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#organising my blog
oh-mydarling · 9 months
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CHARACTERS I WRITE FOR <3
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AMERICAN HORROR STORY (and others)
Cordelia Goode
Billie Dean Howard
Wilhelmina Venable
Lana Winters
Ally Mayfair
Sally McKenna
Tammy
MARVEL
Natasha Romanoff
Wanda Maximoff
ONCE UPON A TIME
Regina Mills
Emma Swan
Requests are always welcome!
I'm also open to other ideas to see if I could do it! <3
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chuuyadelune · 4 months
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NAVIGATING MY BLOG 🌱
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hello and welcome if you’ve come across my page! this is the long overdue introduction + organisation post for this blog (2 years late. but oh well)
ABOUT ME: you can find a more detailed profile on my carrd — but here are the basics.
you can call me jem, i use they/he, and i’m 21. i am currently a music student—if ever i suddenly disappear for like, a month or two, just know it’s because of school, lol.
i can also be found on:
twitter / @ chuuyadelune (where i’m more active)
youtube (i post an edit once every 6 months)
FANDOMS: i mostly engage in bungo stray dogs content, but i’m also a fan of skip to loafer, chihayafuru, moriarty the patriot, mob psycho 100, chainsaw man, yona of the dawn, witch hat atelier and a whole lot more —a more comprehensive list is in the carrd (since i have not updated my MAL in a very long time)
WHAT I POST ON THIS BLOG: beyond reblogging a bunch of fanart/theories, i have posted a variety of things, which include:
manga colourings (i don’t really do these anymore, admittedly)
written theories/analysis on the BSD manga
half-fleshed out analysis of the BSD anime’s cinematography (lighting, composition, etc)
general ramblings about the BSD anime’s music (because i am nothing if not a huge nerd about this sort of thing)
i have tried to organise things via the tags in the past but not all of them show up, so i’m leaving all the links to everything here—alongside the tags i used—for posterity and so i can find things when i want to. everything is below the cut:
WRITTEN THEORIES ON THE BSD MANGA
the tag i use is jems bsd theories, but not all of these show up all the time, unfortunately. so here’s the list:
(a very silly post about) vampire chuuya (chapter 98)
(a very shitty) attempt at breaking down BSD 101
sigma is the key to winning meursault, and the why in relation to the BSD themes
[BSD 113] the fyodor jesus references go crazy ngl (less analysis more a list of things i noticed)
ANALYSIS (KINDA) OF THE BSD ANIME’S CINEMATOGRAPHY
both this section and the one below (music ramblings) can be found under the tag jem rambles, but here are the links for everything anyway:
the use of levels and how it links to ranpo’s character in S4 E2 (untold origins)
the effective use of lighting in yosano’s backstory, S4 E9
visual parallels in the shin soukoku fights, S1 - S5
BSD MUSIC RAMBLINGS
i really like screen mode BSD ops
BSD S5’s opening fucking bangs thank you kisho taniyama i love you
MANGA COLOURINGS
i used the tag jems colourings for this, but some of them don’t show up, so i’m listing everything here.
BSD:
smiley kenji from 100.5
fyodor drowning from 101
hunting dog tachihara from 68
fukufuku (fukuchi and fukuzawa) from 103
chuuya entrance from fifteen manga phase 1
chuuya stopping bullets from fifteen manga phase 2
titan chuuya from fifteen manga phase 3
that’s what makes me love you skk from fifteen manga phase 5
other:
spy x family mission 15 cover page
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silvergarnet12 · 11 months
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What if you could find the Divine Beasts in the Depths?
You’re in this dark, alien environment, strange noises echoing around you, the inescapable anxiety your only companion. Squinting in the distance, you see a frighteningly familiar shade of blue flicker, faint in the distance.
Cautiously moving forward, you begin to realise the blue belongs to something much, much larger than a possible guardian. Eventually, an ancient behemoth looms overhead, still, silent, and empty, both at rest and unnervingly calm. A strange, restless melancholy replaces the sense of creeping dread, no less uneasy than before.
Entering the resting stone, in the corner of your eyes, you see movement flicker. At first you think a spirit, perhaps the Champions still linger… but deep down you know they’ve passed on… right?
Echoing footsteps fill the silence as you press on, avoiding gloom where there had once been malice, a desecration of a sacred resting place. You see the flicker again, turn on your foot and see for a split second, a beloved friend, an uneasy rival, a stalwart protector, a steadfast leader, an ally, a painful reminder of your worst failure. Even now, years later, it stings.
You try to get their attention, but there is no response. Instead, you watch. And realise. And mourn again. There are no spirits here. Not in the vast, decaying depths, not in the final resting places of a final hope.
