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eddies-house · 1 day

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Smoke Signals

Chapter Fourteen - A Merry Little Christmas

W/C: 7.5K

Eddie x Fem reader - Grumpy!Bartender!Eddie x Shy!Reader

Have yourself a merry little Christmas…

(Cover) Phoebe Bridgers

Warnings: mentions of bad childhood, mentions of parent’s death, issues with mental health, allusion to a suicide attempt, self harm but not, just appears to be, blood, let me know if I missed anything. In all fairness this is a heavy chapter in the beginning. Oh and also, smut 👀

A/N: this took literally forever to write…only because I couldn’t write for like months lmao. But I spent all day basically fleshing most of this all out and there’s a lot of emotion put into it and not too much editing cause I already overthought everything I wrote as I wrote it, dare I say I put my whole fuckin pussy into this chapter. Next chapter will be the final one in the series 😭

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Christmas Eve was supposed to be different this year.

A senseless daydream.

It was dad’s last kick to his gut, he knows it. Eddie finally had a good thing going for him but alas the Munson’s were cursed and he could never escape. This was some kind of final revenge for not hanging around like a lost puppy though it wasn’t even his choice to leave Hawkins in the first place. It didn’t matter, life never spared Eddie a precious moment.

So he sat there, salty tears still somehow leaking out of him despite how tired he was, despite how wrong it felt. Last week his dad was the most hated man in his life. And last week he was suddenly dead. It didn’t make sense, the devastation that consumed Eddie. All he knew was that sunlight began leaking through the blinds and dotting the floor. Birds were chirping annoyingly outside and his skin started to feel like cold cuts and despite how uncomfortable it made him, he couldn’t find it in himself to get off his ass and at least put a sweatshirt on.

He had promised you breakfast, down the road at that little diner called Reggie’s. Promised to get you the biggest stack of pancakes covered in whipped cream and all kinds of sprinkles along with the best, artery clogging bacon you would ever taste. Maybe some scrambled eggs and hashbrowns.

Whatever you wanted.

He hadn’t seen you in days, not since the recent news broke. His excuse of harboring the flu was not how he wanted to start daily phone calls with you. He knew you would then mistake the stuffiness in his voice for phlegm and not his inner sorrows burrowing their way out of him. He refused your offer to bring him homemade soup and hot tea, rejected the kindness he hadn’t deserved in the first place. Told you that he just wanted to get healthy quickly and it wouldn’t do either of you any good to both be sick. He left you in charge of the bar, much to Jett’s disdain, Eddie didn’t need you to confirm that for him he just knew.

Now just standing up seemed impossible. Shifting his position on the couch to at least relieve the pressure against his tail bone wasn’t plausible. And for what? For a man that never gave an inch when Eddie gave him miles upon miles, practically handed over his life on several occasions. Pathetic, he knew. But the pain didn’t cease and he couldn’t even find it in himself to turn his head to check the time.

This was it.

This was how you were going to come face to face with the fact that Eddie was no man. Not a real one anyway, a facade if anything. He could just picture it: you would await his knock at the door and it wouldn't come. A giddy smile would spread across your face as you thought about your plans of going sledding together–he sees it so vividly in his mind. And then you would be massively disappointed when he couldn’t deliver. The creases at your eyes when you got overly excited would cease to exist at the mere idea of him. He had it coming, he just didn’t think it would be so soon.

Eddie told you he was feeling better. It was a lie. He never had the flu. He didn’t feel better. He wanted to die. And the man responsible for it wouldn’t even give a shit had he still been alive. Now he was dead and Eddie was the one suffering.

And so his neglected stomach grumbled, his incoming stubble itched though he couldn’t find a fuck to give even in his discomfort, and the whiskey bottle ran dry far too soon. His brain had been clogged with wishes and what he could’ve done, then declarations of it never being enough, a constant tug-of-war that migraines were made of.

He never stood a chance, his DNA had always been coded like a mutant, at least that’s how it felt deep in his bones. There was always something off, he never resonated with life in general how everyone else did. A flaw in the system. And he built his entire being off of it, afterall he never had any control over the way he was perceived so what option did he have?

Several.

He thought to himself.

You could have gone to school, shown up.

Could have stayed out of detention.

Gotten arrested less.

Not get arrested at all.

Could have said no. So. Many. Times.

In all honesty he wanted to blame his old man but he couldn’t stop taking the hits for him even in death. He couldn’t stop making excuses. Any normal person would feel relief but he felt nothing but remorse. For what, he couldn’t exactly piece it together. Maybe it was a hidden desire to fix him, a glimmer of hope that he could make him turn his life around like Eddie had. It would never happen, he was well aware, but a certain childish hope clung onto him, tugging on his sleeve, begging himself for reasons.

Until familiar curls similar to his own and an aura of the gentlest kind clouded his vision. He could nearly hear her voice, smooth as butter and warm as the summer sun when he was a freckled kid. Rosy cheeks and beautiful chocolatey brown button eyes to match his.

What’s the matter darlin’?

And he just sobbed. And remembered.

Morning pancakes and the blues. Muddy clothes and bubble baths laced with melodies. Kitchen table haircuts, the softest voice humming in his ears, half inch curls littering the linoleum. Dancing in the living room. Refusing to eat his broccoli until she told him they were tiny trees. Walking hand in hand to the corner store for milk and eggs, the promise of a sucker waiting for him at the cash register widening his innocent grin. Late night cereal bowls when sleep wasn’t an option and nothing did the trick except some off brand Lucky Charms and tales of dragons and fantasy lands he wished they could run away to.

