#mine: odaat

[lupesalvarez]

It's like watching a baby bird learn to fly.

#one day at a time #odaat #odaatedit #schneider #todd grinnell #*mine #penelope alvarez #schneider x penelope #1.04

[stormy-butterfly]

ONE DAY AT A TIME 3.10 | The Man

#one day at a time #odaat #odaatedit #alex alvarez #lydia riera #netflixedit #onedayatatimeedit #fyeahtv #filmtvdaily #pocedit #*mine #tv

[un-caramelo-duro]

#mine #one day at a time #odaat #lydia Alvarez #lesbian #wlw #wlw relationship #the ultimatum queer love

[happy-xy]

Marcel Ruiz EL YUNQUE | YouTube

#marcelruizedit #Marcel Ruiz #men #guys #boys #shirtless #gifs #mine #bcuz of odaat i'm always gonna hear 'dale papito dale!' every time i see him haha #also sorry for the crap quality - his video only goes up to 720p

[hoodharlow]

It's the way Nico has to be held down bc she wants to blow Luke's candle 😭😭😭

#one day at a time thoughts #odaat #lover of mine thoughts

[twinkdrama]

I love one day at a time. It always manages to make me laugh even on shitty days

#odaat #one day at a time #netflix #telenovela #comfort show #mine

[fans4wga]

Where Are My Residuals? Actors/Writers Share Horror Stories On Picket Line, Social Media

"With all the strike talk about low pay, WGA and SAG-AFTRA members are starting to play a little show me yours and I’ll show you mine when it comes to their (paltry) residual checks.

Just about everyone has a story to share about how their residuals took a serious nose dive with the advent of new media. A recent story in The New Yorker about how actors on the once successful Orange is the New Black never enjoyed a financial windfall only exacerbated the angst felt by actors and writers these days.

Here’s a sampling of their stories:

With all the strike talk about low pay, WGA and SAG-AFTRA members are starting to play a little show me yours and I’ll show you mine when it comes to their (paltry) residual checks.

Just about everyone has a story to share about how their residuals took a serious nose dive with the advent of new media. A recent story in The New Yorker about how actors on the once successful Orange is the New Black never enjoyed a financial windfall only exacerbated the angst felt by actors and writers these days.

Here’s a sampling of their stories:

Jason Belleville (Home Economics): “I wrote on the first season of Cobra Kai, which is one of the biggest shows in Netflix history. I think I have more money in my pockets right now than any residuals I’ve seen from that. I was also was an executive producer of a show for Netflix called Sneakerheads, which was a smaller show, but it premiered No. 1 one in a bunch of countries for a little while. I have yet to see $1 from that. And I was a writer and EP on that, in comparison. Some of them [broadcast shows he worked on] you can still get some money from but obviously, it’s not like it was. But there’s always a steady trickle that comes in to remind you that you once worked, right? The [residual] formats for cable and for networks are clear and transparent. Whether they’re as much as we want them to be or not, they’re at least something that you can rely on. Whereas, some of these YouTube shows, these [shows licensed to] Netflix. This whole strike is about having money you can rely on through the years so you can pay for your mortgage, you can take care of your kids, as opposed to opening an envelope and going ‘oh, it’s a nickel this time.'”

Aisha Tyler (Criminal Minds, The Last Thing He Told Me): I do a show [Whose Line Is It Anyway] that is double and triple and quadruple pumped in the United States and maybe 50 countries, and I don’t see any residuals. I know it’s been very frustrating to me and my co-stars. It’s theft. We generate all of the creative output on that show. We are the writers, we are the performers, we do everything and we don’t get compensated for it. I already I already threw a couple of temper tantrums so you can see I’m a bit more sanguine about it now but we’ve been fighting about it for years and it’s just pure and simple. It is creative theft."

