One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation. People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him. He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work. He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad. That he’ll drop dead sooner or later, but then so does everyone.
And that’s the most important thing: so does everyone. Look at Martinaise. Look at the world in which Harry lives. It is not our own, but it is adjacent to ours. More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people. And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them. The buildings are still half-destroyed. The bullet holes are still in the walls. The revolution was decades before, but it still feels to the people there like a fresh wound. The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few. Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is. He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.
Harry is not unique in his trauma. He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied. He is trapped between the occupation and the people on the ground, along with all the rest of the RCM. Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets. The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines. The RCM is corrupt, but it is corrupt in the same way its culture is. Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’. It’s how the RCM stays afloat, and the rest of Revachol completely understands that. Everyone would take a bribe if it meant they kept eating. Everyone would take a little under-the-table money if it meant keeping a roof over their heads. The officersof the RCM certainly don’t make enough to see a doctor. They have an in-house lazarus, and if he can’t fix them they just die. Mental health care? What mental health care? Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist. There are no counselors, no psychologists, no psychiatrists. How would they even start? If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest. Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol. He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father. So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.
To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative. Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.
All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta. If anyone can point me to some good, juicy essays from that perspective, I would be grateful!
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The conversation with Cal and Greez in the saloon where Greez is complaining about the state of his couch in the Mantis and saying he’s so annoyed he’s gonna replace it and then Cal telling him the couch is damaged because his teammate who died used to jump on it each time before a mission to psych herself up and that now every time he sits on the impression she caused on the couch it reminds him of her and Greez just not knowing what to say to Cal but lets him know he isn’t going to replace the couch cushions anymore because of what it means to Cal and I just—
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falling to my knees and begging please talk about your dimentio gender headcannon more
Dimentio is the character of all time to me. I see a design that is entirely covered head to toe in fabric with a mask on top and I go aha you want complete control over how other people perceive you!
I don't think he'd be all that familiar with the concept of being trans, and that it'd be unlikely that anyone would bring it up to him directly during the events of the game. This is what convoluted post-canon AUs that I have yet to meaningfully illustrate are for!
He is so focused on how he appears to other people that he'd fail to recognize what he wants from it (beyond just having that control) even if it would be extremely obvious if he were to ever verbalize it.
Anyway silly joke images upon you all:
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hi!! Idk if you’re going to see this but I really love Core!Frisk and they’re an amazing character hfjfhvjvn—
idk if this counts as a question for core Frisk but how did you ever gain the confidence to post your own AU online? How did you know people would like it or smn?? How did you first feel about posting Core!Frisk online? (I suffer with problems of “I can’t post this because what if no one will see it/no one will like it/it’s kind of bad..”)
Sorry!! (Dunno why I’m apologizing hfjfhvjvn sorry whagshdgdhg) Also if you see this ty for answering aaaaaa
Hello! If you have an idea you love, draw and share it online and keep sharing about it, even if it doesn't get much response at first. A single post or few probably won't leave much of a dent, but eventually people will start asking you questions! And if you keep it up and make a bunch of stuff, people will have fun browsing through your old stuff even years later.
As for me, I just had a neat idea and I made some doodles and some comics, even though in retrospect the art quality is actually very subpar. Not to put myself down of course, I'm a good artist especially these days, I just mean that CORE!Frisk didn't capture people's hearts based on the quality of its artwork 🤣 People eventually started asking me questions, and those questions helped me to keep building the world and the character.
It's important to not get discouraged if you don't immediately get any attention, though. It doesn't mean no one cares about your work, it usually just means it wasn't able to reach a lot of people.
Use proper tags, keep it up, and for the love of god DON'T delete anything just because it didn't reach 100 notes by the end of the week! How are people supposed to find something that no longer exists?? There was this one artist I followed on Twitter and Pixiv whose artwork I loved and one day they just disappeared without trace, from all platforms. I still have their work saved as my phone wallpaper and it just makes me incredibly sad. It's why I never delete anything I made, even cringe stuff. Someone out there loves it!
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for the spicy asks ✨bakugou and worked up? 👀 because i think once y’all actually get going he’s all systems go, he’s never been one to hold back in any other area of his life so why would he be restrained here? but at the same time i just KNOW he has to work himself up to actually initiate anything w/ you, he’s so nervous!!! that boy is an Overthinker!!!
lil whimsy 🥹🩷✨️ how sweet 🩷✨️
worked up : what is your f/o like when turned on ? are they desperate, tense, barely restrained ? how do they handle it ?
YEESSSSS omg exactly !! he IS an overthinker 🥺 i think when he's turned on, katsuki is kinda....hover-y....if he's in the office and i'm in the kitchen, he'll mosey in every now and again to see what i'm doing....and then mosey back out when he thinks he doesnt want to interrupt me LOL bc he hates feeling driven by his dick !! LMAOOO truthfully i wouldn't mind hehehe but !! he is how he is !!! and even when he's not home or we're not together, he'll send out a text or something, get brave enough behind a screen to send a lil 🩷 or a "love you" 🥺🥺 he wants me to think about him !!! wants me to know he's thinking of me !!! 🥺
for the most part, he's pretty restrained, and i think he kind of feels like. is it selfish of me to want to interrupt what you're doing just because of what i want ?? but you're right that once he gets going, all bets are off !! that's when it becomes obvious how long he's been kind of holding back, bc clothes start coming off pretty fast and he's near dragging me across the house back to the bedroom LOL
spicy/nsfw self ship asks 💐
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id: a digital drawing of a blue engineer and walenty-an original character. walenty is pale, has long, black hair with horns, a tail and claws. he's wearing square glasses, fingerless gloves, a green, floral shirt over a black tank top and black shorts and shoes. kit is holding a fishing rod in kits right hand. engineer is wearing his hardhat and goggles, a blue shirt, dark blue overalls and brown boots. he also has a fishing rod swung over his shoulder. he and walenty are walking next to eachother, with walenty on the left and engie on the right. the background shows a pine forest. end id
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