniverse · 11 months
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RIGHT? RIGHT?!
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graciousdragon · 4 months
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first day back at college updates: class 1 was virtual due to inclement weather, class 2 was still in person but my car and driveway are both covered in ice so my ass is not driving over there (and neither are 90% of the rest of my classmates), and i wrote a public class discussion post about a fanfiction i read that was longer than any of the other posts there
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mishkakagehishka · 1 year
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Idc anymore i think i'm a good enough writer that i can say that when i noticed the pattern in what exactly makes a book "good" on booktok (and, bc of that, what makes it popular and top bestseller lists), it feels almost demeaning and denigrating to the entire craft. Idk if i should blame the way tiktok-esque social media has utterly rotted everyone's ability to concentrate and read more than three sentences, but literally none of those books are objectively good.
(Yes, yes, art is subjective. HOWEVER. Art is subjective when you look at style, at themes, at motifs, at plots and characters. Art is still a craft, it still requires skill. I've seen beyond the tiktok quotes of these books. Not even their editors are good given the amount of typos/spelling mistakes. That is not something that you should find in a traditionally published book.)
You look at these books, and you know the only reason for their existence is to make money. I cannot and will not accept that as art.
(I'm on Tumblr, of course I have to explain every point. Artists who make money off their art =/= people who only create art meant to be profitable. There is a difference between an artist who hopes to monetise doing what they love, who creates what they wish to see more of and who happens to then create something that other people wish to see more of, and a person who looks at what's trending and decides that making an unholy frankenstein's monster of a book that mashes all those trending tropes and motifs together would get them rich quick. The fact that a lot of these booktok books become popular because of nepotism is just the cherry on top. It's soulless.)
And to finally say what I wanted to say, it's because none of these books have any deeper message or even artistic value to them. You will find a few out of context quotes or paragraphs, ones written specifically so they'd look deep and beautiful when taken out of context, so that people would post them, so that people would buy the books. Entire books written just so those few lines could become viral and make cash. It cannot even be compared to a hook line writers would post to get people interested in their works, because in booktok's case, those are the only lines of quality and in the context itself, they are often out of place and forced.
I just hate booktok, i hate what modern social media has done to art. It's all created to be quickly consumed, for the few ☆aesthetic☆ glances, and then discarded. Just to make more money for those who are already nepo babies. As if artists needed more obstacles to jump over.
#of course historically it's always been the same#people with free time to create (rich powerful) created#very rarely did you see someone from a humble bg make it as an artist#which is why killing maiming everyone saying Shakespeare was actually a rich guy btw#but like it makes me angry personally#before you call me just jealous - i don't have any wish to monetise my art#my career ambitions lie in a different field (tho adjacent i suppose since i'm a linguist)#i'm saying it makes me angry for other writers who want to make money doing what they love most#it's always been hard. you've always had to have connections or fight tooth and nail for a chance at being published#why? because of how SUBJECTIVE it is#but at least if your skills distinct you and if you bring a truly unique concept you'd have better chances#then modern social media rolled around and no longer can we just publish and disappear no no#WE have to market our works. on twitter on instagram on podcasts on the radio and tv it's up to the authors#i already found that demeaning enough as an introvert#but now it's not even that. publishers no longer look for unique and distinct#they found out booktok is the real cash cow. they look for colleen hoovers who publish fifty books a year#all of poor quality but with enough aesthetic lines that they can easily be marketed thru#the youth who uses AO3 tags and ''omg it's so girlboss!'' and ''it has representation! (not really it's always piss poor rep)'' to market#it to others. who take the same line over and over and go ''omg... this is so deep'' but the lines never look good in context
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So I was reading november 9 and I think it's safe to say I'm never reading a single coho book ever again
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one of the most wonderful things in my life recently is my return to the books I loved in jr/high school.
I've been reading a lot less ever since starting uni, which sucks because I love books but I just couldn't get into any. I was complaining about not reading like I used to be able to, and then I realized (as much as tiktok encourages getting new books constantly) I can reread things.
specifically, I can reread books from high school. because I was reading more then for a lot of reasons, but also because I was reading things I liked, rather than what I thought I was "supposed to".
so anyway, here's some of the books I've been rereading (and absolutely tore through, this worked)
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will saying you read these make people go "wow you're so dark/light academia"? no. but I read them instead of paying four months of library fines only to have them sit on my desk unopened the whole time. so I call it a win.
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cxinis · 1 year
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for every newly published romance book i read i have to read 5 pschotic female rage books
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outerspacious · 1 year
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its probably because I’m on my period but damn life can be hard
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cat-26 · 5 months
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Today my boyfriend wanted to tell my sister what book to get me, and he asked me "who is that author you like? The one that just published a book? Jane Austen?"
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theprestigegirly · 7 months
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having no tv to watch is pain and agony
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ezziefae · 2 months
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this is probably going to anger a few people. But I get super annoyed when fans get upset or pretend that Cardan's tail or Oak's hooves don’t exist. like dude…you’re reading a book that centered around folk lore. Ogres, pixies, mermaids, silkies. The Fae world is not the human world.
I think it's important to appreciate all aspects of a book's lore, and it's frustrating to see fans getting upset or denying the existence of certain elements. After all, if you're reading a book about fae creatures, you should expect to encounter all kinds of fantastical beings who are different from what we as humans usually see in our world.