Mike Royce via Twitter (writer-producer, One Day At A Time, Men of a Certain Age): “Some people are wondering how residuals will work for this, and since One Day at a Time had the somewhat unique experience of running on streaming, cable AND network TV, I can tell you how it worked for me. In 2020, season 4 of ODAAT was on the Pop Network (cable). Later that year CBS repeated it, because it was the pandemic and they needed programming. I co-wrote an episode with Gloria Calderón Kellett so we split the residuals. For the Pop showings I got (lower) cable residuals, but the CBS repeat paid me half the network residual (exactly what it should be for a co-written episode) … For perspective, that one CBS repeat of one episode of ODAAT paid me roughly the same as I’ve been paid IN TOTAL for one episode of ODAAT streaming on Netflix 24/7 for the last 4-6 YEARS. In other words, 1 network repeat residual = 5 years of streaming residuals. This is why we’re on strike."

Sarah Sokolovic (Big Little Lies, Homeland): “I can tell you the money I made from residuals dropped in 2015 to less than half in 2018. And the funny thing about it was I was on two, Emmy-award winning shows. It’s not on the side of the individual producers, of course. It’s really about the studios making sure that the basic contract has things in place so that actors like me benefit from their work residually over time. There was a time when I was traveling out of the country, so I had to have my mail forwarded to my mother. She was helping me with deposits, physical checks at the time. She opens a check and she goes, ‘Sarah, it’s three cents’. I said yes. She said it actually costs more to mail it.'”

Marqui Jackson (showrunner, All American: Homecoming): “Just in general, residuals are not what they used to be. You can’t depend on residuals to even begin to sustain a living in between gigs. It’s just kind of like extra money because sometimes they’re as low as a couple of bucks. I don’t think there has been a wellspring of residuals from All American: Homecoming, even though we are doing well. It is hard to fight for the right number when you don’t know what the numbers [ratings] are. That’s part of why we’re fighting because if they’re making money off on our content we should be part of it.”

John Carroll Lynch (Trial of the Chicago 7, White House Plumbers): “I’ve noticed that anything I do for streaming is not even one-tenth of the residual stream that I got for something terrible that I did. I certainly got paid more for an episode of The Visitor, which is a show I did when I first got here and only lasted one season. I got higher residuals by about 100 percent to what I get when it [was licensed to] Netflix. At some level, we’re dealing with a different group of people who have union institutional memory. Disney as a corporation has institutional memory of using unions, often much to their chagrin. That’s true of Warner Bros. and Universal. Apple, Amazon, and Netflix all come from Silicon Valley which has no institutional memory of unions. It’s time to teach them what sharing needs to be.”

Kevin Sussman (The Big Bang Theory) “For me the big issue is residuals for streaming. I’ve known that it’s been untenable for years. I was surprised that it took this long for there to be a strike like this. I’ve seen residuals for my own shows absolutely tank once they go to streaming. I’m lucky because I was on The Big Bang Theory, which was on a broadcast network for years. Since it moved to streaming [like Max and Amazon Prime], it’s night and day. I don’t see how it’s possible for an upcoming actor these days to actually be able to make a living.”

Charlie Barnett (Men in Black 3, Russian Doll): I have those check stories of like $9 coming out. Twenty years ago, if I had the career that I have today, it would be entirely different. I can’t afford to buy a house. We just moved into a smaller place in order to start saving. It would be improper to say that I don’t have a certain amount of privilege in the position that I am. I have to recognize that. But us in these positions in of height, have all the ability to fight for the people who are under us, who are still climbing. Just the background deal that they said is historically different is bullshit. I started out in background. Are you going to tell me that I’m going to sell my image in perpetuity to a studio? It’s insane. What happens to my career for the rest of my life? It doesn’t provide any safety, any protection, any ability for growth for what this industry is, for what it’s always been. These contracts that we have built off of network television have stood for so long. We have not seen any growth through the streaming platforms. It’s kind of the Wild West. The conversation point in saying over and over again, the industry we are funding and continuing to put millions and millions of dollars into, is not profiting us. It’s BS. It’s also mirrored in the fact that half of these execs, their pay is raising continually, year and year. We have not seen growth on our side. And through the writers as well.”

