#metal gear fanbase is great

[wyverncult]

ironically it seems like the smaller a fanbase is the more interactions youll actually get on your content. Unless its the metal gear fanbase honestly

#is this...... legible? #sorry im literally half awake #this wasn't going to be a metal gear post but ykw now it is #metal gear fanbase is great #by ''smaller'' i guess i mean. like. niche enough maybe. #a #good ight #dmitri's life

[whencartoonsruletheworld]

never have I played any nights at Freddy fazbears

pls explain the whole plot and all lore to me as if I were small and slightly stupid

oh great timing i literally JUST explained this to my asoue discord

this is a VERY simple summary, but things to keep in mind while reading:

very very VERY little of this is directly spelled out for us. the creator, scott cawthon, LOVES to confuse people on purpose and the vast majority of the lore is gleaned from hidden minigames, secret cutscenes, and easter eggs. this makes things very confusing and controversial within the fanbase, so im gonna try to explain where there are differing opinions

really, there's two main stories: the first main story was completed with FNAF6 and Ultimate Custom Night, the story going on rn is the second and it is still ongoing. as such, a lot of the lore is still a mystery to all of us.

For clarity's sake, I will divide this between: THE AFTON STORY, the one the movie's gonna tell a part of, and THE GLITCH STORY, which the games are going through

dont worry i will make it fun to go through so it doesnt feel like school

ok lets go

THE AFTON STORY

First, let's get a visual chart in here. don't worry it's just for show

These are the important families we will be talking about; the Emily family, with father Henry and daughter Charlie, and the Afton Family, with father William, two sons (Michael and a boy who is still unnamed, he might get named on friday? We call him Crying Child "CC") and a daughter, Elizabeth. Don't worry about the mothers they're not important

Okay so here's the thing: of these four children, all but Michael die VERY early on in the timeline

The problem is we do NOT know THE ORDER each of them died. There's a lot of arguments on all sides but I personally think the order is sad boi->charlie->baby so imma present it in that order. But keep in mind that we don't actually know because of the confusing way the lore is dropped.

okay so for starters.

Backstory/FNAF4

purple guy is william afton and he and this guy vcalled henry start opening a restaurant chain starring freddy fazbear

in the original location they've got two animatronic suits, fredbear and spring bonnie. the other location has freddy, bonnie, foxy, chica

the og location suits are ~special~ tho, bc henry and william are crazy inventor dudes. these suits are called "springlock suits". they function as full animatronics but you can wind all the wires and gears and endoskeleton and shit back and step into the costume yourself. only problem is the safety is jackshit and if you like. cry or sweat or breathe wrong the springlocks will fail and the metal will come crashing back and crush u to death. u should have enough time to get to the back room so u dont bleed out in front of the customers tho. springlock suits are important remember those

michael is in his early teens and has just learned how to be a shit to his siblings and is trying out this hot new bullying thing. he's picking a lot on CC because CC is terrified of the freddy animatronics. it is said that he "saw something" that scared him, it could be anything as benign as "saw someone go into the suit and got freaked out" to something as serious as "saw one of those aforementioned springlock failures and person bleeding out." could also be charlie or elizabeth's death if those happen earlier in the timeline. again we dont know bc cawthon likes to confuse us

CC is not scared of the freddy characters tho, he has all the plushies and calls them his friends. he's just scared of the animtronics. unfortunately his dad works there so he has to be there like 90% of the time so he's having a wonderful time. hence the moniker "crying child". bc he cries all the time

anyway at his birthday party, michael decides it would be really funny to shove CC up into the animatronic's mouth for kicks. this goes about as well as you'd expect cause the mouth closes and fuckin. crushes his head

kid goes into a coma for a while but eventually flatlines. while he's in the coma we hear michael tearfully apologizing, and his fredbear plush talks to him (presumed to be william) saying he will "put him back together"

anyway that was fun. so next up charlie emily gets FUCKING MURDERED

Backstory/FNAF1-2

for some reason charlie gets locked outside the pizzeria. william's driving by and decides to stab her bc why not

honestly most of us believe that this occured after CC just bc it gives william motivation to be pissy at his business partner and kill his kid abt it, but also a book that released a month ago implies that william might have been nightmare gassing his kids for shits and giggles so. who knows. dont worry about that btw its not relevant rn

anyway the thing is willie and henry had an animatronic designed to protect the children called the puppet. the puppet sees charlie outside and goes out to help her but it's raining so it fries up the puppet's circuits and it crashes on top of her dead body. cheery!

except this is where it gets wild bc charlie proceeds to like. possess the puppet

possession is really complicated in this universe but basically there's no real way to communicate openly with people and the possesser might not even be aware of who or where they are or anything really but. yeah the lil girl def possesses the puppet

its after this that william starts killing kids for funsies. a lot of us presume that he saw the puppet getting possessed and was like "holy shit a way to bring crying kid back" but again he might've just decided this was fun

anyway he lures five kids into the Secret Freddy's Backroom That Is Not On The Maps by wearing the spring bonnie costume. after killing them he shoves them into the other animatronic suits (freddy, bonnie, chica, foxy, fredbear "golden freddy") and yeah they start gettin possessed

the fifth missing kid was stuffed in fredbear and here's where it gets veeery theoretical cause we dont have straight confirmation of this but just some theories. it's VERY likely that crying child was also haunting fredbear at this point, and shoving another kid in there got two kids haunting the same bitch and it causes fredbear (golden freddy) to be really fucking weird and glitchy and eldritch or w/e. anyway you dont have to worry about that rn cause golden freddy doesnt show up much they're too busy ascending or smth

now this is where the lore gets confusing-- the first game claims that after the last two were lured, someone was caught on camera, arrested and charged. however we know for a fact willie-boi wasnt caught so either 1) this got retconned when cawthon decided to actually make lore, 2) he wasnt convicted and somehow still kept a hold on the fazbear empire during this, or 3) a lot of us theorize that henry was framed for the crimes and thats why he disappears from the timeline until the sixth game. cause yeah he disappears from the timeline until the sixth game. personally i believe the third it makes a lot of sense but yeah willie-boi stops killing at about five kids

anyway will is going full scientist with all these animatronics and he's like. ripping parts off them and putting them on other animatronics to see what happens. we THINK. again this is really vague but this is just kinda the most logical explanation here.

anyway this is what happens in fnaf2 and what it does is like. split the souls and shit. and he's like "oh this is sick" except this makes all the suits act erratic as hell and very angry towards adults (theyre cool with kids tho) and eventually one of them causes the infamous Bite of 87. we're not entirely sure what it was but one of the animatronics bit off the frontal lobe of someone in 1987. this caused this location to get shut down and willie boi just puts the pieces back on the og animatronics and is like "well shit what do we do now boys"

FNAF5: Sister Location

anyway so this is where we think elizabeth dies in the timeline. william makes these things called the "funtime animatronics"-- we know they are made after a fnaf location shuts down, though it's not specified which. these animatronics are built SPECIFICALLY to kidnap children. ballora is built as a distraction for parents, the other two are built to only move when not seen, and then Circus Baby™ has an arm that can grab kids and drag thtem into her until willie lets em out. she is programmed to only do this when a child is alone in the room so william tells elizabeth "do not go see baby when you are alone in the room"

so elizabeth is like 6 and she goes to see baby when she is alone in the room and baby grabs her but the arm is fucked up and the kid dies p badly

funtime's location is then immediately closed due to "gas leaks" and william rents out the funtimes for parties. at the same time he starts shoving some haunted parts into the funtime animatronics to see what happens. we THINK.

important location here btw is the "scooping room." it's actually very good horror but basically it's a bitch that is supposed to rip the endoskeletons out of the suit whenever theyre malfunctioning. super smart idea that will cause no nightmares going forwards.

anyway the animatronics all kinda know that william killed them so after a while (a few years??? who knows) they start trying to kill him and he's like "hmm. i cannot go into this bunker anymore. let me send michael, my last surviving kid who i hate." this is where michael, now an adult, re-enters the timeline.

mikey boy is told by his dad that he can bring his baby sis back to life if he goes down into this bunker and does some shit. michael is like "oh sweet" bc honestly he probably still feels guilty about literally killing his bro and so he goes down to the bunker.

the animatronics eventually tell him "go into the scooping room it'll be totes mcgotes" and when he gets there he finds out that the animatronics have killed all the other employees, scooped themselves, and fused their endoskeletons into one conglomerate called ennard

ennard is like "yeah we cant escape here cause they just bring us back so we're gonna use you as a skinsuit k thnx" and they scoop him and use him as a skinsuit

it's really good horror i promise

BUT this turned out to be a bad plan because Humans Decay so after like a week ennard gets puked up by the MikeSuit and escapes into the sewers.

here, meanwhile, is where mike pulls a reverse uno card and possesses his own decaying corpse

LIKE A FUCKING BADASS

he then calls up his dad and is like "hey dad :) elizabeth's fine now :) BUT :) they fucking killed me :) because they thought i was you :) you sure sent me down here to die huh :) anyway :) im gonna come find you :) you have a ten minute head start start running :)"

actor really fucking sold that monologue too ngl

so he's like. PISSSSSSED and rightfully so he is walking around in his own corpse. so he goes to find his dad

Backstory/FNAF3

this is about when peepaw willie goes back to the original fnaf location (we THINK) and is like "ok im just gonna take apart all the animatronics and do something with these"

only when he destroys the suits the missing kids' ghosts show up and spook him. so this guy who's been studying ghosts is like "oh fuckshit there's ghosts here" and tries to hide in the spring bonnie suit. only he laughs and this causes the springlocks to malfunction and FUCKING VIOLENTLY KILL HIM. get springlocked idiot

except then HE possesses the spring bonnie suit and this is springtrap. but also he's in a super secret back room while this happens so he is trapped there for a while

FNAF6

so ennard, michael and william are fuckin around for a couple years. at some point ennard decides that elizabeth is kinda a freak actually and kicks her out of the hivemind so she just rebuilds herself a circus baby suit and keeps wanderin around so now we got four bitches doing who knows what

eventually it's been 30 years since the last freddy's closed and someone opens up a haunted house parody of it. mike goes to work there as a security guard* and guess what they found springtrap and bring him to the attraction thinking he's just an animatronic. after five nights of fucking with him mike sets the place on fire to try and finally kill his dad fr. it does not work

*note that this isnt confirmed to be michael but we kinda. all know it's probably him. it really seems to be him

anyway then michael finds out that an actual fazbear's is opening and needs an owner so he goes and becomes owner of the restaraunt. while some guy on a cassette tape is giving him tutorial instructions he sets up the place and also collects several animatronics. these are:

scraptrap (peepaw post-fire and really pissed)

scrapbaby (elizabeth now thinking that maybe if she kills things her dad will pay attention to her)

molten freddy (remains of ennard still not entirely sure what's going on)

lefty (a bear solely built to capture the puppet, who was still fuckin around the fnaf2 location i guess. anyway now the puppet is here thats important)

so after our five nights scrapbaby comes on the speaker system and is like "omg dad if we kill people will you love me. we're gonna kill soooo many people it's my passion actually" and that's when the cassette tutorial guy interrupts her

and he just goes "yeah. you're not doing that"

anyway he's like "hi guys. you remember me??? henry??? from 30 years ago?? i owned half this business? you killed my daughter and stuffed her soul in a puppet? lmao yeah i literally lured you all here and you came like the fucking idiots you are. im setting the place on fire, we're all gonna die and go to heaven. except for YOU, WILL. you are not going there. lmao bye" and he sets the place on fire and they all burn. it's more epic when he says it tbh

now henry mentions that he had an escape route ready for the building owner but he figured out the owner was michael and was like "i feel like you wanna stay and burn with us" and michael's like "fuck yeah"

you might think that wraps up the story nicely but OH NO THERE'S MORE

Ultimate Custom Night

see, the next game is ultimate custom night where you can choose which animatronics hunt you and their level of difficulty. it is through hidden messages and shit that we find out that ucn is, canonically, william being tortured in hell. which is sick af

anyway the tormentor is a spirit labelled "the vengeful spirit" in the files, and "the one you should not have killed" by the animatronics. we sometimes hear either a light voice behind the other animatronic lines (could be either a woman with a light voice, a little girl, or a little boy), and the pic that sometimes shows up as a hallucination is a distorted photo of scott cawthon's son. we know for a FACT this spirit is someone from the fnaf6 fire cause they reference the fire more than once while poking willie with a stick. it's probably not elizabeth cause she was just tryin to get her dad's attention. it's not charlie/puppet bc one of her lines is like "ffs just stay out of my way for ONCE." we also know for a fact it's not henry cause they were like "henry sure tried to release us huh. not happening im not letting you go that easily bitch haha" so that narrows it down to michael and the missing kids

now here's the thing.

the vaaaaast majority of the fandom is convinced that the vengeful spirit is cassidy, the missing child that was stuffed inside golden freddy with cc. this is because golden freddy is in a looot of ultimate custom night and if you beat the hardest mode you just get a quick cutscene of him glitching and then everything fades to black

however. i have seen legiterally no convincing evidence that this is the case. all we know about cassidy is she is the golden freddy missing kid and was talking to cc through the logbook. and we BARELY know this. in the alternate universe book she first showed up in (the silver eyes) she wasn't even the golden freddy kid. people point out a similar situation to her and cc in fazbear frights where one of the kids was tormenting william (stitchwraith) but that's literally a whole separate universe and completely separate characters with separate backstories and personalities

there's a sprite in security breach who fights glitchtrap (explained below) who was named in the files as "cassidy" so ppl point to that but 1) they changed that name after people made a deal out of it, 2) that could mean literally anything, 3) the protag of the next game was named "cassie" and her story kinda paralleled the sprite's first game so uuhhhh anyway

honestly i think it's WAY more likely the vengeful spirit is mr michael "i'm going to come find you and set you on fire twice" afton, using his childhood likeness to fuck with his dad. this is strengthened by one of the easter egg cutscenes in ucn, where the vengeful spirit talks to a benevolent spirit who tells them to "leave the demon to his demons. there is nothing for you here." the audio in the background is someone distortedly screaming "HENRY" and "MICHAEL"

one of the animatronic lines also says "is this a prison for you or for me? perhaps both" implying that the vengeful spirit feels like they belong in hell, which would fit with mike's "i killed my brother" self-loathing. the golden freddy glitch could very easily be his mental anguish as well as william's, with the optional cutscene telling us that while michael is self-harming by torturing his dad in hell, he has the ability to move on and find peace if he can forgive himself. honestly i really like that open ending there

another point towards "vengeful mike" theory is that we play as him for most of the games (definitely 5 and 6, most likely 1 and 3, some theorize 4) and so him being the vengeful spirit is way more emotionally impactful than "random kid #5"

however every time i bring this up to the fnaf fandom they get really really pissy at me because y'all love ur angry lil girl cassidy headcanons and honestly that is completely fair i also love angry lil girls. im just saying this bc we're going over whats canon rn and i firmly believe in vengeful mike (thank @birdsareblooming for that) but yknow. cassidy is also fun as hell

i wrote a whole essay on this btw these are just the cliffnotes. do you guys wanna see the essay

anyway that's where the afton story ends but OHHH NO MR CAWTHON CANNOT STOP

if you just want a quick catchup before the movie you can stop here but anyway. let's talk mimicry

THE GLITCH STORY

the games coming out recently are kinda a sequel-story and bc theyre still coming out we are still very confused about what the fuck is canon and what is not so this one will be a lot more guessing. i digress let's talk about

Help Wanted

so back on earth, it's the 2020s-2030s. turns out the fazbear company is still functional and they're like "well shit guys what the FUCK do we do about all of That"

so they decide they need a brand cleansing and what they do is they secretly hire an "indie game developer" to make the fnaf games in-universe, to make light of the tragedies and make people take them less seriously. they pretend to have beef with this indie dev but eventually put all of his games into a VR game as a show of "good faith." somehow this actually does work in revitalizing the brand image

also sidenote but the books imply that the indie dev was kidnapped and gaslit into making the games but thats not important

now see there's a glitch in the game and the beta-tester jeremy mentions it and then gets increasingly withdrawn and obsessive. because it turns out there is a Bitch in here

now. the identity of the Bitch is uh. controversial in the fandom rn. i will say for clarity that i am in Party Two and will probably be biased towards that but here's the thing. the Bitch is either:

a digital upload of william afton's soul (somehow escaping hell)