These are echoes of the ones you knew. You can see them in the corner of your eyes sometimes, going about preparations for that ill-fated battle. It’s eerie, made no better by the Grand Poes gently swaying, their locations random but making uncomfortable sense.
Sometimes, on unlucky days, it is not preparations that these echoes go through. Pain torn screams faintly heard as their final moments are played out, a play on an eerie stage.
Vah Medoh groans in the dark, as the image of her pilot slams limply on her back, wing torn, and struggles to get up, defiance in his glare even now.
Vah Ruta cries a warning, as her pilot slumps over the controls, never seeing her killer, her last thought to warn the others.
Vah Rudania braces herself, as the echo of her pilot does the same, but the shield shatters, a flash of phantom heat coating the area, followed by darkness.
Vah Nabooris strides steady, until her pilot, fatigued from a relentless assualt, makes one fatal misstep in her final dance, lightning crackling in the air.
The stone beasts are restless, aware of the new threat, and unable to let go of the last pilots they’ll ever have, desperately trying to fight once more. But instead, they lay still, silent, a monument to their pilots lost to time.
What if you could find the Divine Beasts in the Depths?
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lydiaalin · 2 months
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save me horror cowboy game ocs save me
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naarinn · 6 days
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No thoughts, Brain empty
Ya'll next chap is deme arc , trust 🤞
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anglerflsh · 6 months
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get Apollo'd idiot @sheerunfilteredhubris
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tiny-cloud-of-flowers · 6 months
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Hello, everyone! I have a quick request to make!
Please interact with this post if you’re doing F/Ovember this year! (2023)
(This can be a like, a reply, or a reblog - it’s up to you!)
For those looking for fellow selfshippers taking part, or who just want to send people asks for the event, look no further than the notes of this post! I hope that everyone has a lovely time, no matter how they participate ^-^
(anyone is welcome to interact with this post, as long as my DNI is respected!)
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shibuiking · 1 month
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morskisir · 2 months
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wound up liking the sketch on this one more so that's what i'm posting </3
idiot gets his face smooshed (and smooched?!)
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thesunisatangerine · 3 months
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THESUNISATANGERINE'S FIC DIRECTORY
completed
against all odds (to wait for you is all i can do)
[one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]
porque volví por ti (tú eres mía)
prometeme (promise me)
ongoing
playing for keeps
[one, two]
*you can also find these fics on my ao3 profile! thank you for reading <3
**also, im sorry but i dont take fic requests, hope you understand <3
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oh-mydarling · 9 months
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NAVIGATION
hello and welcome to my blog <3 feel free to stay a while! 🌸
masterlist
characters I write for
AO3
latest fic <3
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ginkashino · 10 months
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fell asleep on the couch and dreamt one of my aunties gifted me this magazine
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sophiethewitch1 · 28 days
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Gaz is obviously really nice and sweet and lovely but he also does give me the vibe of someone who like, if you were with a group of people jumping off somewhere high into water and you were scared and hesitating he'd absolutely delight in shoving you in. Like you come up later yelling at him and he goes 'i was just trying to help you!!! I'm sorry :(!!!' but he's not. He will take more opportunities to scare the shit out of you just to hear you squeal. The sooner you catch on the sooner you can put a stop to it because he doesn't want you to think he's mean or anything... He's not, but he's just the slightest bit of a sadist.
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chalkrub · 11 months
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drawing various beafts from bad written descriptions
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thrilling-oneway · 4 months
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Fate in Project SEKAI - 1/?
VBS
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1. An and Kohane
Right from the main story we're introduced to the idea that An and Kohane's first meeting was simply fate. Kohane was just a bypasser overhearing An's singing, hearing An talk about her dreams. It's this that makes Kohane reflect on herself, how she's never been passionate and never had anything she wanted to throw herself into. This girl is everything she isn't and everything she would like to be.
They don't even meet formally, but An's profession of her dream and Kohane's longing for one is what causes their SEKAI to manifest. We know from MEIKO that it's been around for a long time, but it wasn't until Kohane saw An that it revealed itself to its owners. But that could've been anyone. Anyone could've been inspired by An, or Akito and Toya, since they were involved in its creation too. Heck we could've had Kotaro who outright stated was inspired by Akito. But no, it had to be Kohane. Kohane had something she wanted to change about herself, and meeting An is the only way this could happen.
