#might as well write it down | Explore Tumblr Posts and Blogs

eyrieofsynapses · 5 months

Text

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

749 notes · View notes

valictini · 1 year

Text

Anyway congrats to sansmaeda, see you all on sunday for the most wedding ever

Bonus: collective mental breakdown below

You just never know what to expect with this funny little guy!

#TUMBLR FUCKED OVER THIS POST #WHY ARE THE BONUS PANELS BUGGUED #check my reblogs to see all the bonus panels #Getting married to a living skeleton? Sure why the fuck not. Might as well.#could have used a WARNING though #sansmaeda #sansmaeda wedding #tumblr sexyman #Nagito komaeda #Ibuki mioda #Danganronpa #my art #finally pinned down that i only ever manage to draw comics square by square #organising a whole page with multiple panels? agony #let me organise the squares directly into tumblr lol #also I tried to write image descriptions for these #idk if I did a particularly good job so if you find something is off just lemme know

2K notes · View notes

thekittyokat · 18 days

Text

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

#sorry i got really into my feelings about mark hoffman again #the very specific version of him in my brain that i really really wish i had the time and energy to properly share with you guys #saw #well until i muster the energy to explode all of my feelings out into a fic. if you want to TRY and understand #know that my three biggest hoffman fic insps right now are as follows #your best kept secret hoffman. a series of mistakes hoffman. and rushed like a dreadful wind hoffman.#there is a very clear throughline just know i am extremely emotionally compromised rn #thinking about theee fics vs the canon path hoffman spirals down #something something the absolute tragedy of watching a man's descent into madness #the transformation of a man into a monster #and what could have saved him from himself and kramer's corruption #sorry i'm rambling so much oh my god i was just having such a crying fit out of nowhere about this #do you think he could feel it happening. do you think he was aware he was losing his mind.#the script version of him fucks with me so bad. the crazed rankings and the longer hair and him not being well kept anymore #it's impossible to think he didn't know he was deteriorating #fuuuck okay i need to either chill or write a whole longfic rn #i project on that guy so much i truly don't know if i could properly write my vision of him #until i do something more substantial the full extent of my hoffman exists for me and my boyfriend only. they get me like no one else #well ginny and jenna also get me. please read best kept secret and a series of mistakes Oh My God #where am i going with this. i like tag rambling actually this is a nice way to do it without forcing EVERYONE to read my delirium #anyways if you've read all of this i think i love you? feel free to dm me about hoffman and my very specific headcanons and aus #maybe soon i'll try and start writing my fics about this tragic man #i could never say any of this on twitter btw they'd string me up for my opinions on him as a sad wet beast who could have been fixed #if only he hadn't been weaponized first #god i'm too tired to even be as embarrassed about this as i should be. thought i unlearned cringe already #but i've been spending way too much time on twitter and they HAAATE hoffman there #rip. i know it's not that serious but i'm sensitive rn and hate feeling lonely in my thoughts #ok bye for real otherwise i'll never shut up. i might tag ramble more often bc this was therapeutic in a way i needed badly #cat chat

145 notes · View notes

majosullivan · 2 months

Text

Something something Pluto’s spectre having abilities relating to bad luck since black cats are generally seen as a sign of bad luck, while in Japan, black cats are seen as a sign of good luck and fortune. Something something Pluto having abilities relating to bad luck while Duke’s stage name, Fortunato, means Lucky; Fortunate; Blessed…

151 notes · View notes

ghosts-cyphera · 2 months

Text

hi my darlings <3

it makes me sad to post this, but I think it's time for me to delete my blog. it was amazing to be here with you all, and I'm forever grateful for all the love you sent my way. I just don't see myself getting back into CoD, and sadly my blog has become a source of stress for me rather than happiness. it's not because of any of you—if anything, I doubt I'd be here today if it wasn't for so very many of you. please know that your love and support made a difference.

if you want to save any of my fics for future reading, please go ahead !! I only ask you to keep them for personal use, and to not repost them, even with credit.

I love you all and wish you nothing but the best. 💗

with tons and tons and tons of love, lo 💕

#I'll take my blog down somewhere in the upcoming days <3 #and hey !! I very well might come back. if I do I promise to let you all know it's me <3 #after all this /is/ my third writing blog in the past eight-nine years lol. I always end up coming back #I love you all so very much <3 #lo talks #simon ghost riley x reader #ghost x reader #simon riley x reader

176 notes · View notes

babyloniastreasure · 6 months

Text

something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.

this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.

Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.

The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?

It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.

TLDR;

#the epic of gilgamesh #mesopotamia #sumerian #once again recommending that everyone read the epic of gilgamesh at least once because it really is a great story #gilgamesh and enkidu's relationship is first of all--a minor detail at best. homosexuality was normal in sumerian society #so it wouldn't have been unusual. in fact placing such intense focus on it is what's unusual #also they weren't even homosexual. they both also sleep with women. but the erasure of bisexuality is a completely different hornet's nest #i could also probably write a post about how watered down the whole ea-nasir thing is too #but hes so much of a meme i might as well try to convince a brick wall to get up and walk for all the good it'd do #anyway. im pretentious about this topic because i love it so fucking dearly. please recognize what it is youre appreciating

306 notes · View notes

starrysharks · 7 months

Text

a cat's hauntingly cute laugh rings out on this dark, candy-coated halloween night...!