THE MIMIC

Help Wanted Interlude: The Mimic

see, the other books (silver eyes, fazbear frights) are set in a parallel universe-ish to the books, similar rules and worldbuilding but cawthon can fuck around all he wants with no consequences. there were charliebots and springtrap mpreg at one point it was nuts. but the thing is right now they're kinda trying to tell us that the current series, tales from the pizzaplex, is game-canon. god only knows if they'll stick to that so some people think the books are in the game's universe, others think they're parallels to the games and not 1-1 exact much like the others

but anyway they give us crucial lore on The Mimic so here we go

some guy named edwin (some think he's a parallel to henry or william, but rn we're just gonna assume he's canon) is a single dad to a toddler. however he's working for fazbear making all these animatronics and he's sooo busy and needs something to distract the toddler so he creates a fucked up nightmare animatronic called The Mimic, whose programming is extremely basic: "copy whatever you see being done"

the toddler actually loves the fucked up nightmare animatronic and teaches him to play patty-cake and carry around stuffed animals or w/e. anyway then the toddler runs out into the street and gets hit by a car

edwin is still grieving and the mimic comes up carrying the toddler's stuffed animal and still copying him and when the mimic that edwin programmed to copy things is still copying things edwin snaps and just beats the fuck out of it bc he needs a grief outlet. he then abandons the thing but however the mimic has just learned Violence

some employees come by to see where edwin's animatronics are and the mimic just starts killing all of them bc. well. it's supposed to copy things. it will copy things

there's a BIG GAP here in what happens to it next but it disappears for the next 30 years. however it is heavily, HEAVILY implied that it witnessed at least one of the missing children incidents

fazbear actually has a Lot of mimic endoskeletons but bc they start copying violent shit they shut them all down. however they all run on the same program, "mimic1" and fazbear keeps that tech around cause you know it could be helpful

Back to Help Wanted

now here is where the "we only THINK this is canon we dont knkow yet" comes in

back to the vr game, they are just shoving random old pieces of code in there to speefd up the process of making the game cause capitalism doesnt like long development times. this puts the mimic1 program into the program and it immediately sees All Of Afton's Crimes In 4K. it decides "oh yeah i can mimic this but i should probably get a physical body in order to do that"

so beta tester jeremy sees the mimic program, which takes the form of Spring Bonnie Suit. this is Glitchtrap

now keep in mind that some people do still believe that all this aint happenin and the spring bonnie glitch is just william. again i personally believe the mimic cause it makes more sense than "william escaped hell somehow" but w/e

anyway, glitchtrap is fuckin around. it tries to possess beta tester jeremy and in order to stop it, jeremy does the sensible thing and cuts his own face off

so glitchtrap is like "hmm. that didn't work out" and decides to go for the more subtle approach. the next beta tester, currently unnamed, starts recording tapes inside the game to send to the next beta tester so they dont fuck with glitchtrap. glitchtrap however seals itself inside the tapes so that when the beta testers try to delete it, it'll instead be inside the tapes and cant be removed lmao. it then "mimics" tape girl's voice and adds a last tape saying "let him possess you its ok i promise"

it also mimics her intro of "hello can you hear me" in the one time it speaks so. mimic

anyway the next beta tester is this gal named vanessa and she gets possessed like suuuper quickly and glitchtrap is like "oh fucking FINALLY"

Security Breach Therapy Tapes

vanessa's acting weird at work so company requires her to go to therapy, however she has the same therapist as Another Patient. this patient will be named later however right now we're calling them Patient 46. they do not talk but have the same therapist as Vanessa and is creepy about it. anyway whenever a therapist prods too much into either Vanessa or P46's life, or discovers them fucking with fazbear tech, the therapist mysteriously goes missing and shows up later dead and mangled by machinery

they go through like five of these bitches at least, but it's clear P46 is another bitch possessed by glitchtrap but they're like more possessed than vanessa is so glitchtrap likes them better

BUT THAT'S ALL BORING, WE'VE GOT A PIZZAPLEX NOW!!!

Security Breach

fazbear opens a giant 80s-style mall with a ton of attractions like disneyland or w/e and call it the Mega Pizzaplex. There's state-of-the-art animatronics in here that are basically sentient ai. they might be possessed but we're not actually sure rn they might just be advanced robots

they start with "glamrock" freddy, bonnie and chica, along with roxy wolf instead of foxy. we're not sure why rn. anyway at some point something suspicious happens and bonnie is found mangled and he's replaced with montgomery gator, a c-list animatronic they had to run the golf course. he doesnt seem to take the spotlight well and has started breaking things but its probably fine

anyway they eventually realize they can automate the staff and stop paying human beings and they jump on that cause they love cutting costs. they've got staffbots everywhere except for ONE person- vanessa, who is hired as the security guard. we find a note saying that her interviewer found her too inexperienced for the position, but someone "very" high up in the company pushed her into the role. this is implied to be glitchtrap taking over the systems

so vanessa and P46 are shoving glitchtrap into the systems because, well, guess what? the pizzaplex is built on top of the fnaf6 location. the one where henry set them all on fire, and they're trying to do some sort of shit with the burnt remains of springtrap. if you believe in william!glitchtrap he's trying to get his body back; if you believe in mimic!glitchtrap he's trying to fuse himself to afton's corpse in order to gain a corporeal form. it also helps that there is The OG Mimic Endoskeleton in this area (its explained in the books im not going into it) but it's pretty fuckin damaged so they gotta spend some time fixing it before fusing it with peepaw's corpse

but the night they're supposed to do that, something goes wrong: a child is loose in the pizzaplex

glamrock freddy had a malfunction onstage, and when he wakes up in his room, there is a child hiding in his stomach compartment (used for oversized piñatas and cakes). this child is named gregory and he looks suspiciously like the crying child and we dont have an explanation for that but no, matpat, he's not a robot, it's probably just symbolism

anyway gregory actually has like very little memory of what's going on and barely remembers his own name but he says that vanessa the security guard is trying to fuckin kill him so he needs to get tf out of the pizzaplex. freddy's like "well you're shit out of luck cause the doors close and seal until 6am but that's fine we can make it til then" and gregory's like "fucking JOY"

long story short gregory has to run around the pizzaplex while every animatronic but freddy is trying to kill him. freddy is not trying to kill him bc his malfunction caused him to enter Safe Mode and it turns out that Safe Mode is safe from the glitchtrap virus. everyone else, however, gets glitchtrapped and is trying to kill this kid

you dont find out why until like laaaate in the game and even THEN you're confused until one of the goosebumps-knockoff short stories confirms a thing, and that thing is:

gregory is patient 46

oh shit

turns out gregory was possessed by glitchtrap for FUCK knows how long and was used as its body for like the entire time. and when he eventually wakes up un-possessed (no idea how that happened) he has no memory of whats going on at ALL and is understandably fucking terrified. doesnt remember being possessed or killing ppl or anything he just wakes up and runs. glam freddy likely malfunctioned cause glitchtrap was like "oh my god go GET that stupid kid" and glam freddy was like "but???? protecc????" and entered safe mode

so gregory eventually fuckin DEMOLISHES all the other animatronics and uses their parts to upgrade freddy. freddy is like "hey where'd you get these parts" and gregory's like "uhhhhhhhhh dont worry about it" "hey where are my friends" "DONT WORRY ABOUT IT"

while this is happening, a possessed vanessa is in a bunny suit calling herself vanny and also trying to kill him. this is just as confusing to us as it is to you

anyway there are six endings to security breach. according to the most recent game, there is a chance that two of them are canon. WE DO NOT KNOW which of the two is canon. these are the endings:

Princess Quest Ending: greg and freddy try to confront vanny and she gets freddy ripped apart by staffbots. gregory then finds an arcade game in her room and plays and beats it which sets her soul free (presumably he knew how to do this cause he's remembering bits and pieces of being possessed??? idk). anyway once the game is beat she is unpossessed and takes gregory and freddy's decapitated head out of the pizzaplex

Burntrap Ending: gregory and freddy avoid vanny and go to the fnaf6 basement where freddy starts acting all fucked up and then thtey find the Springtrap corpse, now Burntrap (fused with the mimic? glitchtrap? yknow). it tries to kill them so you have to Boss Fight everything and then set him on fire again. THEN a tangled mess of animatronic wires with a funtime freddy head (remains of ennard???) shows up and drags him off. again, just as confusing for us as it is for you. freddy and gregory escape. no idea where vanessa is

ONE of these is canon. we do not know which. this is making the fanbase super chill and normal /lying

Evidence for Princess Quest: in ruin, we see a headless glamrock freddy in the exact same area he is in pq. we also have no sign of vanny trying to help glitchtrap. you can collect gregory's fanart of his own game and pq is the only one he didn't draw. princess quest arcade game has sword sticking out of it

Evidence against Princess Quest: aforementioned headless freddy is labelled a prototype on his foot and we know for a fact that our freddy does not have that stamp. he also has a gift inside his stomach when freddy gave his stomach gift to gregory already (and it was a diff color). the pq arcade game has sword sticking out of it BUT that could symbolize the princess being skewered, and surrounding the game is art of the escaped glitchbunny

Evidence for Burntrap: labelled as "true ending" in the files, only ending to be FULLY animated instead of switching to comic form and also only one with boss fight, the tangled animatronic mess is definitely canon (we see it, gregory draws it so he saw it too which means he went in the basement where it was), while vanny isn't seen her grafitti is everywhere and appears to be recent

Evidence against Burntrap: the "true ending" label, like cassidy, could mean literally fucking anything. also if vanessa is still under his control why the fuck doesnt she help him where is she

so yeah we're having fun figuring THAT out

Ruin (the end so far thank god)

the most recent game we got, then, was the dlc for the above game, this dlc is called ruin. a few months after this, a lil girl named cassie wanders into the ruins of the pizzaplex cause her best friend gregory told her to meet him there. when she gets there she finds a walkie-talkie and he's like "girl im trapped under the pizzaplex you need to shut down the security and come get me" and she's like "sounds great"

she finds vanny's mask and puts it on and enters an AR world where a glitched bunny is trying to kill her (this one isnt glitchtrap actually) and a friendly little AR bear is telling her to keep going she's doing a great job (this one IS glitchtrap probably)

anyway it turns out her backstory is her dad worked for the pizzaplex and she had a birthday party there with her Favorite Character Roxy and literally none of her friends showed up. she was sad about it until gregory showed up and became her friend. then gregory went missing and she was sad

anyway the last security node is favorite character Roxy and roxy recognizes her and is nice to her and its very sad

cassie eventually goes down to the fnaf6 basement and is like "ok gregory i opened the door are you okay" and PSYCH, IT'S NOT GREGORY

IT'S

THE

MIMIC

the mimic immediately tries to kill her bc it likes violence but roxy shows up to save her. the real gregory calls her on the walkie-talkie and is like "bITCH GET OUT OF THERE" and she's like "IM TRYING" and gregory's "friend" (whose pronouns are very specifically blurred out, so it could be either freddy or vanessa) uses the building maps to help her to an elevator. however when she gets in the elevator gregory's like "yeahhhhh sorry we cant let you be followed :(" and drops the elevator, trapping her there

it's like a 99% chance this last bit was not gregory but it was the mimic, seeing as gregory is not even in the pizzaplex and the mimic lost cassie right next to the elevator fuse box that it could easily rip out. so you know

anyway we end with either roxy finding cassie or the mimic using roxy's voice finding her so this kid's fucked lmao

also other questions about if mimic is burntrap is that we see the mimic p naked in this game and not in a fun corpse skinsuit so where did bunny go??? however i will also mention that there is a secret ending that shows us that the FUCKING SCOOPER is here so. personally i think that answers that question. get scooped idiot

oh also if you noticed "hey 'cassie' sounds a lot like 'cassidy,' the golden freddy kid who was sharing a body with the crying child, who has a similar design to gregory," congrats! we've noticed that too! we have no fucking idea what it means! :D

and thaaaaat's five nights at freddy's

that didnt take too long did it

#five nights at freddy's #fnaf #fnaf movie #mine

[piosplayhouse]

Ayo thank you for your contribution to society and world culture through the SVSSS iceberg, now if you don’t mind can you please explain it? I’ve been in the fandom a while but I swear I’ve never heard of some of these

Sure! Explanations will be sorted under the cut:

SHEN YUAN TIER:

- all items in this tier are either surface level details from the source material or

- daily bingpup is a popular fandom meme (used in the metal gear sense lmfao) started by @ kamkamquats on Twitter that's pretty self explanatory: kam draws and posts a bingpup picture every day! The archive is available here.

I probably should have made this point just bingpup, as I believe his origins precede kam's art, but she certainly boosted his popularity significantly, and now her art and bingpup are canonized with the publishing of the 4th volume English translation of the novel, so I thought it was a fun point!

LUO BINGHE TIER:

- Feynite's au collection: an extremely popular collection of alternate universe fics written by legendary Scum Villain fic author Feynite.

- Scum Villain is a tragedy: an interpretation of the books that poses that from every other perspective besides Shen Yuan's, Scum Villain is an incredibly depressing tragedy.

- Luo Binghe is Airplane's self insert: "Don't asky why Luo Binghe wasn't the embodiment of [Airplane's] ideal man; Luo Binghe's use had primarily been to fulfill his desire to be a badass and get revenge, as well as his desire for wanton [this section has been censored]" (The Scum Villain's Self-Saving System volume 4, page 163).

- Shen Yuan died on his birthday: Shen Yuan's death date is never given in the original novels, but in the first scene of the donghua when he dies while at his computer, you can catch a glimpse at the date reading September 21st (both his birthday and the day svsss was published!)

- Shen Qingqiu's canon fursona: binghe compares sqq to a crane multiple times in the story but is depicted as a cat in fandom much more frequently, leading people to joke about how the fandom disregards his "canon" fursona in the same way bingpup is much more prevalent than sheep binghe.

- Shen Qingqiu can knit: there's official crossover Christmas merchandise that shows all of the mxtx couples participating in different holiday activities: wangxian are decorating a tree, hualian are baking cookies, and shen qingqiu is knitting a scarf for luo binghe.

- Luo Binghe's birthday: Luo Binghe is actually the only main mxtx character that doesn't have a canon birthday. He's noted in the books as being born on "the coldest days of the year", but it's debatable whether this is late December or early January, and there's no specific date from this that we can confirm is his birthday.

- sv manhua's indefinite hiatus: much to the excitement of starved fans, a Scum Villain manhua began publishing in 2019. It ran for a grand total of 3 wonderful weeks before being unceremoniously put on indefinite hiatus because of drama within the fanbase stemming from rumors that the artist/company drawing it actually hated scum villain. It has yet to return.

SHEN JIU TIER:

- Moshang's horrible first time: MXTX stated in a Q&A interview that neither Mobei-Jun nor Shang Qinghua enjoyed their first time having sex together.

- Shen Qingqiu invented maxi pads: the "scum villain pad commercial" is a commercial from the first season of the donghua depicting an exchange where Ning Yingying is self conscious about going out on her period because her sanitary supplies aren't cute, so Shen Qingqiu magics her up some maxi pads.

- Shen Yuan read mpreg yaoi: "#18 Peerless Cucumber [Expert]: Upthread, keep cool. This forum has a lot of Green JJ sisters 😎" (The Scum Villain's Self-Saving System volume 4, page 145). / "''Great Master' Liu! Airplane Shooting Towards the Sky didn't write a green Jinjiang mpreg novel!'" (The Scum Villain's Self-Saving System volume 4, page 295).

- Shen Jiu transmigrated into Shen Yuan: A somewhat popular theory in the fandom that when Shen Jiu died, he transmigrated into modern day Shen Yuan the same way Shen Yuan did to him.

- Cursed monkey island: Cursed monkey island is/was a private discord server made up of very og sv fans that was known for outputting somewhat dark/off-color/weird fics for each other, often with funny porn spoof names and niche concepts. The first fics from there were published in 2018, while the last fic in the collection seems to have been published in 2022, so they might still be active, but I'm not sure.

- Moshang has a 20 year age difference: Shang Qinghua died at at least age 20 (probably older) and since he transmigrated into a baby, he has 20 extra years of consciousness from his first life on the PIDW native characters, who he meets when they're both teenagers in the Airplane extras. Though physically the same age group, he would've been mentally somewhere around 30-40 years old at this point getting bullied by teenagers.

- The microwave: some of the first previews released for the donghua were static turnaround videos of the 3D models set to elevator music -- after these dropped, it was radio silence on the show's status for a long, long time. Fans called these previews "the microwave" because of the static rotation of the models and referred to the time it took for the donghua to come out as "defrosting it in the microwave". There's a fair amount of art/memes from this time period featuring the characters literally inside microwaves, even to the point where people made microwave-themed SV merch. When the donghua finally came out bingqiu were declared "free from the microwave" and a wave of fanart of them destroying microwave prisons emerged.

TIANLANG JUN TIER:

- Wangxian have read resentment of chunshan: in the mdzs audio drama extra episode "Accompanying you to sleep - Lan Wangji", Lan Wangji takes care of a drunk Wei Wuxian by getting him ready for bed. Towards the end of the episode, Wei Wuxian asks Lan Wangji to read him a bedtime story. Lan Wangji says he isn't good at telling stories and Wei Wuxian suggest he reads him The Resentment of Chunshan (bingqiu fanfiction). Unfortunately, Lan Wangji had never heard of it before and thereby could not ASMR it.

- Six Balls x Zhuzhi Lang: a rarepair (also called bamboo balls) written by the lovely Alex here.

- Shen Qingqiu has the protagonist halo: a theory/headcanon suggesting that when Shen Yuan transmigrated, the role of protagonist and subsequent protagonist halo left Luo Binghe and transferred onto him. Often used in angst canon divergences wherein due to the lack of a protagonist halo, Binghe dies from an event he otherwise would have survived because of his story invulnerability.