Then he remembered.

Him.

Stumbling into the kitchen on those nights more often than not, spewing nonsense. Breaking the refrigerator door as he tripped while seeking another beer. That door forever being duct taped and never properly fixed as promised. Mama coaxing dad to bed before she slipped into Eddie’s tiny twin bed for the night, most nights. Dad waking up just to shut the music off in the morning so he could sleep in. Disappearing for days.

Mama unexpectedly passing and Eddie being so devastated that he didn’t eat for days and willingly waited at the door every day for pops to get home. Only he rarely did. Wayne checking in each and every day only to be on the receiving end of a temper tantrum each time. Years and years of push back. A clueless kid defending Indiana’s worst dad in the name of seeking some kind of normalcy.

“My dad has a ton of jobs.” He would beam, bright eyes and missing teeth.

The kids would snicker. Their mocking smiles would be mistaken for a token of friendliness. And Eddie would once again be disappointed come the end of the day. Because he’d realized it wasn’t normal to crawl under fences where dad couldn’t fit, to steal expensive things from “higher class pricks” as dad deemed them. Take your kid to work day had a very different definition in his book.

So Eddie steered away from telling everyone about his dad’s work antics, opted to tell them about how he got to go to the bar with his old man every Wednesday, thinking he’d surely get praise for being considered so mature. At least that’s how dad described it. It wasn’t any better and the reactions were only worse. They called his dad a drunk. They weren’t wrong but that didn’t make him feel any less enraged. “Spawn of Satan”, they called Eddie. Because in truth that’s what his dad was, he just couldn’t comprehend it at the time. Then came the christening of his formal title, a word so small but so…derogatory with the way it was spat at him.

Freak.

Spawn of Satan sounded so much worse on paper but Freak made his insides hurt. And as he recounts the events of his life up until now, he tallies everything up. Closure in some kind of fucked up way. Childish thoughts of “he was still my dad” try to take over but are quickly replaced by images of their burning house, the records going up and flames and ash coating everything he had left, everything she had left.

Suddenly there’s broken glass scattered across the floor and warm blood trickling down his arm, not by any fault of his own, just pure rage and unknown strength annihilating the poor glass he attempted to drink water with. Heartbeat in his ear, he swallows thickly and resumes his position against the kitchen cabinet–they’re going to send me back to the asylum.

All over again, even in the afterlife, dad plays his sick jokes. Gets Eddie into trouble he never sought out–he was just getting water, it was just water and now he looks like the picture perfect case for mental instability. No one’s seen him for days and–there’s knocking at the door. He swears it’s not like last time- it can’t be like last time, he didn’t mean it. This isn’t like back in Hawkins, when he was healing and the courts were making their decisions. He thought he was a goner, decided to pull the plug to save everyone the trouble, Wayne was at work, Steve was getting him groceries, everyone else was dealing with the end of the world. They shouldn’t have to worry about me. With a bottle of prescribed pills in hand.

The knocking turning urgent, conclusions are drawn up in a scattered, tormented mind–surely they’d rip up his contract, the agreement in which he had been assured a promising life anywhere but Indiana. A life he’d always longed for anyway.

Be careful what you wish for.

That goddamn voice taunts him.

The door shakes, manhandled from the other side and he’s forced to confront the final moments before he’s permanently put away. “One slip up…” They had said. It didn’t matter if he told them it was an accident, nothing mattered if it was anyone else’s word against him. Literally anyone. As long as it appeared that he was a danger to himself, he was a danger to society. They were probably waiting for this moment: lock up the problem child and throw away the key.

Cause he was nothing if not a problem. First and foremost.

Heart beating out of his chest, breath caught in his throat, he could practically hear the sirens whether they be from an ambulance or police car or both, they were coming–

“Eddie?”

It all stopped.

“Eddie?!”

There was no accurate way to describe the sob that clawed its way out of his throat, a tortured cry. The scene before you had been pulled straight out of a horror movie: your beloved Eddie covered in blood, palms pressed into his eyes, stuttered breathing in between sobs.

Upon approaching him he attempted to scoot himself away, glass shards sinking into his hands, a gasp filling the room and you were certain you needed to find someone else to–

“Please don’t make me go back!”

You couldn’t form words.

“I-it was an accident, I-I promise.” His eyes brimmed with a fear you never could have imagined coming close to witnessing in this lifetime. “Just–I just got some water-I didn’t mean to break it, I s-swear. Please d-don’t let them take me.”

Glass crunched under your boots, a slow approach as you crouch in front of the shattered man with the saddest eyes you’d ever seen. With a shaky breath and careful movements, a silent request to assess his arm and hands is made. You’re sure your wide eyes can’t be comforting in the slightest though the shock still pulses through you.

“I’m sorry.”

“Shh.” You soothe.

Forehead pressed to his in a moment of solace, you offer a nudge, nose to nose. A wordless commitment. Softness he didn’t know he needed, tender touches of your fingertips to his wet cheek as if to promise a remedy for his aching heart, that you weren’t planning on going anywhere. You weren’t leaving him like he convinced himself you would or god forbid turn him over to the authorities like he feared.

“Let’s get you cleaned up.”

–

Glass has been carefully swept three times over, though you were considering a fourth for good measure. Shards had been plucked from Eddie’s poor hands, your tweezers doing the job just fine after being doused in some cheap vodka he had. Gauze from a first aid kit you thankfully had in the car had been wrapped around the largest gash in his forearm, not large enough for stitches but large enough to wince at. He sat there the whole time, staring at the ceiling, the floor, anywhere but your face.