#zeno's art #ocs #minty #soulstice circus #halloween #this piece was honestly SO MUCH FUN!!! there was a bit of turbulence but in the end i'm very proud of it #i've got values down well now so they weren't a big problem but halfway through i ended up changing a lot of the colors #because i wanted a more blue and pink look than purple and pink #but it worked out well #i also wanted to do a different angle which went nicely #in the end my favorite parts of the piece are his hair + stockings #as well as the cityscape (especially the streetlight which was added in spontaneously) and the pumpkitties!#this is also a redraw of a piece from around this time last year - i might post that in a seperate post as well #ok i'm writing all this on the 18th now - this should reach you on halloween night! (in US times)

217 notes · View notes

crybaby-bkg · 1 month

Text

wanna bug Toji soooo bad while he’s on the phone. his ass doesn’t have a job so it’s not like he’s discussing important business, but he likes to make it look that way. phone tucked between his shoulder and ear as he uses one hand to rub circles on your exposed thigh, the other flipping through the tv channels. he’s speaking in a low tone, his eyebrows mused together in agitation as he calls the guy on the other line a barrage of insulting names.

and you’re just a simple person—the man looks hot as fuck like that and you just have to bother him. so you do, despite the side eye he gives you when you swing your leg over, foot in the air, right in his face. he swats you away gently before going back to his phone call, bites at your toes when you still try to wiggle them in his face.

"If you think you can lowball me like that, then you're stupider than I thought." Toji grunts to the other man on the phone, distracted once more. a little peeved that his attention isn't on you much anymore, you do what any little conniving imp would do.

you sit on his lap. backwards, facing the TV, looking over your shoulder at him with such an evil little grin that it makes his eyes squint to you in warning. but you've never listened much, especially when you know you'll be rewarded so plentifully in the end.

so you rock your hips, just slightly the first few times. your legs sat on either side of him, hands resting in the space between his legs on the bed, leaning your weight back on his hips that you sit against. instantly, you can feel the swell of him beneath his sweats, feel the thickness that you love to fill you up start to twitch when you circle your hips, grinding them oh so slowly against his covered cock.

when you look over your shoulder again, Toji only stares, the slightest lilt of his lip turning up at the corners. he tries to act unbothered, one arm bent back to rest his head against, the other holding the phone to his ear. but you can see through him, and feel just how bothered he really is.

so you up the ante; start to lift and drop your hips slow, slow, slow at first before the pace begins to build. you lean forward on your elbows, pull your underwear up until the curve of your ass is exposed, gasping from the friction, from the feeling of his cock rubbing so sweetly at your slit through the thin cotton.

you look over your shoulder once more, grinning, biting at your lip as you grind against him, close to completion. he can see it all in your eyes.

"Gonna call you back later. Got some important shit to take care of right now." Toji hangs up without preamble, gaze distant as he focuses on the ever growing spot of your arousal that starts to leak onto his own sweats.

but you're a little minx, with the way you scramble from his grasp before he can catch you, laughing when he snags your ankle to drag you back down. he's suddenly kneeling over you, grin sharp and ferocious, the straining of his cock through his sweats hanging so intimidatingly low, that if you lift your hips just a little, his tip would kiss your clit in the sweetest kiss.

"And where do you think you're going, you little brat?" Toji growls, dropping down to nip at the base of your neck, licking over your pulse point.

"Not letting me off the hook that easy, huh?" you tease, hands splayed beside your head in surrender, just wanting a little bit of the chase before the devouring. and by the look in his eyes, you know you'll only be bones by morning.

"Not in a million years." he promises right before the inevitable pounce.

#hello all 🧍🏽‍♀️#my head is hurty and I feel nauseous so I think I will take some sleeping pills and lay down 👍🏽#also think I might finally finish that fic for him tomorrow #but no promises bc I sometimes get Tired #also thinking about starting coms in late June #bc my semester ends in a few days and I have surgery scheduled after that so I’ll be down for a bit #but I’m pretty sure I’ll be able to still sit in bed and write so hopefully all goes well!!!#I set up my kofi but I chickened out of posting it here bc I am Anxious #about Everyrhinf #rambling sorry I hope u guys like this I’m obsessed with this man #—new treat in the streets! 🍫#toji treats! 🍬

81 notes · View notes

golden-headband · 6 months

Text

Nap Time

Eternal Servants AU belongs to @emelinstriker

Scenario: Reader wants to sleep. Needs to have their favorite fur covered boys to sleep well.

You were lying down, trying to go to sleep. And yet it elludes you like water from a ducks back. You knew you were tired, yet your mind refused to turn off in order for you to get your REM sleep.

You finally breathed in and give a sigh of defeat. Lifting your head from the pillow and looked up. "Guys? Could you-?"

"Yes Master!?" Macaque knelt before you, at eye level where you were lying in the couch. You stared at him. Bemused at his speed. "Can i ask you, Wukong, and MK to come here for a sec?" That order request did not take long to be fulfilled.

"Is there something we can do Master?" MK asked, looking up at you. "It's not a big deal, just a lil thing." You assured the three monkey champions kneeling in front of you. " Um... Can I ask you guys to just... Lie next to me? Like. One on each side? I'm more used to my cats lying next to me while I go to sleep and uh..." By the look on their faces, they could feel your sorrow from missing your pet. You took in a deeper breath, held in your chest as you tried to speak. "I just need some company while I go to sleep."