- Shen Yuan's sister found his dead body: an angst headcanon centering around the idea that Shen Yuan's sister found his dead body rotting in his apartment after he died- very good art made about this here!! (Gore/blood cw)

- Who is zhuzhi lang's dad: we all know zhuzhi-lang's dad was a big snake but what kind of big snake? How big? Why did his mom fuck him? all important questions heavily debated about in this fandom.

MOBEI JUN TIER:

- Every ship is cumplane: we already know Luo Binghe is Airplane's self insert, and Mobei-Jun's cold demeanor is somewhat reminiscent of Peerless Cucumber's tsundere wife-isms, making bingqiu and moshang arguable proto-cumplanes. However, we can go further and argue because Airplane created the entire world of PIDW, all of it in a way reflects him and his feelings, therefore meaning that because it loves Shen Qingqiu and Shen Qingqiu loves it back, every possible PIDW asset x sqq is cumplane in its basest form.

- Original donghua designs: the first pv for the donghua actually featured slightly different designs for bingqiu, which were then changed later in production! You can see the original ones here.

- PIDW is real: someone actually posted PIDW on jjwxc so you can get the real Shen Yuan experience.

SHANG QINGHUA TIER:

- Shen Yuan penetrated into the body of the scum villain: there is a listing for the svsss donghua on Amazon prime video (though no episodes are actually available) which features this banger summary:

 An ordinary youth, Shen Yuan, after reading the novel "Arrogant Gods and Demons' Journey", triggers the mysterious system so that he crosses into the book world and penetrates into the body of villain--Shen Qingqiu. Shen Qingqiu's disciple, Luo Binghe, is the main character of the novel.

- Airplane's foot fetish:

#and thats it! #svsss #svsss iceberg

[weeniebagel]

Wanna get into fighting games? Can't really afford 'em? No problem.

I've seen a recent increase in the genre's popularity on Tumblr thanks to Guilty Gear: Strive (namely Bridget's reveal), but I've seen folks show concern for the genre's cost. While Strive may be outside of folks price range, that doesn't mean there aren't free or cheap entry points to the genre. (Every game listed below is easy to run on low end PC's, so don't worry if you're playing on a potato. Just remember to use an ethernet cable for the best possible connection!)

Melty Blood: Actress Again Current Code (MBAACC) has a unique reputation for its underground scene and playerbase, as well as its dynamic roster of 31 characters (each with 3 distinct versions, producing an effective roster of 93 characters). It's fast paced and has a simple control scheme and plays fairly similarly to the latest entry in the series, Melty Blood: Type Lumina. The best part is that it's absolutely free with rollback netcode thanks to efforts of the fanbase in the making of community edition. It's also where Neco Arc was first made playable, so if you find posts about her amusing, you can play her for 15 minutes and then move onto a real character.

If you're not as interested in something less "anime" and want to try old arcade classics, then I can't recommend Fightcade more. Arcade emulator that lets you play online with anyone in the world with a solid connection thanks to rollback netcode. Classics such as Street Fighter III: Third Strike, King of Fighters '98, Vampire Savior: The Lord of Vampire (Darkstalkers 3, in the US), and many, many more are all available. Hell, you can even play non fighting games such as Metal Slug on it, too! Of course, it's just an emulator, so you'll have to acquire roms yourself somehow, but that's a legally gray area. Fightcade does not give you any roms, so it's legal. Sure would be convenient if there was some sort of extension that automatically grabbed game roms for you the instant you joined a fightcade lobby, though.

If you're willing to drop a few bucks, then Steam isn't devoid of any good deals. Guilty Gear XX Accent Core +R (colloquially known as +R) is often on sale for just $3, and is a beloved entry in the Gear franchise. It's the game where Strive favorites Bridget, Testament, and Anji were last playable in, and maintain their original toolkits and playstyles. Not only that, but the game has some absolutely fantastic rollback netcode now! While it may be daunting at first, you'll find that most characters simplest bread and butter combos are easy and consistent. Low floor, high ceiling type of game.

Another game often available for cheap on Steam with great netcode is The King of Fighters 2002 UM. KOF is a very popular series in Latin America and East Asia, but never really exploded in the US. Recent series entry KOFXV has made an impact, and it plays like many previous entries. '02 UM has a large roster of fantastic characters to build a team around. Pick 3 of your favorites and jump right in!

A game you may already have (and not even know you do) Is Skullgirls. The game's often dirt cheap during sales, and has been included in more Humble Bundle's than any other game in the genre. Flexible, easy to learn systems, combined with a lovable roster of distinct characters gives you one of the best indie games ever made (and, personally, the best American made fighting game). Plus, after nearly a decade, the game is getting new characters again! There's never been a better time to start playing Skullgirls.

Ultimately, the best game to play to get into the genre is the game you want to play in the first place. If you want to get into Strive, there's no better game to play than Strive. Same with any Street Fighter, Skullgirls, Melty Blood, etc. Don't let the high level players scare you, there's always going to be fellow new bloods to play against. Check your game's wiki to find relative socials such as a community Discord, many of which have focused beginner tournaments and play nights to meet new people around your skill level. Don't be afraid to ask questions! You'll get answers and feedback from more experienced and friendly players.

Also, small note, use whatever controller you're most comfortable with. Keyboard and gamepad are perfectly fine. You don't need to buy a $200+ fightstick. While they can be fun, they're an investment often not worth making. Many of high level players such as SonicFox use a gamepad exclusively for every game they play. Go do you.

#out of character of me to make such a #long post #but i thought it would be fun and informative #fighting games #fgc #skullgirls #guilty gear #kof #king of fighters #melty blood #i hate adding tags this is so excessive

[fantasyinvader]

I think, however, while we can talk about how Japanese society sees things differently in the West due to different cultural values, this also ignores the current state of Japan. Or at least, the political state of Japan during the time of Houses' release, when Japan's Prime Minister was Shinzo Abe.

Abe, who was considered a Japanese nationalist with a revisionist view of Japan's history. He wanted to make Japan great again. Who unsuccessfully sought to amend article 9 of Japan's constitution, the part that renounces war, in order to remilitarize. People argue his economic policies were a failure, or that he incited hate towards South Koreans, minorities and people in poverty. He was also involved with the Moonie church, which got him assassinated.

It's not like Japanese media isn't afraid of him either. When Tomino made Reconguista in G, part of it was in response to the administrations attempts to remilitarize, especially considering the reason why Tomino started calling out the mecha genre even before Gundam with Zambot 3. The plot of IBO s1 the following year also saw the protagonists putting a corrupt politician back into office after he was forced to leave due to a corruption scandal, much like Abe's first time as PM, but there's more to it than that as the protagonists end up being seen as the bad guys, their memorial monument defaced by those seeking justice, after they tried to take over the world (with the director's faction of the staff saying they were punished for their crimes). Persona 5 was meant to reflect Japanese social issues, and Shido is often seen as being based on Abe. Likewise, Yakuze Like a Dragon's Ryo Aoki's Bleach Japan movement has a lot of the same energy. Senator Armstrong in Metal Gear Rising wants to reinvigorate the war economy to MAGA.

I mean, when Hopes dropped people in Asia were saying it must have been written by a guy with right-leaning tenancies because of how more pro-Edelgard it came off as. She's the most hated character in the Korean fanbase, the Chinese fanbase treat her supporters as “those fans,” and Japan itself saw her as the villain of Houses. Then you look at Hopes, where the guy in charge of the BE route said he picked them because they looked like they would reunify Fodlan.

So I think there might be something to this theory, but it's a context lost in the West because Abe had a better image over here.

And, look, I'm not going to go so far as to say that the creators of Hopes are on the Japanese right. Hopes is supposed to be a game of bad endings for Fodlan in comparison to Houses, it's a sideshow not the main attraction, only you'd have to be intimately familiar with Houses to get this. Silver Snow is, and always will be, the only good route for the Black Eagles class of the four options. But taken on it's own? In a game that's supposed to be fanservice for Houses' fans? It does come across that way.

[popculturebuffet]

Watchemen Retrospective Finale: Zack Snyder's Watchmen (Comission for WeirdKev27)

Hello all you happy capes.. and welcome to my final review of 2022 and my grand finale to my look at Watchmen. I've looked at all 12 issues with a brief April Fools detour to look at the unmade Sam Hamm version, but there's still one last piece of Watchmen media I want to look at as the Clock strikes 12. Yes folks we're talking about the divisive, loyal as it could possibly be, greatly soundtracked, 2009 film Watchmen.

Filming the Unfimable

As the fact I had a full script to review should show, attempts had been made to adapt the Watchmen for decades. The Hamm script was pitched with Terry Gilliam of all people who considered the project unfilmable as a movie, and better as a mini series.

The biggest attempt was made with David Hayter, voice actor and writer, aka Metal Gear's Solid Snake, Zangetsu in Blodostained, and Captain America in Spider-Man TAS. He also was a writer on the first two x-men films, the scorpian king, and an executive producer on of all the things i've reviewed, A Christmas Horror Story> I knew NONE of this when looking him up and i'm incredibly impressed. This is one hell of a career the man's gotten. His draft really impressed executives, but attempts at paramount, rogue pictures and others stalled until eventually Warner Bros scooped up the rights.

Hayter's script had a few diffrences from the final product as Alex Tse, who'd go on to make wu tang an american story, would do some touch ups. His was set in modern day, at one point Nite Owl straight up killed Adrian, and at one point Adrian's plan ivnolved a MASSIVE SOLAR DEATH RAY

Yeah I mean I get why Christ Almighty it's the goddman watchmen gets mentioned more, it's objectively funny.. but the fact Adrian used a solar death beam at one point still should come up more. Don't get me wrong, the idea of using the power of the sun is awesome: Jonathan Hickman's run had Iron Man build a dyson sphere to potentially smash planets. But there's a difference between taking a real world floated concept and making it high concept sci fi.. and having your morally complex if ultimately evil despite his claims villain have a fucking death ray powered by the sun. The other ideas.. are also not my forte. The 80s setting and the 50s start to mystery men are integral to things, as the films eventually director agreed, and having Dan kill adrian just feels a step too far. What the film goes with is still cathartic and we'll get to it, but Adrian should live not to reap the benefits of his actions.. but to live with both the guilt of what he's done and any consequences should the truth come out.

As for who would direct this, with the recent success of 300… Warner Bros tapped Zack Snyder to direct. We'll get into Zack Snyder himself in a second, but to his credit, he was a huge fan of the graphic novel and most tweaks to Hayter's script were out of reverence to it, though he did keep that ending which again we'll get to.

The resulting film was.. divisive. Some critics loved it, some hated it and fans were split on everything from the performacnes to.. that ending. It's part of why I wanted to dive into it. See when the Younger Me saw it over a decade ago.. he dug it. He liked it a lot and thought it was a great adaptation. So I wanted to see if it held up: if it was still good a decade, a through yearlong re-read of the source material, and Zack Snyders lesser adaptations after it later. So let's answer that question shall we as I watch the Watchmen one final time.. at least for this year.

Watchmenmaker So yeah.. before we can even get into the film we have to unpack it's director. And I'm not one to take the side door, I'll come right up front and knock: Zack Snyder is a kind generous man who uses his massive fanbase to help charities, seems to really love his fans and his work, and who generally seems to be an upright guy. He's hard to hate on his own. That said while as a person I have nothing but respect for the guy, his other superhero works i've seen Man of Steel and Batman V Superman are not great films, especially the latter. If you like them great, your allowed to disagree with me but their just not the best superhero films and I for the life of me can't understand why some people are so ride or die on them.

Man of Steel is.. fine. It's a flawed film with a palette that can best be described as "Hope you like grey!", and easily the worst Jonathan Kent in the characters history, a selfish dumbass who has the sheer gall to berate his son for saving lives and who stupidly throws himself into a tornado for reasons that make entirely no sense and who clearly fucked his son up to the point he's traveling the world and the seven seas instead of living a normal life because SOMEBODY felt he never could. It's not a film I really fondly remember, but it's one I felt okay about coming out of the theater. It's alright. It's not the best take on superman, but I can see why some may like it.

Batman V Superman on the other hand.. is giant mess. I liked it a bit out of the theater, but the more i've thought abotu it the less it's become. Part of it isn't entirely his fault: it's clear DC wanted to FastTrack the justice league and shoved as many heroes in as they could. Wonder Woman, while a great part of the film, feels just kinda there, and while Ben Affleck gives it his best, his version of batman just doesn't work. It's clear Zack Snyder has the same reverence for the Dark Knight Returns as Watchmen.. but fails to get that that's not necessarily how to approach batman, nor that even THAT batman does not kill and will not.

His lex luthor is also just baffling, with it being hard for me to figure out just what he was going for. The idea of a younger luthor whose a tech bro was brilliant.. but the resulting writing has a luthor who sounds and acts like he did a literal, not figurative, mountain of cocaine before every scene, whose plans are needlessly convoluted , and who thanks to said cocaine thinks a jar of piss is a good statement. Seriously I did not realize he pissed in a jar the first time around, probably because Lex Luthor pissing in a jar and leaving that jar wired with explosives is not the kind of thing that usually makes it past first draft. There's a reason we never got Superman fighting a giant spider-man while Braniac wrestled a polar bear after all. Trying to jam Death of Superman in there without having properly built up to it doesn't remotely hep and the film that results is just an overly long, overly dour mess that is more concerned about tlaking about superman being a god for 40 minutes than actually telling a good story. It's overly long, overly self indulgent and ultimately just.. just bad. It's bad.

And look I don't begrudge Snyder himself for wanting his cut of Justice League. He only left the film due to the worst tragedy that could befall a parent, and had it cut to shit behind his back. What I begrude is the cultlike beahvior that's formed out of it. While there are likely fans of Zack Snyder's dc work who are nice, kind, and don't mind if someone has a difference of opinion and if your reading this, I value your existence, there has been a foaming, loud, asshollish horde of fans that has not shut the fuck up since getting said cut. Wanting more of something you love is fine. Right now as an Owl House Fan we're hoping desperately Disney gives us more of the series in some form and actually listens. Sometimes you have to scream to be heard.

The problem is instead of accepting the snyder cut as the cool what could've bene it is and being happy with what they got.. they gnash their teeth at ANYTHING they percive outside it. They've taken the screws to Shazam for not being as edgelord as the films they like, and lately have been just outright insufferable. They have gotten RABID since James Gunn was made one of the heads of DC and made the decision to get rid of Henry Cavill… a decision I udnerstand as the snyder verison of superman has a LOT of baggage and while Cavill did his best, I can understand James wanting to start fresh and using a new actor as a way to do that. It's an understandable decision from a guy who was given the hard task of coming in and steering a ship that has no direction in a company that's on fire thanks to David Zaslav's escalating selfish, terrible and downright baffling decisions. He did not come in guns a-blazin to gut everything: Gal Godot and The Rock are still on board, with his black adam announcment merely being that their going to hold off on using him again at first, rather than "your fired get out" as many are intepreting. And while I get it's weird to fire cavill after the stinger to black adam, it was included more because Dwayne Johnson wants to fight superman than being a coherent plan for a sequel, and I say that with all the love I can to the rock whose an awesome dude. I just don't care about seeing Black Adam fight superman. That's not who he has a connection to.

It's just been so draining. I get liking a film but I doubt Snyder wants .. any of this. He's fine. He's moved on from his superhero work. You are NEVER going to get what you wanted back> Let someone genuinely talented who will likely pull out some weird, wonderful cuts do what he wants and give him some room to do it. Zack Snyder is not a bad filmmaker but like superman. .he's not a fucking god. He doesn't want a fucking cult in his name. He just wants you to enjoy his films and support them. Just.. do that. Love his dceu work if you like but accept it's over, move on and for god's sake stop harassing people for it. I shouldn't' have to say this but it's gotten bad, and I felt it couldn't' be ignored. When Snyder fans are, no joke, going up to a tweet Gunn made trying to get support for charities and saying "DON'T CARE WANT CAVILL", I have to say.. SOMETHING, when I have the chance to speak to said fanbase. To those of you not doing this shit.. thank you. Thank you for being good people like Zack likely actually wants. Your awesome.

Now you may be asking yourself "Well how did I get here?"… or more likely "Okay nice speech and all Jake but what does this have to do with the film your actually reviewing" or

If your a tad deranged. My reason is that while I can see bit sof the DCEU in here, particularly Zack Snyder preferring to deconstruct superheroes than actually play it straight, Watchmen.. zigs a lot of places he'd later Zag. It's shockingly colorful while still being grounded, still having the gaudy outfits, but keeping them because he knows their important. The only change he made to them was to make them more like something you'd see in a superhero film of the past, to help evoke these costumes come from the past: Nite Owl and Ozymandis in particular have outfits that come out of a Burton Batman and Schumacher Batman film respectively. Laurie's is more shiny latex, and the Comedian thankfully keeps his domino mask during his full career and either wears your standard Sterling Archer spy turtleneck on missions or his costume rather than bringing out the gimp. I do think it clashes a LITTLE with the 60's and 70's these costumes are supposed to come from but I get that putting them in say, a 60's batman style outfit would be a bridge too far given the tone of the work, and that the original outfits, while neat, were also intentionally goofy in a way that just dosen't work on flim. It's why you only saw The Scarlet Witch, Vision and Quicksilvers full silver age costumes as halloween costume easter eggs in wandavision or Steve Roger's classic cap outfit as his uso outfit. These are iconic looks.. but they just don't work on screen. You can still hav ecolor and flair as the MCU has shown us, but you have to rework it to fit the present.