Cardan's tail is a defining characteristic of his character, and it is quite significant to the story. So it’s embarrassing when fans ask Holly Black “Why the tail?” “Why the hooves?” “that’s weird” “I hate the tail” or “I’m gonna pretend that Cardan has no tail.” Like...*GASP* the amount of disrespect to Holly and her characters is mind-boggling to me. Please, stop, you’re embarrassing the fanbase. Did you not understand the fact that you picked up a fantasy book centered around the folk?? goblins, mermaids, redcaps, pixies, etc! like what did you expect? shut up and embrace these characters. If it's not to your liking, then read something else. but please stop overlooking aspects of these books just because they don’t fit your agenda. And this is only targeting fans who love the TFOTA series. Like please stop insulting Holly black with these embarrassing questions, go read Sarah J. Mass or Colleen Hoover, or something, please.
if you don’t love Cardan's tail, or Oak's hooves, then you didn’t understand the book. or they just aren’t your taste. There I said it.
You either love ALL of Cardan Greenbriar or you don't. There's no in between.
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serialunaliver · 2 months
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There's this girl in my class who read "Shatter me" though I didn't know shit about it. I only remembered the name bc it was in English and since we aren't in an Anglo country it just stuck with me idk. Seeing it alongside other booktok books now is really concerning to me. What the fuck is it about and why did she bring it to a public space. If it's anything like a Colleen Hoover book that should only be consumed in the privacy of your own home
from what I know it's a YA fantasy dystopia. it's like the hunger games type genre but bad
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jakejeffreyperalta · 11 months
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whenever i talk about why i hate booktok and the way it has popularized these short trend cycles and started promoting books (badly written books) with these milked out specific tropes, one argument i always hear is to let people enjoy what they want without being a snob. the thing is, if someone geniuenly wants to read a book to pass time, i don't care. but when i see people reading classics and very good modern literature and put those books on the same level as a colleen hoover book... that's the issue. the issue is not about people who read low quality books because they have time to kill. it's about people who read the low quality books and promote them like they're not, only just feeding more into capitalism. i really can't dictate what people read and why they read it, but the fact that there are so many people reading books because they're popular and not because they geniuenly want to read is really concerning to me. "but once this blows over all of these people will stop reading books!" BUT THEY'RE READING THEM RIGHT NOW. THATS THE ISSUE. they're reading these books right now and that's why colleen hoover has sold more books than the fucking BIBLE. the fact that you see these people hyping up badly written books with repetitive storylines and three dimensional characters (who are mostly white and cishet) and trying to pass them off as "modern classics"... it just gives me the ick. i do not care about someone who picked up a random colleen hoover book because they had 2 hours to kill and wanted to do something that will give them a sense of accomplishment. but i do care about a HUGE chunk of the internet reading and promoting colleen hoover despite knowing the fact that these books are problematic, and continuing to act like they had an impact on society when they did not. im NOT being a book elitist or a snob when im saying this but some books are not only extremely problematic and harmful, but they're just not GOOD BOOKS, and people should opt to read literally anything else. reading is literally always a hobby, whether you're reading a colleen hoover book or a jane austen book, and like it or not, reading is something that will ALWAYS leave an impact on you. yes, people should be allowed to consume whatever media they want, but how much can they be allowed to consume before it starts to hurt people?
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emotionsandphenomena · 2 months
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young adult, new adult, and fantasy fiction: the audience of a book is who reads it
title clumsily based on the purpose of a system is what it does.
before we begin, I want to focus a bit on defining our terms. young adult, new adult, adult, science fiction/fantasy, speculative fiction, contemporary romance - all of the terms I will use in this post are created by marketing companies and readers, and all of them have fuzzy and subjective applicability to any given book. there is no objectivity in cataloging, which is the lens through which I approach knowledge organization projects like this. there is no definitive answer to what any given book or genre "is", because these categories are not fixed values. instead, their values are expanded and developed by what gets placed in which category, by whom, and what criteria they base that decision on. that's what I want to discuss.
to provide some context: debates over age categories and who is reading what books for which age ranges currently dominate discussions among publishers, authors, librarians, and readers. ages of characters in YA are skewing up, sales are slowing down. young adult as a category has existed for 50+ years, but it is currently undergoing some growing pains. here's one more article for good measure. new adult is a term created by the publishing industry in 2009, which developed in fits and starts despite multiple bestselling authors publishing under the category. oh well. in 2015, sarah j mass published her new book, a court of thorns and roses, which is widely regarded as a turning point for the popularity of new adult (more on the classification of ACOTAR itself in a moment). NA stalled out for many years, but has recently very quickly grown in popularity, especially for romance readers on booktok. some of the most popular books listed under new adult on goodreads are colleen hoover's it ends with us and it starts with us, ali hazelwood's check & mate, and rebecca yarros' fourth wing.
I want to look at two of these currently very popular authors as case studies to really dig into what new adult has come to mean.
in this 2014 interview, SJM discusses her currently running throne of glass series and the upcoming release of ACOTAR in 2015. she notes that the book is intended for "a slightly older YA crowd (aka steamy times ahead!)". earlier in the interview, she dodges a question about whether throne of glass will be YA or NA by saying she appreciates her teen and adult readers - if I had to guess, the label was still too new and publishers didn't want to alienate anyone. in 2023, I can't find anything on her website or bookseller sites that specifically identify the series (or any of her series) as YA, NA, or adult. however, Goodreads (which relies on user generated tags and is, to put it lightly, a mess wrt information organization) firmly classes ACOTAR as YA - almost 9k tags in young-adult and ya (lack of authority control is just one aspect of the mess), as opposed to about 3.5k new-adult. the thing is, though, ACOTAR comes up in essentially every blog post and article I read on the definition of new adult. it is a flashpoint in the discussion: it either did or didn't restart the term, it is or isn't too sexually explicit to be classed for teens, the writing is filled with young adult tropes and this does or does not matter. the answers to these questions aren't particularly important to me, but it's very interesting to see how people are attempting to draw those boundaries. I took a quick census of how SJM's series are classed in my library system. her throne of glass series is uniformly shelved in YA; ACOTAR is mostly YA with a few copies in adult, and her newer crescent city series is mostly adult with a few copies in YA. I do think that any discussion of ACOTAR is partially colored by this divisive relationship to the new adult category itself, so I'd also like to bring in a much newer book facing similar conversation.
