hello :) could you maybe explain a little bit how dan wootton blackmailed louis?
ugh sorry for taking a while to get to this. The problem is I feel like the only two ways to answer this are by spending a week and a half of full time labor sifting through old posts and evidence to get every detail right and lay out an airtight case, or to halfass something very serious, and so I felt a little stuck. So since I can't seem to find a good halfway point, apologies but here is the half assed version, if you want to get into it more I invite you to do your own deep dive or talk to other people, but here's how I remember things.
Louis has almost never on video explicitly said things about Larry not being real and/or anything negative about fans and their theories (mostly the opposite), up until the last couple years when he obviously decided to make a major change he didn't talk about Freddie much at all let alone saying he was his kid, honestly not that much about Eleanor even; except for in two major interviews with Dan Wootton, each of which lined up with a serious traumatic Tomlinson family event that they managed to keep out of the tabloids until the very end (Jay's illness and Fizzy's struggles with substance abuse). After the fact of those events a lot of small things that didn't make sense at the time came together to look very much like Louis traded those interviews (and those answers) for having his family's private matters kept private. Story trading of this kind is a publicly known real thing that happens, and there were various clues that suggested he was being leaned on about those stories to lend legitimacy to the idea that it was something that happened in these cases. Given what we know about Dan Wootton and how he operates even before the recent flood of information and even more now, I think it's more than likely that he has been holding the threat of outing Louis (as he has done to many other public figures) over his head for over a decade, and has used his family's tragic struggles to get Louis to dance like a fucking puppet for him and I will REJOICE at his downfall when it comes whether it is now or 20 years from now... because someday it will, he has made too many enemies to stay above it forever
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"Non paeniteo potitus."
+ details & process
And, process !!
The jump btwn the second to last and last always surprise me whenever I make one of these because I always forget to take snapshots after I start painting. It's always like: oh yeah heres the lineart with some colors- BOOM fully finished✨️
What he's holding are the Austrian imperial scepter and orb, seen below:
I was going to draw the crown too but decided I don't hate myself that much(maybe some other day), and gave him a golden laurel crown, bcs I'm obsessed with that as a motif, and also its very remincient of the boy king statue that started this whole thing!
There's some symbolism of this, both intentionally but also just historically. I love that the orb represents that the monarch is holding the world in their hand, basically every old monarchy has one of those, and I think it's very cool for symbolism. But also bcs of that, I was forced to basically draw catholic fanart so, you win some you lose some. The star halo above him head is both to reference those religious statues with star crowns(I saw them a lot in Europe and they imprinted onto my brain), as well as: his four championships of course!
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this isnt as long as before but i just cannot stop thinking about this, why i dislike story and lore boils down to these main point
--the ending feels unsatisfying as hell
even if i ignore everything i dont like about how the game treated zelda and ganondorf, the ending itself just feels, despite being presented as super epic an touching, incredibly empty to me and part of it is that it feels like an unearned return to status quo
of course i didnt think zelda would stay a dragon and i actually wanted to help her, which is why i kept trying to hunt down impa since she said shes gonna search for a way for us to help zelda, bc i wanted to!! i was eager to help her!