This way Snyder gets to both have pops of color.. while also having the costumes still get the slightly dated look in a way people who haven't read the comic will get. It's honestly a stroke of brillance and while his works aren't my forte and he slapped a palette of grey over them, his later works do have neat costumes.

His watchmen shows a respect for these characters and world his DCEU work dosen't quite have. He replicates panels, only didn't replicate the costumes beyond rorshachs for the reasons mentioned, and really tries to get as much of the story in as he can. Which brings us to

The Times they Are A Changing

The film is for the most part a fairly straight adaptation of the Graphic Novel. There's a big change to the ending I keep ominously hinting at and we're almost there just hold on, but there are changes either stylistically or just for compressions sake. It's why I tilt my head at reviews that said he was overly reverent to the graphic novel. I agree he could've used a touch more of his own take.. but Snyder still put his own spin on it and his own style. There's some bits of his trademark slowmo and some quick pans and he does brilliantly find ways to incorporate scenes into motion. The opening scene of the comic is a great example of this, as he somehow manage to pan up in the exact same way David Gibbons does while accounting for having to show EVERY frame going from the street to the Comedian's penthouse.

There are some goofy touches, for some reason he thought adding whipcrack sound effects to some fight scenes was neat, likely to parody it being used in 80's and 90's superhero films, which Watchmen takes some style cues from, but it jus tdosen't mesh when said scenes are played dead serious. This is a deconstruction, not a parody and there's a fine line between the two.

Out of his personal style touches my faviorite is easily his use of music. While there are only a handful of sequences, Snyder picked his soundtrack masterfully. It's nothing but the hits but often used in ways that help play off the scene beautifully or create just the right dissonance.

The first and best example of this is the Times They are a Changin scene. Even people who don't like the film admit this scene slaps and for good reason. It's easily one of the best openings in any superhero film ever if not THE best. In just a few minutes of montage, nicely set to one of the iconic songs of the 60's (not a huge Dylan fan myself but I can't deny this song rocks), it takes you through both ages of superheroes easily, gives you all the exposition the film couldn't thanks to Under the Hood being something they couldn't fit in easily (Maybe a tv movie or something but it would've come off obvious to me), and just looks gorgeous: it breaks down the triumphant rise and tragic fall of the minutemen, the hope of the new era of supermen and it's sad fall beautifully. The imagery just does not leave your brain and it's easily a beautiful little mini movie in it's own right. While the film is still good after this, it's easily the best part of it, kind of like how Up's intro is easily it's best part too for similar reasons but the rest is still fantastic.

That said, the next sequence with this.. is no slouch. The Vietnam flashback with ride of the valyrkyes, as Dr. Manhattan looms over the Vietcong and explodes anyone in his path, is masterful, taking an already great one panel image from the comic and IMPROVING on it. Seeing him in motion really sets in the dread of this giant, looming all powerful godlike figure coming towards you and you can do nothing to stop him and really helps set in the scope of manhattan. I also noticed when writing this section that Manhattan has a nice motif of classical music, to establish a timeless feel, using Phillip Glass' music to really set things in motion.

Dan's sequence is no slouch though, as it amazingly uses the funk classic "i'm your boogie man", and is part of why I love that song so much. It both nicely contrasts with the protest going on.. and nicely matches to Comedian horribly responding to it by violently beating up the protestors. Granted said protestors are pro police, which is especially odd given some are POC.. but I write this off as Snyder, like many of us white dumbasses, not fully grasping the history of police violence on people of color at the time. It's not great in hindsight but I can't say many knew much better and he still shows off that someone with undue power and no checks and balances, i.e. the Comedian, going into a crowd and wailing on them is as horrible as it should be seen.

Then we get a long break, just one sequence with Manhattan i'll talk a bit more about later, before we get the next one.. which stuck out in my mind for the wrong reasons and I was ready to give Zack Snyder all the shit for.. till I learned out why he did it. If you've seen the film you know and if not.. the film takes Dan and Laurie's sex scene.. and make sit into… an over the top, in tense and gratuitous as fuck sex scene.

It's just so ludicrious, so unecessary, so out of nowhere it's parody.. and that… was ex-zactly the point. Yeah turns out Zack Snyder did not ask for this scene, the crew did not ask for this scene and i'm pretty sure Dan Steven and Malin Akerman did not ask for this scene. No one wanted to do this except the executives, who demanded

So Zack pulled a Sean Micheals and decided to give it to them in the goofiest, dumbest, most over the top way possible. It's likely why EVERY movement dan makes seems to make laurie orgasm. Akerman was likely in on the joke, and I salute her for it. Like if your forced to do a gross fanservice sex scene, you might as well make it hilarious and honestly the sequence is: you've got Hallujeah blaring over it, Malin going 80 times over the top, dan stevens just .. rolling with it and the gloriously stupid finish when Laurie climaxes as she hits the flamethrower button. The Silk Spectre has a FLAMING orgasm that is seen by ongoers in the night sky. I.. I can't even add to that. I didn't know Zack Snyder could make a funny but here we are. Good on him.

The last music sequence is a classic and a pretty obvious drop… like while all the songs are pretty well known in a song called the watchmen that pulls heavily from the 70's and 60's to evoke a sense of nostalgia a lot of the characters clearly have… All Along The Watchtower was a perfect pick. It's how I first heard the song and it is fucking dynamite and setting it to Dan and Rorschach's descent into the artic.. fucking perfect.

We get two more songs in the credits. The first is an awesome cover of Desolation Row by My Chemical Romance. I loved them since hearing Danger Day and love Gerard Way's awesome comics work after MCR, so I do like the song.. but it's also a touch too modern to really fit with the film. It was clearly made because the studio wanted a soundtrack tie in.. but it's also very hard to hate because it's so awesome and the first issue's title directly references this song.

The other is We'll Take Manhattan, which I feel was likely Snyder's first choice and is a nice cheeky nod to the horrors that just happened.

Okay so now we've cued the music , let's talk about another change.. one i've been omniously hinting at all film and one where I can't help quoting a certain critic I admire's theme song

They Made Watchmen Without the Slimy Squid

Yeah out of all the changes, one bit of casting, and other various things… this is the single most divisive part of the film. See most of the plot and even the ending is the same: Nite Owl and Rorshach find out Adrian was behind it, confront him at his arctic fortress, and while him kicking their asses is mostly omitted, it's for a good reason we'll get to, and while they plan to not let him do it but..

And thus his plan goes off and while Dr. Manhattan also confronts him, ultimately our heroes are forced to back down for the sake of the world. The big diffrence is WHAT the plan was. See when the Hayter script was made .. it was intended for 2003, complete with a screen test. This was two years after 9/11 so showing what was likely minutes of bloody bodies lying in the streets of new york after an attack.. was something they really coudln't do. They coudln't drop NYC either as it's grimy 80's exterior is as much a character as our heroes. So he came up with something else that made it all the way here.

So instead of Dr. Manhattan having harnessed his power to change the world, he's just getting to it as the film is in progress and is working with Adrian, who goes from a psychic alien attack.. the much simpler plan of using his energy to simulate Dr. Manhattan attacking the world, still giving humanity a common enemy.

Now while I like the squid sequence.. I get why a change had to happen. Even in 2009 9/11 was still fresh in minds. It was likely hard enough getting just dr. manhattan exploding people through. And besides just being sensitive to a reall life tragedy by making things more fantastical… the Squid thing is convoluted as fuck. Like Adrian does lay it out… but it requires a psychic's brain, kidnapping scientists and artists, and genetically cloning it into a squid. It's a BRILLIANT scheme, as it was made to be as believable as possible, and I love it dearly.. but when your trying to streamline an already beefy narrative to fit three hours, it's a LOT to unpack and something not everyone might get and understandably so. I even missed the whole psychic part till adrian brought it up. It has that many moving pieces.

You also have to remember this was pre-guardians of the galaxy. Studios were very gunshy about weird shit and they'd already let the naked blue man hanging dong pass inspection. Zack and Hayter likely didn't want to push it too far. So changing it from the slimy squid while sad.. was necessary.

That said the replacement.. just dosen't work for me. I get using Dr. Manhattan.. but how he pulled it off just raises a LOT of questions and leaves a hell of a lot more holes that could be traced back to him than in the original verison. For one thing the project wasn't some secret project on a remote island and then the arctic but a HIGHLY public clean energy project. I'm not sure they knew manhattan was powering it, but a bunch of scinetests going mising from that suddenly.. isn't going to go away forever. I mean sure Adrian can probbaly bury it with his money, but iwth the journal, there's every chance someone might look into it. Now i'm sure Nixon and later Regan after him would likely gladly shoot anyone who questioned this for world peace.. but i'm also sure someone could leak it eventually.

In the comic.. part of why Adrian won besides assuring world peace.. is he covered his tracks emacuatley: Everyone went missing long before he killed them, he could always fake bodies if needed given his genetic engineering and the squid was so convincingly alien, no one would really THINK to investigate something else. I do get Dr. Manhattan is so throughly. .not human it's supposed to be the same principal, but i'm also not convinced someone wouldn't buy the continence of it.

Not only that is trips away the ambigiutiy of Adrian getting caught as if he does.. Jon could just show up, go ooga booga and confirm the plan. It wipes away any chance of him blowing this away. Unless Jon intentionally lets Vedit hang out to dry, which dosen't seem likely, he gets away completely. It just.. dosen't work for me. I get what they were trying to do but it just dosen't add up.

There's one other adjustment to the ending, but this one I like: LIke the comic everyone but Rorshach agrees to keep quiet but for one thing it's even clearer Dan and Laurie aren't on board with this. We also get a nice adjustment to Rorshach's death as Dan follows.. and sees it happen… crying for his death. Even if Rorshach wasn't a great perosn.. he was still his friend and didn't deserve to die like this. While I like dhis lonely death in the comics.. this still works.

The part I like the most though.. is Dan storming in afterword's and beating the shit out of Adrian. Adrian dosen't fight back and it's left ambiguous: Does he feel guilty or is he just patronizing him like a father whose child is having a tantrum. It's what Dan says though that I really love

"You haven't idealized mankind, but you've deformed it, mutilated it.. that's your legacy.. that's the real practical joke".

Just Dan, tears down his face, knowing he can't get the justice that's required.. but not being content to just.. let Adrian smugly step away. He's given humanity utopia but before marred it with it's cost and will forever carry that burden as he damn well should. It's not QUITE as satisfying as "nothing ever ends".. but it still works with Vedit left just as stunned wondering if he really won. Which nicely brings us to

Under the Hood:

While snyder brought the core of the story well enough to screen, his character work was a bit more.. mixed. Some actors soared, others fell, and some were just let down by the script

We'll start with the character both most prominently used in marketing and whose often see as the franchises mascot, Rorshach. Jackie Earle Haley's performance.. is stunning, it's absolutely perfect to screen, having a nice gruff batman-esque tone that still sounds coarser more tired, and perfectly growly. It fits his uncomoromising mindset, blunt nature and perfectly captures that Rorshach needs help more than he needs to be murdering people. Haley PERFECTLY captures the character, and while he spends most of the film under a mask, he emotes greatly. He also BEAUTIFULLY excutes one of the best scenes of a comic, Rorshach's death. His response is growly.. but when taking off the mask.. he looks utterly destroyed at first, nicely replicating the crying and the fact that despite being so resolute.. even rorshach is sad not only is he passing.. but that a horrible man has gotten away with everything and his scream of "Do it!" is just.. perfect.

Writing wise however.. it's a mixed bag. Hayley does a lot of the heavy lifting.. but a lot of Rorshach's character and backstory was cut. We see flecks of it in his psychological examination but the darkness of mere being itself.. is largely cut out of the film. Malcom Long gets nothing of an arc, a huge shame given he was the only POC character of note in the piece (something Snyder could've rectified and didn't), while the context for Rorshach's fall is mostly gone. The change to what he does to the villain works, having been switched from the saw like handcuffs for understandable reasons ot him savagely meat cleaving the guy, but the slow slide from a man with a tragic past being a vigilante to a man who badly needs a therapist but is so far gone he can't accept the help he needs. .is gone and it takes weight for the character. A lot of what makes Rorshach so neat is gone.

Also gone.. are his right wing leanings. While his opening monologue his kept his homophobia, sexism and general other unpleasantness. This is a double edge sword.. on one hand it makes him more likeable.. but on the other hand it robs the ending of some of it's punch as even if Rorschach sucks.. the fact he's throughly RIGHT hit hit harder coming from someone so often wrong and his right wing fanaticism makes it less obvious if his words will carry weight givfen his various prejudices. The character only still works so well.. because Haley does such a phenomenal job in the roll that the various sanded off edges don't come off as bad as they should. He's just so good and so perfectly cast it helps. It's still not the strongest version of Rorschach, but damn if it isn't memorable.

Less well translated is Dr. Manhattan, who I feel gets the shaft despite his sticking out. I mean at least he probablyg ot some nice resduals form his condoms

Yeah while I feel bad people often overly focus on the character hanging dong, as the whole poitn of that is that he is so far beyond human concerns he dosen't evne care he's hanging dong anymore, I can't knock dc for having a perfect tie in with that.

Look dick jokes aside Dr. Manhattan's representation is really spotty. Some moments are translated perfectly: the aforementioned ride of the valyrkye scene, his spotlight with Watchmaker which shockingly shows off his sense of time despite being portrayed in a fraction of it, and his ending return as a giant blue man.

But a good chunk of his scenes are muted. Part of this is on Billy Crudup. He tries his best.. but ultimately just HOW good he is at portraying a detached godlike being.. varies on the scene. Sometimes he sounds perfectly alien and emotionless.. and other times he sounds like he's just.. bored. The latter just dosen't really work.. I mean sure he's lived through all of this but part of the characters mistique is he's often very hard to read. He also stumbles on the time he is, still coming off emotionless during his ephinany about Laurie or , most damingly when shouting for everyone to leave. Crudup just coudln't figure out the righ totne to match the scnee sand the character dosen't come off well.

Writing wise he's mostly fine.. but the Mars bit is completely botched. Like out of all the stuff the film adapts it's easily the issue that is done the absolute worst. See in the comics it looks like this

Nice crystaline but still pink and otherworldly. Easy enough toa dapt for some reason…. Zack Snyder went with..t his

yeah not only does mars look crappier as while ti's more realistic it's also all brown and muted, taking away a lot of the planets haunting majesty from the comic, but the palace for some reason is entirely made of glass, and cgi.. and as a result it looks REALLY bad. LIke I get using CG, I do, and Manhattan himself is an amazing effect. They got him to screen beauituflly, hanging dong and all. But this is just.. I can't tell if it was just the tightly stretched budget or terrible design choices but it just looks ugly and the scene is so cut down in the theatrical cut it just drains the whole phislocpiacal argument between Manhattan and Laurie. It's just..awful and when you cut a characters best scene down to ribbons he's bound to not come off great. Manhattan looks great but just.. feels souless

So speaking of laurie, stop me if you've heard this one: They cut out most of her backstory. Yeah that's a problem with the film as a whole: I get having to streamline things but not finding some way to intergrate the backstories as well damaged most of the cast. With Laurie it's especially bad as the pressure form her mother, the strained relationship and her painful history are all either underplayed or in the latter case gone entirely. Most of what character she did have is gone.

There is a TINY bit of good as she no longer breaks out into hysterics over most thing, an unfortunate trait I noticed that I don't think Moore or Gibbons thought through for you know, one of only two major female characters in the piece, and the other.. is defined ENTIRELY by nearly being raped then having sex with her rapist so not too good on either account.

That said they replace it with

Malin Ackerman tries her best, but even she admitted that she regretted taking the role, citing it was out of her comfort zone and being the only none shakesphere experinced one in the group and the work's importance, got a bad case of imposter syndrome. I just feel bad for her and her feeling out of her depth shows in her performace. it feels stilted like she dosen't know what to do.. and it's one of the times I blame the acting on Snyder himself. Sometimes acting can be bad direction but not helping an actor whose clearly struggling and not having the good sense to give her way more to work with and an actual character.. that's on him. He had no probelm adjusting the script when needed, so laurie coming out this underbaked is inexcusable. The fact she comes off more as a sex object thanks to her outfit and sex scene without having any AGENCY in said sexuality does not help.

WE then have Dan.. and he may be the only one tha'ts a full on improvement. Patcik Wilson is perfect in the part, not only looking exactly like dan but playing him well: he comes off just a touch more confident.. but not so much he isn't still the insecure, withdrawn nerd the story needs him to be. HE's still a painfully shy man, but he not only has a closer friendship with adrian that helps give him more to do in the plot, and more reason why he's more doubtful he's behind it at first, it also makes Adrian's actions hit harder. IN the comic it wasnt' clear if Adrian was all that close to any of his collegeues. Here the betryal feels personal. He also has great chemistry with ackerman. Wilson is the mvp of the film. And like I said he dosen't just sorta.. collapse and go along with the plan at the end, but is actively spiteful about having to and leaves Adrian devistated. This is easily the better version of dan, and it's likely because unlike the others we didn't get a ton of his backstory, so we only gain more of him instead of loosing a lot.