if you follow this blog you might already know that I have an entirely non-neutral relationship to ali hazelwood; I love her books both as books and as cultural objects deserving of study. previously, she published three adult romance novels and a set of adult romance novellas, which all fall firmly and inarguably into those defined categories, based on age range and content (I have an argument for the love hypothesis being a horror story, but that's a different conversation). last year, she published her newest book, check & mate, as a young adult romance. it was widely marketed as such by the young readers imprint at putnam. however, on reading it, I (and many goodreads commenters) were surprised to find that it aligned more with some hallmarks of new adult. the characters are out of high school, and the challenges and growth moments are more focused on evolution, rather than coming of age. one blog post I read made the argument that YA is about high school firsts and NA is about adulthood firsts. this is amorphous, partially because there is no real one life path into adulthood by which to judge this, so let's switch focus to something more concrete: sex. in each of Ali's adult novels, there are a few explicit sex scenes. they're not as explicit as other romance novels, but they're definitely not fade-to-black. in check & mate, characters have sex, but it happens entirely off-screen and any discussion is fairly chaste or, at most, relying heavily on implied content. this is a real disconnect to me. much of NA lit (ACOTAR included) is quite sexually explicit. among those most popular NA books on goodreads, there are many books that get marketed specifically for their sexual content (spicy🌶️ to the tiktokers, smut to everyone else). to me, this cements check & mate as a YA novel - if she was going to write a book with explicit sex, like her others, she could've. she's mentioned in interviews that her chess novel concept originally featured older characters, and she aged them down once she realized what kind of story she wanted to tell. to me, it is telling that moving from adult to YA creates more clumsy caution around the handling of sex, as opposed to SJM, whose books "aged" upwards over time.
another interesting example I've noticed in the emerging NA space is how the age category intersects with genre. YA as a category has a pretty expansive genre playing field - we've all read YA fantasy, contemporary romance, historical fiction, action/adventure, issue novels, etc. NA so far seems pretty exclusively limited to romance as a main focus, especially in the most popular offerings as discussed above.
I've seen many a tiktok alleging that despite the drawn out fight scenes, extensive lore, and huge interconnected web of characters, the ACOTAR books are not "real fantasy." even more so for the fourth wing books. I've seen these books compared to Tolkien, as if to say, well, if you didn't invent a language, you're not really on the same level. that's entirely unfair, imo - plenty of fantasy doesn't engage at that level. but there is a wide array of contemporary fantasy I do think we can contrast with ACOTAR and other popular NA series.
we've discussed some of the hallmarks of YA and NA as categories: the age range of characters, coming of age, explicit sex for NA. i'd add fast-paced, immersive writing, especially in first person or close third, because so much of the appeal described on booktok is a book sucking you in completely. now, i want to bring up a few books that, on the surface, might check several of these boxes: dune by frank herbert has an 18yo protagonist, and the first book is very much a coming of age story. eragon (christopher paolini) and the name of the wind (patrick rothfuss) focus on a young person coming into their magical abilities through school/mentorship, a similar setting to many YA series. mistborn (brandon sanderson) and game of thrones (george r.r. martin) both have prominent protagonists that are 18 or younger when the story starts. of all these series, only eragon has young-adult as its most popular age-related tag on goodreads, and eragon was, at the time of release, very specifically marketed to and shelved in young adult in bookstores and libraries. some of these books have explicit or non-explicit sexual content, but only GOT has even close to as much as your average NA novel (to my knowledge).
i am not alleging that any of these books should be classed as YA, necessarily. but the glaring difference in their marketing and readership does point to one thing: these books are largely about men, and they are all written by men. i am not the first person to point out this gender gap in fantasy writing, and i don't have anything particularly new to say about it, except to bring it back around to my original point. none of these novels "are" adult fiction, and plenty (plenty!) of teenagers read them, in an interesting reversal of the trends in YA. who is making the decisions about where these books go, and why? what can we draw out about the books and their marketing? how is the future of "adult fantasy" shaped when these are the benchmarks by which we measure new entries?
i did also look into a few of my own favorite sci-fi series by women to see how they ranked by similar parameters. parable of the sower by octavia butler, featuring an 18yo protagonist and sexual content, has no age category at all in the top 20 most popular goodreads tags. it's in adult fiction in every library in my system that owns a copy. ive seen gideon the ninth (18yo protag, and yeah lets go ahead and say explicit sexual content) on YA shelves in bookstores, but its adult tag on goodreads is more popular, and almost every library in my system has it in adult. in my opinion, these books are important in rejecting the "women write YA, men write adult" narrative around speculative fiction, but they're not necessarily an exception to a different trend. it is not difficult for me to think of more adult scifi/fantasy books by women, because i actively seek them out. however, almost every single one of them has a protagonist under 25, as is the case with so much of the adult fantasy written by men listed above. last year, i read the adventures of amina al-sirafi, by s.a. chakrabotry, which was (i believe) the first non-contemporary/realistic fiction book ive ever read with a middle aged mother as the main protagonist. the book club at my library branch, mainly composed of middle aged and older women, read it, and expressed such genuine joy and excitement over a fantastic, adventurous book featuring a woman they saw themselves in. representation really does matter, and it matters to everyone, not just young people. but that's a different soapbox.
