Maybe a hot take, but I don't think the Traveler was being inconsistent or out of character in the last archon quest at all. People are getting upset at their reaction to Lyney and Lynette's behavior from the perspective of players, with meta knowledge of the story that the Traveler, the character, doesn't have.
The players know, for example, that because they're playable characters, Lyney and Lynette are ultimately friendly and on "our" side, and we can also trust that what they told us about their backstory is true. The Traveler does not have that knowledge.
TO BE CLEAR this post is talking about my thoughts on the TRAVELER'S thought process. If we want to talk about how I personally would have reacted to the situation, I'm an overly trusting bleeding-heart who would absolutely get scammed and probably murdered by Fatui in this universe.
(Also characters, even main characters who you normally like, can do things you disagree with and that doesn't mean they're badly written. I mean, sometimes they are, but I don't think that's true in this particular case)
But think about it! Looking at the entire situation from an in-universe, in-character POV, it's a really bad look for Lyney and Lynette overall, because here are the facts as the Traveler is aware of them:
Lyney and Lynette are not only members of the Fatui, the primary antagonistic force in this story, but are specifically members of the House of the Hearth, which is known to specialize in espionage, subterfuge, and sabotage.
Both of them also work in a field that would further require them to be masters of misdirection, audience manipulation, and drama.
They "coincidentally" ran into the Traveler right as they arrived in Fontaine and immediately began to do them favors and be very friendly, including saving them from Furina, bringing them to meet their family, and gifting them VIP tickets to Lyney's show.
During the trial, the twins withheld key information, and not just about their identities (and listen, I get it, I fully empathize with why they did it, I get the reasoning, but it's still a bad look when it gets figured out) but also about what they were doing in the tunnel.
They admitted that the entire magic show was a ruse to do, guess what? espionage! To break into the room with the Oratrice's core and find out how it works. To, through subterfuge, obtain Fontaine's secrets about the nation's most important mechanism and central source of power.
The Traveler has known these people for like, a day total.
So what conclusions might the Traveler draw from these facts? When the evidence shows that Lyney and Lynette have a record of misdirection and obfuscation for their own ends? When the Traveler has no way of knowing if even their initial meeting was orchestrated for an ulterior purpose? How are they supposed to know if the tragic backstory is even true, or if that's just Lyney trying to win back some favor and sympathy? In my opinion, at that moment, they don't. Hence the coldness.
My interpretation of events is that the Traveler does like the twins, and wanted to keep liking them, but was struggling to reconcile their initial impression of two friendly magicians with the realization that these two friendly magicians were dishonest with them for most of the time they'd known each other, so they needed to have some space to figure that out.
And for those saying the Traveler is inconsistent, here's the thing: they still helped Lyney. They still acted as his attorney, investigated thoroughly, won the case, and cleared his name. They've done similar for other Fatui members in their acquaintance—they helped Childe with Teucer, they helped Scaramouche/Wanderer with getting his memories back, they helped that other member of the House of the Hearth fake her death and escape the organization—whether or not they fully trusted them, and generally they didn't.
As for the Traveler's supposed hypocrisy, my view of their relationship with Childe is that it's only improved because, despite Childe trying to nuke Liyue in the past, the Traveler knows that
a. They can handle him if it comes down to a fight again;
b. He likes them, regardless of if the feeling is mutual or not, and is indeed aggressively friendly to the point where it's easier to just be civil;
c. Childe is generally upfront and honest about his actions and will strike from the front, not stab them in the back; and
d. He's worked together with them before when they had a common goal (for example, the labyrinth they went through with Xinyan).
They know how his mind works and what motivates him. Childe is a known quantity, the twins are not, and it took in-story time and shared experiences for the Traveler to get to even this point of neutrality; they were openly suspicious of him during his story quest.
As for holding his Vision for him, the Traveler didn't exactly volunteer for the job, Childe literally threw it at them with no warning and peaced out. What do you expect them to do, drop it in the sea? That would be inconsistent with their characterization.
Wanderer's whole situation is even weirder, since the Traveler was able to experience his actual memories and emotions and therefore has good reason to trust that he's had a genuine change of heart. Not to mention that they're not friends, I'd argue they're in that same nebulous "neutral" zone, and that only because Nahida usually functions as a buffer (and also because, again, the Traveler knows that they can handle Wanderer in a fight, and Wanderer also tends to be blunt and honest).
Also, in Lyney's story quest it seems like everyone got over their problems pretty fast and they're all chummy now, so you can all rest easy that the twins' feelings weren't too hurt about it.
Anyways if you disagree go ham, refute my points, whatever, just keep things civil.
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Out of This World
Read it on AO3 instead
Tw: Depression
There was a black hole inside of Steve.
He would lie down flat on his back in the living room. The stone floor beneath him would pull his mind down from wherever it liked to drift to, and he would be able to focus enough to stare at the ceiling, put his hands on his stomach, and breathe deep into the sensation.
When things got really bad, it was like he could physically feel it. A dark mass that spread out from his core and swallowed everything around it. If he flipped over to lie on his stomach and press his cheek to the cold marble, then it would sprout out of his back like demon wings, menacing and grim.
He had never told anyone about it, but he was sure everyone knew. That was the thing about black holes, they dragged everything towards them. He was a magnetic person, people were drawn to him, but when they got close and saw that there was nothing inside, they ran. The empty expanse living in Steve was terrifying.