We then have our mastermind Ozymandis and he's done.. fine. Goode dosen't look the most like him, but did put a lot of effort into the roll. Granted he also infamously told people against his casting "Suck my dick because I don't give a fuck"

But he still did his best and I support his casting: he dosen't look like the superman of the books but more gaunt.. yet he does in the past, giving the feeling the weight of his actions and what has happened has worn on him. While he puts on the cold vener of detachment he dosen't have the smug ego. It makes the character diffrent.. but not in ab ad way, coming off as someone who is doing the grim work necesary to save the world instead of a smug egotist who thinks he's the only one who can. Neither is a good person, but both versions ar eintresting. Admitely Goode slips in an out of an accent but it came from the good idea of having Adrian be german and hide his accent in public to blend in more, as well as distance himself from his nazi parents. I wish this was more texual than just something he thought of but poitns for effort

Finally for the main cast we have our boogie man himself, The COmedian. Along with Stevens and Haley, Dean Morgan not only perfectly matches the role in apperance.. but just ooze sinto it. And since we get his full backstory bit, he's one of the few not as badly marred. The only issue I have is changing his attempted rape to have him be older: him being young and still trying to do something his awful signified that he'd ALWAYS been this cynical, selfish asshat and age only made him worse. The roll was a departure for Morgan who was best known for Grey's Anatomy at the time, but nicely blended into the roll and I wouldn't be shocked if, while not having seen him in wlaking dead, this roll landed him negan as I have read the comic version and the two characters are just similar enough for it to be perfect casting. Ther'es not a lot to say about the comedian I havne't in the comics reviews, Morgan is just perfec tin the roll and desreves more love as an actor.

Finally we have the only two minute men of consequences. Stephen McHattie does a great job as hollis mason though sadly his best scene was cut out of the film, as his death was done BETTER in the extended cut, which I almost reviewed but decided for KEv's wallet and times skae not to. It shows Hollis going down swining, imagining the top knot's as his foes. IT's a great death and I wish it'd been kept in.

Carl Gugino does great as Sally and while she dosen't get many scenes, she is great and I like adding a line about Sally having not regretted her one night stand with Eddie because of wha tit gave her, making her reconcilation with her daughter feel way more plausable.

So with that we just have a few odds and end to

The Cutting Room Floor

As you can probably guess the film exercised a lot. in addition to the various backstories, under the hood and tons of other stuff, pretty much every subplot is excised; The Newspaper Man, the kid with him, Malcom Long, the Lesbians, everyone is gone. The newspaperman and malcom long are unfortunate and it's asd to see them go.. the lesbians not so much as their subplot came off untiotnally homophobic. They also removed mustache cop and you can just imagine my reactoin

Most cuts are understandable. And with that

The Clock Strikes one

So overall Watchmen is a decent film: It has visual flair, some decent aditions, and cast that mostly tries their best even when some aren't given a lot. Is it a GREAT superhero film? Honestly.. no. The cut portions mute the story a bit and Gilliam was likely right that a mini series was a better fit, not to mention there's some tarnish of the time with the executive mandated sex scene and general poor writing for laurie as well as that freaking mars cgi. It's far from a perfect film.. but I still maintain it's pretty good and I still enjoyed it. It's not the best adaptation of the work.. but it's the best it could be within the time, budget and paramenters given and it's a clear labor of love. It's clear Snyder loved watchmen and while he amde some changes, he did his best to get the spirit of it down on film. THe result is a real treat if your a fan of the graphic novel or just a superhero fan in general and if your a fan of snyders, you'll likely enjoy this even more than his justice league works. Doubly if your not a fan. So check it out, it's on HBO max and.. thanks for reading all this way. This has been a decent retrospective and one of th ebiggest and most ambitious project si've done.. But it's time to put away the doomsday clock, let it chime to one in storage.. and stop watching the watchmen. It's been a long road but now.. I rest. See you in the new year.

#watchmen #warner bros #zack snyder #david hayter #david gibbons #jackie earle haley #malin ackerman #dan stevens #matthew goode

[icharchivist]

Am I allowed to say that while I love Logia infinitely, I definitely prefer the masc presenting design over the femme

Not that either is inherently better or worse, it's just my personal preference

you're kinder than i am, i'm totally on the "whoever designed F!Logia i just want to talk why the fuck did you think the boob cages were a great fucking idea"

I adore the fact Logia is genderfluid and race fluid as well, i like that the m!Logia is a human and in theory that f!Logia is non-human is cool.

But it goes back to how i personally really dislike the whole idea of the differences between m/f draph to start with, i dislike how it's a cheap way to sexualize your female characters. But for the most part i kinda grit through it because well, it is what it is, and it's a gacha, they also will rely on their horny fanbase, then so be it.

In theory if the draph didn't come with the hypersexualized design i would love that f!Logia is one since the horns do really look nice on them, and echo their dragon's form, and i find that really cool.

But god the F!Logia body really irks me and the design choices added to the draph body really just are bewildering to me.

There is this desire in m!Logia's design to have them look sick, there's sorts of metal parts around the legs and arms that are supposed to be here to help them walk and move because Logia is supposed to be frail.

And i feel like on f!Logia they redirected those designs details on the boob cage and the corset and personally i really dislike it, and on the legs what was a sort of walking aid on m!Logia is just. sexy compressing boots?

Even the posture is different, m!Logia is hunching a bit forward, they're not standing straight, you really do have the feeling they're not exactly at the peak of their physical condition. f!Logia kinda redirects that on having Logia's head covered in bandage in a way that looks more messy than m!Logia, but otherwise their posture is pretty straight, and with the arms posture, it just puts her breasts and her thighs into focus, in a way that are not present at all on m!Logia.

I'm really seeing it in a Doylist VS Wastonian reasoning (Doylist = what the creators out of the universe had in mind // Wastonian = what the character's reasoning for things in universe are).

On a Doylist perspective, i find it cheap and lazy and there were better way to design the f!design. I'm glad they didn't chicken out of the concept of "since they are the personification of how the slightest details being changed in a timeline can change things drastically, then it makes sense their appearance reflect that if only by switching back and forth between different presentations, in race and gender". But i think it was the laziest possible f!Design that relied too much on sexualization, like they were scared their core women-attracted audience would tune out from the heartful parental story if they didn't make them sexy.

On a Wastonian reasoning. Look. If Orologia wants their female form to be a sexy woman with big boobs who am i to shame. i'll support my parent over any way they want to present themselves. And in the end, sure, i can find it fun that our canonically genderfluid character has such drastic different physical appearance.

But yeah. I prefer m!Logia form in general as well.

I do think that the voice work on both gender really elevate the characters by the end of it anyway and i get to care about Logia when they're in f!form too, it still gives me the impression both Logia are the same Logia, so it makes it easier.

but yeah f!Logia's design personally is something i have problem with. alas.

And my problem starts with the draph bodytype, but i love the horns, so if i was personally to work on redesigning it and keeping the draph body, i'd just personally change their clothes. Like just give them the same type of aesthetic than m!Logia rather than the bdsm gear i beg you. Momdad deserves better.

#this is so tragic bc i absolutely love that they're genderfluid in concept and what it brings thematically #and when we have like extreme close up to mom's face and we don't see the clothes i'm like!! that's momdad!!!! #but then i remember the clothes and i want to yell #unfortunately i'm not As Nice About It #next year we'll probably have page of concept arts for momdad #and we will yell at the missed opportunities just like we do every year for the Zodiacs #until then. sighs. #ichareply #ichafantalks gbf #anonymous #ichablogging 9thanni

[handsofdarkness]

WITHIN TEMPTATION's SHARON DEN ADEL Praises IRON MAIDEN: 'They Never Fell Out Of Love With Music'

In a new interview with "The Mistress Carrie Podcast", WITHIN TEMPTATION singer Sharon Den Adel spoke about her admiration for IRON MAIDEN whom her band is currently supporting on the fall 2022 North American leg of the "Legacy Of The Beast" tour. She said (as transcribed by BLABBERMOUTH.NET): "That's what I appreciate about IRON MAIDEN. Every night when we are playing, Steve Harris [IRON MAIDEN bassist and founder] is actually standing on our stage watching our show, behind our gear… And he's enjoying himself. And every night when we come off stage, he's at the side of the ramp giving hi-fives and stuff. He's really nice, and the rest of the band as well, and crew. But it's really fun to see someone still like a 16-year-old enjoying every show we play — almost every night the same kind of songs, more or less; because we only have 45 minutes, we wanna give the best we have. And he's still every night there. And I think that's what music is about.

"[IRON MAIDEN] never changed," Sharon continued. "They never fell out of love with music, which I think, when you're on the road that much, can easily happen to a lot of bands, and does happen to a lot of bands, I guess."

In recent years, WITHIN TEMPTATION shifted its focus from releasing albums to releasing a series of singles, enabling the bandmembers to indulge themselves in their creative processes thus delivering freshly inspired music. The group has released "Entertain You", "The Purge" and "Shed My Skin", singles that have all thrilled their fanbase, had great critical reception in Europe, peaked in the Top 20 of the U.S. Billboard Mainstream Rock Indicator charts and topped the official German charts. In July, WITHIN TEMPTATION also released the official Jeb Hardwick-directed music video for the band's latest single, "Don't Pray For Me". It was the fourth single of the band's independent releases and will lead up to WITHIN TEMPTATION's next studio album.

This past summer, Sharon told Finland's Chaoszine about WITHIN TEMPTATION's plans for a new studio LP: "We don't have an official [release] date yet, but we are working, as we speak still, on finishing songs. And, of course, we have released a lot of songs during the corona time; those songs are gonna be on the album as well. So I think we have to finish up, like, a third still, and we're gonna do it in the beginning of next year. And somewhere next year we will release a new album — with the songs that we already released, of course."

Den Adel previously said that "Don't Pray For Me" "strives against forcing beliefs and fears on to others and bears witness to being acceptive of everyone's own journey. It is an anthem about coming to terms with the fact that beliefs can be fluid, multiple or, frankly, different. The song is about allowing people to pursue their own destiny."

The remainder of WITHIN TEMPTATION's 2022 will be filled up with a much-anticipated and long-delayed co-headlining European tour with EVANESCENCE.

WITHIN TEMPTATION's last album, "Resist", was released in February 2019 through Spinefarm Records, the specialist hard rock label of Universal Music Group.

"Resist" featured guest appearances by PAPA ROACH's Jacoby Shaddix, IN FLAMES' Anders Fridén and ARID's Jasper Steverlinck.

Prior to "Resist"'s arrival, Den Adel said that the LP was inspired by "modern music" but with "a very dark" twist. She explained: "Sometimes, it feels that today's pop music lacks a rebellious edge. Our main goal was to collect pieces from sounds we did like and roughen it up as much as we could, resulting in a surprisingly new musical world that is heavier, dirtier and more futuristic than we've ever created before. 'Resist' is our take on metal in a new way: to give modern music its rebellious edge."

#within temptation #Sharon den Adel #2022 interviews

[soulcluster-moved]

Favorite Characters Meme List your favorite characters from 10 different fandoms and tag 10 people. 

Gamora / Adam Warlock ( Marvel ) — I’M CHEATING AND I DON’T CARE YOU CAN’T STOP ME ! it’s just that they’re so closely tied to my marvel experience, they are the very core of it. I fell in love with Gamora through the MCU and when I wanted more I, obviously, turned to comics and who should I see but golden jesus??? and so I started reading his and I fell in love and I fell in love with both of them and now it’s a never ending cry fest that I subject all of you to every day. I wish I could say I’m sorry but I am not. For Adam, I feel like it’s a blend of how his story handles gender and how he interacts with people, and def I just vibe a lot with his aesthetic lol and for Gamora, I get so many feelings for how she handles her own feelings and relationships, the way she makes decisions, why she acts the way she does, it’s just very interesting to me. I relate to them both a lot

Lara Croft ( Tomb Raider ) — While I kinda played around in the TR games as a kid (yes, I locked Winston in the freezer), I didn’t get into them deeply until the survivor reboot came out. Then I promptly went back and played every game (yes, even Angel of Darkness) and Lara is now one of my favorite characters. I just love how she’s such a nerd and still so kick ass and the way her trauma manifests and affects her, idk I love her

Frederick ( Fire Emblem ) — MY MAN I love him so much. I just, I want a knight who’s gonna knit me sweaters, you know?

Gray Fox ( Metal Gear Solid ) — *curls into a ball* Quiet was a close one on this but Fox just...oof, you know? I did not expect to like him going into the series tbh just because it seemed most of his fanbase just hyped him up being a cyborg and I want something more than that. AND OH BOY DID I GET IT! I guess a lot of it is me reading between the lines of the MG2 dialogue but still....he has such a rich and tragic story, and I did a lot of historical research into him too and learned a lot of things about war, which I feel is what Kojima wanted haha but I love him so very much

Hawke ( Dragon Age ) — DA2 is my favorite DA for one. Second, Hawke’s story just speaks to me, and it makes me so sad what she has to go through, losing her family, what happens to Kirkwall, the ending... THE ENDING GOD! I cried the first time (and I cry a lot during that game, still, actually). It’s such a compelling story to me and I feel so much for Hawke. The found family stuff with the Kirkwall crew just gets me right in the feelers 

Cell ( Dragonball Z ) — I was about to say he was my OG childhood obsession but there was someone before him...and before the others...so we won’t go down that dark road. But idk I can’t really explain this. I just love him. The style, the drama, his past, his motivations, it’s some Good Shit

Aerith Gainsborough ( Final Fantasy ) — Ok she’s another childhood obsession. I think my first fanfic actually involved her (it was her and Cloud reuniting fix-it fic, because of course it was). A secret: as a kid I thought her ribbons were her ears. idk I was like, well I guess that’s normal, it’s a game, idc. But yes, I love her for her sassiness and just in general how great she is

Elisa Maza ( Gargoyles ) — a true icon for little me. Don’t tell my mom, I would pretend to go to bed and then sneak the TV on to watch Gargoyles cause it only came on on the late night block. She’s been a favorite since I was a kid

Fujin ( Mortal Kombat ) — would you judge me if I said it was the braid that got me first? ...I’m a sucker... but then I saw more of him and he’s so gentle and such a nerd aND HE HAS PUNS and he loves humanity and learning about them and ??? HOW CAN YOU NOT LOVE HIM ??? 

Soseki ( Harvest Moon ) — I love one sad tragic man with my whole heart. These games have such surface level information but he’s just so sweet and full of puns and flirting and I just love him...I don’t know what else to say but I have a lot of strong memories and connections tied to his character and I feel very close to him.

Tagged by: @dcvinepurpcse (ty!!) Tagging: @mxrvelledwebs, @charllatan, @cornerstonc, @espektros, @tempesttragedy, @madamhatter, @cosmicacy, @trivialitiiies, @merveiilles, @luciferian-drama, @spakona and please steal it!

#dash games #ooc

[beevean]

Ok let's do this: your top Metroid games (counting only the ones you've played of course)?

Prefacing that there is no Metroid that I’ve played that I would say is bad... from least favorite to favorite:

Prime 2: sorry bud. I didn’t like much the gimmick of retrieving all the keys (especially near the end, which is the main reason I dropped it just before the final boss lol), I got bored with the switching between the Light World and the Dark World relatively soon, and a couple of bosses drained my will to live (motherfucking spider ball guardian on the gamecube version killed all the fun of being in morph ball mode for the rest of the game). On the upside, it has some great tracks, two memorable locations in the form of Torvus Bog and Sanctuary Fortress, other memorable bosses for the right reasons (mainly Cykka and Quadraxis, but all bosses are generally a step up compared to the standard), and the weapon system was pretty interesting compared to the usual set Samus has.

Zero Mission: it will probably go higher if I manage to replay it, but aside from the super cool Metal Gear Samus sequence, it didn’t impress me as much as its older brother Fusion did, despite being now the prototypical 2D Metroid game. Nothing wrong it with, but I feel it was slightly held back by the flaws of the game it’s a remake of, both in design (only 2 big areas + the new part at the end) and presentation (the locations are... there? and with weird setpieces that were directly translated from the NES version, like those cloud rocks in Norfair; the music is a big improvement over the original for obvious reasons, but some tracks are still weird). It’s probably much more entertaining if you’re a 100% completionist, lol. (also fuck mother brain in this version how are you harder here than in the original)

Samus Returns: I couldn’t finish this one and I’m still angry because it was just getting to the good part :( so I don’t feel like I can judge it, because this game has one hell of a steep learning curve. It will kick your ass at the beginning and it will be frustrating and everything hates you, but the more upgrades you find, the more you’ll feel like you’re turning into the legendary Bounty Hunter, and I guess YMMV if it’s a good design choice. I also like how it upgraded some of the M2 mechanics, like the statue that tells you where the last Metroids are if you can backtrack, or how unique each form is. Sadly, I can’t say much about the presentation and music, with the exception of Area 5 that looks super pretty with all its vegetation and the couple of remixes of old music.