The silence was heavy, a dense fog that hung low throughout his house. Someone had to break it but both parties were finding difficulties in voicing the reality of what just occurred. If either spoke it would make it real. Right now it was hazy, a question of “are we dreaming or did I just walk in on a suicide attempt?” hung in the air.

He said it was an accident, and you believed him. There was just so much unanswered and it’s the only thing that came to mind. Anxious fingers tapped against his own thigh, occasionally twisting his rings round and round while gnawing on his lower lip. It then dawned on you that he was the most human out of anyone you’d ever met.

He felt on a deeper level than most.

At the touch of your gentle hand against his, his surprised eyes, parted lips, and hesitance to reciprocate hint that he hadn’t anticipated you sticking around this long after you’d found him. In the standard of fight or flight, he froze. Realistically he may have been sitting on his tattered couch while you tended to his wounds, both physical and emotional whether he cares to admit or not, but mentally he checked out the second he found himself surrounded by glass and tears.

“Bambi–”

“You don’t need to say anything.”

You were trying to keep it together. His croaking voice made that hard. But in all seriousness it wasn’t fair to throw yourself a pity party in light of Eddie’s current stability. And you’d reject the idea of throwing him a pity party, wouldn’t even touch the idea, but you would offer him all the empathy your soul had collected in a lifetime. Even not knowing the culprit of his now dried up tears and stinging hands, you’d go to war for him. Maybe that was dare you even think it, love. But that’s a crisis for another time.

“Dad died.”

Somehow the silence became even greater, a gigantic void of confusing thoughts and complicated quick conclusions. Conclusions you backtracked on immediately. It wasn’t your decision to declare how he should feel about a man who in your eyes and through his words put him through hell no matter how strong your sense of justice grew.

“Oh, Eddie, I’m so–” A soft beginning to a sympathetic apology short lived.

“It’s fucked.” His voice cracked, stoic face crumbling no matter how hard he tried to rebuild the tough exterior. “I shouldn’t–” There’s a pause, an intake of shaky breath. “I shouldn’t feel bad.”

“You’re allowed to.”

“No, no he ruined fucking–everything.”

“And you’re still allowed to mourn. Even for as shitty of a person as he was, you were still his son and that meant something to you.”

You wished you could erase the flash of pain that glazed over his eyes; something that tells you he knew every word you spoke to be true but couldn’t quite bring himself to be at peace with it yet. Dust collected on the coffee table in his eternity of reflection, a melancholy aura blanketing the dark cabin as wind whistled through the chimney like spirits demanding attention.

“How’d you know?” He finally asked, timid.

“Hm?”

“I left everyone hanging, they all think I’m out with the flu, how did you pick the exact moment I…”

“Needed someone?”

Eddie nodded, hesitantly, like those weren’t the exact words he would pick himself but they seemed to convey what was necessary.

“Wayne called me.” You sigh. “Said he got my number from Steve. Everyone wanted to jump on the first plane over y’know?” At this a trace of a fraction of a smile tugged at the corner of his mouth but he did his best to contain it. “But it’s Christmas, flights are booked, and even then there’s a storm coming in. Wayne said he couldn’t get a hold of you.”

“So you knew?”

“No.” You assure, taking care to relax your features. “Just sounded really worried, didn’t want to air everything out. He wanted me to check in. I guess he has some kind of godly intuition.” You chuckle.

Eddie retracts his hand, and you know you’ve lost him to his inner battle again. You can only imagine the bloodshed happening within, after all, you were no stranger to deconstructing your own self worth brick by brick. The traumas he had been faced with were not anything therapy could simply remove like a tumor. There were no treatments afterward to ensure everything would get better. You knew this first hand, that you could try and try to get to the root but there was never any way to truly remove it to keep it from ever festering again. It would appear, it would be when you least expected, at your worst, and it would look you in the eye and test you.

“I’ll be fine.”

Famous last words. When the host convinces themselves but could never actually believe it to be true in their lifetime.

“But right now you’re not.”

Sabotage. In his eyes.

“But I will be. Don’t let me ruin your holiday just because–”

Excuses. Deterring from the targeted enemy: grief, in the name of saving others the trouble. A tactic you’d perfected in your years of people pleasing and feeding your tendencies to deflect your sorrows with the intent to appear invisible and self destruct.

“Stop it.” You demand.

“No, Bambi. Go to Donnie’s, I’m sure they’ll understand you coming early–”

“Stop.”

Rational thoughts were shoved into a neat little box somewhere else in his mind and you only hoped you could aid in retrieving it before he threw away the key. Before he decided not even he was worthy of hearing them from himself. And as he crossed his arms, a stubborn gesture, you braced for impact against his defenses. His cruel inner monologue and haunted house of a brain.

Big eyes adorned with every brown hue under the sun dissipated into pure darkness. Cold and black, lacking any of the warmth you’d previously basked in. He was lost in an underworld he’d been promised to since birth.

“Would you listen to me?!” Eddie’s jaw clenched in utter frustration and you swear a bead of sweat trickles into his eyebrow. “I’m not–I don’t wanna be the guy to drag you down. I’m not gonna be that guy, I won’t do it. My shit is my shit.”

You weren’t going to become complicit in the reality he’d settled for, the reality in which he felt he deserved scraps and just enough attention to deter himself from going insane.

“And I’m not gonna be the one to leave you while you’re hurting.” Finally catching his avoidant eye contact, you offer his forearm a squeeze. A plea. “Throw me out in the snow, I don’t care but I’m still gonna sit on your porch until you let me in. I don’t care what holiday it is.”