i fully hoped and kinda expected that thered either be some kind of dragon dungeon (think, the water dragon from okami) tho that would be difficult since you can get items from her so i ended up thinking before going into the end thered be a mission with impa (or at least given to you from her) where she found answers in ancient scripts (that she told you she would look through) and that you need to find a special lil thing that will help zelda undragonfy, like some sort of ultra secret forbidden enigma stone able to reverse dragon transformations kinda deal (golden opportunity to make you go and talk to the yiga bc they might know or even own some ancient texts) that youd keep in your inventory until the very end and after you kill dragondorf (pretty mortal for becoming an immortal dragon huh) you take it out and use it, undragonfying zelda and ending in a similar epic falling and paralel to the beginning way
... and instead impa stays in the house and only has a few repeating dialog boxes and does nothing and you cant do anything bc in the end you just get randomly teleported (and stripped of your clothing AGAIN) into some weird ethereal plane somehow?? with the ghost of long ass dead sonia and apparently not as gone as i thought rauru (seriously i felt sad when he went poof at the end of the tutorial but i guess i shouldnt have) awkwardly blasting dragon zelda with some magic tm and its all reversed no problem (heck me for caring i guess) turns out helping her was killing an evil guy we never really knew and mineru just kinda says lol its bc time and light magic i guess lol as an explanation
like i really wanted to go and help zelda! i was motivated to do it and spent HOURS trying to find impa again but i wasnt allowed to do anything bc zelda gets saved by some deus ex machina bs in the end anyway, what a fool i was, of course killing the evil guy is the solution to everything >:(
(and no i dont care if its meant as in uwu sonia and rauru wanted to help one last time uwu bc it doesnt change how unsatisfying it was to watch it all just kinda happen)
--point two is just how much totk feels like its trying to REPLACE botw instead of being a sequel, its not building on anything of it its ripping out the fundation and building its own thing in its place, like i was so excited to see what happened to the titans, and all the sheikah tech what they mabe had done in all that time now that theres a tech enthusiastic girl as the head of the monarchy, maybe even find out more about them
and instead its just all ... gone with not explanation? theres isnt even a LAME explanation, its just gone?? you never find out what the ancient energy actually was, and why there were concentrations of it in the regions with the ancient furnace (well heck it didnt even have anything to do with ganondorf actualyl bc that would have been too interesting) bc that was so intrigueing?? like yeah where DID it come from and why is it there ?? and oh suddendly hey look theres an even MORE ancient and even MORE advanced civilization thats way COOLER and BETTER than the ancient sheikah now, they also built stuff everywhere and have been here ALL ALONG cant you see its everywhere!! and its the only thing everyone cares about all of the sudden, all evdidence of the ancient sheikah tech was scraped of the earth so there literally only being some guardian parts on top of the hateno lab feels like an oversight now bc everything lese was to thourohgly wiped of the map-
for no reason even?? like im totalls fine with it being useless and not working anymore but .... why remove it like it was wiped from history?? and then they have the gall to mention the happenings of botw like, twice in the entire game but still just give you the most basic summary of it mentioned on a sidenote with again not even a hint what happened to all of it
wouldnt there have been the golden opportunity to use it to access the new parts and map points that changed?? like a shrine thats fallen into the underground, an access to caves and the underground in the broken and collapsed elevator tube of a sheikah srhine?? maybe even a broken interior of an old shrine, like the room you get put into with the puzzle and where the monk once were broken and half overgrown in the udnerground? some left over construction site where you can see oh thats how the ancient sheikah got all that tech underground, bc they all had access to it and built it there to then rise up when its needed? maybe even making use of the old sonau sites since they frequnetly built their srhines within those ruins?? that the ancient sheikah found em and put the ruins to use? to research it and built their own stuff from it? it wouldnt have to have any focus, literally just part of the enviroment even
really everything totk does is like -forget botw ever happend, look how much cooler and better i am, who cares about sheikah stuff sonau are the new cool guys that came out of nowhere but now apparently have been everywhere all along actually-
i LOVE botw and with it feeling much more like its attempting to replace botw instead of building its story and world further every reference to botw i found felt like a slap in the face instead, oh look where the shrine of life used to be isnt even a hint left of sheikah tech somehow, and also right under it is the lake of healing filled with sonau structure bc ACTUALLY they were here FIRST bc they are so cool omg you guys
dare i say it feel a little like they wanted to make an entirely different version of botw basically, but wanted to reuse the map and models so they just said yeah uhhhh its totally a sequel yeah yeha that makes sense, its not erasing botw and doing essentiall the same thing again but bigger cooler and better (tm) its just uuh a ...sequel ye.
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I normally don't vague post about other people (and I'm not really here, even) but someone in the tag suggested that Jack would make a better Team Leader than Yusei and it made me realize something, in part, about why people think that Yusei is boring.
tl;dr: Yusei isn't boring; he was written as the MC in the wrong genre.