young readers are extremely picky. i've watched many a teenager (or younger) browse the YA section and turn up their noses at books with a cringey cover, an overly dramatic blurb, or just because. marketing books to teens is hard. booktok is an incredibly powerful marketing tool and divisive social force. it skyrockets an author one day and by the next week, other accounts are tearing that same author to shreds. in this environment, its no surprise that the sensationalized books - extremely good or extremely bad, blatantly sexual, shocking, consumable - become flashpoints of discussion. who should be reading ya? who is it for? what is inappropriate for young teenagers to read? what is inappropriate for adults to read? i think about these topics a lot, especially as what the publishing industry terms a "gatekeeper" - i'm a children's librarian; i control the access teenagers in my community have to these books. i take that role seriously, and i want to be thinking deeply about the books i put in my YA section and who will read them. our decisions, about where we class books, how we label and present them, how we discuss them: that is part of what dictates what genre and age classification a book "is", in addition to marketing.
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A Fine Line [part 3]
Summary: You've been with Aegon for a little over four years and the relationship just isn't the same. His brother isn't helping the situation, either. This is a Modern Day AU!
Pairing: Aegon x Reader / Aemond x Reader
Word Count: 4.0k
Author’s Note: Sorry it was late! I don't know if my M,W,F schedule is going to work. I just want to say thank you all! I really hope you like this one and please, I would love to hear your thoughts & predictions! I basically screech like a pterodactyl whenever you guys leave comments! Tag list is open!
Warnings for the entire series: severe angst, cheating, unprotected sex, jealousy, lying, possessiveness, stalking, manipulation, and language, alcohol use, recreational drug use.
Read Part Two | Read Part Four
Playlist here
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The light from the early, Saturday morning sun filtered into your bedroom through half-opened blinds, illuminating tiny specks of dust in the air. It was warm with Aegon pressed against your back; his soft breaths fanning over your shoulder. You stirred softly, turning so that you were facing him, doing your absolute best to not disturb him so that he could continue to sleep in.
It broke your heart to look at him now, knowing that your relationship was hanging by a thread. Wondering how you got here, how you arrived at the platform of whatever these feelings were that you felt for him. Caught between the memories of what you had once before, and feeling as if you were in this bed alone, despite the fact that he was laying right next to you.
You moved, swinging your feet over the side of the bed as you stood up with a sigh. Aegon groaned, his arms reaching for you before turning back over on his stomach and going right back to sleep. His wavy, golden hair splayed out on the pillows as he shifted deeper into them. The duvet pulled down, exposing his freckled shoulders. It took everything in you not to reach out and touch him.
Even your fingers balled into a fist, nails digging into your palm to keep yourself from it. Why? You'd wind up disappointed, feeling unwanted, and he'd be annoyed that you woke him.
The thought made you want to cry.
It was around noon when he finally emerged from the bedroom. You had lost track of how long you'd been sitting at the kitchen table; a bagel untouched on the plate in front of you. You jumped slightly at the feeling of his hand on the back of your neck, just briefly touching you as he made his way to the coffee maker. It was a fleeting moment, his fingertips leaving you just as quickly as they came.
He was in a white t-shirt and a pair of boxers. Despite his disheveled appearance, he looked close to angelic- even with the dark circles under his clouded, blue eyes. You could hear him inhale and exhale heavily with his first sip of coffee; shoulders rising and falling with his breath.
When did it become this way? This silence?
You used to look forward to Saturday mornings; knowing that you had two full days with him to yourself. You'd spend every weekend tangled on the couch or in the bed, not getting up unless you absolutely needed to. Weekends in the summer were always fun, too. He'd always find something for the two of you to do; getting high at the beach, spending your days at Coney eating corndogs and funnel cake until you wanted to throw up or throw yourselves right off the end of the pier. You missed his ice cream cone kisses and the way he would lay his head in your lap as you would read whatever novel you had brought with you that day.
"Colleen Hoover," you whispered to yourself as you absentmindedly stirred your lukewarm coffee; the last book you remember reading on a beach towel under the hot, July sun.
"What was that?" Aegon asked, turning to face you.
You were broken out of your trance and looked up at him. "What?"
"I think you went somewhere," a goofy smile replaced his signature pout. When you didn't say anything, his smile faltered. "Did you sleep okay?"
"Mm," you hummed and took a sip of your coffee before making a face. It was definitely lukewarm- cold, even. "So, awards ceremony tonight, huh?"
Aegon rolled his eyes, "If I could just not, I would not."
You stood up and dumped your cold coffee down the drain and sat your cup in the sink. "But babe," you sighed softly and reached for him, wrapping your arms around his shoulders. "Look at everything you've accomplished, what you've become! You've worked so hard!"
His eyes were glued to the floor. "You're right," his lips turned up into a smile as he looked up at you through fair lashes. His hands caressed the skin on the back of your arms. "I've worked really hard, and soon it will all pay off and we'll buy a house and get a dog." His forehead pressed against yours as he sighed. His eyes fluttered shut. "A golden retriever, we'll name him Sunny."
"Sunny sounds like he's a really good boy," you whispered and moved to place a kiss on his lips.
"The best," his body became less tense.
You smiled as you stood like that for a moment, just swaying back and forth as he held you so close that you could feel his heartbeat. He was so warm in your arms that you felt like you were holding onto a piece of the sun. You turned your head to place a kiss on the side of his neck, lips brushing the soft skin under his ear, wanting nothing but to tell him that you loved him, that you missed him, that you wanted things to go back to the way they were. But your eyes fluttered open as you heard his phone vibrate on the counter, the moment instantly shattering to bring you back to the reality of your mediocre life. Aegon tensed, his head falling to your shoulder as he groaned in annoyance.