" of course" you were so tired you couldn't tell if it was Wukong or MK saying this. You knew it wasnt Macaque since he wad always so loud and eager to please you. Eventually you felt Wukong on your left and Macaque on your right. Both nuzzling into your shoulder and side respectfully. MK was clinging to you while burrying his head into your chest. Right over your heart. All of whom had their arms wrapped around you ans their tails wurled either around your legs or your waist. It was... Soothing. In no time your eyes closed, and you drifted off to sleep. Feeling comfort in those around you.

And when you felt Wukong place a kiss on your head, it was over. You heard his voice before going straight into dreamland. "Have a good night Master."

#lmk esau #eternal servants au #lmk drabbles #lmk esau fanfic #i dont know wjy but i had to wrote this down before i went to bed #i always feel like i need to give wukong ONE line in these. and i always get so worried if its something he would say or not #also the pet thing could be anything. but i do miss my cats being like gargoyles on the foot of my bed #i miss having cats in general...#anyway. ive had this idea of just both monkeys on eigher side and mk just coming up and plopping his head down #this image makes me smile and i had to write it down #esau x reader #lmk x reader #more pkatonic in this but might as well tag it

122 notes · View notes

uter-us · 1 month

Text

radfem help !!

2 of my little cousins (14yrs and 15yrs) are both girls dating boys right now, and together we are coming up with a "dealbreaker list" of things they will never put up with from their bfs! and also we are including positives, like so they aren't just looking for the absence of bad things, but actual positive things

what do yall think are the most important things to add? (i put extra info in tags)

Thank you so much!!!

#I dont want it just to be “he doesn't hit me” as that's super important but they could end up with awful boys who don't hit them and still #mistreat them. there are certain vulnerabilities that make me worry the most for them. Ive been writing under the deal breakers like exampl #of how it would manifest like things they might say or how they might behave so that way in the moment there will hopefully not be as much #time spent questioning if it counts as a deal breaker. we want to do positives too so like I said in the post it's not just like "he doesn'#put me down“ but also ”he roots for me and encourages me and verbalizes it“.#they are 14/15 so I'm less focused on stuff related to like splitting domestic labor for example but I think a good translation could #be like “he spends as much time as I do planning dates” and “it's clear to me that he put a lot of thought into my birthday gift” or the li #anyway I know they are safer without dating boys (and for the record they both know I do not date men (and only one knows I am SSA) but #they ARE dating and it's much more practical and realistic to reduce harm here since they are doing it!#also this is obviously not the extent of my effort in making sure they are safe and well and not reliant on boys/men;#this list is just one small part!!!#thanks so so much! and if you don't know please share bc maybe someone else has advice! ty!!!#radfem #radical feminist safe #radblr #sex based oppression #mvawg #question tag

54 notes · View notes

skysmadness · 6 months

Text

when sora first woke up in quadratum he's dizzy and confused, can hardly walk, and then strelitzia finds him as soon as he starts to lose consciousness and takes him home.

she takes care of him, lays him down on her soft couch and tries to get him as comfortable as possible. as she does this sora starts to somewhat wake up, but when he realizes his necklace is missing he starts panicking: his eyes grow wide, they were already wet with how exhausted he was and he can't exactly speak but he desperately tries to find it.

the ex-dandelion panics as well but quickly realizes why the boy was this distressed when he finally spots the crown pendant on a small table near the couch and pathetically reaches for it. strelitzia gives it back to him with no hesitation and sighs when he finally calms down, fainting again.

she doesn't bring it up later on, when sora's "better". after all, getting used to the city while also having his mind fogged up is really taking a toll on him.

when she does talk about it though, they're on sora's balcony. it's night and the stars aren't exactly visible but it's nice nonetheless.

"do you remember when you woke up here?"

sora blinks at her, surprised yet not annoyed by having their peaceful quiet interrupted.

"vaguely. i just remember the migraine i got – thanks again for looking after me, by the way."

the redhead shakes her head, then she continues, "no, it's okay, i wasn't bringing it up for that i just..."

she could sense sora was special, that he was there for a reason. another keyblade wielder suddenly spawning in her neighbourhood? that had to mean something, so she was going to try her best to help him remember.

"when i took you in," she continues, "i put you on the couch and i took off your jacket and shoes and also... your necklace."

she points at it, her gaze softening when the moonlight reflects its light on the silver crown. sora automatically follows her finger and looks at it too. he suddenly feels warm. safe. protected.

"you were so shaken when you realized it wasn't with you even for a moment. can you remember why is that?"

she's met with silence and wide eyes.

"what does this necklace mean to you, sora?"

and only for a moment, a comet can be seen away from them, travelling fast in the deep night sky then disappearing. they both quickly turn their heads to look at it.

strelitzia is so mesmerised by it that she almost forgets her question, but is reminded of it when she sees sora crying from the corner of her eyes.

"i don't know," he croaks, "i don't remember and it's making me go mad. i just – i just know that without it i–"

he reaches for it once again, with trembling hands, gulping as the cold metal meets his warm skin.

"i just don't feel safe without it," he simply states.

silence falls between them again, until strelitzia takes sora's free hand in hers.

"sounds like a very powerful lucky charm," she tries. luckily, sora laughs weakly.