#sag-aftra strike #sag strike #current events #union solidarity #writers guild strike #wga strong #wga strike #writers strike

[theharrowing]

1. My fave fic of yours: One Day at a Time. It's a goddamned masterpiece.

6. Something I remember vividly from one of your fics: The scene from The Hooksborough Demon where MC watches the footage Yoongi shot of the two of them having afternoon sex at the hotel while Jimin was out for a swim. That scene will just randomly flash across my mind like a ray of afternoon sun.

8. What I like most about your writing: Your use of the senses to bring the reader into the scene. It makes the experience of reading your work so intense and the stories and characters memorable AF.

13. If I've ever shared/talked about your fic with someone: Was talking to a friend of mine about your use of scent in ODAAT. Can't get over it won't get over it.

Love you!!! 😘😘😘

VIOLET MY LOVELYYYY 😍🥺💝

ONE DAY AT A TIIIIMEEEE!!!!!

anything for those kings. anything at all. i love them and i miss them. ugh ugh ugh. i need to write more a/b/o asap. the use of scent in that one went hard lmaooooo.

HAHA i am so glad that the motel smut scene from Hooksborough haunts your mind. not gonna lie, i thought you were going to cite the heart of intestines scene because those are the most popular. glad the more lowkey smut scene also made an impact on someone. i liked writing that one!!!

i'm so glad you enjoy the use of senses. 🥰🥰🥰 i am very sense-sensitive (sense-itive???) so i experience a lot through smell and sight especially, and when a story is missing some of those key sensations i feel kinda lost in the scene and struggle to imagine it.

EEEEEEEEEEEE I LOVE YOUUUUU thank you so much for chatting about why you love me so much (lmaoooo) i adore youuuu!!!!! 💜

talk to me, anons! 💌

#violetsiren90 #my violet 💜🥺 #ask game #fic: one day at a time #fic: the hooksborough demon #you've got mail 💌

[dank-meme-legend]

It has been six months since my book One Day At a Time was released to the world; half a year!

I don’t know how many people on here have read it, but it has been a story that I am still insanely proud of. I hope whoever has read it and supported it has enjoyed it. All of the support has meant the world to me. (Thank you @turniptitaness for reading the little one-shots that I send you and for being so supportive of my little story kiddos :D)

So, for this anniversary/milestone of sorts, I'm having my asks open for anyone who has any questions in regards to it, the inspiration behind certain elements, unanswered questions, or anything of that nature. You, of course, do not have to send asks if you do not want to! I'm just happy to celebrate this mark in the story's history. <3

To start off with answering things… here are some fun facts! (Contains spoilers for chapter forty-five and onward)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

-This story is the second story I’ve ever successfully written. The first was a story called Where They Go, which I turn people away from because the improvement in quality and character writing between it and ODAAT is insane

-Every story I’ve written follows a similar theme and similar structure: a WLW friends to lovers story with some element of parental issues from one side (I have a niche and I’m running with it, I guess!)

-There are two other stories that have never (and will never) see the light of day, one being a fantasy story and another very heavily following the “sun and moon” duo trope

-The first story’s fantasy theme was the inspiration for Ava’s special interest in The Elder Scrolls V: Skyrim, a fantasy video game. I was able to implement imagination and fantasy without having to write fantasy, which I was quite happy about

-The first successfully written story, Where They Go, was co-written by my younger sister. She helped me with so many elements, because I did not understand how to write good characters and interactions. With ODAAT, I made it a goal to write it all on my own and it turned out great with an entire year of writing improvement between the two stories being released (My sister did create the original character designs for ODAAT, as well as suggested a few small plot ideas, which I did use and also modify. Overall, this story was more mine than the last one)