See, Shonen protagonists typically have the following personality traits: loud, brash, hot-headed, sometimes abrasive. Yusei is none of those things, and Jack is ALL of them. Which, I'm sure, is what led that person to say that Jack would make the better leader and what leads so many people (who are mostly only fans of Shonen anime) to say that Yusei is boring. He doesn't fit their expectations of what a Shonen protag is supposed to look like, therefore he's boring.
But the thing is, if you popped him into, say, a Slice of Life, he'd be perfectly at home (well...except for the Trademark YGO Hair anyway) and well-loved by the fan base. I can say this with fair certainty because I've at least never seen anyone say that Natsume Takashi (Natsume's Book of Friends) is boring in any way, and honestly the two of them have very similar temperaments. The difference is, obviously, the genre of their respective stories.
Slice of Life allows for its protags to be softer-spoken, more reserved; Shonen often does not.
It's time people stopped saying that Yusei is boring and just admit that they like loud, brash characters as opposed to quiet ones, and that Yusei just doesn't fit what they expect from a Shonen protagonist.
He's not boring; he was just written for the wrong genre.
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clawed my way through (some of) the epilogues and hs^2 again for dirkjake crumbs and i think there is a Genuine place for ultimate jake to fit into canon (or at the very least, lord jake english) since meat timeline jake never actually shows up visually in hs^2 and his final appearance in that timeline (minus a phone call or something w/ roxy? or was it kanaya fuck) is giving ult. dirk his spaceship and then proclaiming his undying love while desperately trying to get dirk to let him join him, to which dirk responds that he’ll “never let [jake] break [his] heart again” (ch39). agony.
two interesting things about the end of his arc in meat actually: for one thing, it’s kinda implied that along with giving dirk a spaceship, he also gave dave/karkat/roxy/kanaya/etc a spaceship to chase after him, so he’s at least taken some action to try to stop him. again though, we never see him after that point so like. the idea that he could just hope himself into becoming an ultimate self in the background is actually kind of a possibility?? like while the others try to chase dirk down, jake is figuring out how to brute force himself into ascension as a backup plan. second thing, dirk is very snarky in the narration about the fact that this dramatic goodbye he’s giving jake is the last time he’ll ever get to see him (jake see dirk, i mean) but ult. dirk also seems to lack power against alt. calliope when they fight over the narrative so jake ascending would actually pose a serious threat and might be able to override that, assuming dirk’s power over the narrative extends that far in the first place (thinking about that post talking about how narration is also a reflection of characters’ thoughts…)
candy timeline jake is also pretty interesting since he very notably starts being advised by BGD to be a kind of spy on the inside against jane’s. whole thing in that timeline. i actually completely cannot remember what jane does in the meat timeline, i think also some presidency bullshit, right?? that’s what the davekat thing was about??? but anyway BGD sounds pretty normal in all his dialogue, or normal for BGD at least, and is aware of both the game over timeline and ult. dirk’s bullshit enough to make fun of it so. idk maybe i’m just misunderstanding how ultimate selves work, but the fact that BGD wasn’t really “integrated” into ult. dirk feels significant to me, especially considering the fact that we can see caliborn/LE’s influence on ult. dirk so much (his narration in ch39 gives AR too, frankly, like the epilogues are obvs way more openly horny than hs proper but AR was always kinda like that too, especially about jake). hs^2 also ends super abruptly with some lore shit i skimmed half heartedly between calliope, roxy, and john again talking about his initial decision between candy and meat. that whole conversation pretty deliberately frames the decision between meat and candy as being parallel to terezi’s coin flip about whether or not to kill vriska, and roxycallie even tell john straight up that he needs to get vriska again to fix the story, perhaps assuming that’ll work again since it did when he was retconning the timeline? but imo, though maybe i’m biased cause i didn’t really review what vriska does post-canon again, it seems more fitting to me that jake would be the one to fix the bullshit timelines, considering 1. dirk is the one going bananas out of his fucking mind w/ control of the narrative, 2. thematically, pumpkins are the most logical, healthy alternative to meat and candy, fitting since caliborn explicitly aligns dirk and jake’s color scheme with them in the smut-drawing conversation and since (in the same breath) he establishes that he hates them and prefers meat/candy. but that’s getting into sherlock secret final episode levels of conspiracy, and i’m not sure i’m ready for that one
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