"you could say that."

#ive had this running in my mind for a while now #i had to write it down so i might as well share my insanity on here #side note i am not a writer nor is english my first language but i find it fun #if you find it cringe .. SHUT UP !! /j #sora #strelitzia #kh4 speculation #kingdom hearts #this is solely based on my hcs in which sora loses his memories when he's in quadratum so that MoM can fuck with him even more #soriku #if you squint. but its there #necklace theory #kh headcanons #ryurambles

119 notes · View notes

yuhlmaooo · 3 months

Text

as promised here's rest of the voice headcanons of the linked universe links!!

you can find the first four here^

#linked universe #lu sky #lu twilight #lu hyrule #lu four #lu wild #since i probably won't make another post on side characters #might as well write it here and see for yourselves #for malon she would totally have a country accent and the first thing that comes to my mind would be Applejack's mom Pear Butter from MLP #ravio's to me is something more like Lyney's (Genshin Impact) with his optimistic yet sly approach to his delivery #gonna double down with posting for a while to make art for school again

98 notes · View notes

etoilesombre · 6 months

Text

Hey, do you guys want to hear a story? Let me tell you about the romance between Lancelot and Guinevere, as recounted in Sir Thomas Malory's Le Morte d'Arthur.

So, I thought I knew the basics. I grew up reading modern versions of Arthurian legend that focused on other aspects, but had a general knowledge of the Arthur-Guinever-Lancelot love triangle. It didn't show up too much, but I assumed it was subtext in some other versions. What I picked up was that it was sort of pure, almost an ot3, and not the cause of a lot of problems.

My friends. In this version it is NOT SUBTEXT, it DEFINITELY CAUSED PROBLEMS, and it is WILD. It is a true will-they-won't-they drama fest soap opera romance, and I need to share. So please, come on this journey with me.

[I’m looking at you, Black Sails fandom people. I need you to know that Flint canonically would have read this. He would almost certainly have also grown up hearing these stories. I’m not saying he’s Lancelot coded, but I am saying it's interesting that he would have been aware that was something it was possible to be.]

A couple notes, before we dive in. I am very much just summarizing what happened in the book. The thing is, the book is a million pages long and also in Middle English, and this is just one of many plots, which I think is why it's not more widely known. I will show some excerpts so you can get a feel for the text, but you don’t need to read them to understand the story. I'm referring to a version that is as close to the manuscript as I can find, though with spelling regularized. For real fun, see what the original looked like. Malory purports to be translating part of the French Vulgate cycle, which likely is where the character of Lancelot originates, but in fact he is doing much more than translating, and compiles other stories as well. Point being, when he says “so the French book sayeth” etc, that is the “book” to which he is referring. Because of my lack of knowledge about the language and cultural context, this lecture series from Mythgard Academy was absolutely invaluable to my understanding. I cannot recommend it highly enough. Inevitably, some of the opinions of the prof are reflected here. I do not have it in me to compare the scholarship of various medievalists right now, I just want to tell you about this DRAMA.

Let’s start with a prophecy. When Arthur decides he wishes to marry Guinevere, Merlin advises him to take someone else, because if he takes her, she will betray him with Lancelot and it will destroy his kingdom. All of this is foretold, not only to us, but to Arthur himself. Of course he takes her anyway, and all is doomed from the start.

As we begin the main arc of this story (several books after the prophecy), Lancelot is widely acknowledged to be the best and most renowned knight of Arthur’s court. He is plainly and hopelessly in love with Guinevere, and she loves him in return. Arthur doesn’t have a problem with this - who wouldn’t love Guinevere? This sort of love is socially acceptable, so long as they do not sleep together, which would be treason. Arthur in fact seems to support their love, because it means that Lancelot will be Guinevere’s champion should she need one. This is a role Arthur himself legally cannot fill because he is the king, and so would have to be the judge. Lancelot is indeed a good champion for her, and fights for her when she is wrongly accused of murder.

Lancelot is deeply chivalrous, in a way that seems sincere. This is a great place for a first excerpt, a conversation with a Random Damsel Lancelot has been helping:

‘Now, damosel,’ said Sir Lancelot, ‘will ye any more service of me?’ ‘Nay, sir,’ she said, ‘at this time, but almighty Jesu preserve you wheresoever ye ride or go, for the most courteous knight thou art and meekest unto all ladies and gentlewomen that now liveth. But one thing, sir knight, me thinks ye lack, ye that are a knight wifeless, that ye will not love some maiden or gentlewoman. For I could never hear say that ever ye loved any of no manner of degree, and that is great pity. But it is noised that ye love Queen Guenivere, and that she hath ordained by enchantment that ye shall never love no other but her, nor no other damosel nor lady shall rejoice you; wherefore there be many in this land of high estate and low that make great sorrow.’ ‘Fair damosel,’ said Sir Lancelot, ‘I may not warn* people to speak of me what it pleaseth them; but for to be a wedded man, I think it not; for then I must couch with her, and leave arms and tournaments, battles and adventures. And as for to say to take my pleasance with paramours, that will I refuse, in principal for dread of God. For knights that be adventurous should not be adulterers nor lecherous, for then they be not happy nor fortunate unto the wars; for either they shall be overcome with a simpler knight than they be themselves, or else they shall slay by unhap and their cursedness better men than they be themselves. And so who that useth paramours shall be unhappy, and all thing unhappy that is about them.’

