Tumgik
#I will answer anything
honeypleasejustkillme · 10 months
Text
ask me things pls i’m bored
11 notes · View notes
chengxiansbaby · 5 months
Text
Y'all my ask box is openn and im boredd so ask me anything!!!!!<3
3 notes · View notes
bowbow-the-clown · 7 months
Text
★🎃 ... ĪŦ'S ᎾƇŦᎾßƐŔ ΛИD Ī'M ƇŔƐΛŦĪ√ƐĿY ßƱŔИƐD ᎾƱŦ ...🎃★
... Any Body Want Do Some Ask Ask .. And I'll Answer Answer ...
!!! HALLOWEEN EDITION !!!
Tumblr media
... Shamura Here Too I Guess ...
.. Floating In The Gray Void ..
.. Like Me ..
⎛⎝(●•ⱅ•●)⎠⎞ GIVE THEM TREATS ⎛⎝(●•ⱅ•●)⎠⎞
3 notes · View notes
dank-meme-legend · 1 year
Text
It has been six months since my book One Day At a Time was released to the world; half a year!
I don’t know how many people on here have read it, but it has been a story that I am still insanely proud of. I hope whoever has read it and supported it has enjoyed it. All of the support has meant the world to me. (Thank you @turniptitaness for reading the little one-shots that I send you and for being so supportive of my little story kiddos :D)
So, for this anniversary/milestone of sorts, I'm having my asks open for anyone who has any questions in regards to it, the inspiration behind certain elements, unanswered questions, or anything of that nature. You, of course, do not have to send asks if you do not want to! I'm just happy to celebrate this mark in the story's history. <3
To start off with answering things… here are some fun facts! (Contains spoilers for chapter forty-five and onward)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-This story is the second story I’ve ever successfully written. The first was a story called Where They Go, which I turn people away from because the improvement in quality and character writing between it and ODAAT is insane
-Every story I’ve written follows a similar theme and similar structure: a WLW friends to lovers story with some element of parental issues from one side (I have a niche and I’m running with it, I guess!)
-There are two other stories that have never (and will never) see the light of day, one being a fantasy story and another very heavily following the “sun and moon” duo trope
-The first story’s fantasy theme was the inspiration for Ava’s special interest in The Elder Scrolls V: Skyrim, a fantasy video game. I was able to implement imagination and fantasy without having to write fantasy, which I was quite happy about
-The first successfully written story, Where They Go, was co-written by my younger sister. She helped me with so many elements, because I did not understand how to write good characters and interactions. With ODAAT, I made it a goal to write it all on my own and it turned out great with an entire year of writing improvement between the two stories being released (My sister did create the original character designs for ODAAT, as well as suggested a few small plot ideas, which I did use and also modify. Overall, this story was more mine than the last one)
-With every other story I’ve written (WTG and the never-seeing-the-light-of-day stories) one out of the two main girls were always autistic-coded. I’ve always wanted to write autistic characters and with Ava, I finally allowed myself to say that she’s autistic, full-stop. I was previously scared of criticism or backlash, but I learned to say, “It’s my characters, I’m allowed to say who and what they are”
-Ava is autistic and there is no trauma about it. She is not treated differently by her friends and family and she is never “asked” or pushed to change who she is. She is seen as desirable by Lilly, not in a pitying way, but out of genuine love. I, as an autistic and queer author, do not stand for all autistic people, nor queer people, or autistic queer people, but it is a niche in writing that I think should be used more (or not, maybe it’ll just be my thing /j)
-Specifically on the Wattpad platform, the writing of parents is either nonexistent or of two extremes: neglectful and abusive, or permissive and non-caring in a different way. ODAAT follows two examples of parents, two examples of mothers. Ava’s mother is a single mother with two other children. She’s kind and the “cool mom” but she has standards and seeks first to understand when any of her kids do something bad or irresponsible. That’s one example; she is not a perfect mom, but she damn-well tries her best. The other example is Lilly’s mother, who’s openly judgmental of “different” people (autistic, neurodivergent, LGBTQ+, or otherwise). She is not accepting of her daughter being a lesbian and that is her biggest problem; she views it as a phase and hopes and prays that it’ll “be over soon.” She is incredibly ignorant but she isn’t stupid. She knows that Lilly has been teased and that her life won’t be “traditionally” easy because of her queerness. She is not the villain of this story, there is no villain. She is an antagonist but in a small way; an uneducated person who’s trying to help her child in an inadvertent way, a way that she learns does not work
⚠️ THIS NEXT FACT MENTIONS SUICIDE AND DARK THEMES! SCROLL TO THE NEXT FACT IF YOU WISH TO! ⚠️