“Go.”

You try not to take it personal. It’s not personal.

“Fine.”

The last thing he hears is a slam of the door, refusing to even glance at where you previously sat adjacent to him. The room turned colder, more vacant. Even your energy had left with you, none spared for him of course, because why would he be spared anything from your healthy heart? His was black and blue, barely pumping, and he’d be damned if he was going to let you perform CPR on what he considered an already lost cause.

Do not resuscitate.

As quickly as he’d accepted the death of a budding relationship, the door swung open with aggression to interrupt his mourning, smacking the wall and no doubt breaking through some drywall. The least of his problems as he watched your determination in setting some stacked boxes on his kitchen counter before exiting again, this time leaving the door wide open.

It was eerie, the way your second exit was so open ended. Snow flurries entered and gusts of wind toyed with his curls, his cheeks already hurting a tad with the coldness. Eddie wasn’t sure what to make of it, you’d dropped off a box of what appeared to be Christmas decorations and what? Stormed off? Somehow that hurt even more than the first time, though he’d anticipated the day you would figure out how fucked up he was and retreat. He could prepare all he wanted but nothing stung more than the actual—

In you came, a box of ornaments under one arm and a small Christmas tree under the other. And you got to work, setting up the three foot tree right on his coffee table, plugging it in to the nearest outlet and initiating a soft glow of white lights, instantly engulfing the room in a newfound safeness. The tree needed fluffed and appeared to have bed head, though it still served its cheerful purpose regardless.

Eddie sat with his fingers pinching the bridge of his nose, on the edge of the couch, eyes shut. An uphill battle.

“Bambi, what did I tell you–”

“You told me to go.” You nod confidently, a frown betraying you, pulling at the corners of your mouth. “And I did. You didn’t say how long or—or where to go. But I gave you time to cool off and now you’re gonna either sit and pretend Christmas isn’t a thing or you’re gonna watch the stupid little clay people on TV while I cook dinner and bake. Either one is good with me but I’m gonna be here whether you like it or not and—“

Before you can look up amidst your rambling, a ringed finger hooks itself in one of your belt loops, tugging you into a warm chest.

There he is.

Warmth restored in his irises and a semblance of a smirk threatened his lips. Pale skin rosy in all the right places and endearing eyelashes framing his shy gaze down at you. Your boy.

Lips grazed lips, noses nudged into each other, and it all just…made sense. Bambi and Eddie. There is not one without the other, not anymore. Not since you sauntered into his life, demanded a job, puked on him, made him go absolutely insane—

“I love you.”

It just fell from his tongue. A promise.

“I-are—are you s—“

“Am I serious? Is that what you’re gonna ask?” He nearly mocks your mouthful of syllables.

You nod, gulping. Not because you’re afraid, no, never. You’d just never seen such assurance in a single man.

“Bambi…” He tuts. “You don’t see how bad I’ve got it for you?”

All you can manage is to dumbly bat your eyelashes up at him, mouth hung open like a fish and fists clutching the front of his shirt unknowingly, though he doesn’t mind in the slightest if you stretch out his collar.

“Bad.” He reiterates. “So bad, that even if you don’t feel the same, even if you only like me out of pity—“

“I don’t—“

“I’m not finished.” Your attempted interruption has him thumbing at your bottom lip. “Even if you only like me out of pity, I’ll take it. And I’ll run with it. Far. Because I’m pathetic—“

“You are not.”

“I’m a pathetic man. Who is deeply in love with you, Bambi.”

“Stop saying you’re pathetic.” You challenge quietly, a delicate hand tracing the stubble of his jaw.

“Oh, but I am.” He breathes, leaving no room for argument when he presses his lips against yours as if it were his last chance.

Did he believe it was his last chance?

And without thinking, tongues collided, teeth clashed, he had backed you into the wall and there was no telling how you found yourself palming him over rough denim, a whine escaping his throat before you’d barely touched him.

A pathetic whine dare you say.

“Sorry, sorry.” You gasp, string of saliva connecting you like the invisible string you believed tied you to him all along.

“Don’t—ow! Jesus fuck.” Eddie winced, shaking his hand in the air after attempting to cup your blushing cheek. “Forgot I had fucking…glass in my hand earlier.”

You giggle, a saccharine sound, a melody in his ears that he yearned to make more of. Embarrassment traces your features, brows pulled into a worrisome look while you hold your hands close against your chest, afraid of further touch much to his dismay.

“Can you…can you do that again?” He whispers. Terrified of the consequences but brave enough to face the rejection.

Nodding, your slow hand reaches for his cheek, thumb grazing over it before trailing down his neck. His breath hitches, your hand traveling lower and lower, over his chest and down his stomach, exploring all that you’ve so desired only in your wildest wet dreams.

Lifting the hem of his shirt ever so slightly, just enough to let your fingers graze his soft skin, your main goal is to tug at that delicious happy trail. And when you do, he can’t admit to you that he nearly cums in his jeans but you’re certain you’re on the same page when you see his eyes roll back into his skull.

He can’t control himself when he ruts into you the second your palm meets him once again, beautiful, breathy sighs escaping his pouty, plump lips.

“Like that, baby?” You ask, trailing hot kisses down his throat.

“Please.” A whisper that tells you everything. “I-I never—no one’s ever—“ He tries to warn you.

“What?” You encourage, tongue tracing his earlobe. “No one’s ever taken care of you, huh?”

“Just my hand.” Eddie jokes, voice strained.