"And so it begins," he mumbled. He let the phone ring, knowing that Otto would call back immediately after it went to voicemail.
Before he could leave the kitchen, you stopped him.
"Hey, would you mind if I invited Aemond to go bowling with us tonight?" You asked, gnawing on the inside of your cheek.
"Not at all," he shrugged. "It'd probably be good for him to get out. Let me see what this fucker wants and then I'll text you his number."
Aegon left shortly after, having been summoned to some "pre-ceremony conference" just to finalize the details of the evening. He had sent over Aemond's contact information before he left, promising that he would see you later tonight. Suddenly you found yourself alone, the silence sitting with you like a friend that you'd run out of things to talk about with.
You stared at your phone for what felt like hours, thumbs hovering over the keyboard; not sure why 'hey, did you really want to go bowling' was such a hard thing to say, but you typed it and deleted it about one hundred times. The final time you typed the words, you quickly pressed the tiny, blue arrow, sending the message into the void before setting your phone face down on the table and standing up.
Before you had even turned to walk out of the kitchen and towards your bedroom, you heard a ding! The butterflies in your stomach, which shouldn't have been there, fluttered mercilessly almost making you nauseous. You inhaled at the sight of the words on the screen, your eyes scanning them over and over again: "Of course, I'll see you there." What was most likely an unambiguous winking emoji at the end of that sentence- because in your experience, men didn't know what emojis even were- was staring back at you with a strange tension that caused a knot to form in your throat.
It was wrong.
It was all so, so wrong.
You placed your phone back down on the kitchen table and shook your head; fighting an internal battle with the guilt and the excitement that you felt. Neither one was winning, but both were slowly tearing you in half.
The thought of cancelling crossed your mind as you showered, but only because you found yourself fantasizing about every possible scenario that would lead to this night ending with you on your back in Aemond's bed. You pictured a navy blue duvet and cold, cotton sheets; a wooden headboard tapping against dark colored walls. Your legs clenched together at the thought of his weight pressing down on you.
As you continued to get ready, the images were becoming ingrained on the back of your eyelids. Every time you closed your eyes small details would change; positions, locations, where his mouth was on your body, the lighting of the room, the scent of his cologne, if his hair was up or down. You had tried to reason with yourself, that this was a completely normal feeling, that you just hadn't been laid in a while.
It didn't make a difference.
You half-hoped that he wouldn't follow through with his plans to meet you at the bowling alley. However, when you turned the corner on to 9th Avenue, you noticed his lithe figure leaning against the outside of the building. You stopped for a few seconds, watching him as he stood there; his warm breath swirling in the frigid, January air as he checked his phone.
Seconds later you felt a vibration in your pocket: "I'm here."
"I have to ask, what is your haircare routine because I've yet to see you have a bad hair day." You texted back.
He looked up and around until his gaze caught you, a small smile tugged at his lips as he pushed himself off of the side of the building. You joined him at his side, your neck craned to see his face.
"It is surprisingly simple, but if I told you then I'd have to kill you," he said so smoothly he could have rehearsed it. "And I like you," he added as he opened the door into the bowling alley and gestured for you to go inside. "So, I'd rather not say."
You smirked at his words, eyes rolling slightly. "If you ever change your mind, here's my business card-" of course you had one with you. "My readers would love to know."
He chuckled at that, "I absolutely will," and tucked the card in his coat pocket. "So who's birthday is it?"
"My coworker, Jace," you replied as you scoured the lanes for Baela and Jace. "He's probably a few years younger than you, writes really thoughtful obituaries." You spotted Baela and waved. "Baela is here, too. You met her last night."
You weren't sure why you felt nervous. Aemond certainly didn't seem to be. He was so calm and collected, and cool, as if it was effortless to him; as if he didn't command every eye to look at him the moment he entered a room. The look on Baela's face couldn't have been further from calm, collected, and cool. Her white curls fell over furrowed brows and her lips were pushed to the side.
Jace just looked happy to be there.
"Hey guys," you greeted as you stepped down to the table they were sitting at. "Happy birthday, Jace!" You moved to give him a quick hug. "Jace this is Aegon's brother, Aemond. Aemond, this is Jace. Aegon couldn't make it, some work thing."
"Lucky me," Aemond smirked as he shook Jace's hand. "It's nice to meet you." He then turned his attention to Baela. "Lovely to see you again, Baela."
Despite her rigid expression earlier, you did see her cheeks turn just a shade darker as he kissed her knuckles. You smiled to yourself.
"You guys should go get shoes," Jace mentioned. "Unless you're afraid to lose."
Aemond's eye squinted as he looked at Jace and laughed, "In a hurry to get shown up on your birthday?"
"Go get the shoes!" You groaned at him, pushing him towards the rental counter. "I'm a size __." Your eyes followed Aemond as he disappeared through the crowd before you turned your attention back to Baela. "What?"
Her arms were crossed over her chest. "I'm just concerned," she says softly. "You've been here all of five minutes and I haven't seen you this happy in two years? I just don't want you to do something that you'll regret."
Your shoulders slump and you rolled your eyes dramatically. "Baela, I'm just-" you stopped when you saw Aemond making his way back over to the table. "Being nice! Two people can be just friends."
She gave you a look but dropped the subject as Aemond dropped your bowling shoes in front of your feet. Someone ordered a round of shots, and then a second round, and a third. It was starting to get warm, the music was loud, and you felt good. Aemond was surprisingly extroverted, despite the enigmatic aura he typically projected. He seemed so nonchalant, like he belonged there, like he was good at it.