Fusion: I can see how it split the fanbase at the time, as it’s very different from the Metroid people were waiting for for 8 years, but being my second Metroid game (and not much of a game breaker) I kinda liked its structure and what it tried to do with the plot. Prime 2 is also rather plot heavy, but in this game it’s one of the factors that make you feel trapped and powerless until the very end, and it’s glorious when you discover a new area or go in places you’re not supposed to go. And what can I say about the legendary SA-X? Super fun game, although a big step in difficulty compared to SM, with much better controls (love how SA-X can’t climb ledges because you in SM couldn’t, but now you can lol), many areas to explore, and a memorably creepy atmosphere.

Prime 1: I don’t really know what to say about this game, because it’s one of the most famous and beloved Metroids. The idea of being first person was genius because the whole point of the series is to make you feel alone in a dangerous place, not to mention the little details like being able to see Samus’ eyes when the screen flashes; almost all of its locations are so good looking for their time, with fun platforming, and the music! I can’t gush enough about tracks like Phendrana Drifts/Depths and Wrecked Ship! Even the menu theme sounds badass! The story is simple but you will become addicted to Scan every pixel you see! It’s a really long game but I had tons of fun. Its only flaw would be, again, having to collect all those artifacts near the game, but hey, at least I don’t have to switch between dimensions.

AM2R: This is genuinely the best fangame I’ve played in my life, and yes I’m including Mania. It takes everything good from M2, SM, and Zero Mission but still manages to feel fresh. Absolutely genius level design, each location is memorable, with the help of some great tracks that won’t leave my head (they remixed Brinstar Green! The absolute madlads!), and it’s also genuinely creepy when you least expect it - the dead researchers got me, yeah. Also, those Metroids may not be tanks of destructions like in SR, but I never got bored of missiling them to death (although I admit I had to cheat a little with the Zetas and the Omegas because boi).

Super Metroid: yeah. yeah i’m predictable. sue me. Everything they say about this game, I agree 100%. It is simply brilliant in its level design, in how it guides the first-time players and how it allows experts to break it in half and cut down time, in how it portrays a story without a single word after the recap intro, in how it tugs at your heartstrings because of a little parasite. Sure the controls have aged a bit, and 3 of the 5 bosses aren’t nothing special, but SM is just fun, the kind of game you just pop in to explore not a game, but a real planet with its own life. I have played this game just a few months ago, and Brinstar Green still puts a smile on my face like the theme of the game of my childhood.

#metroid #spinningbuster98

[silenthillmutual]

t, w, y, r, e (Overheard)

T: Any fandom tropes you can’t stand?

you know, not too long ago i read a metal gear solid troll fic that made fun of a lot of fandom tropes that pop up in metal gear solid fic, including making snake overly violent and making hal promiscuous. the latter absolutely decimated people for using this trope as being insensitive to csa victims. fandom always has these little tropes that seem to just go out of their way to be the biggest stereotypes of some marginalized group or other.

‘character with ptsd who is physically violent’ is one of my most hated fandom tropes and it pops up pretty regularly. you could argue that’s what people do with snake, with mondo, with jotaro (for part 4 jotaro; for part 3 it’s the autism), people do it with artemy, i’m sure people even do it with john watson regardless of media. it’s not even just ptsd, people will do that with any mental illness. i’m also not a huge fan of “this autistic coded character is basically an infent uwu child who can’t do anything on their own” (my god, how the fanbase treats ishimaru). i also think some of the implications people give with their common headcanons for gay/bi and/or trans characters is...not great. but i’m not getting into that right now.

W: Do you like more general prompts, or more specific ones?

even in an academic context i appreciate more specific prompts. i’m never sure if i’m giving the reader what they want if it’s too vague.

Y: A character you want to protect.

chihiro fujisaki! i love her and she deserves better than the shitty fandom and game she’s in.

R: Are there any writers (fanfic or otherwise) you consider an influence?

since i got this question a second time i’ll say that for fanfic my influence is actually usually writer friends of mine. i’m not the most outgoing but i do love to see what mutuals who are writers put out there, it gives me a lot of inspiration in terms of what i think to expand on in the fandom.

E: If you wrote a sequel to overheard, what would it be about?

probably how daniil uses rubin to learn more about artemy while he figures out his own feelings...might even make it rubin’s pov of him being stuck in the middle between the two of them.

fanfic asks!!

#catboyartemy

[blorbleg]

Ratchet and Clank Villain Swap! (For the funzies)

Chairman Vorselon - A Terraklon CEO within the Polaris Galaxy. Strives to obtain a complete monopoly over weapons and gadgets through the systems and is perfectly willing to tear down his enemies and threaten civilizations to do so.

Captain Azimuth - Once a great hero among his lombax kind, Azimuth’s unfortunate actions led to Dr. Tachyon completely robotizing the lombax race out of revenge. Very few survived the order and now Azimuth lives in utter shame. Desperate to fix his mistake he worked with Vorselon in the vain hope of finding a way to reverse what was done to the lombaxes. Over time he manages to get a better hold of himself and actively helps Ratchet and Clank throughout their journeys rather than focusing solely on fixing the lombaxes.

Dr. Tachyon - A diminutive cragmite who was raised by the lombaxes. After learning of what became of his true race, Tachyon re-envisioned himself with a powerful robotic body and by manipulating Azimuth, transmogrified a great portion of the lombax race into his mindless drone followers. He now seeks to ‘restart’ the cragmite empire by completely converting the Polaris Galaxy into a robotic realm.

Vendra and Neftin Prog - A pair of siblings who are the biggest metal guitarists in the galaxy. They’re hugely popular and use that status to basically do whatever they want. They’re both secretly aligned with Dr. Tachyon, giving him valuable information whenever they can, in return for having a robotic fanbase that’s completely devoted to them and will allow them to sell even more albums and make further money.

-----------------------------------

Lord Drek - A high ranking blarg who accidentally lost all of his body minus his head. The means to keep him alive and the suit required caused him to go completely bankrupt. Drek had no choice but to sell his services to others in order to regain all that he’s lost. Most don’t hire him however due to his penchant for blowing up entire planets (It’s therapeutic for him).

General Copernicus - Self-centered and egotistical, Copernicus is the one who eventually drove Nefarious mad enough to completely destroy their own people. With only him and Nefarious being the last of their kind their relation is very much as arch-enemies. Copernicus is also desperate to reclaim his glory days as a well respected individual among his people and is more than willing to destroy the universe to achieve that goal by using time travel to fix what he’d done.

Emperor Nefarious - Mistreated all his life, especially by General Copernicus, Nefarious eventually rose to power and destroyed his own race. Amassing and enslaving other worlds, Nefarious now seeks to completely dominate the universe and have himself be the center of attention. With his brilliant organic mind, Nefarious constructs all manner of devices. His most prized device is his utterly weaponized walking throne, which he always uses while out in battle.

Courtney Gears - A mysterious robot with the strange ability to control other mechanical objects. Her origins remain a mystery even to herself and she seeks to uncover just who her creator really is and why she exists. She finds herself working for Emperor Nefarious under the guise he’ll help her discover her origins and what’s going on. Her great power cements herself as Nefarious’ almost second-in-command but not quite.

#ratchet and clank #ratchet and clank au #au #villain swap

[happymetalgirl]

July 2020

Machine Head - Civil Unrest

On this two-song EP, Robb Flynn once again leans into spur-of-the-moment inspiration in an effort to jolt Machine Head out of the creative fatigue that plagued the polarizing Catharsis, but unfortunately the approach that didn’t really work for “Volatile” doesn’t really work for “Stop the Bleeding” or “Bulletproof”, and it all adds up upon the revelation that these songs are constructed from scraps off the Catharsis kitchen floor. Robb’s finger is on the pulse of the tension underlying American politics and his heart is in the right place (which I commend him for his steadfastness to in the face of the apparently sizable chud subset of Machine Head’s fanbase), he just needs to take his delivery a little off the nose. Of the two songs, “Bulletproof” is definitely the stronger and more hard-hitting, while the goofy 2000′s metalcore melodicism of “Stop the Bleeding” meshes poorly with the grim subject matter Robb attaches to the track. In the grand scheme of Machine Head’s career, this EP (and the two non-album singles that preceded it last year) is disappointing filler that does nothing to lift the band out of the dry creative well they’ve found themselves in.

5/10

Khemmis - More Songs About Death, Vol. 1

A much more solid two-track EP, Khemmis’ More Songs About Death, Vol. 1 is comprised of a groovy cover of Misfits’ “Skulls” and an acoustic rendition of the folk song, “A Conversation with Death”, that the band had covered electrically for a split they did with Spirit Adrift. The band adapt well to the more original acoustic style of the latter song, as soulful as ever even with acoustic subtlety replacing their open-hearted doom metal. As for the Misfits cover, the band apply their signature harmonic doom guitar work to give it a signature seal while adhering to the core foundation of the song, and they show that the song does take to their brand of doom quite well. After Desolation and being signed to Nuclear Blast, Khemmis sure were excited to get working on their fourth LP. Now that of course sits on the list of many projects the pandemic has forcefully postponed, but these kinds of offerings and the band’s hinting that they might just come out of this with two albums’ worth of material is helping make the wait a little more bearable. Thank you as always, Khemmis.

more respect to Khemmis/10

Inter Arma - Garbers Days Revisited

Coming off the back of their magnum opus, Sulphur English, Inter Arma’s offering to hold the quarantined world over until the band’s next opus is a quick (by their standards) covers album of metal and hardcore classics, as well as some surprising classic and southern rock tunes. And the band manage the eight diverse songs with an impressive display of two-way adaptability. Turning “The Girl Who Lives on Heaven Hill” into a blackgaze blast-beat fest and “Scarecrow” and into a crushing blackened sludge-doom epic while layering their atmospheric black metal smoothly over the old-school rock grooves of Neil Young’s “Southern Man” Inter Arma show an aptitude for selecting cover songs that fit their style. It sure helps that they’re a versatile act too, bending their mammothian heaviness to suit the core appeal of covers of Cro-Mags’ “Hard Times”, Nine Inch Nails’ “March of the Pigs”, and Venom’s “In League with Satan” while shedding all that sludge to expose their southern rock roots on (slightly) more stripped back tunes like “Runnin’ Down a Dream” and Prince’s “Purple Rain” (a closer so fittingly beautiful it seems almost unfair), which find them embellishing soulfully and clearly enjoying themselves in the studio. A lineup of tracks like this would make be nervous for whatever band was trying to tackle them, but Inter Arma prove that can shapeshift back to their southern roots just as well as they can bulldoze as needed to do their own justice to these several tracks, making for one of the best cover albums I’ve heard for a while.

8/10

This Will Destroy You - Vespertine

Serving as a soundtrack project for a highly rated California This Will Destroy You seemingly took a long time with this project, having released the “Kitchen” single in 2017 under the same premise. The album is entirely ambient, and not quite as experimental with glitchy electro-ambiance as projects like Tunnel Blanket or Another Language were. Instead, Vespertine highlights the serene/somber atmospheric foundation of the band’s post-metal/rock sound that made the Young Mountain EP and their self-titled LP such transcendent experiences and exemplary advocates for post-rock upon their release. And it’s a great display of just how the band’s discernible ambient style can shine through even such a minimal approach. It is basic ambient music for sure, no additives, but it’s unmistakably This Will Destroy You to those who know them, and it hearkens back to some of their best work, so I see it as a welcome addition to the band’s catalog.

7/10

Static-X - Project Regeneration, Vol. 1

Rebooted in honor of Wayne Static after his untimely passing in 2017 the original line-up and Dope frontman Edsel Dope behind a mask resembling the late singer and the pseudonym Xer0, Static-X return after over a decade of radio silence since 2009′s Cult of Static to mesh the final recordings of Wayne Static for the band with contributions from Xer0 on the first of two volumes of new material under this premise of paying tribute. Despite the lengthy absence and the loss of the band’s central creative force, the album is a mostly smooth transition from Cult of Static with some callbacks to the electro industrial metal of earlier albums like Shadow Zone and Machine. While it captures the essence of Static-X across its 39-minute track list with a handful of hard-hitting industrial nu metal bangers, Project Regeneration - Vol. 1 is a bit of a dry recount of the band’s legacy, and I hope the band saved the better chunk of songs for the second installment.

6/10

An Autumn for Crippled Children - All Fell Silent, Everything Went Quiet

An Autumn for Crippled Children is an anonymous Dutch trio who are helping to keep the blackgaze movement going with their eighth full-length album here. The band released their seventh not long ago in 2018, but this year’s is my introduction to the band, which has been a pleasant one. All Fell Silent, Everything Went Quiet is a moderately sized offering of heartfelt blackgaze as you know it from the likes of Deafheaven and Ghost Bath channeled through more second-wave-like stylings of the Norwegian black metal scene; so it sounds kind of like if Mayhem made more open-hearted music rather than deflected edginess through Satan-worshipping (not to shit on Mayhem or anything). There is more to this album, however, than just diluted or lo-fi Deafheaven worship; through the haze of the band’s fuzzy blackgaze is some pretty dynamic songwriting and impressive. More than just soaking distorted guitars in reverb and juxtaposing blackmetal screams with post-rock ambiance, An Autumn for Crippled Children capture some of that emotional diversity that makes blackgaze at its best (...Sunbather) so divinely captivating. And the spacious beauty the band conjures out of the negative space in the static-y guitars and thin percussion on songs like “Water’s Edge”, “Paths”, and the title track is surprisingly enveloping, but the standout cut on the album I’d say is the very unashamedly Ghost-Bath-y “Silver” for its overt heartfelt delivery with every instrument and its integration of what even sounds like a piano. I doubt this would convert many black metal purists who idolize Burzum and Darkthrone. In fact I bet this album would upset them even more than New Bermuda, but for those without a stick up their ass, looking for some juicy blackgaze with a different set of ingredients than your Harakiri for the Sky or Wolves in the Throne Room, this is some good shit.

8/10

Bury Tomorrow - Cannibal

I gave this one a good several tries because 2018’s Black Flame grew on me significantly after my incredibly underwhelmed first couple of listens, but sadly Cannibal strikes melodic metalcore gold far less often than its predecessor and finds Bury Tomorrow knee deep in the unflattering tropes that the genre is trying to shake off. With a pretty one-note approach to melodicism that results in a largely homogeneously flat emotional tone across the album, it’s definitely a step down from the emboldened and invigorated Black Flame that negates any sense of the band’s ambition that that album might have given off. I can point out “Better Below” and the brief breakdown on “Gods & Machines” as mild highlights in the tracklist, but they only really stand out because the rest of the surrounding tracks are so dry. I’d like to say that things just didn’t click this time or that some experiments just didn’t pan out, but it’s quite clearly just the lack of imagination and ambition that sinks this project deep into the background of forgettable metalcore, and I know this band can do better.

4/10

Kansas - The Absence of Presence

They’re hardly even metal-adjacent but for their sizable contribution to the 70′s prog rock movement that such a huge proportion of metalheads are into, a new Kansas album I suppose counts as on-topic for this blog. The band returned after a decade and a half of absence with a stuttering restart without iconic vocalist Steve Walsh on 2016′s The Prelude Implicit, and it was clear that they needed to do more than yearn for glory days to get the gears back in motion, so with The Absence of Presence the band’s new blood has stepped up to the plate to inject some freshness into the band’s compositional process. The band still sticks to that core violin-spiced prog rock that characterized their iconic 70′s albums, but the structuring and soloing style (especially the keys) are a bit more modernized than the band’s past work, and by modern I mean what Dream Theater sounded like in the 2000′s. Make no mistake, though, it’s an improvement on The Prelude Implicit, and it highlights the band’s talents and natural grandiose tendencies far more than the radio rock singles they’re most widely known for, and the cinematic bridge of the opening title track is sturdy proof of this. It’s a testament to the influence they have had on modern prog through the genre’s biggest bands like Dream Theater, and perhaps a testament to the two-wayedness of that street as well as fun, bombastic tunes like “Throwing Mountains” sound like they would fit easily on something like A Dramatic Turn of Events or as a break from all the melancholy on a Steven Wilson project. The album does wear a little thin on ballads like “Memories Down the Line”, but it makes up for its duller moments with plenty of exuberant prog expressiveness on most of the songs (the closing track being probably the standout example), which should be a good time for most of the band’s fans who fondly remember albums like Masque and Monolith, and any newer prog fans who may not be aware of the band’s influence on today’s prog metal.

7/10

Haken - Virus

Speaking of respectable modern prog though, Haken’s aptly named album this year serves as quite the easy bar to clear for prog metal so far this decade. I regretfully missed out on their 2018 sister album, Vector, but I am partially mending that ill by covering Virus here. Like I said earlier, it’s a solid record that captures the smoothness and tempered heaviness of Soen and the attitude of early Opeth with the angularity of Tool, but even if it ends up being the year’s best prog metal album, I don’t think it will be too long before one of the genre’s juggernauts (or even exciting new faces) kamehamehas this one away. The album starts out pretty solid in its first few tracks, but remains pretty meager and restrained in its explosiveness until midway through the album, relying on rather short bursts of typical prog heaviness like the opening of “Prosthetic”, whose rumbly bassline is a delicious highlight amongst the Townsend-esque choir implementation. The ten-minute “Carousel” ups the band’s expressiveness after the deceptive soothe of the second track with a clash of goth-y ambiance and pounding metallic bombast. The five-part “Messiah Complex” suite finds the band at their most adventurous, straddling the winding mid-song compositional whirl of Dream Theater with the occasional eccentricity and djenty heaviness of producer Nolly’s former band Periphery, the band still sound themselves and confident in every move they make, like true prog masters, ending beautifully on the two-minute “Only Stars”. I think it might end up being the year’s best straight-up prog metal album, and the band have worked hard to earn that honor, but I would honestly be surprised if someone else or Haken themselves don’t outdo it within a year. That’s to take away from what an exciting 52 minutes of prog this is, because with such a moderate runtime for such a tight prog album, it’s definitely deserving of the respect of a top album in its field.