-With every other story I’ve written (WTG and the never-seeing-the-light-of-day stories) one out of the two main girls were always autistic-coded. I’ve always wanted to write autistic characters and with Ava, I finally allowed myself to say that she’s autistic, full-stop. I was previously scared of criticism or backlash, but I learned to say, “It’s my characters, I’m allowed to say who and what they are”

-Ava is autistic and there is no trauma about it. She is not treated differently by her friends and family and she is never “asked” or pushed to change who she is. She is seen as desirable by Lilly, not in a pitying way, but out of genuine love. I, as an autistic and queer author, do not stand for all autistic people, nor queer people, or autistic queer people, but it is a niche in writing that I think should be used more (or not, maybe it’ll just be my thing /j)

-Specifically on the Wattpad platform, the writing of parents is either nonexistent or of two extremes: neglectful and abusive, or permissive and non-caring in a different way. ODAAT follows two examples of parents, two examples of mothers. Ava’s mother is a single mother with two other children. She’s kind and the “cool mom” but she has standards and seeks first to understand when any of her kids do something bad or irresponsible. That’s one example; she is not a perfect mom, but she damn-well tries her best. The other example is Lilly’s mother, who’s openly judgmental of “different” people (autistic, neurodivergent, LGBTQ+, or otherwise). She is not accepting of her daughter being a lesbian and that is her biggest problem; she views it as a phase and hopes and prays that it’ll “be over soon.” She is incredibly ignorant but she isn’t stupid. She knows that Lilly has been teased and that her life won’t be “traditionally” easy because of her queerness. She is not the villain of this story, there is no villain. She is an antagonist but in a small way; an uneducated person who’s trying to help her child in an inadvertent way, a way that she learns does not work

⚠️ THIS NEXT FACT MENTIONS SUICIDE AND DARK THEMES! SCROLL TO THE NEXT FACT IF YOU WISH TO! ⚠️

-For a split-second (a couple days) I considered making the ending of ODAAT to be incredibly sad. For that split-second, I was gonna rip away the sense of hope and optimism that comes after things go to shit in chapter forty-five, “Downpour”. I was going to make it that Lilly still gets the chance to get away from her mother and find hope in Ava and Ava’s mother, but as a result of momentarily running away, stuff get worse; Lilly was going to be cut off from her entire friend group and be barreled into a lonesome depression that would end in her… passing away by her own hands. I was going to make her mother irredeemable, a villian in her entirety. (I’ve thought about writing a one-shot for that, though the sadness might be too much, even for my standards). I changed that ending, because 1) there was so much build-up to Ava and Lilly getting together that ripping it all away would (to me) feel like a waste and would feel painful to put the reader through, 2) I wanted to show that ignorant people can be educated/redeemed (even though it’s hard to get through to them), and 3) a happy ending was needed, we don’t need another tragic death of an LGBTQ+ character

-There is no villain and there isn’t necessarily a hero, either. I wanted to show a gray-area of how people are. The phrase, “It explains it, but it does not excuse it” is used to explain that gray-area in terms of conflict and mistreatment

-All four of the main kiddos in the story serve a “traditional” story purpose but done in their own ways. Ava is the protagonist, but so is Lilly. Their stories are separate, but they are closely knit. They are each other’s love interests, not solely Ava or Lilly’s (one or the other). Lucas is the voice of the reader, who sees Ava and Lilly’s chemistry and wants to push them together as much as he can because he (and in turn, the reader) know that they go together like peas in a pod. Rose is logical, the voice of reason to Lucas’ abrupt and sometimes pushy, “Come on, just kiss already!” way of addressing things. They, like Lucas, can see the chemistry but they want it to happen naturally, to progress in a proper and healthy way.

-The four main kids are parallels of each other (which is why they bounce off each other well as a whole friend-group-unit). Ava and Lucas are both imaginative, excitable, and theatrical in their own ways, while Lilly and Rose are both calm and observant.