Guiding him to sit back on the couch, it protests beneath the weight of you both as you crawl into his lap. Careful fingers toy with the curls at the nape of his neck, patient lips hovering over his. Doe eyes look up at you, half in admiration, half in hesitation.

“We can stop.” You assure him, sweet kisses pressed to each corner of his lips.

“No, no.” His voice shakes, chest heaving. “I just—I don’t know exactly…what I’m doing.”

There’s an undertone of humiliation, the opposite effect you wanted to have on him. But you were confident that you could make him feel comfortable. Feel sexy and wanted.

“Let me do the work.” You whisper against his lips, slowly rolling your hips into him. “Let me take care of you.”

He nods, frantically moving to undo his zipper, only to be met with your delicate hands wrapping around his knuckles. You’re so patient with him, so gentle, so unlike what he’s ever been faced with.

“I said, let me take care of you.”

Feather light kisses pressed to his knuckles, you continue rotating your hips against his, feeling his bulge in between your legs, the friction tightening the knot within you. His eyebrows knit together, head falling back against the couch’s when you graze your fingertips just below his shirt again.

Nails gently drag down his torso, eliciting the loudest moan you’ve pulled from him so far. His injured hands only allow him to take their place in your belt loops again, assisting in setting the pace as you grind against him.

“Eddie.” You whimper.

“M’ gonna cum.” He halts your movements, only letting you hover above what was about to be sweet euphoria. “Wanna be inside of you.”

You can only gaze at him with the utmost love, entranced by his flushed appearance and his damp curls framing his face.

“Please, baby. Please, I’ve got condoms—“

You have to stop his babbling by shoving your tongue in his mouth, nodding against him with a grin.

“You bought condoms? Boy, are you prepared—“

A playful pillow is tossed into your face, a deep groan coming from your boy.

“Yes, I’m cautious, baby, please if you don’t sit on my dick right now, if I have to go one more minute not knowing what it’s like…”

“Shhh, okay, okay!!” You squeal when he attempts to get up only to fail with you pushing back. You knew damn well he was strong enough to fling you off of his lap should he choose, which only made your underwear more of a mess.

“You wanna go to the bedroom?” You tease, nuzzling into his cheek.

Without a second of hesitation, he launches you both off of the couch, palms against your ass only making you wonder how much his hands must hurt and how much adrenaline he must have not to care. Playfully, Eddie tosses you onto his bed, a pile of unkempt sheets that only seemed that much more comfortable than your own bed. You could die happily in the smell that engulfed you. Purely Eddie. Woodsy and minty. A tad smoky. And some hints of apple.

Just when you think he’s about to jump your bones, in every literal sense, you open your eyes to find him carefully adjusting the needle of his record player in the corner of the room. And then it plays. A rendition of Can’t Help Falling in Love. A folkier version, a woman singing with a twang to her voice.

“Well alright, cowboy.” You joke, an over seductive brow raising at him.

“Shut up.” He grins, crossing his arms to take his shirt off and toss it behind him.

“C’mere.” You reach over, tugging at his belt until he hovers over you. “Wanna see you.”

“You are seeing me, been here the whole time.”

Quickly, he gathers what you mean as you reverse positions, pushing him back on the bed to trail your lips along his stomach. Perfectly pretty lips follow along the scars he’d been left with years ago. The rough texture doesn’t deter you, doesn’t scare you off like he imagined. While your lips explore his scarred side, your hand delicately traces the dragon tattooed along his ribs on the opposite side. Inked skin that arose with goosebumps after each touch.

As if he hadn’t already died and gone to heaven, you stop your torment on his body to discard your own shirt, leaving you in only your bra before him. Careful to grab his hand, you drag his fingers down your chest, in between the valley of your breasts, down, down, down until you let him dip into your pants. Beneath your damp panties, collecting slick before he catches on your clit, a moan falling so desperately from your lips.

“F-feel what you do to me?”

It aches.

His finger sits pressed against your throbbing clit, teasing in a way he has no idea about yet. But he will and you’re not quite ready to relinquish that power to him…yet.

You can’t handle the confines of clothing any longer, releasing your breasts as you unhook your bra and toss it to the side. His eyes grow, lips parted in awe. And when you go to shimmy your jeans off, the friction against his hand pulls a mewl from you, something so pretty and real.

You’re completely bare, prey for him to claim although he doesn’t, he lets you have control. And then you remove his hand, only to drag yourself over his denim covered thigh, slick coating the material without much effort.

Catching his eyes, you watch as he brings his finger up to his lips, tongue wrapping around the digit with a moan of approval. That’s when you decided you couldn’t drag it on any longer.

His belt buckle clinked against itself as you worked to yank his jeans down, practically drooling for his cock, drunk on the mere idea of even seeing it. Plaid boxers ignored, you pay attention to the way it slaps against his stomach, already leaking and red. Painfully aroused.

He barely survives when you decide to lower yourself and lick a long stripe up the underside, twitching against your tongue.

“B-baby, please.” While grinding into nothing, poor boy. “Wanna cum, wanna cum so bad.”

He’s been taunted enough, breaking a sweat as he lays there, fisting the sheets in his hands. You’ve nearly brought him to tears and you’ve barely touched him.

Leaving open mouthed kisses along his reddening chest, you finally offer some relief, ripping open a condom he’d somehow grasped in his hand the entire time, rolling it onto him, and sinking down, swallowing him into your warmth. Eddie makes the prettiest sounds, small almost hiccups and gasps. Slowly, you work your hips against him, clit rolling just right against his pubic hair.

