Me: *having fun and laughing at Baghera and Cellbit killing people*
My brain out of nowhere: what would q!Phil think... how would he react if he saw his two teammates in this state. Would he feel guilt? Because he couldnt save them? Because he let them go down this murderous path? Would he feel anger? Towards the Watcher for pushing them to this extreme? Towards himself for not being there for them?
Would he wish he stayed there so that something like this didnt't happen to them.? Or would he wish he was there so that they wouldnt feel so alone?
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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If Dream of the Endless had access to the Am I The Asshole subreddit "Am I the Asshole for condemning my lover to Hell?"
"I was informed quite recently by a friend that this is a good place to receive unbiased judgement on past actions of mine that were not well received by people. As there are few beings I trust to ask for unbiased, well-meaning judgement from, I turn to the internet.
After a recent excursion to Hell, my raven saw fit to inform me that condemning a past lover to Hell might be seen, in my raven's words "as a dick move." My sibling, who has seen fit to give a mortal the tools to imprison me for a century and has made an attempt on my life, has criticized me before for the decision I made to condemn my lover to Hell.
Our story took place 10,000 years ago. She was a mortal queen and very beautiful. She was desired by many, but she refused them. One day she laid eyes on me, not knowing who or what I am, and decided that I would be her lover. She pursued me, and eventually found me in my realm. We began to get to know each other. She truly loved me at first. And I loved her. No one had ever loved me enough to go to the lengths she had to find me. I offered to make her the queen of my realm. But when she truly began to understand what it is that I am, and that I would not abandon my realm to be her lover, she became fearful. I did not want her to leave me, so when she ran, I ran after her. She hurt herself in the hopes that it would make me disgusted with her and leave. When she saw that she did not scare me away, she allowed me to heal her. We made love all through the night.
In the morning, her city was destroyed, for the First Circle had decreed that one of the Endless cannot love a mortal. We had both known that. She had tried to put an end to our relationship before it was too late, but in the end our desire for each other had overcome all else.
In her despair, she killed herself. I was distraught, I would have made her my queen. But she chose death over me. She chose to abandon me, she chose to abandon hope, for death. Still, I would have forgiven her for that transgression. I would still have her as my queen. I would still love her.
But she rejected me. Even though she loved me, she would rather die than be with me. So I told her that I would offer my love a final time, but if she once again would choose death over me, that I would condemn her soul to Hell.
She did not answer at first. She said that we were never meant to be together and that darker things would come to be if we tried to be together. I asked her once again as she was making the journey to the Sunless Lands. She told me to leave her. I asked her for the last time. She refused me and I condemned her to Hell.
She sought me out, only to reject me. To reject dreams by killing herself. She loved me and yet would choose to die rather than be with me. She would choose Hell rather than be with me even though she sought me first. I felt that my actions were justified. She was not moved by the pain that her actions caused me. What could I have done except punish her for her callousness?
I felt I was completely justified in my actions until very recently when I saw her in Hell. I had not thought of her in a long time, though I still loved her. But my recent experience of being imprisoned for a century had changed me in ways that I have only recently admitted to myself. For the first time I wondered if perhaps my original judgement to condemn her to Hell was made in error. So I am turning to here at the recommendation of a friend. Am I the Asshole?"
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