He was the only one who couldn’t escape himself.
No matter what he did, inevitably he would be reminded of what was inside of him. He could try to be happy, but he had to remember it wouldn’t last.
Steve could mess around with the kids, dance along to the radio with Robin, try and love the people who chose to stay with everything he had, but the black hole would always return. It would suck up whatever joy he had tried to grow, making it disappear in the blink of an eye, lost to whatever cosmos existed beyond the gnawing hunger in Steve’s stomach.
It was like it was starving, like he was starving, but not for food. There was nothing Steve could give to make it go away, nothing that would satiate whatever was stuck inside of him. There was just the all encompassing need to have more, to get something that would kill the loneliness that lived there.
And, when the people around him realized that they really couldn’t make that black hole go away, they left. They ran to keep themselves from getting pulled in, and Steve couldn’t blame them. He had spent most of his life trying to run from himself.
Even now, lying in bed with Eddie late on Sunday morning, he could feel the first nudges of gravity shifting, the quiet stirrings of empty space needing to be acknowledged.
There was a black hole living inside of Steve, and nothing he could do to change that.
“God I swear it’s like you’re the sun,” Eddie sleepily whispered against his chest, unknowingly cutting straight through the icy black tendrils starting to creep up Steve’s spine.
“The sun?” Steve said, feeling something finally touch the cold dark thing living in his stomach.
“You just keep us alive and warm, don’t you Stevie?” Eddie mumbled, still half asleep, “Pull everyone into your orbit and make sure none of us go flying off into space alone,”
Eddie was already starting to snore by the time Steve jogged himself out of his stunned silence enough to kiss the top of his boyfriend’s head and whisper a reverent declaration of love.
Sometimes Steve felt like there was a black hole living inside of him.
And sometimes he was reminded not everyone saw it that way.
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This is a mess of a brain rot
So once upon a time I wrote some ideas of what would happen if we put Nick's characters in a room
Yesterday I was reading a fic from Chinese RWRB fandom where George (Mary & George, Nick) Marco (The Kissing Booth, Taylor), and Tom (The Beneath My Feet, Nick) were side characters and school friends with the daughter oc of the fic
All of them are pre-teens, Tom is an adorable, shy baby, George is the prettiest boy in school and has boys literally falling over their feet for his smile, and Marco is Tom's boyfriend who walks him home and defends him from bullies (as much as a boyfriend as a kid can be)
And I was reminded of a fic series from my other fandom (it's Chinese) where the author basically rounded up the actors' other characters (who kinda had either no chemistry or a shit relationship storyline in their original work), made them housemates, and basically paired them up and created a big cross over rom-com
And I immediately started brainstorming and thinking of an RWRB/ Taylor Nick Universe version of the same concept: Henry as an Eng Lit student and Alex a Law student, Robert (Cinderella, Nick) can be Henry's cousin who's doing a musical theatre degree, Marco, Tom, Johnnie (High Strung, Nick) (and maybe Conor (Handsome Devil, Nick)?) could all be music students, George's whole trajectory maybe can be translating into a sugar daddy situation still with some form of King James, maybe all of Nick's characters are in one apartment complex and all of Taylor's characters neighbouring them etc etc... This whole idea got me so freaking excited
And then a slew of questions flooded my mind: How do I want to do this? Comic? Ask blog? Fic? Bullet point posts? Am I gonna commit to this? Is there even an audience for this? How much bullshit can I come up with?
Also, what the fuck am I gonna do with the characters? I only really know Henry, Alex, Conor, Marco, and maybe Robert, and maybe Timmy. I don't really have the time or the interest to watch all of the boys' filmography (sorry I love the boys with all my heart but I'm a really plot-driven viewer when it comes to shows/movies), what am I gonna do with that? What am I gonna do with shipping? I say this with all the love for Taylor but Nick does have a larger filmography thus more characters than he does, and even just with Marco I have no idea who to pair him up with because there are so many possible good ship dynamics but I prefer just sticking to one ship? What the fuck?
Yeah I don't fucking know if there's a point I'm trying to make or a conclusion I'm trying to reach but here ya go Welcome to the mess that is my mind
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I need to reread the comics again to have specific arguments/evidence for this, but like
I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?
Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.
So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???
It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.
I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically
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I've made the beanfluencer beans enough times now that I've used up two full jars of miso paste, and the reason this is high praise is because miso paste is exactly the kind of grocery I would typically buy for a recipe I only make once and never find another use for and throw it away after two months cos it's gone bad. Feels pleasantly novel to be low on a jarred substance and have to buy more of it because I want more.
BONUS MISO TRUTH: I first went vegan (from vegetarian) when I was 18, I chose as the transition day the exact day I moved out of my mom's place to start uni, which was a horrible decision for countless reasons, among which was the fact that I had essentially no experience at all with cooking or indeed food shopping at this point. And 2010 was a very different era, at least where I am there wasn't like a bunch of stuff labelled "plant-based" on the shelves, food brands didn't acknowledge the concept at all and it wasn't that uncommon to meet people who didn't even know what vegan meant. Veganism was genuinely hard mode back then. Anyway one of the first purchases I made in my new life was a thing of miso paste, because it was one of the few real food items I found in the store that was vegan-legal, but I didn't know what the fuck it was and all I could think to do with it was smear it thickly on some toast. Which tasted really bad! So I threw it away. And that's roughly how good I was at veganism and indeed all of the rest of my life for about the next five years.
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