He’s big, stretches you out and hits just the right spot. Hips stuttering, he places his hands on your waist, cut hands be damned. Eddie’s close, has been this entire time, but he can’t contain himself the second you lick up a bead of sweat from his chest to his collarbone. The site is simply too pornoraphic for his inexperienced dick, hot cum filling the condom. The moan he lets out as he finishes only encourages you, gets you going faster in the limited time you now have before he softens.

Automatically you reach down to play with your clit, knowing it’ll push you over the edge though he realizes and beats you to it, a rough finger circling you in a pleasant rhythm. Overstimulated whines fall from him but he doesn’t quit giving you what you need, what you so desperately desire.

Then all at once, pleasure crashes down around you, pulsing around him, leaving you twitching and panting. The record stopped playing however long ago, the silence pulling you back into the realm of Eddie’s bedroom.

Nothing needs to be said, words aren’t on your minds. Excuses for what just occurred are nonexistent because if you’re being honest, it was sewn into the timeline no matter what. Forever embedded into the universe in every lifetime. Heavy breaths carried a symphony during the cool down, sweaty chests pressed together, sticky and salty.

Absentmindedly your foot grazed against his hairy shin, fingers dancing along his chest and arm. His bicep was toned, something you were never able to appreciate up close before but would now take all the time you wanted. You wanted to memorize every detail of his body, every freckle, hair, and birthmark. All of him.

His lazy hand let his fingers trail up and down your spine, writing letters unknown to you but etched into his brain for as long as he knew you. He held a new appreciation for intimacy, something he sourly wrote off early on but now would cherish deeply.

Girls never liked him but if he could go back in time and show younger Eddie the one girl who would ever matter to him, well he imagines younger Eddie would still be a naive dipshit about it but he could try nonetheless. Supposes he would hit him with a “it gets better, kid” and all that sappy shit. Something like “you’re gonna marry this girl”. That would be okay to jump the gun on, right?

–

Cinnamon and chocolatey aromas couldn’t completely wash away the somber haze although it was fairly close. Post sex air somewhat helped as well, though you weren’t banking on it, it wasn’t a solution, more like a deterrent that hadn’t been planned on either part.

The little plastic tree on the coffee table decorated with years old ornaments wasn’t going to heal the bruising on an ever healing heart. Christmas classics played on the TV but you knew Rudolph wasn’t going to erase a lifetime's worth of childhood trauma.

It could help though. And that’s all that mattered. If watching Christmas classics only aided in healing a millionth of the wounds, then it was worth doing. If decorating his once dark and depressing house with twinkling lights and garland only brought out a smidge of the inner child that needed help healing, then it was worth it.

While Eddie slept in, you played Santa even if just with one gift, leaving it next to the coffee table, too large to fit under the small tree. Though it didn’t start out perfect, Christmas was starting to look very familiar. Baked goods sat out on top of the stove, cinnamon rolls, croissants, the works. Eddie’s shitty little kitchen radio played Christmas tunes which you found yourself humming along to.

You’d thrown together some maple bacon, drizzling actual maple syrup on the strips in hopes that they’d candy in the oven, which they did. Hash browns sat in the skillet, slightly burned but at least there was ketchup in the fridge to cover up the burnt taste. Snow blanketed the streets outside, snowing you in although you didn’t mind one bit.

You’d called Donnie, heard the commotion over the line at her house, family members causing a ruckus in the background as she made pancakes. While you were supposed to be with everyone this morning, she assured you all was well and you could hear the smirk in her voice.

Emerging from his room, Eddie’s bed head is the first thing you greet. Curls sticking out every which way, bangs defying gravity. Lines ran down his face, imprints from the sheets and his boxers hung low on his hips. A dream.

“Merry Christmas to you too.” You giggle at the way he squints in the early morning sunlight peeking through the window.

Stretching his arms over his head, you’re forced to witness the way every muscle flexes, drool nearly falling from the corner of your mouth. It doesn’t go unnoticed but he decides it can be addressed later.

“Merry Christmas, did you get me some fucking curtains so I can actually see?” He laughs, voice husky with sleep.

“No but I can do you one better—“

“I was joking Bambi, I wasn’t actually expecting any—“

“Next to the table.”

Your grin makes him want to run directly to you and spin you around, kiss you a few dozen times, and never leave this bubble you two have created. Instead he hesitantly steps toward the previously mentioned gift, a large gift at that, wrapped thoughtfully in reindeer paper and complete with a large red bow. He felt like an asshole.

“I—no I can’t—“

“Open it.”

Eddie just stared.

“Eddie, it’s Christmas, first thing you do is open gifts!” You smile, approaching behind him.

Then he disappeared back into his room, the sound of him rummaging the only thing letting you know he hasn’t retreated just to hide from you. When he walks back out, he’s hiding something behind his back, a nervous smile tugging at his face.

“I swear—I was going to wrap it, I just—I don’t have an excuse. I just didn’t. I’m sorry.” His large brown eyes plead with you, begging for forgiveness that he didn’t need to beg for in the first place.

As if defeated, he hands you a stack of records, several that probably cost a good paycheck. And you can tell he feels it’s not even enough with the way he avoids your gaze.

“Um, it’s probably stupid, it’s just, they’re records that made me think of you. I dunno, it’s dumb, music is just—“

“I love you.” You interrupt.

Without another word you grab the records from him to momentarily set them on the table. Before he knows it you're smashing your lips against his, passion being poured into every breath he takes against you. Your hands cup his cheeks, still slightly stubbly but cute. He wraps his large hands around your wrists, hissing at the slight sting but continuing.