The game was obviously competitive, with Jace and Aemond doing their best to one-up each other with every strike. They carried most of the score, while you and Baela joked around, not really caring. You stepped up to the line, getting ready to throw the swirly purple and teal ball down the lane.
"Wait, wait, wait!" You heard behind you. A flurry of pale blonde hair bounced towards your side. "I've watched you throw three straight gutter balls, please, allow me?"
"What?" You gasped. "I know we're behind, but I'm not going to cheat and let you take my shot for me!"
Aemond held a hand to his chest, "The fact that you would even insinuate that I'd allow you to cheat!" He scoffed. "Please, just-"
He turned you back to face the pins, the contact of his hands on your shoulders made you disoriented. You tried to breathe, but it was so warm in there. There was a slight rosy hue to his otherwise pale cheeks as he towered over you. His hands lingered still on your shoulders. You tried not to pay attention to the way his fingers pressed into your skin as your blouse shifted beneath his grip.
"Put your feet here," he instructed and pointed to where you should stand with his toe. One hand dropped to the small of your back, you swallowed thick. "Now," his lips were dangerously close to your ear. "Line your ball up with that pin and when you step up to throw, bring this leg back."
You felt the inside of your body clenching as his hands dropped to your waist. Your cheeks flushed as the hair on the back of your neck stood straight.
Following his instruction, you took a few steps up to the pine and released your ball. Within seconds it curved to the left, falling straight into the gutter once more. You turned to look at him with a disappointed frown. His lips couldn't help but begin to turn upwards at your failure.
“I thought you said you were good at this?” You say to Aemond, giving him a playful shove. "We're going to lose!"
"And you'd blame me?" He asked with a smile.
"You instructed me right into a gutter ball!" You threw your hands up.
"My instruction was flawless, as always," you could hear the double entendre in his voice. "Not my fault you couldn't focus."
"I beg to differ," you quipped under your breath, knowing that he was close enough to hear you.
On his next turn, Jace bowled a strike to win the game. The scores weren't even close, but it didn't matter. You'd had more fun tonight than you'd had in- well, since you could remember. For a moment, you'd wished Aegon had been here, but you shut the door on that thought as you checked your phone to see that he hadn't texted you- not even to check in- since he left the apartment earlier.
Your eyes connected with Aemond as you slipped your phone back into your pocket and you smiled softly. You hardly knew him, but you could tell he knew; Aegon was his brother, after all.
"Another game?" Jace asked.
"I don't think I have another game in me," you chuckled. "My shoulder is killing me after the three games we just played."
"The three games you lost, you mean?" Jace countered.
"Hey, I know it's your birthday, but I will still kick your ass!" You laughed as you slipped out of your bowling shoes.
"We'll have a rematch, soon." Aemond interjected, holding his hand out to Jace. "Good match."
"Girls versus guys next time, maybe?" Jace laughed and shook Aemond's hand.
"That wouldn't be fair," Aemond mentioned with a cocky smirk.
"I wouldn't underestimate us," Baela added as she slung her arm over your shoulder and began walking with you towards the counter to drop off your shoes.
The midnight air was numbing as you stepped out of the comforting warmth of the bowling alley. You were almost instantly sobered, feeling tiny flecks of snow fall to your face. The sidewalks were still buzzing and the traffic on 9th Avenue was still busy as car horns sounded in the distance; a reminder that you lived in a 24 hour city.
"Anyone want to go grab a slice of pizza?" You asked. One, because you needed something to soak up the alcohol in your stomach. And two, because you knew that once Jace and Baela left, you'd be alone with Aemond.
Baela hugged you tightly before holding you at arms length, she mentioned something about going to church with her parents tomorrow morning and promised to see you bright-and-early Monday morning. Jace was already flushed from having a few, too many drinks, and Baela urged that he needed to get home.
You weren't necessarily disappointed, just anxious.
"Thanks for coming," Jace smiled warmly as he wrapped his arm around your shoulder in a side hug. He extended his fist out to Aemond, "it was good to meet you, man."
"Likewise, have a good night." His voice was soft through a tight-lipped smile.
You watched as Baela and Jace turned the corner, before turning your attention to Aemond. The headlights of passing by taxi cars shined in his crystalline eye, making him look as if he were unreal; a marble statue dressed in all back with his hands shoved into his pockets. You weren't sure what to say to him, if you should stay or go.
"Can I walk you to the train?" He asked and you exhaled with a smile.
"I'd like that," you replied.
The closest subway platform was two blocks down on 42nd. You did your best to keep up with his long strides, but it proved to be difficult. He had to stop a few times, turning to you with a smile while he waited for you to catch up. You mostly talked about work to keep the conversation going. The one thing you had noticed about Aemond was that he was a good listener, whether he actually cared about anything you were saying or not, he at least seemed to be interested.
He talked about himself, too, which you enjoyed. He talked about all of the places he had travelled to last year and how happy he was to be back home. He gushed about being able to see his family again, specifically his mother and his sister.
You'd never once heard Aegon speak about his family in such a way.
"Can I ask you something?" You said after the conversation had faded out. Your train was running late, but Aemond had been willing to wait with you so that you weren't alone.
"I can't guarantee I'll have an answer, but go for it."
"Why didn't you tell Aegon that we had met in the grocery store?"
He looked at you, his eye narrowed. "Honestly, it's just easier not to say anything sometimes." He spoke, a pensive expression across his pointed features. "Why didn't you?"
You dropped you gaze to the concrete floor. "Because it's just easier not to say anything, sometimes." You repeated his own words, knowing exactly what he meant.
"Hm," he hummed as he leaned up against a brick column. "You know," he said after a few moments of silence. You looked back up at him. "This can't happen." He motioned to the space between the two of you.