-For a split-second (a couple days) I considered making the ending of ODAAT to be incredibly sad. For that split-second, I was gonna rip away the sense of hope and optimism that comes after things go to shit in chapter forty-five, “Downpour”. I was going to make it that Lilly still gets the chance to get away from her mother and find hope in Ava and Ava’s mother, but as a result of momentarily running away, stuff get worse; Lilly was going to be cut off from her entire friend group and be barreled into a lonesome depression that would end in her… passing away by her own hands. I was going to make her mother irredeemable, a villian in her entirety. (I’ve thought about writing a one-shot for that, though the sadness might be too much, even for my standards). I changed that ending, because 1) there was so much build-up to Ava and Lilly getting together that ripping it all away would (to me) feel like a waste and would feel painful to put the reader through, 2) I wanted to show that ignorant people can be educated/redeemed (even though it’s hard to get through to them), and 3) a happy ending was needed, we don’t need another tragic death of an LGBTQ+ character
-There is no villain and there isn’t necessarily a hero, either. I wanted to show a gray-area of how people are. The phrase, “It explains it, but it does not excuse it” is used to explain that gray-area in terms of conflict and mistreatment
-All four of the main kiddos in the story serve a “traditional” story purpose but done in their own ways. Ava is the protagonist, but so is Lilly. Their stories are separate, but they are closely knit. They are each other’s love interests, not solely Ava or Lilly’s (one or the other). Lucas is the voice of the reader, who sees Ava and Lilly’s chemistry and wants to push them together as much as he can because he (and in turn, the reader) know that they go together like peas in a pod. Rose is logical, the voice of reason to Lucas’ abrupt and sometimes pushy, “Come on, just kiss already!” way of addressing things. They, like Lucas, can see the chemistry but they want it to happen naturally, to progress in a proper and healthy way.
-The four main kids are parallels of each other (which is why they bounce off each other well as a whole friend-group-unit). Ava and Lucas are both imaginative, excitable, and theatrical in their own ways, while Lilly and Rose are both calm and observant.
Those are the fun facts, which might’ve answered every question that a person could put in my ask box. Whoops 🤣😂
-Bonus sorta fun fact not really
I constantly imagine the story as if it were a movie with elaborate and really well done edits to the songs in my story’s playlist, but then I always get sad that those edits do not exist
3 notes · View notes
spookymartian · 1 year
Text
Guys pls ask questions about my OCs YFM Ava and Rachel am begging
4 notes · View notes
marytylerperry · 1 year
Text
SEND ANONS IN HALLOWEEN 🎃
ask whatever you want
Tumblr media
2 notes · View notes
inkskinned · 1 year
Text
probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
#this is true#writeblr#warm up#relatedly for some reason one of our Favorite Jokes#amongst the Siblings#is like - ''this is so good u will love it''#while we are reacting to something we OBVIOUSLY find viscerally disgusting#like we will be actively retching and be like ''nooooo it's so good''#to the point that i sometimes get nervous if someone outside my family is like oh u should try it its good#(obvi we never force each other to eat anything. we are all just curious birds and#like. we're GONNA try the new thing.)#edit to answer why we had so much vanilla:#my mom is a very good cook and we LOVE to bake. so she just had a lot of staples in the house.#it's one of those things that's like. have u ever continuously thought ''ah i should get butter im probably out''#even tho u are not out of butter. so u end up with like 5 years of butter.#my mom would do that in a costco but like with vanilla extract#to be fair we WERE always using WAY TOO MUCH bc we were kids#so like she was right to stock up#ps. yes we were VERY sick after this lol i just didn't want to include it in the post in case ppl had an ick about that#u can tell it's real bc we knew "oh no we fucked up that's too much vanilla to waste'' but our reaction was to just. keep drinking it#> sibling understanding that vanilla extract isn't free > knowledge mother doesnt mind if we use it for milkshakes#> sibling choice to maybe get in a loophole of ''not wasting it'' if we drink it bc that's the same as using it (not throwing it out)#listen bud i was like 13 and my sister was like 9#when my mom discovered this we. got in. A LOT. of trouble. a lot of it. a LOT of it.#3rd edit bc i guess it isn't clear - i am 1 of my brother's 2 little sisters#i am the middle child#out of all the ways i have had to explain a post before being like ''did u forget a middle child can happen'' is my favorite
52K notes · View notes
halogalopaghost · 1 month
Text
TIL that you can assign an AO3 next of kin to control your account in case of your death???