So after doing his Knightly Deeds for this damsel, Lancelot asks if she needs anything else. She says no, but you are lacking one thing, which is the love of a woman. It is rumored that is because Guinevere has through sorcery made you love only her, and that causes all of the women great sorrow. In reply Lancelot makes this speech about how he cannot have a wife or paramour and be a good knight, but everyone thinks it is at least in part because his love is reserved for Guinevere.

Now, throughout the book his chastity DOES notably cause all of the women great sorrow. Everyone wants to sleep with Lancelot. Literally he is kidnapped by the four most beautiful queens other than Guinevere, and they say he has to choose one of them as a lover (not even a wife, a lover) or else die. He says he would rather die, though in the end he escapes. This is just an example, truly it is a recurring problem for him. He is, at one point, tricked into sleeping with a woman with whom he conceives his son Galahad (as was prophesied, it's a long story and the romance is only part of it. It is worth mentioning that something similar happens to Arthur, which is how Mordred is sired.) When Guinevere learns that Lancelot has been with someone else, she is angry and banishes him from the court. They still love each other and eventually reconcile.

So, Lancelot goes on the quest for the holy grail. But he fails, specifically because while he is outwardly dedicated to God, in his private heart he is still dedicated to Guinevere. And so he makes a vow to renounce his love for her, acknowledging that it is beyond measure (beyond what is right, even if they have not technically done anything wrong.) However when he returns to Camelot, he cannot keep this vow, as we see.

Then, as the book saith, Sir Lancelot began to resort unto Queen Guenivere again, and forgot the promise and the perfection that he made in the quest. For, as the book saith, had not Sir Lancelot been in his privy thoughts and in his mind so set inwardly to the Queen as he was in seeming outward to God, there had no knight passed him in the quest of the Sangrail, but ever his thoughts were privily on the Queen. And so they loved together more hotter than they did beforehand, and had many such privy draughts together that many in the court spoke of it, and in especial Sir Agravain, Sir Gawain’s brother, for he was ever open-mouthed. So it befell that Sir Lancelot had many resorts of ladies and damosels that daily resorted unto him to be their champion: in all such matters of right Sir Lancelot applied him daily to do for the pleasure of Our Lord Jesu Christ. And ever as much as he might he withdrew him from the company of Queen Guenivere for to eschew the slander and noise, wherefore the Queen waxed wroth with Sir Lancelot.

He and Guinevere start spending a lot of time alone together, and so there are rumors circulating about them in court. In order to put a stop to the rumors, Lancelot starts paying other women attention and doing more good knightly deeds for them. Guinevere is terribly jealous, but he tells her it's for their own good, and also tells her about the vow he made, and his concern that their love is beyond what is appropriate. She is devastated, and weeping banishes him from the court (again).

Lancelot then rides in a tournament, disguised. (Why? Because this is simply a thing knights do.) To make it an effective disguise he takes the token of a woman, the sleeve of the fair maid of Astolat to wear on his helm. When she discovers that he was only using it for the disguise, and he does not indeed love her, she is so heartbroken that she says if he will not marry her or be her lover, she will die. He refuses, on the grounds that love must not be constrained and should arise from the heart, and offers her a thousand pounds a year instead if she marries anyone else. Properly insulted by this, she does indeed die. She has her body sent in a boat to Camelot, with a letter in her hand, saying that she died of her love for him, that he would not return.

Seeing this, Guinevere reconciles with Lancelot, presumably reassured by the fact that he would let this very beautiful much younger woman die of her love rather than being with her. She insists that from now on he will not fight in disguise, and will openly bear her token.

Then Queen Guenivere sent for Sir Lancelot, and said thus: ‘I warn you that ye ride no more in no jousts nor tournaments but that your kinsmen may know you; and at these jousts that shall be ye shall have of me a sleeve of gold. And I pray you for my sake to force* yourself there, that men may speak you worship. But I charge you as ye will have my love, that ye warn your kinsmen that ye will bear that day the sleeve of gold upon your helmet.’ ‘Madam,’ said Sir Lancelot, ‘it shall be done.’ And either made great joy of other.

It is important to keep in mind that, to this point, there is no textual evidence that they were sleeping together, and a great deal of evidence that it was important to Lancelot that they not cross that line. There is much less evidence that this is important to Guinevere.

So then one fateful day in May, Guinevere goes picnicing with an entourage of knights. They are captured by someone else who is in love with Guinevere, and taken back to his castle, but she manages to send a message to Lancelot. At the castle, she insists that her knights sleep in her bedchamber on the grounds that they were wounded in the battle when she was captured and need tending, but truly she wants them there to keep her captor from raping her.

Lancelot arrives to rescue her, and the person who kidnapped her agrees to give her back in the morning. She tells Lancelot to visit her room in the night. He climbs up to her window, which is barred. They have a heartfelt reunion and she says she wishes he could come in to her. He acquiesces and breaks the bars to get into her room, cutting his hand to the bone to do so. Despite the profusely bleeding wound and the ten other men sleeping in the room, they at last do sleep together, in this passionate blood covered consummation. He sneaks back out and replaces the bars.