8/10

Skeleton - Skeleton

Even though I tend to end up liking them, I find myself skeptical of projects whose aesthetic feels forcedly retro or whose marketing is focused heavily on nostalgia, and the self-titled debut from the Austin-based trio, Skeleton, complete with its intentionally cheesy and amateurish cover art, definitely checked those boxes. I even got the sense from 20 Buck Spin (being that I’m on their mailing list and follow their accounts and all) that they were more excited than usual to be releasing the trio’s debut. And honestly, after a few listens through of not being all too aroused by the crusty proto-death metal at the core of the band’s sound, the traditional heavy metal focus on infectious guitar riffs helped the album grow on me a good bit. The stylistic versatility of the guitar playing really is the cornerstone of the album, from the Kill ‘Em All-style riffs on “Taste of Blood” and early Sepultura-esque galloping on “At War” to the blackened punk grit of “A Far Away Land” and the even more catchy classic metal riffs on “Turned to Stone” and the melancholic old-school doom atmosphere on “Ring of Fire”. The snarled black metal vocals are gnarly in that old-school sense, throaty and raspy but kind of cheesily thin too to fit with the aesthetic the band are going for, and it’s a pretty similar story with the drums: not flashy at all by today’s standards but just right to supplement the guitar work and complete the vibe. And of course with 11 tracks not even grazing the half hour mark, the songs are pretty trim and compositionally bare bones, falling into quick, crust punk formats foregoing the typical verse-chorus paradigm. Yes, Skeleton has grown on me, and I’m curious to see if they end up expanding this sound like Ghost did from Opus Eponymous to stay creatively fresh or if they plan to draw from the long-abandoned (or less frequented) wells of musical elements they did on this album for the foreseeable future.

7/10

Burzum - Thulêan Mysteries

I know that in a lot of circles (including some I consider myself a part of), saying something even vaguely positive about Burzum invites a wave of disapproval for supporting (or at the very least, excusing) the black metal world’s most notorious villain’s racism, but I can’t say with a straight that Varg Vikernes didn’t play a huge part in shaping Norwegian black metal as we know it or that I don’t like Filosofem or Hvis lyset tar oss. I don’t think that amounts to supporting the guy’s racist bullshit, and luckily Varg has made it pretty easy not to support his racist bullshit because Burzum has been shit for a long long time now; in fact I’d say Filosofem was the last worthwhile Burzum album, with his pathetically bad ambient records during and after his time in prison and the three stale black metal albums that welcomed him back from prison. After such a weak return to music from prison and Burzum’s discontinuation-turned-hiatus, it seemed overdue that Varg finally retire the Burzum project after the unimaginative ambiance of The Ways of Yore. I mean the project has thoroughly emulated the trope of the white guy who views everything he touches as way more genius than anyone else does, which is pretty rich for a guy so willing to dismiss the current black metal scene as derivative, and he’s seemed more invested in whatever it is he’s been doing on YouTube or his blog. Nevertheless, Varg remains an infamous figure in metal probably to a lot of dudes who think there’s some esoteric genius to decode in his lore, to an extent I find kinda disturbing. The weird reverence a lot of the metal community has for the neo-nazi murderer’s cult of personality (the vast majority of whose discography is masturbatory throwaway doodling) is astounding. So this guy’s back, with an hour and a half of, by his own account, ambient scraps of dungeon synth music that he built up over an extended period of time and basically figured he’d compile into an album (because, like I said, everything he touches must be gold in his eyes), and goddamn it sure sounds like exactly what he pitches it as. The first track, “The Sacred Well”, is actually pretty soothing and decent helping of ethereal ambient music, but it doesn’t take long for things to go downhill. The annoyingly repetitive acoustic motif of “ForeBears” and the absolutely amateurish improvised piano plinking of “A Thulêan Perspective” quickly shed light on just how lazily patched together this thing is, while the subsequent “Gathering of Herbs” literally cuts off awkwardly like the full track didn’t upload fully. A few tracks like “Jötunnheimr” and “The Road to Hel” offer some fleeting promise in their eeriness, but they disappear as quickly as most of the tracks here do, in a flash of confusion as clearly incomplete ideas piled into an album for no reason that even Varg can justify. The last third of the album contains some of the longer tracks, but the swapping of fragments of half-assed keyboard doodles for half-assed demos spread thinner than tissue paper is a trade-off akin to the upcoming general election and it’s too little and way too late. I have to highlight the laughably farty synthesizer horns on “Ruins of Dwarfmount”; I mean thank god it’s quick because it’s absolutely awful, but the chuckle I get out of how bad it is is probably the best experience I have from this whole album. Just about everything on here is some combination of irritatingly repetitive, blatantly incomplete, or grossly unprofessional, and the thing that gets me is that it’s not like ambient music or dungeon synth is any sort of rocket science. I’m not at all the kind of music genius Varg’s weird devotees see him to be, but given the same equipment, even I could undoubtedly make a better ambient album than this. Although I’m not nearly as well-versed in ambient music as I am in metal, I have heard enough of a chunk of it to say I know the good shit and the bad shit, but honestly, this album is a new low for me. I didn’t know an ambient album could suck this much. It’s like an extended Daudi Baldrs with a slightly better keyboard, but with no excuse this time for the cheapness of the sound and certainly not the length. Yeah, piece of shit.

2/10

Boris - NO

Tokyo’s prolific sonic shapeshifters have all but given up on giving up, and I suppose the title of this year’s record summarizes their brief questioning of if they stop making music. The band’s first intended farewell album, Dear, which found them (not really) bowing out to the sorrowful drone doom of their most iconic record (Pink), was followed them by last year’s LφVE & EVφL, which saw them revisiting various shades of their career as comfortably as ever. NO finds the power trio on another stylistic tour of sorts, this time through some of their heaviest and most grimy territory, starting from brooding sludge doom to spending most of the album on Slayer-esque thrash and hardcore punk ripe with gritty attitude. The production is thick and nasty as is usually best for Boris, but the writing on this record is just kind of absent-minded for such a stylistically varied project. While the more drony opener, “Genesis”, rides its runtime well on the raw heaviness that the band put the pure simplicity of their slow groove through, the farther the band step away from their wheelhouse, the more apparent sparseness becomes of the more underwritten songs like the meatheadedly punky “Kikinoue” and “Fundamental Error”. We get some crushing riffs like that on “Anti-Gone”, but also some clumsy wailing about like on the song “Lust” that calls into question the effort Boris put in at the drawing board. The sheer power is there, but it’s being used generally inefficiently on a sizeable portion of NO. Still, it’s pretty cool to hear Boris at this pace, and the pure energy they pour into this project is enough to get the job done.

7/10

Tuscoma - Discourse

Tuscoma’s follow-up to the wildly eccentric Arkhitecturenominus is gets off to a slow start with its rather generic churn of blowtorch-blackened post-metal through its first two tracks and is short on risks for the reputably ambitious duo, but Discourse does eventually kick in to dig deep to tap as much of the frightful potential of the band’s sound and showcases a decent example of what the New Zealanders are known for and of lies out in left-field of post-metal.

6/10

Executioner’s Mask - Despair Anthems

Making their debut as a collective for Profound Lore, the quintet of seasoned post-punk creatives embark on an eccentric voyage through darkwave on a ship of modern gothic rock, and the results are as fascinating as they sound on paper, recalling the cerebral ritualism of Children of God-era Swans as much as the energetically veiled despair of Type O Negative and AFI while dipping the rock elements into the industrial side of darkwave every now and then. And again, the product is an effortless immersiveness into the record’s moody journey, not through atmosphere-building, but through the infectiousness of the goth dance numbers take you on. It’s certainly more of a metal-adjacent album than a bonafide metal album, but the way the band captures the despair they set out to is as effective through more subtly seething means as DSBM’s best, and the band’s adventurousness with their sonic palette alone makes for an interesting listen, or several, as I will certainly be giving this project more than its fair share of my ears.

8/10

Ensiferum - Thalassic

Very similar to Amon Amarth’s longtime solidification of their sound, the Finnish talents seem able to simply exhale exhilaration through their both tried-and-true and continually honed black-reinforced power folk metal. And it’s clear the band are on autopilot at least to some degree on Thalassic here because the writing is pretty homogeneous and formulaic nearly all the way through; that being said, the sheer energy of the band’s performances into a sound experience allows them to wield so effortlessly more than carries them across the seas they sing of.

7/10 

Bedsore - Hypnagogic Hallucinations

Stepping out from the shadows of Italy to present the great big world of metal with their forty-minute debut-album, the four-piece on the 20 Buck Spin label make their grand atmospheric aspirations for their brand of death metal immediately known across seven tracks of hellish wails and haunted ambiance. Taking ominous clean guitar motif-writing and structuring influence from Neurosis to the point of uncannily resembling “Souls at Zero” on the second track, “The Gate, Closure (Sarcoptes Obitus)”, Bedsore still inject plenty of their own distorted flair into the cavernous death-metal-flavored howl they espouse on Hypnagogic Hallucinations. The band do bank rather heavily on the immersiveness of the atmosphere they try to conjure, leaving a blind spot in the album’s dynamic beyond the fluctuations between clean and distorted nightmare. Compositional shortcomings aside, this is a solid debut to set the Italians on a bright prospective future.

7/10

Spirit Possesion - Spirit Possesion

Blackened thrash metal is one of those smaller subgenres within metal that feels more like a niche occupied by a few stalwarts like Aura Noir, Goatwhore, and Deströyer 666, but now Spirit Possession is making the bid to join those ranks and potentially turn more spotlight onto the specifically hybridized style. The band’s self-titled debut brims with the thrash enthusiasm of Bathory and the old-school riffing that shaped the way the early progenitors of black metal composed theirs, and not only is the Portland duo’s riff-game on point, but goddamn does it sound savory and spicy as hell through the more flattering production and against the backdrop of modern black metal a la Watain. The nasty chug on the song “Swallowing Throne” really highlights the benefit of the thicker, tastier production. The exceptionally grand “Amongst Inverted Castles and Holy Laughter” is a fine example of the band straddling old and new with impressive flexibility, while the bulk of the album's indulgence into early black metal and thrash is impossible not to want to indulge with, like a really fun party with a good crowd that makes it so much easier to have a few more drinks than you originally intended to.

8/10

Defeated Sanity - The Sanguinary Impetus

Through just enough delicious riffing,  memorable accentuation, and technicality on par with Dying Fetus packed into structurally creative bite-sized portions, brutal death metal stalwarts Defeated Sanity somehow make a pretty persuasive take-it-or-leave-it case for the genre.

7/10

Paysage d’Hiver - Im Wald

The boldly two-hour debut double-album from Paysage d’Hiver is also a bit of a double-edged sword, basing partly its very ethereal black metal atmosphere on the homemade sound that regularly kneecaps the grander feel the project is going for. And the album does indeed reach some soaring heights of blizzard-stung ambiance, which the biting sound of the tinny, but engaged, percussion and the vexed swooning of the tremolo-picked guitar playing across the album’s several indeed well-organized lengthy tracks. It takes a lot to trudge through the long path covered in thick snow that this album sets out on, and the lo-fi production often doesn’t help the individual elements that make Im Wald enjoyable stand out, and it can be all too easy to get lost in the homogeneous whitewash of the hazy winter wind. It’s a rewarding journey to finally make it all the way through with unbroken attention, but blame for the easiness of that attention being lapsed can at least partially be placed on the shoulders of Paysage d’Hiver for its mastermind’s one-note approach to an otherwise well-arranged and well-composed album.

7/10

Gaerea - Limbo

Despite the members’ faceless appearances behind their fully-covering black cloth masks, Gaerea’s music does not hold back its sorrowful outpour through heavy atmospheric black metal that crashes through and drowns like torrential flood waves as much as it tears at the heartstrings through unabashed languishing. The massive weight of the band’s sound invokes the feeling of being in the presence of an incarnate deity weeping at the ills of mankind and the destruction they have forced this deity to bring about. Abstract descriptors of the album’s experience aside, the band aren’t really doing too much new for the atmospheric black metal they’re making, not breaking any rules or pushing any boundaries, but everything that makes the genre so attractive is turned up to eleven. I was ready to be as critical as ever, but I could immediately see not long into my first listen why Season of Mist were so excited to hype up the Portuguese outfit’s incredibly accomplished sophomore release. The guitar playing is simultaneously powerful and beautiful, much like that of the Ulcerate album from earlier this year (Stare into Death and Be Still) that I also loved, and the drumming is just as ceaselessly thunderous in support. The lamenting screamed vocals are possibly the least exaggerated facet of the album, but certainly not the the point of being unfitting, in fact they fit the chaotically despondent mood quite well, or a detriment to the record’s overall barrage of mourning. As for how all these massive pieces are arranged, they all crash in synchronized waves in a fashion, again, not at all unfamiliar to anyone who’s heard blackgaze, but the raw passion of the band’s performances exemplify why this strategy is so widely adopted for atmospheric black metal. Gaerea have made quite the statement of intent on this one, and I will definitely be enjoying it repeatedly throughout the year and beyond.

9/10

Upon a Burning Body - Built from War

Upon a Burning Body went full Lamb of God last year with their very trim and direct 31-minute fifth LP, Southern Hostility, focusing their efforts on making their southern brand of groovy deathcore as tastily whiskey-soaked as possible, laying on the groove heavily and unrestrained in a way that I thought definitely worked in their favor. Just a year later, the band are back with a 17-minute addendum to their infectiously brash display of muscular bravado, and it’s pretty much as brutishly intense as expected as the band bounce through single-string grooves and ripping drum rhythms to the same conclusions they did last year, only this time it feels so much more fatigued, like they’re trying to artificially replicate this genuinely pissed off attitude that produced results for them despite just not being in that kind of headspace at the moment. The songs are pretty baseline for them and generic as fuck, missing that X factor that made Southern Hostility’s distilled rage so tangible and fun. Built from War has some of the staple features that made its predecessor such a good time, but despite its few high-energy moments across the five tracks, it feels like an unnecessary rehash of the lightning in a whiskey bottle they had last year, just no lightning, so empty whisky bottles that bear the smell to remind you of what was previously in them.

5/10

The Acacia Strain - Slow Decay

I have been pretty harsh on The Acacia Strain in the past; they haven’t come up much on my blog, but the times they have, I feel I’ve been a little overly critical of their use of elements that I’ve perceived as excessive that they’ve used to forge their recognizable sound. The band released a mini album (It Comes in Waves) on Closed Casket Activities just before last year was over and I didn’t even hear it until a few months in to this year, and honestly, I wasn’t all too broken up about it because it was some of the band’s most lethargic, meandering material to date; dragging aimlessly until the last two tracks of the album, a significant step down from 2017′s already middle-of-the-road Gravebloom. So with those albums in recent memory I was kind of not looking forward to Slow Decay all too much, but a few days before its release, I refreshed myself on the band’s 2014 album, Coma Witch, which I remember as a culmination of what The Acacia Strain had been trying to morph their horrific, hardcore-tinged deathcore into since Continent, and it was a great time, that album, and it made me a little more hopeful for the band’s tenth LP (if you count It Comes in Waves). And Slow Decay indeed has The Acacia Strain back on track after the stuttering of the past two releases. The burgeoning metallic hardcore movement over the past few years has certainly vindicated The Acacia’s Strain’s steadfast adherance to their hardcore roots, and with there really being no time like the present for that kind of energy, the stars’ aligning has indeed brought the best out of The Acacia Strain. And on Slow Decay, it’s not like the band have changed up their hardcore-driven approach to djenty deathcore all too much from what they did on Coma Witch, they just sound energgized through a good batch of songs this time, the many situations at hand showing their influence on the rage the ban draws from bleeding through the lyrics ranging from critiquing anti-vaccine sentiments to blasting the snobbishly entitled attitude of boomers. The fiery disdain for the state of the world comes through hard on the blood-pumping chug of “Crippling Poison”, the punchy, pissed-off groove of “Inverted Person”, and the rest of the dissonant horror-tinged riffing all across the album, and it just goes to show that The Acacia Strain have found a groove that works for them and when they have the right fuel for their fire, they can incinerate anything in sight. 