"What? Never!" You replied quickly. "I'm appalled that you're even assuming."
"I'm just making sure we're on the same page," he held his hands up defensively.
"We are," you agreed.
"We are?" He asked, cocking an eyebrow.
"Yes, we're friends," you replied sternly. "That's all it can be."
"Good," he stuck his hand out for you to shake on it.
You shook his hand with a firm grip, but he turned your hand over in his, placing a gentle kiss to your knuckles. It made your heart flutter every time. The announcement that your train was arriving played on the overhead speakers.
"Thank you, Y/N. For tonight." His blue eye was piercing through you. "That was the most fun I've had in a while."
They way he said your name and the feeling of your hand in his made you wish he'd just take you home with him; to that navy blue duvet you were picturing earlier. But that was just a fantasy that lived in your mind only, and would never- could never come to fruition. He was right, Baela was right, this couldn't happen.
"You're welcome, I'm glad that you had a good time." You said softly, doing your best to hide your disappointment that the night was ending. "Thank you for coming with me."
As the train pulled up to the platform, you wished that he would pull you into him. The crisp air was thick with tension, and even though you had just agreed to the terms of this- you weren't even sure if you could call it a relationship- friendship, a look lingered in Aemond's eye that told you he didn't mean any of it.
"Friends," you repeated, reminding yourself and him of the deal that you had just made.
He nodded, "Friends."
"I hope you have a good night, Aemond." You pulled your hand from his slowly until it dropped to your side. The doors to the train opened and you found yourself a spot next to the window, forcing yourself not to look back.
Aegon isn't home when you step into your apartment. It's almost too dark and cold, and quiet, and you feel like you shouldn't even be there. You don't even care to hang up your bag and coat, you simply toss them over the arm of the couch. You've got a slight headache and you're starving, and all that you can think about is something you shouldn't be thinking about.
Your phone vibrated as you headed into the kitchen.
Aemond.
"Thanks again, I hope you made it home safe."
You found your thumbs typing a reply before you could even think if it was a good idea or not, "Anytime! I just walked through the door. We should have definitely gotten pizza, but I guess leftover lasagna will work."
Not even bothering to heat up your leftovers, you make your way back into the living room with a Tupperware of lasagna from last night and a fork. You click on the television, catching up on the news before flipping it over to one of your favorite shows.
"You've beaten me, I've got cereal."
You laughed and typed, "That kind of suits you."
Over the next two hours you had squeezed in three new episodes of your show and discussed everything from food, to movies, to philosophy with Aemond. He'd leave you the occasional voice note when he didn't feel like typing a reply, and you'd try not to think about how good his voice sounded at this ungodly hour. You'd try not to think of him sitting back, half-lidded on the couch, in a very comfortable sweater and a pair of joggers with a smile on his face because he was texting you.
It was almost 3:00 AM when you finally got a text from Aegon.
"Don't feel like you need to wait up for me. I love you."
Tagged: @tssf-imagines @gothicwidowsworld @itsabby15 @possiblyafangirl @namelesslosers@toodlesxcuddles @hiraethrhapsody @heavenly1927 @chainsawsangel @hanula18
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pxgeturner · 1 month
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Miguel O'Hara is a world-renowned professional boxer, and Hobie's other best friend. One night he finally makes the two worlds collide and sparks immediately fly between the two of you. But will he distract you from meeting your publisher's deadline? And will you distract him from getting World Champ?
before you follow. m.list. Iron Fist gfx library. series m.list. tag list.
Prologue. I. II. III. IV. V. VI. VII. VIII. IX. X. Epilogue.
wc. 1.5k
an. hi. its me! Giselle, or gi, or gigi to few (not to be confused w gg, that is one of my moots. she makes really cool art.) n e ways here is the awaited Prologue for Iron Fist. Oh goodness I'm so nervous. I just want to make a few things clear. the reader is an author (obvs). She's recently graduated uni and is Latina! I write with a woc!r in mind always. I try to be as inclusive as possible, pero porque soy Mexicana, r might lean towards being more Mexican but I'll try to keep her Spanish standard and not be too specific to my family's culture. much love! hope you enjoy <3
please don't forget to reblog! likes do nothing to boost engagement.
Your foot taps against the floor. The damn blank document stares back at you. Mocking you is what it’s really doing. Fuck you, you think, I achieved my goal. I published a book and it is a damn bestseller! Only problem is that the readers want more. It’s been… some time since your first book. And sure, Jess said you can take a break before starting a new project. But you also know that it’s good to ride on existing publicity. At least be able to make an announcement that you’re writing something while all this excitement lasts. Maybe you should write something about vampires. You love vampires and how they fit into romance and how them drinking blood is a euphemism just a bit away from, the whole cannibalism-equals-all-consuming-love trope and how when a vampire attacks it’s often an allegory for rape and— but you have nothing to add to the conversation. You have nothing new to say, no new perspective or hot take, or twist. You have nothing. No ideas.
Not a single word on the page.
You have an idea, leaning forward to peck the keyboard. “F-u-c-k. T-h-i-s!” You highlight the text and italicize it.
Fuck this. At least it’s words on the page.
You reach for your cup and take a sip. “If all else fails I can ride on the rest of the signing bonus and royalties for a bit since the book is doing good, and once that dries up, I can apply to be circulation assistant at a library or something.” You sigh and take another sip. “But nobody has to know for now.” You get up, searching for your phone. You find it resting on the arm of the couch, you grab it, sliding onto the cushions, resting your head where your phone just was. “God, don’t make me a one hit wonder, I wanna be a star. I wanna be the one to push that bitch Colleen Hoover into obsoletion. Please God. Please.”