In the morning, the man who kidnapped Guinevere comes in and sees blood all over the bed. He accuses her of being unfaithful to the king, saying she lay with one of the knights who had been sleeping in her room. She denies it, but it is very clear that she did sleep with someone who was bleeding.

Lancelot says he will fight to defend her from this accusation, which is right and proper because he is her champion. In this story people take trial by combat and oaths before God very seriously, especially Lancelot. He really does try. So he swears an oath that he will prove with his life that Guinevere did not sleep with one of the wounded knights who lay in her room. This of course is TRUE, but only on a technicality. Lancelot, having slept with her himself the night before, is also the one who defends her honor after. I love this story so much.

Instead of fighting him, the kidnapper takes Lancelot captive. In captivity he encounters ANOTHER damsel who insists that sleep with her in order for her to help him. He refuses, still faithful in his heart to Guinevere. Eventually she settles for him holding and kissing her, which is not across the line of appropriateness apparently, giving us some idea of where that line is drawn. Anyway, Lancelot gets out, fights for Guinevere and wins. There are indications that he feels like he barely dodged a devine bullet.

Guinevere and Lancelot return to Camelot. Finally the rumors about them are true, the deed has been done, but of course nothing appears particularly different as there were already rumors about them. Two knights, Mordred and Agravaine, who have been intriguing against Arthur already, go and tell Arthur that Guinevere is being untrue to him. Here is his response:

‘If it be so,’ said the King, ‘wit you well, he is none other; but I would be loath to begin such a thing but I might have proofs of it. For Sir Lancelot is a hardy knight, and all ye know that he is the best knight among us all; and but if he be taken with the deed he will fight with him that bringeth up the noise, and I know no knight that is able to match him. Therefore, and it be sooth as ye say, I would that he were taken with the deed.’ For as the French book saith, the King was full loath that such a noise should be upon Sir Lancelot and his queen. For the King had a deeming of it; but he would not hear thereof, for Sir Lancelot had done so much for him and for the Queen so many times that, wit you well, the King loved him passingly well.

Arthur says he will not hear of this without proof, because if Lancelot is accused and allowed to fight he would beat anyone. And, it is said that Arthur had some idea of the affair, but would not credit it because Lancelot had done so much for him and Guinevere, and he loved Lancelot greatly.

So, one night when the king is away hunting, the two accusers contrive to catch them in the act, with a group of twelve armed knights. They do find Lancelot in Guinevere’s chamber, but the text is notably, pointedly vague about whether they are actually in bed. In any case, Lancelot asks for a trial. The knights say no, they have caught him and so may kill him. He is Lancelot, so he kills all of them instead, save one (Mordred) whom he leaves wounded. Lancelot flees, intending to return to rescue Guinevere and take her to his own castle to protect her from Arthur’s wrath. He maintains her innocence, and still intends that they will all reconcile.

Guinevere is to be burned at the stake (normal in this situation). Lancelot rescues her from the burning at the last moment, killing a number of knights of the round table. Arthur seems to blame the accusers more than Guinevere and Lancelot (for good reason; keep in mind that the romance is a subplot, there is a great deal of political intrigue going on.) Now a war will begin, whether anyone wants it or not, because of the people Lancelot killed. Lancelot takes Guinevere to his own castle. Battle lines are drawn, and Lancelot and Arthur confront each other in the fighting:

And ever was King Arthur about Sir Lancelot to have slain him, and ever Sir Lancelot suffered him and would not strike again. So Sir Bors encountered with King Arthur; and Sir Bors smote him, and so he alit and drew his sword and said to Sir Lancelot, ‘Sir, shall I make an end of this war?’—for he meant to have slain him. ‘Not so hardy,’ said Sir Lancelot, ‘upon pain of thy head, that thou touch him no more! For I will never see that most noble king that made me knight neither slain nor shamed.’ And therewith Sir Lancelot alit off his horse and took up the King and horsed him again, and said thus: ‘My lord the king, for God’s love, stint this strife, for ye get here no worship and I would do my utterance. But always I forbear you, and ye nor none of yours forbear not me. And therefore, my lord, I pray you remember what I have done in many places, and now am I evil rewarded.’ So when King Arthur was on horseback he looked on Sir Lancelot; then the tears burst out of his eyes, thinking of the great courtesy that was in Sir Lancelot more than in any other man. And therewith the King rode his way and might no longer behold him, saying to himself, ‘Alas, alas, that yet this war began!’

So Arthur tries to slay Lancelot, but Lancelot, the better fighter, refuses to slay him and indeed when Arthur is unhorsed Lancelot forbids that he be slain, and gives him his own horse. Arthur weeps for the honor that is in Lancelot, and laments that the war began.

The pope intervenes and tries to negotiate an end. Lancelot confirms that he is willing to return Guinevere to Arthur, and says he has always been willing to do this and will still defend her honor, but that he does not feel he can do so because Arthur has listened to liars and been misled, and he had more reason to take her away than the accusation of adultery - he does not trust she can be safe in that court, with things as they are.

Eventually they do make a deal, with some assurances, and he surrenders Guinevere to the king. He kisses her openly, says that he will leave, but should she be in danger or ever again accused of being untrue, he will fight for her as he always has. He departs the court forever, to much great sorrow, and returns to his own lands.