An also needed a partner, and Kohane was the perfect partner. An grew up talented surrounded by talented people. She never had any problems, she'd always been a step above everyone else. Kohane is a total beginner, far, far out of her comfort zone. They compliment each other. Kohane learns from An how to sing, how to be confident, all about her dreams and aspirations. She learns what it's like to be passionate. An learns what it means to rely on someone, what it means to wholly trust someone. A beginner is not to be protected, a beginner is to be taught. She teaches Kohane all these things, and learns what it's like to struggle too. She experiences a sense of weakness for the first time, the fear that someone will surpass her. She's not jealous, she's happy for Kohane, but she's insecure that Kohane will become too good for her, that she'll fall behind and lose the person she loves and trusts more than anyone else. It's these insecurities that push her to become even better, to improve further. She may be naturally talented but that doesn't mean you can't improve.
Kohane's fes card further touches on the idea of An being everything she wanted to be, by literally making her become An. All this time she thought she had to become An, not realising that what she truly needed was to stay being herself. Kohane wanted to change, but to change yourself doesn't mean to become someone else entirely. Kohane is still Kohane. She's still the shy girl who was too scared to do anything, but she left that girl in the past the second she chose to return to An in the main story. It's this idea of a rebirth that is touched on a lot more later on in Nagi and Akito's arcs, and VBS' arc as a whole.
2. Akito and Toya
Was Akito and Toya's meeting just a coincidence, or was it fate? I'll discuss the overlaps between coincidences and fate in this game later, but for now we'll say that yes, Akito and Toya's meeting was also fate. In fact, it's rather similar to An and Kohane's - a parallel, if you will. Not quite the same but not wholly different.
Akito had been fully devoted to soccer for his entire childhood. He was talented, the best player on the team. He put so much time and energy into it. And then he lost, and gave up. Bringing back that idea of rebirth. Akito's passion for soccer burnt out, he was done with it, and not going back. Sure he was good, but he had nothing left in him to care about it anymore. Seeing that concert relit that passion. Made him rediscover himself. Maybe he wasn't made for soccer, but made for music. Music was an opportunity to reinvent himself, much like it was for Kohane.
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Toya came from a musical family. Surrounded by professional musicians, tied to the fate of music from birth. His family expected nothing less of him than to follow in their footprints, a fate pushed onto him regardless of whether he wanted it or not. It wasn't right for him and it hurt, his parents hurt him trying to make him into something he wasn't. He may be talented and experienced, but he was willing to run away from it all. The lyrics to RAD DOGS say as much. Classical music was never his real fate, his real fate lied with street music. Even then, street music was just something he chose because it was so different from the path chosen for him. It was an unknown route that he didn't know how to navigate, but nonetheless, he grew to love it. Fate cannot be chosen, so maybe Toya's spontaneous choice was leading him in the right direction.
Akito happened to meet Toya on the street one day, just like how Kohane first encountered An. Akito, who had refused to work with so many people before, immediately chose Toya on his own accord. He recognised Toya's talent, that Toya was new and inexperienced despite all that, and that Toya was someone who needed a guide in this unknown world. Akito and Toya are two sides of the same coin. Akito is bold and brash and two-faced, Toya is calm and reserved and honest. Akito has no background or talent in music, Toya has all of that. Even their colours are complete opposites. But at the end of it all, both of them chose this path as a way to reinvent themselves. Relight a fire that had burnt out within themselves, allow it to burn brighter than before. Relight, restart, reborn. It's all the same. They're one in the same despite all their differences. They compliment each other and it's what allows them to work so well together, to trust and love each other more than anyone else. Aun no Beats' title is derived from the term Aun no Kokyuu/Aun Breathing, when two people act in perfect harmony to the point of breathing the same, being able to understand each other without words. There's a reason they and no one else was chosen to cover that song.
3. Bird lore + Arata and Souma
The Walk on and on event essentially confirms that the meetings of the two pairs were indeed fate, and that they're soulmates. A word that so fully describes exactly what they are. They complete each other, understand each other and trust each other so, so deeply. Kohane would not be who she is now without An, An would not be who she is now without Kohane. The same applies to Akito and Toya, their meeting is essential to who they are now, they wouldn't have navigated this far without standing shoulder to shoulder, back to back. The best way to describe these feelings, these actions, the way they act and the way they complete each other, two halves of a whole, two sides of the same coin, two parts of the same story, would be love. Platonic or romantic, the text supports both. Kohane and An will keep working hard to become the best possible partner for each other. Akito and Toya are still learning too, how to become even better than the best partner anyone could ask for.