Tumblr media
3K notes · View notes
abnormalpsychology · 1 year
Text
Tumblr media
50K notes · View notes
frogs-in3-hills · 3 months
Text
Tumblr media
hi does anyone else think about april throwing herself over leo to shield him in the shredder strikes back despite having no weapons no way to defend herself and probably assuming she was going to die. does anyone think about that all the time. every day. uncontrollably
[ID: Digital fanart of Ninja Turtles 2003 depicting a scene from The Shredder Strikes Back part 2. April kneels over an injured Leo, cradling his head and looking back over her shoulder to snarl viciously at the camera, though there is obvious fear in her eyes. Her hair has partially fallen out of her bun, the loose strands sticking to her face with sweat. She has a cut on her cheek. Only a portion of Leo’s face can be seen from behind her shoulder. He looks up at her with a sad, pained expression. He has a swollen, bloody shiner on his cheek in addition to other cuts and bruises on the rest of his body. They are on the wooden floor of a dark attic. End ID.]
2K notes · View notes
cadaverousdecay · 6 months
Text
4K notes · View notes
lazylittledragon · 3 months
Note
How was Astarion during Kits birth? I feel like he’d panic tbh
i think he would be his regular flippant self to hide that he was SHITTING BRICKS
Tumblr media Tumblr media Tumblr media
3K notes · View notes
sieluritari · 1 year
Text
A lot of us with ADHD are familiar with the concept of time blindness, but for anyone who isn't: it's a neurological inability to have a consistent sense of the passage of time. If you put me in an empty room, gave me a button and told me to press it when I think it's been 15 minutes, I might press it after..... idk, anywhere between 3 minutes and 2 hours? And if we repeated it the next day the result would probably be wildly different!
But something I've only seen mentioned in one (1) Reddit post, which took some extensive digging to find, is the same effect extending to ALL things measured in numbers. Distance, weight, length, height, amount, space, volume, percentage... For me, small numbers are a bit easier, I could approximate a centimetre probably, but a metre would be much harder and 10 or 100 would likely miss the mark by a lot. Also, anything that can't be easily measured with a ruler or a measuring tape (like weight or volume) is even harder since I don't encounter reference points (like a 1kg hand weight) for those as frequently as I see visual representations of specific lengths.
It's not dyscalculia or anything like that, I'm decent at math (and the OP of the Reddit post was a math major) and I have no other difficulties with numbers, it's just a disconnect in translating real life experiences like sensory input into numbers (and possibly also inconsistent processing of sensory input? Like how the same sound volume is okay one day but hurts my ears the next?), which I think is basically the same thing as what happens with time blindness. For now I've been calling it "measurement blindness" since I've never seen a name for it anywhere, but maybe "quantity blindness" could also work?
I've talked to other people with time blindness to see if they experience this too, but so far none of them have known what I'm talking about. I'd really like to know how many of us are out there and if anyone knows literally anything actually scientific about this very inconvenient phenomenon!
Tl;dr: bc I am wordy:
It's like time blindness but for all things measured in numbers
Not dyscalculia or caused by it
Pretty much never seen it talked about anywhere
Please tell me if it sounds familiar and/or you know something about it, thank
12K notes · View notes
brancasyard · 4 months
Note
lawlu doodles? 🥺 👉👈 maybe luffy doing something embarassing or affectionate and law just being absolutely mortified but secretly rly likes it LMAO
Tumblr media Tumblr media Tumblr media Tumblr media
Only people very dear to Luffy can touch his hat
Law is SPEECHLESS
2K notes · View notes
canisalbus · 3 months
Note
Tumblr media
The juxtaposition of these two posts has me thinking it's Ear from the first post waking them up, and Machete is just like "...I'm really not pleased but I'm also not going to be angry because that's not what Ear needs right now."
.
1K notes · View notes
crimeronan · 10 months
Text
i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
3K notes · View notes