The war continues - eventually Mordred seizes the throne, Arthur kills him in battle but is mortally wounded himself and passes to Avalon. Following the king’s death, although her love would no longer be adulterous, Guinevere retires to a convent rather than reuniting with Lancelot. He seeks her out, and this is her reaction:

Sir Lancelot was brought before her; then the Queen said to all those ladies, ‘Through this same man and me hath all this war been wrought, and the death of the most noblest knights of the world; for through our love that we have loved together is my most noble lord slain. Therefore, Sir Lancelot, wit thou well I am set in such a plight to get my soul health; and yet I trust through God’s grace and through His Passion of His wounds wide, that after my death I may have a sight of the blessed face of Christ Jesu, and at Doomsday to sit on His right side;* for as sinful as ever I was, now are saints in heaven. And therefore, Sir Lancelot, I require thee and beseech thee heartily, for all the love that ever was betwixt us, that thou never see me no more in the visage. And I command thee, on God’s behalf, that thou forsake my company; and to thy kingdom look thou turn again, and keep well thy realm from war and wrack. For as well as I have loved thee heretofore, my heart will not serve now to see thee, for through thee and me is the flower of kings and knights destroyed. And therefore go thou to thy realm, and there take ye a wife and live with her with joy and bliss. And I pray thee heartily to pray for me to the everlasting Lord that I may amend my misliving.’ ‘Now, my sweet madam,’ said Sir Lancelot, ‘would ye that I should turn again unto my country, and there to wed a lady? Nay, madam, wit you well, that shall I never do, for I shall never be so false unto you of that I have promised. But the self* destiny that ye have taken you to, I will take me to, for the pleasure of Jesu; and ever for you I cast me specially to pray.

Rather than rejoicing in Lancelot’s presence, Guinevere laments that their love brought about the downfall of the Arthurian court, and the deaths of the knights of the round table and King Arthur. She calls upon Lancelot, by all the love that was ever between them to leave her presence, telling him to marry someone else if he wishes and see her no more. Lancelot replies that he wants no one else, and that he will respect her wishes, but will also renounce the world and join a religious order. He asks Guinevere for a final parting kiss, which she denies him.

When Guinevere lies dying of illness, Lancelot sets out to go to her, having had a vision. She knows of his coming, and prays to die before she sees him, because she cannot bear it. She dies a half hour before he arrives, leaving instruction that he is to tend to her body, and then lay it to rest beside that of her lord King Arthur. Lancelot does this with great sorrow, and after ceases to eat or drink, and within weeks is dead himself.

And there you have it, the love affair that doomed Camelot.

HUGE DISCLAIMER: Any and all mistakes or misinterpretations are my own. This is what I gathered, but I am not a medievalist. I am barely an interested layperson. I’m just a random fic writer who got obsessed with research for a story, and had to share this tragic mess.

#i have a million thoughts about this #and there is a great deal of context that would be helpful #but i this doesnt need to be more than 4k words long so #i may do a followup post if there is interest #but black sails folks #i'm writing a lot of flintmadi convos right now #and vaguely planned to have them talk about this book #as a way to discuss their own situation and values #but i had not actually read it #and it is WAY MORE than i expected #anyway they are going to refer back to it #so i figured i should write it down so i can point at it if readers want to know wtf they are talking about #is there an #arthurian legend #tag?#i purposefully haven't looked i don't go here if there is a here to go #but fuck it that was a lot of work might as well see #anyway there are so many things to dig into here #arthur's role or lack thereof #(the rest of the book has a lot more to do with him)#the treatment of fate and prophesy #the courtly love tradition #how this fits into the arthurian tradition as a whole #and the clear french influence #vs the old celtic stories #also so many fun things about language in general #did you know that paramour is derived basically the same way as paramilitary?#'para' as 'beyond that which is regular'#also in middle english negatives are additive rather than canceling each out out!#fun facts

96 notes · View notes

allmyhomieshatelawns · 3 months

Text

AND SOME MORE FOR THE HYPNO POP AU BECAUSE IT WON’T LEAVE ME ALONE EVEN THOUGH MY HANDS ARE SCREAMING IN PAIN BECAUSE THE WEATHER KEEPS SHIFTING LIKE A DICK.

anyway anyway, please enjoy another lil somethin i wrote for @djmurphy ‘s Hypno Pop AU!

“Because I’m happy, clap along if you feel like a room without a roof!” My throat stung with the words, volume rising higher with the lyrics of the song. “Dance along if you feel like that’s what you wanna do!”

Cruel irony that. I certainly didn’t want to, but that isn’t what mattered. The village needed to be happy, we were celebrating nearly twenty years of freedom from the bergens. This was a happy time!!

I continued dancing on the main stage, singing with the rasp that had developed in my voice some years ago. King Peppy said it made me sound more mature and that I should like it. And I do! I love how it sounds nothing like the angelic voice that got—

Don’t falter! I snapped back to attention just in time for the knee slide, grinning despite the harsh impact.

The entire village went wild, several in the crowd fainting, and even more screaming for an encore.

I felt tired, like my bones were crumbling away inside of me, but my smile didn’t falter.

“You guys want more? Alright! This one I’ve been working on for a while now!” My lips and throat moved on their own; I wouldn’t be getting any rest anytime soon. Might as well retreat.

Everything was on autopilot, but thankfully the screaming fans didn’t seem to notice or care. They just wanted more. They always want more. It was so wonderful that they loved my music. I loved making them all so happy!!