8/10

Imperial Triumphant - Alphaville

After revolutionizing the method of jazzification of metal music on 2018’s Vile Luxury, I was ready for a satisfying continuation of jazzy death metal from Imperial Triumphant, but I was not prepared for the wildness of the band’s ambition with their sound and beyond and the incredible success of their sonic expansion on Alphaville. The band are still jazzy as fuck on their successor to Vile Luxury but they’re not advertising it as blatantly like a product-placed soda can this time around, partially because they can’t with so much else going on in the nightmarish mix of sounds. The combination of dissonant grand piano chords over palm-muted chugging and merciless blast-beats on “City Swine” is perhaps the most overt example of the trio’s love for the traditional sounds of the type of jazz often associated with the big apple, but the palpable jazz influence in the winding guitar lines and dizzying drumming all across Alphaville continues to set Imperial Triumphant apart even within their wing of metal’s avant-garde. Indeed, their sound reaches beyond mere genre hybridization; the band incorporates various avant-garde elements in an experimental, yet clearly well-engineered manner all over the album. From the haunting fuzzy dissonance and disorienting electronics of the title track and the odd inclusion of taiko drumming by Meshuggah’s Tomas Haake to the gloriously frightful choir climaxes on both “Atomic Age” and “Transmission to Mercury”, Alphaville is full of surprises, and a size-able step forward for a band already bounds ahead of the curve on their previous album.

9/10

[minecraft-askbox]

what other games do you play?

Well, I’ve played a lot of the games in the Danganronpa series. It’s got some very fucked up aspects about it though so it’s not everyone’s cup of tea.

I also played all the of the games in the Metro Series.(Metro 2033, Metro: Last Light, Metro Exodus) and I recommend them.….Violent tho.I’ve also played some older rpgmaker games like OFF and Yume Nikki. Hmm.. They’re both pretty dark.

Yume Nikki is a lot darker if you read between the lines.Really not recommended for anyone who isn’t up for that sort of thing. Yume Nikki is also very hard to beat in a reasonable amount of time without reading a guide.

OFF is excellent generally, though I recommend newcomers play the older version of it, 2.0. Because it’s the version that was around when it gained its huge English fanbase and interpretation of the characters (the game is originally in French, so if you’re practicing or fluent in it, give it a go.) Though this version doesn’t allow the player to choose what pronouns they’re referred to as.(it uses “he” for default) OFF also has a fair number of amazing fangames. HOME being the most well known and arguably most fleshed out one. also also.. I’ve been meaning to play Ib and Hylics sometime… maybe i’ll get around to that SOMEtime…. before i perish hopefully

Night In The WoodsThis game is a lot less edgy than the other games in this list.It means a lot to me. It’s a very story-driven game. It is very emotional.Might hit close to home for a lot of people. I would say more but I don’t want to spoil anything about it.

OwlboyThis game is great and has a mute protagonist. (like, actually mute, by design.)It’s a shooter… It’s got gorgeous pixelart. The bosses are fun and there are a fair number of secrets… Really wish there was an official sequel to this one.

ORI and the Blind Forest : Definitive Edition.This game slaps and is fucking amazing visually. Its fun. its a 2d platformer. playing it the first time through literally makes you feel like you’ve been suffocating for your whole life and this game is your first breath of fresh air. or at least that was how it was with me.

Oldschool Runescape (emphasis on Oldschool)I’ve played this game for ages. (I have a quest cape!) but I don’t like the community of the game so much. A lot of homophobia, transphobia, antisemitism… general sexism, and toxicity. you name it.. Though it’s less prevalent nowadays than it used to be. It’s also a game that’s hard but fun to figure out on your own. VERY grindy. Seriously. This game is a hugeee grind. I definitely recommend you play this with a trusted friend. Even better if you both are new to it. Use the Runelite client by the way. It’s just better than the official one.Hmmm.. Well this list is getting a little long and I don’t feel like typing more so I’m just gonna namedrop a whole lot of other games i’ve enjoyed or just heard about and recommend you at least check out… 

be wary the genres are going all over the place here but i’ve listed them from “most violent” to least kinda..Rise of the Tomb Raider (the fact that this game is so inherently violent and is on the top of this list surprises me tbh)Dying LightQuantum BreakSuperhot + Superhot Mind Control Delete (not ‘realistic’ but still violent)Killer is DeadNier / Nier: AutomataAssassin’s Creed (the whole series) Metal Gear Solid V : The Phantom Pain (potential to be VERY nonviolent)Hyper Light DrifterMirrors Edge 1 & 2Cave StoryCupheadINSIDE (and LIMBO)ABZUBraidSlime RancherOneshotA Story About My Uncle-Hall of Shame but i still recc ppl play it: Firewatch

#long post #Anonymous

[shadaxthewizard]

How Breath of the Wild makes you FEEL like a hero.

A detailed discussion and analysis on how The Legend of Zelda: Breath of the Wild’s gameplay, level design and progression mechanics make the player feel like a hero.

Teaching the Player

With a game as expansive as Breath of the Wild, there are bound to be mechanics that are new to most players and as a result, these mechanics will have to be taught to the player. Now game could take your hand and specifically guide you through a disjointed and mechanical feeling “tutorial” as was the case in the Zelda games of yesteryear, but BotW does not do this, instead Nintendo opted for a fluid and dynamic approach to teaching players about this new world, they incorporated the tutorial within the world itself, giving subtle hints to new mechanics and allowing the player to put 2 and 2 together for themselves. There are 2 particular moments in the early game where this strategy is employed that I love.

The first is the starting cave, the very first environment in the game

The purpose of this cave for the most part is to set up the story, tell you some exposition and to give you some pants. But one moment that is incredibly overlooked is this first ledge. This ledge is used as a gate for the player, a way to teach them how to use a vital mechanic of the game without saying a word. You see, for the player to exit the cave they must climb up that ledge and therefore they must learn about the climbing mechanic. This is so subtle that no player would recognize this is a tutorial yet it manages to teach the player about a vital mechanic with no dialogue, prompt or any recognition that this is what Nintendo intended.

The second moment is not long after you exit the cave. You will stumble upon a small cabin in the distance, near this cabin are 4 key things; an axe, trees, a chasm and the old man, your “guide” through the beginning of the game, cutting down one of the trees. These things are set up in a such a way so that you will encounter them naturally as you wonder through the world. As you reach the old man he will call for you and tell you about a certain technique to get a tree to fall in the direction you want by cutting it a certain way.

The genius here is that it is never stated that you can cut down a tree to cross the chasm, you simply see the elements and the game leaves the player to figure the rest out. This is so important to the games feel, as it gives the player a sense of true accomplishment for figuring out the puzzle and makes them feel smart. This kind of design is scattered everywhere throughout the game from its level design to its core mechanics, but in particular its physics and chemistry engines.

Physics and Chemistry Engines

Nintendo carefully crafted the physics engine for BotW, but they also came up with a fairly unseen concept in the realm of games, a chemistry engine. If a physics engine dictates how objects influence other objects movements, a chemistry engine dictates how an objects state influence another objects state, for example, fire can change the state of anything that’s not currently on fire to light it on fire, and water can do the opposite. In practice it makes for game where player choice is at an all time high and makes for puzzles that can be solved in a multitude of ways.

My favourite example of this chemistry engine is in the use of electricity. In one of the Divine Beasts (the main dungeons of the game) there is a section where you must find 2 electric balls and place them on 2 corresponding pads to open a door, but by this point in the game the player has surely encountered a lightning storm. In a lighting storm, any metallic weapons or armour you have equipped will cause you to be struck by a bolt of lightning, clearly showing that they can carry an electric charge. Now any player could put 2 and 2 together and try to drop a weapon on the floor near one of these electric balls and surely enough, it carries the electric charge, get enough metallic objects to stretch this charge to the other pad and the door will open without the need to find the other ball.

This is not an isolated example either, the player can utilize the chemistry engine throughout the entire game, creating endless opportunities for clever puzzle solving, whether its shooting an arrow through a fire to light something in the distance on fire or using the physics engine to roll a boulder down a cliff, taking out a group of enemies that may be too strong for you at that point in the game.

These moments in isolation are very clever and give the player a sense of achievement, but when placed throughout the entirety of the game as they are, it creates this feeling of you growing as an adventurer, immersing you into a story that doesn’t hold your hand.

Weapon Durability

This is by far the most contentious mechanic in the entire game, with the fanbase being split on Nintendo’s decision to implement this mechanic, but in my eyes, it is essential to the progression of the game.

Breath of the Wild foregoes one of the most used mechanics in any modern open world game, an XP and level system. This benefits the game in one major way, difficulty progression. Generally there are two ways an open world game will handle enemy difficulty. Either there will be sections of the world that are gated off and unreachable or the enemies in the world will scale with the players level, BotW does not do either of these things, instead it splits the world up into sections filled with appropriately difficult enemies, while allowing the player to stumble into these areas at any point in the game. BotW substitutes the need for an XP system by having its weapon system, and vitally the durability system, tied to progression. As you adventure forward through the game, you will stumble upon tougher enemies with better weapons and armour and acquiring said weapons and armour will then allow you to fight even tougher enemies, and the cycle continues. This will happen throughout the game as you venture into tougher areas and fight tougher enemies. What areas and what enemies and can and should take on is largely defined by your weapon collection at any given point.

This mechanic is largely responsible for how a player ventures throughout the world, as the need to keep your weapon stock high is always vital. If the weapons never broke, there would be no need for players to fight encampments of enemies or search for hidden loot, they could simply glide to whatever area they need to be at, do objective A, and leave. But the weapon durability dictates that the player must be calculated and always aware of the weapon stock they have on them, encouraging exploration and discouraging skipping content, when the main way of gaining new weapons is also the cause of those weapons degrading you are constantly starved for more, encouraging the player to engage in more fights and therefore constantly and slowly having the player gain better gear, “leveling” the player.organically.

It also allows for much more calculated fights, deciding whether an encounter is worth the risk, and damage to your current weapons based on the weapons the enemies are using. It can also influence how you engage a group of enemies, for example if you are running low on weapons the player may want to engage the enemy with the best weapon first so you can then use it yourself. Nintendo also reinforces and encourages this kind of calculated decision making before engaging in a fight, as often the area around the enemies will have traps, be it a boulder on a hill above, or a flammable barrel next to the enemies.

This drastically changes how the player explores the world, as in a traditional open world game the player is able to brute force a high level enemy by taking their time with a low damage weapon and eventually killing the enemy, granting them with high level weapons and loot at the beginning of the game. This is not really viable in BotW as the lowest level weapons also have the lowest durability so instead the mechanic encourages the player to make their way through the world organically, taking lots of detours.

Why does any of this matter?

First and foremost I love great stories, and stories that take advantage of the medium they are told in, and too many games fail in this aspect, but my biggest gripe is when the gameplay seems to actively distract from the story of a game, Bethesda is a big culprit of this. For example, in Skyrim you are a essentially the chosen one, fated with saving the world from a great threat, while the gameplay generally consists of you doing anything from completely unrelated quests to placing a bucket on a shopkeepers head and looting him dry.

This is where BotW gets it right, there isn’t a moment in the game that feels like a waste of time. There are only 2 objectives the player must complete to finish the game; finish the tutorial island on the Great Plateau and kill Ganon, everything in between is optional. Of course while the player can run into the final dungeon almost straight away, they will be abruptly killed by the overwhelming monsters in the area, and therefore must get stronger. This makes every moment in between feel like you are making the most out of your time. training and getting stronger from activating the Divine Beasts, making the final boss easier to defeat to simply adventuring through the world getting better gear, and every mechanic and level design decision Nintendo made is in favour of this grand feeling that reinforces the narrative instead of distracting from it, as simple as that narrative may be.

References

Arin Hanson, Dan Avidan, 2017. Breath  of the Wild - Game Grumps. [Online]  Available at: https://www.youtube.com/watch?v=V82qSnN9eFE  [Accessed June 2019].

PlayFrame, 2017. Legend of Zelda: Breath of the  Wild - #1 - With Level Artist Josh Foreman!. [Online]  Available at: https://www.youtube.com/watch?v=iV5MB3q_UOU  [Accessed June 2019].

#Zelda #breath of the wild #video games #game mechanics #level design #nintendo

[theultimateegghead-blog]

50 Follower Special!                      Part 4

Here we are, the penultimate part. These games are all amazing and I love them for various reasons. I can play any of these games time and time again and enjoy them. Lets take a look at number 20 – 11!

20 - Silent Hill 2

Silent Hill 2 is my favorite horror game. While I do believe the third silent Hill game is the scariest, this one is by far the most well-known. A very symbolic game that acts upon the psychological torment of James Sunderland and other people trapped in the hellish town of Silent Hill. This game can be clunky and can have some very stilted dialogue. Despite its age as an early ps2 game, its still a fantastic game. It has some great moments and very memorable monsters, especially pyramid head. If you want to play a good horror game, play this one.

Will I review this game? – Yes

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19 - castlevania Symphony of the Night

As I said earlier, metroidvania is an awesome genre, and this game was the first. While honestly any of the Metroidvania games could fit this spot, I choose Symphony for one reason, Alucard. Alucard is a great character and I didn’t play this game until after I saw the castlevania Netflix animated series. This game can offer hours of exploration and combat and can be somewhat difficult. It can cost a pretty penny to get a physical copy, so it will be best to just buy it off PSN.

Will I review this game? – Yes

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18 - Final Fantasy VII

Final Fantasy VII…The most famous title of the Final Fantasy series. I got this game as a gift for graduating high school and I loved it. The music, the combat and all the bonuses and extras that I could find. There is a group of people that claim this game is inferior to most other final fantasy games. While this game does have some flaws I think that the mindset that this game is not good either comes from a personal vendetta or gripe, or just a desire to be ‘different’. Cloud as a protagonist was ok, but I will say he is not my favorite Final Fantasy protagonist, but he isn’t bad either.

Will I review this game? – Yes

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17 - Elder Scrolls Skyrim

Skyrim is one of the most well-known games of all time. Essentially available on everything ranging from the PS3 onwards, its hard to not know about this game. An open world fantasy RPG made by Bethesda. When I first got this game, I didn’t like it that much because I had the buggy original with no way to update. Several quests were locked due to glitches and so on. My opinion changed when I got the special edition for the Ps4 and since then I have platinumed it. If you can only get one game, make it this, it can keep you entertained for a very long time.

Will I review this game? – Yes

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16 - Undertale

I played Undertale shortly after watching the Game Grumps played it and I feel in love. Yes, like the sonic franchise, this game has spawned an…interesting fanbase, but that aside, this is an amazing game. An RPG bullet hell where you can choose not to kill anyone, this game has a massive emphasis on story and character interaction and it is great. The music is one of the best soundtracks I have ever heard and the combat is unique and diverse. Undertale is a game you can beat in only a few hours and it is totally worth the price. This is a game I am proud to see become a success.

Will I review this game? – Yes

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15 - Super Smash Bros Brawl

My favorite smash title, while MANY players will disagree, I think Brawl is the best smash game, and unless Ultimate changes my mind this will likely stay the same. I wanted brawl the moment I saw it, and boy was I excited when I got it for Christmas nearly a year after it came out. This game is what introduced me to Metal Gear Solid as well so bonus points for that. I love everything about this game. The trophies, the game modes, the story mode and so on. I didn’t have a main, but I did play as Link and Charizard a lot.

Will I review this game? – Yes

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14 - Breath of the Wild

This was a breath of fresh air! This game was at first very different from previous games and was really difficult to get started into! This is probably the hardest Zelda game with a lot of ways to get a game over. This also has a ton of character in it as well and I loved the characters introduced. I openly welcomed the voice acting and it was great, and the combat, while hard to get used to, was very rewarding. This is a great game and is the king of my Wii U collection. This game deserves all the praise it gets.

Will I review this game? – Yes, but we have a loooong way to go before we reach this one.

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13 - Pokemon Platinum

Pokemon Platinum is my favorite main series Pokemon game with Sun being a very close second. I love generation four and the Sinnoh region. Platinum fixed some of the pacing issues of Diamond and Pearl and focused on one of my all time favorite pokemon Giratina. This is a game I long to have in my collection again, as I have lost my old copy many years ago…

Will I review this game? – Maybe.

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12 - Final Fantasy XII (Ironic huh?)

Now for the final Final Fantasy title. Don’t blame me, I love this series and I have played every single game to completion barring 11 and 14. 12 was a title I poured a lot of time into. I liked the combat, the missions and the overall world. I didn’t care much for the story at all and it probably has the most forgettable Final Fantasy Villain in my opinion. It had some amazing cutscenes and is probably one of the prettiest games on the Ps2. Now I am waiting for the chance that I will be able to purchase the Zodiac Age remake for Ps4 and experience it all over again.

Will I review this game? – Yes, but we have a long way to go before we reach this one.

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11 - Halo 3

Halo 3 is an excellent game and is a title my brother and I have spent a lot of time playing. I have beaten this game so many times and have done everything I could to discover every secret and Easter egg. With epic battles, great dialogue and action-packed levels and a cool story. Halo 3 was my first outing to the Halo series and I beat it in one sitting. This game holds a fond place in my heart and is an excellent Xbox 350 game…but it isn’t my favorite Halo game…

Will I review this game? – Yes.

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A huge thank you to my friend Noah. We have never meet in person, but if we did I know two things, one, your taller than me and two we would get along just fine. Heres to you Noah!

See you next time for the Finale!

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