“You’re not just saying that—“

“I. Love. You.” You enunciate each word with a peck. “Point blank. No exceptions. You’re stuck with me old man.”

“Old man? We’re like the same age—“

You’ll never forget the amusement on his face but what attracts your attention next are the records. A huge stack of them. All genres. Some Elvis, ones that hadn’t made it in your collection yet, a few that seemed more his taste, metal. It was a universal language and it was his preferred way of feeling. That much you could gather.

“Um, yeah, if you don’t like them I can just…”

“Don’t like them?” You scoff. “I love them.”

You hold them close to your chest, as if they were books and you were in high school. You suppose you could be what with the way butterflies erupted in your stomach. He made you feel like you were in high school, gave you a sense of youth that had been skipped over previously.

And he was blushing.

“Well, uh, I just thought you know…music does a lot for me. I picked some out that I knew you’d like. Also put some that I like in there, I dunno why, you don’t have to listen to them.”

“Oh, we are listening to them. Right after you open your gift.”

More blushing.

Eddie takes a few glances at the gift, as if it were there to test him. Like Pandora’s box or something. Then he crouches down beside it, hesitantly reaching out to peel back the paper. A giddy grin rests on your face, records still clutched in your hold. His face says it all once he’s torn through enough paper. It’s a guitar case, that much he can tell, eyes nearly popping out of his head. Then he opens the case, revealing a cherry red electric something that you couldn’t memorize the name of but all you knew was that he had his eyes on it for months before you even entered the picture. At least that’s what the guy at the thrift shop said.

“No fucking way.” He smiles, half laughs. Then repeats himself. Over and over.

“Do you like it?”

Instead of receiving verbal confirmation, you’re nearly tackled, strong arms wrapping around you and swinging you around. Laughter erupts from deep within you, Eddie setting you down just to kiss you deeply and with so much care you figure you’ll faint.

“I love it, I love you.”

Later that morning, frosting coats his lips then transfers to yours in a quick kiss across his tiny dining table. The bacon is devoured, mostly on his account, and those claymation Christmas classics elicit laughter like no other. Deep belly laughs from the man whose legs you sit in between. His shirt rests comfortably on your torso.

He calls Wayne, puts it on speaker, and effortless banter occurs between you three. Wayne tells his boy to behave, wishes him a Merry Christmas, apologizes that times have been so shitty and that his flight had been canceled. Thanks you for being there to ground his boy, tells you how much Eddie’s friends have gone on and on about you two, that he can’t wait to meet you.

Then you call up your family back home, more than likely all crammed in the same house, doing puzzles, arguing over stupid things, throwing wrapping paper everywhere. You miss it. But you wouldn’t trade your place right now for anything. Eddie timidly and adorably chimes in, says hi. Makes small talk with mom and grandma. Grandma begs him to take a look at her station wagon when he makes his way over with you for a visit some day. No question about it, he’s going and that’s final, according to her. He doesn’t seem to mind though, a shy smile pulling at his lips.

Lastly you call up the gang. Nancy answers, says everyone’s at their house as usual. Shouting between Dustin, Steve, and Mike is heard in the background. Something about a broken sled. Robin takes the call hostage, telling you both about the juicy gossip amongst the group.

“And then Max—you haven’t met Max yet, Bambi, but Max left Lucas a—shit you haven’t met Lucas yet either. This would all make so much more sense then.”

There’s talk of a summer trip, something fun everyone can join in on. Kind of like summer camp except Nancy would of course be the ring leader by default. She would more than likely assign the adults as camp counselors unofficially. Eddie’s face lights up, tells her about the perfect campsite not far from his house. Beautiful in the summertime. Then looks at you, shares a dimpled grin and runs his thumb over your knee.

Loved ones called and bellies full, Eddie plays around with his new guitar, and softly in the background, Muddy Waters plays. One of the records he’d gifted you.

~end~

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tags - @gravedigginbbydoll @ohauggieo @spicysix @lunatictardis @ali-r3n @batkin028 @mrsjellymunson @witchwolflea @emma77645 @emxxblog @eddiesxangel @angietherose @lottie-90 @sheneedsrocknroll92 @pullingattheroots @avalon-wolf @vintagehellfire @cryingglightningg @foreveranexpatsposts @winchester-angel @mmunson86 @witchwolflea @kurdtbean @micheledawn1975 @tlclick73 @erinekc @hazydespair @whenshelanded @corrodedcoffincumslut @ms1oftheboys @lma1986 @uglypastels @aysheashea @dashingdeb16

#eddie munson #eddie munson x reader #smoke signals #eddie munson fic #eddie munson fluff #eddie x reader #eddie munson smut #eddie munson x female reader #eddie Munson series #eddie munson x you #eddie munson fanfic #stranger things fic

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thesublemon · 2 days

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best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2 or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie.

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say.

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like.

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.)

#posts: art #movies #am rusty at blogging and don't have all the virtuous nuance i would like in this but we will go with it

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madame-fear · 16 hours

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Okay, so. Yesterday I received a rather extent anon message blaming me for, apparently, “not being neutral in the drama” because I’m mutuals with someone that had little involvement in the situation I think, and as I found out today, my mutual already clarified things and apologised.

I left my answer to the ask in the drafts, but today I opted to ignore the message and remove the drafted answer. I did this not only because I wanted to drop things already and not stir up any more shit, but also because I have a condition where I constantly tremble, and any extreme emotion — whether it’s good or bad — makes my shaking worsen to the point I can barely function even for basic things and I feel sick in the stomach.