“Wow, Branch! I can’t believe you did three encores! Where do you get the energy? I would’ve had to stop after the first one!” Princess Poppy was at my side, practically dragging me off the stage.

I was allowed to sag into her side for a moment, it was close enough to Hug Time, it was fine. But all too soon my strings pulled me away, smiling.

“I can’t say no to my adoring fans!” I grinned, the right side of my mouth gave a violent twitch, cramping from the nonstop use. I turned away so hopefully Princess Poppy wouldn’t notice. She can’t think I’m weird, I’m normal, I’m supposed to be normal!

“Branch?” Princess Poppy’s voice was laced with concern, her hand grabbing my shoulder and spinning me around.

I tried to maintain my grin, feeling the corners twitch uncomfortably against the frames of my glasses. I tugged on my blue puffy vest, nerves trying to rise from my belly but thankfully, as always, halted in their tracks.

“What’s up, Princess Poppy?” I asked, my hands now hanging limp at my side since they weren’t allowed to do anything else.

She made a face at her title like she always did, but her hand tightened on my shoulder. “Is everything okay?”

“Everything is perfect! Why wouldn’t it be?” My mouth said, the words a little too chirpy. “The fans love me, and your celebration is going even better than projected!” That should throw her off, get her talking about the party. Everyone is happy.

It worked like a charm. Princess Poppy beamed at me like I had given her, her favorite dessert.

“Thank you, Branch! This party wouldn’t have been half as successful without you here though! You make every party more fun.” She then began prattling on about the different streamer and glitter bombs she had used this time as opposed to last year. She was so dedicated to keeping the village happy! We were so lucky to have her and King Peppy!

I relaxed, as much as I could, and smiled along. Thankfully it didn’t have to be a big smile, I could soften things for the princess.

Soon enough we were in the area considered backstage, and I expected her to peel off and go back to her friends, but instead, she pulled me into a more private dressing room area. My skin prickled at the privacy. That meant bad things. That meant I wasn’t happy enough.

“Branch, I need you to be real with me here. You’ve been acting kind of… off lately. Are you sure you’re okay?” Princess Poppy looked apologetic as she said it, but I felt the immediate effect.

A scream of pop music resounded in my ears, so loud I thought they would start bleeding. The pounding in my head got worse, like a bergen bashing my head against a tree. Even my muscles started to scream, wanting to cramp and twitch as they were forcibly pulled. I wanted to scream and cry and curl up under the bed in my pod, but I stood there beaming.

“Princess Poppy, I assure you, I’m perfectly fine. Just a little tired from the party tonight. Don’t worry about me. I’ll be just fine.” The words were straight from the string and they hurt, like they were being ripped from me. My voice even went raspier, like there was another voice speaking under mine, but I wasn’t sure if that was from the singing or not. It had been a long time since I had to have the string speak through me. I’m supposed to be better than this. Get it together, Branch. You’re perfectly happy!

Princess Poppy took a step back, a frown pulling down her lips.

No! No! I can fix this please—

“Is everything alright, Poppy? I saw you follow Branch back here.” King Peppy’s voice sent shivers across my body, locking up my joints. King Peppy is here! Oh good he’ll make everything better, like always!!

“Oh! Hey Dad, I was just congratulating Branch on his performance!” Princess Poppy lied to the king! Her face didn’t show any hint of dishonesty though, and I didn’t feel compelled to correct her, that would be rude, so I just nodded along, my smile back to the tight beam that had been on display for everyone tonight. I had worked super hard on it to make it perfect.

He looked between the two of us like he wasn’t sure it was the truth, but merely motioned me forward. I went without hesitation of course, my body still rigid and stiff despite the bounce in my step. I stopped in front of King Peppy, smiling up at him.

“Run along now, my darling. I wanted to talk with Branch about something, you know, guy talk.” King Peppy winked over my head at the princess, causing her to gag and laugh.

“Ew Dad, okay. Alright, Branch, it was awesome talking to you!” She hesitated a moment before giving me a hug, squeezing tighter than normal, like she was afraid of something.

I watched her walk away, my pink-tinted vision clouding her shape the further she got. Like I was drowning alone in suffocating pink mist.

King Peppy’s hand landed on my shoulder heavily, and he sighed like the weight of the world was on his shoulders. “I worry about her. I only hope that when it’s her time, she will continue to make the right choices, as I have. Now, come along, Branch. I’ll top you off.”

“Thank you, King Peppy!” I chirped, melting as the string was plucked, and I could just dive back into the haze of my mind. We were having to do this more frequently. It used to be, I could go for a week without having the string played for me, but that time was shortening. I didn’t want to think about what would happen to me should the string stop working altogether. That wasn’t a happy thought, and only happy thoughts were allowed!

#dreamworks trolls #trolls #trolls branch #trolls poppy #trolls king peppy #hypno pop au #trolls fandom #trolls fanfic #fanfic snippet #i’m having too much fun with this #even tho my hands hurty #hope y’all enjoy this lil bit #hate that i had to reformat it when i copy and pasted from my writing app to here #oh well #i’m playing fast and loose w how branch is feeling about all this #i might do a Poppy pov next just to see what she’s thinking of everything #idk i might save that for if i decide to sit down and do a whole fic for this AU #we’ll see #creepy awesome

50 notes · View notes