Those are the fun facts, which might’ve answered every question that a person could put in my ask box. Whoops 🤣😂

-Bonus sorta fun fact not really

I constantly imagine the story as if it were a movie with elaborate and really well done edits to the songs in my story’s playlist, but then I always get sad that those edits do not exist

#m's one day at a time #original story #original characters #friends to lovers #autistic main character #wlw #ava and lilly #avly #6 month anniversary woo-hoo! #if a 6 month anniversary for a book release is not worth celebrating… then I DO NOT CARE! :D #people please ask me any questions #I will answer anything #ANYTHING I SWEAR #I’ll be an open book! (no pun intended)

[khaleesiofalicante]

I completely agree with you about ODAAT and also there's this girl in one of the classes who looks so much like Syd I had to double track and look at her again

I was passing through that class to get to mine and she was studying for a test and she just???? SYD????

So ofc like the person I am I had to go up to her say "have you seen one day at a time? You look a lot like Syd"

I am a joy to have around I'm sure you can tell

Syd is gorgeous!! Make sure Syd 2.0 watches it tho. You doing the lord's work 🥰

[lupesalvarez]

Move over. What? What are you doing here? I'm going to spoon you.

#one day at a time #odaat #odaatedit #*mine #odaatgifs #justina machado #penelope alvarez #lydia riera #lydia x penelope #1.01

[amthaproducer]

Here's to nine. And taking back my like. Finally able to call it MINE.! #odaat (at Taos, New Mexico) https://www.instagram.com/p/CglclWOuniO/?igshid=NGJjMDIxMWI=

#odaat

[tdou]

7th of July - Day 34

I went to his place for diner, he made us dhal for dinner, lacked a bit of salt but he cooked while still not tasting things properly because of covid. He then tried hard to find a sharpie so he could cover the price of the gift he bought me for our one month 😩😩😩. I felt kinda bad for not having one for him, but I did give him a lot of stuff even if some were mine first… We watched the last episodes of ODAAT and slept.

[gomezisabellas]

ONE DAY AT A TIME (2017-2020)

#one day at a time #odaatedit #odaat #tvedit #cinematv #filmtv #bbelcher #userstream #chewieblog #tusermadi #tvandfilmdaily #cinemapix #elena alvarez #mackenzie phillips #televisionblog #userleila #mine* #mine: odaat #just noticed a typo in this will be passing away goodbye

[hoodharlow]

blancaaaaa can we have like the full names of the dad!sos girlies and like what do they all do and maybe just maybe a lil background abt them. im just curious yk 😌😌

i'm assuming my oc's lol

Alexis Ximena->

Occupation- actress, model, Nico's mami, singer/back up vocals for Aaliyah, Aaliyah's bestie

From- Oakland, CA

Met Cal in 2019 when 5sos performed at the J*m*s C*rd*n show when she was promoting her show

Aaliyah ->

Occupation- singer-songwriter, producers, unofficial 5th member of 5sos

From- Oakland, CA

Met Luke 2019 when she was helping write Easier

Marina ->

Occupation- model later fashion magazine photographer/ stylist

From- Phoenix, Arizona

Met Ashton in early 2020 when they filmed a Tom Ford cologne ad

Fiona ->

Occupation- CFO of her brother and sister in law's tech company

From- Sonoma but moved to Connecticut when her brother got custody of her and went to school at MIT (Eliza went to school with Aaliyah's older sister and they're shook to see that they know each other lmao)

Met Michael in 2015 and hooked up with him at a show but they never kept in touch until a tech party in late 2018 where they fucked lmao

#dad!sos #odaat #one day at a time thoughts #lover of mine thoughts #down to earth thoughts #under the same roof thoughts

[anissagraces]

Best of one day at a time  - 4x03: Boundaries 

#odaatedit #one day at a time #elena alvarez #lydia riera #userdrea #mine: odaat #bestofodaat #mine #my gifs #odaat #this ep was so funny