The cards for that event contain a few references to the idea of soulmates two. First, the costumes. Toya and Kohane's costumes for the event have a single wing on the back. Their first recolours change the accent colour to their partner's image colour and flip the side of the wing. This alludes to the mythical Hiyoku bird. A bird with only one wing that will not be able to fly until it meets its other half. Akito and Toya would never have been able to fly, to get as far as they have, if it weren't for that chance meeting on the street. The same applies to An and Kohane, if Kohane hadn't run into An she never would've changed, and An never would've had a partner quite like Kohane. The cards also feature crows, a bird that, notably, mates for life. Toya explicitly states in the event that he wants to stay right beside Akito forever. It's a promise, it's not quite fate but it's the closest a person can get to it with their own actions. Toya is never going to leave Akito's side, and in return, Akito will continue to stand shoulder-to-shoulder with him. We see this demonstrated in Toya's card, with Akito literally having broken Toya's cage to reach him, and continue to sit beside him.
KAITO's card is particularly interesting, as it suggests that Akito and Toya, and An and Kohane are not the only fated partners on Vivid Street. KAITO's costume notably already has two wings, a completed whole, only one of them is damaged. Whilst not confirmed, it's highly likely that this is meant to represent Arata and Souma. After all, Souma was an important character in Walk on and on, as was his relationship with Arata. Souma and Arata's relationship has been compared to Akito and Toya's multiple times. Both of them wholly care for and love their partners, as outright stated by KAITO in THE POWER OF UNITY. For Toya, Akito is incredibly important to him. Akito taught him to love music again, Akito introduced him to a whole new world that he only entered out of spite but now is devoted to with his entirety. He has nothing but gratitude for Akito, much like how Souma has nothing but gratitude for Arata. Both of them want to give something back, through the medium both they and their partners love and understand more than anything.
Souma's accident may have made him unable to continue to stand by Arata's side, but Arata will continue to carry the dream that once rested on both their shoulders. It's more complicated for Arata though, who is still clinging to the grief of losing a partner who always stood beside him, a wall placed between them against his will, a wing torn from his shoulder. Dreams can't be carried alone, which is why he can't truly ever carry Souma's dream, nor claim it as his own. He's so caught up in his feelings that he can't realise that he wants this too, that it isn't just for Souma. It's in his honour, the memory of a dream that can't be achieved anymore. Arata's inability to realise this brings him so much pain because he loves Souma, so much, and it crushes him to think that he's betrayed him, in a sense. But once again, they truly are two people who complete each other. Souma wouldn't have reached the heights he did reach if Arata wasn't there beside him, and Arata would not still be on this path if it weren't for Souma leading him along for the first part of the journey.
4. Nagi and RAD WEEKEND
If there's one thing known about fate, it's that fate isn't kind to everyone. Fate was cruel to Nagi, it took her life from her. Her dreams were to be left unfulfilled, half complete. She had no choice in the matter, her story was coming to a close, before she could bring it to a proper conclusion. However, even if her fire burnt out, she still had the time to light a fire in a new generation. Her story will never see a proper end, but she can give her story to a new generation, and inspire them to write their own, one that can be truly completed.
Nagi held RAD WEEKEND as a send-off to herself, one last performance that she could put everything that she could into since she wouldn't have another chance. It was also a chance to create a legacy for herself. Whilst she herself would be gone, her impact would be remembered, be seen by many and inspire them to reach for their dreams, or perhaps give them a new dream. As she looks out to the audience whilst putting her legacy and dreams into the world, she sees An and Akito in the audience. While they wouldn't know it for years, Nagi knows, in that moment, mere days before her death, that these are the children she's inspiring, the ones who will remember, the ones who she's lighting a fire for, a fire that will never burn out. It's fate that Akito was there, it's fate that Nagi saw both him and An, and chose to entrust her life's work to them. Without Nagi, there is no Vivid BAD SQUAD. Without Nagi, An and Akito would not be so passionate, for there is no RAD WEEKEND to be passionate about. Akito wouldn't have chosen Toya as the one to run toward his dreams with, because there would be no dream to run towards. Kohane wouldn't have seen that passionate girl on the street and wished she could be just like her, wish she could be more than herself. And without that, there would never be a Vivid BAD SQUAD, never be a SEKAI, never be an Arata who learnt that he's not alone, or a Kotaro who learnt that he's not as talentless and useless as he believes.
Without Nagi, there's nothing. Her fate was not to die before her story was finished, because she finished her story. Her fate was to pass that story on, allow it to be rewritten and adapted by the ones she inspired with it, allow it to continue on. Nagi had more of an impact than she will ever know, but she knew that it's what she wanted, she knew who she was telling her story to, who she hoped would take what she gave them and run and burn brighter than she ever did. For Vivid BAD SQUAD, for Arata and Souma, for Kotaro, and for Tatsuya, Nagi is what guided them to their fate. Even moreso, she may have created it.
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anglerflsh · 1 year
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my favourite passtime is making up incredibly unaccurate armour designs. That's a lie my passtime is researching but this comes at a close second
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