It wasn’t worth going through that. I thought it would be better to answer ask messages of people ranting, or asking things about it that were within the reach of my knowledge.

Until today, that a burner account named @/quillantrophy (which, they accidentally exposed their real account in one of their screenshots), thought they could do a “call out” post... Posting my answers to anon asks & basically treating me as a hypocrite over nothing?

And they said I should explain things because since I wasn’t commenting on anything they said on the post, I was “adding fuel to the fire” (that exact quote). I didn’t have time to explain things at the moment, but I do now and I will answer bit by bit. I will do this just to avoid possible misunderstandings.

I want to clarify that I don’t feel comfortable getting involved in things that I’ve never been involved in— and if I receive more messages about the drama itself, those messages will be deleted. I feel kind of bad about this since people have only been coming to my ask box asking thing about it confuses, or seeking comfort from the moment, but like we’ve been saying, it’s better to drop things already, and focus on the good things inside the fandom.

The answer to the post is below the cut. It’s going to be long, sorry, but I prefer to clear any misunderstandings. And I will highlight something extremely important down below, besides apologising deeply for any misunderstanding. And this is the last time I will be talking about it

“there’s no issue with this, but she claims to be neutral and is currently explaining/advocating on the situation whilst adopting this stance.” I am neutral on the situation. I will eternally remain neutral because as we’ve seen, neither side is good.

As I’ve said before, Cal had little to do with all of this huge mess. From what I learned today, she already clarified and apologised about the situation. Cal was dragged through the mud by both of the groups out of nowhere, and she also fell for their shit so she was fooled by them just like lots of other people— she told me herself.

“This is bullshit, there’s no transparency” huh? what does that even mean,, I just… Literally don’t have any involvement at all? What can I say or do about it? Both groups of people were already on my blocklist since last year lmao.

“She has connection to the drama purely through this even as she apparently didn’t participate — allegedly.” I’m sorry but the allegedly part is killing me too. I wasn’t even on their Discord groups, nor talked to any of the people involved, explain why the word ‘allegedly’ was even added?

also, how the hell am I supposed to be connected to the drama if, as you said, I didn’t even participate in it, only because I’m mutuals with someone who was named in it? What kind of sense does that make?

As I stated above, I am, and always have been a neutral onlooker about the situation, who explained the situation to the confused people, even posting the links with the full info and proof to not spread incorrect information accidentally.

“Does @bucknastysbabe even know or care you’re slamming her on main and then love bombing her the next?” Cal knows about all your post, and all my answers to each ask regarding the situation.

She knows I hadn’t seen her apology/clarifying video until today. She even cheered me up when I had an anxiety attack after this person made this post, only to then delete it and deactivate the account. So, yes, she knows pretty much everything and she knows it was a mere mistake of mine.

Then, the person posted this. I will show the screenshots of what they said, and what answered ask they were referring to using their own SS.

(sorry if the screenshot pics are switched of their right places) I had no idea that was a direct quote from Cal’s apology video, because I OBVIOUSLY HADN’T SEEN IT. I don’t know how else to stress this, but I’m not chronically online, and neither I see everything my mutuals post.

Either way, I literally re-read my own response to check what I had answered, and this was terribly misunderstood. The only response I had about Cal’s statement was “why am I not surprised?”, and in the rest of my response, I tried to be as neutral as possible— in the rest of my response, I was referring to the general situation of the drama, and in fact I was mostly referring to the things Bel, Fae, Em and Ange said + did.

But nothing else, thats it, because I wanted to speak about the situation in general and I was referring to the group of people— I didn’t name names and neither I referenced Cal’s statement any further. I deeply apologise for the misunderstanding, but sometimes I explain myself awfully mostly because English isn’t my native language.

if this was considered with any possible ill intention at all, I offer once again my most sincere apologies. I never had any bad intention, and the only thing I’ve been doing was answer the asks of the people who came to my ask box inquiring about what had happened, try to offer comfort to those who felt disappointed and heartbroken, and in general just try to provide as much positivity as I could amidst the terrible situation.

Some believe I was trying to gain attention from the situation, and that I was stroking the flames of the drama. I at no cost even thought of ‘getting attention’ from it, or that I was actually getting attention, I simply answered the messages I was receiving to interact with my own followers— I mean, it didn’t feel good to leave them hanging.

I do have to take responsibility that perhaps my actions continued to keep the drama up, but again, I never had this intention, and I’m terribly sorry if that’s what my answers and interactions caused.

Please I do hope you guys understand my point of view, and that I never intended for any of this to be understood in the wrong manner. I have to admit that despite all the lovely people and fun moments I had/have in the fandom, it’s also responsible for worsening my condition the 90% of the times due to the unnecessary drama, and this situation today made me feel extremely bad physically as it automatically involved me in a situation I didn’t want to be involved in, nor have anything to do with it.

And that’s why, from now on, I won’t be answering any message related to the drama anymore to not keep mentioning the things that happened. As I said all the way above, we should currently be focusing only on the good, positive things of the fandom— and hopefully, we will all learn to not be rude or gossip about other people over mere fandoms, or fanfanfiction.

Then again, thank you for reading and understanding. If I expressed myself wrongly anywhere in here, please feel free to ask me about it and I will glady re-explain it. I hope this can clear everything, and please, I don’t want to be involved any further in anything.

#fandom rants #I hope this cleared everything out. I am as polite and as clear as I can be about the situation.#important #✧.* amiraverse

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