You open your phone and look for your mother on speed dial.
“Hola, nena!” Your mama’s voice is happy, she must be having a good day. You move into the kitchen. You need a snack.
“Hey, mama, how are you?” You hold the cell with your shoulder as you look through your pantry.
“Good, good,” you find a pack of roasted seaweed snacks and grab it.
“I went on a date anoche.” Your shoulder drops and the pack of seaweed slips out of your grasp.
Mi mami fue a una cita. Con un man! You stand there, trying to process that she is actually back on the dating scene.
“How did it—” you aren’t holding your phone anymore. You use the wall as support to lower yourself to pick up your phone and snack.
“—ay, mami, lo siento, mi cellular se cayo de mi mano.”
“Todo bien, hija! I’m glad you’re ok.”
“Yeah, yeah, I’m ok, I’m ok. Anyways— how was the date? What’s he like? Am I going to have a stepfather soon?” you joke.
“My time for marriage is gone, muñeca, I’m just looking for companionship, pero, tu lo sabes.” You hear some subtle clinking in the background of the call, she must be stirring her coffee. You open your snack and park yourself on the couch. “Are you writing?” Ugh. Not you, too.
“I was, just finished for a bit before I called you.”
“You called me to procrastinate.” You choke on your seaweed from the accusation.
You clear your throat, “I called to check in with you. I call you practically every day.”
“But right now you called me to check up on me as an excuse to not write. Nena, I know you.”
“Okay, fine. I might be having some writer’s block,” you admit, sighing.
“And that’s okay, nena, but then you need to get out, get some inspiration. Allow the world to give you a story.” There’s mama, with her easier-said-than-done advice. But, maybe you should get out of the house.
“Alright, I’ll go out soon.”
“Tonight,”
“—I will go out to the Chinese place across the street and nothing more. I’ll talk with Hobie when he gets back to see if he has any ideas.” You hear your mama make a noise in her throat.
“You still live with that boy?” Here it comes. You’ve lived with Hobie Brown for three years and have known him for five. She’s always been apprehensive of him, since he’s radical and looks like he’s been in jail, with all the metal in his face, and why does his hair look like that? But Hobie is the one who’s kept you sane all these years. He’s held you while you cried and pushed out of your comfort zone when you were getting too stuck into your routines, most likely by dragging you to a concert or a protest. You help him thrift and flip clothes and ever since that one time his stylist had an emergency and canceled, you now help him tighten his wicks every so often. On days like that the two of you stay in, watching nostalgic movies and listening to any demos he’s recorded recently. He’s like a brother to you at this point.
“Yes, mama, I still live with Hobie. Nothing’s changed.” You move the phone down to your chest and take a deep breath.
“I didn’t like him when I first met him,” you clench your jaw as she continues— “…and although he’s one of those kids, I can tell he is a good boy. I’m glad he takes care of you.” You relax. “But it wouldn’t hurt to have someone you could kiss.” “It would be nice, but right now it’s not happening.” “Alright, muñeca. I’ll leave you alone for now, but keep your eyes open for a nice man.”
“I will, con cuidado, mami, besitos.” You make a kissing noise into the phone, and she responds with a goodbye of her own, and you wait for her to hang up the call.
You sigh, and look at the coffee table. Hobie left his song book at home, weird. It’s open to the song he was working on the other day. It’s a slower song, you can still hear the melody. You drum your fingers to the tune. He’s on an unfinished verse. You pick up a pen from the little catch-all dish and scribble down a line or two.
Hobie weaves through the roar of chattering, anticipating fans and into the tunnel, and walks past employees and into Miguel's prep room to see him tying his shoes. “Hey,” Miguel looks up. “Hey.”
“Are you excited?” He moves to sit by the boxer, shimmying up against his shoulder.
“Haven’t really been excited for one of these in a while.” Miguel breathes.
“Well, one step closer to retirement!” Hobie bounces out of his seat. He turns to face his friend, putting a hand on his shoulder. “You’re gonna do great, you big fuckin’ bear of a man.” He ruffle’s Miguel’s hair.
Miguel gives a half-ass hum in response.
“Well then, I’ll be out there, mate, cheerin’ you on.” He puts his hands in his vest pockets and walks out the room.
As he reaches the empty doorframe, Miguel speaks up. “Thank you, Hobie.”
“Anything for you, mate.” Hobie nods and goes to join the audience. Miguel fastens his gloves and puts on his robe. He warms up waiting for his coach.
“Ready, O’Hara?”
Miguel turns around. “Always ready for a fight.” He clenches his jaw. Walking down that hallway, the festive colors lighting up his path and the music blaring, he does his little bit, the movements molded into muscle memory.
This is it. This is his last year fighting. If he gets world champ again, he’s free.
Soon, he gets to fight his last fight. And dammit, the world championship will be his last match. Then, he’s never gonna have to come back.
He weaves under the ropes, entering the ring. Sitting on the stool, he shrugs off the robe and lets Carlos put the mouthguard in.
“You are going to show this guy exactly why people call you el oso!” Miguel beats his gloves together and nods. He might not like his job right now, but he really wants to hit something and goddammit if his opponent doesn’t look so beatable right now.
Coach Carlos steps out of the way, and Miguel stands to walk to the ref as he calls for him to center.
“We went over the rules in the dressing room.” Right before Hobie got here. “I want to remind you to protect yourself at all times, and obey my commands.” Ring the damn bell already. “God bless you both,” I don’t need it but this kid might. “Touch up,” here we go. He touches gloves with his newbie opponent and each goes back to their respective corners.
Miguel takes an orthodox stance.
The bell rings.
Miguel lands the first punch. He also lands the last.
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