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#pov henry
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Hiiii! for the ficlet fest c: 5:21am. Kensington Palace. Henry Fox-Mountchristen-Windsor. Song Lyric: "Even though this white wall is unchanging. The morning sun shines on it, and the clock moves forward. I keep moving further away. From the seasons we spent together"
OH HELLO FRIEND. sorry in advance, this one is a bunch of arthur feels. you have been warned.
read the rest of the ficlets here
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5:21am, kensington
Tick. Tock. Tick. Tock.
In the hours of false dawn, the only sound in Henry’s room is the ticking of the ornate, heirloom, and completely gaudy grandfather clock. Every swing of the pendulum marks another moment that Henry should still be asleep—another moment closer to his next event. 
Another moment that his dad has been gone.
Tick. Tock. Tick. Tock.
Henry’s insomnia didn’t appear until after the cancer had ravaged his father’s body, had hollowed out his mother, had transformed Philip into someone he didn’t recognize, and had sent Bea careening down a path Henry could not follow. Even now, months after he and Bea clawed their way back to each other and settled as much as possible into the new normal, it seems the broken sleep is here to stay. 
He’s doing better, on the whole. Regular therapy appointments—despite the Queen’s disdain for the whole endeavor—and medication have gotten Henry to the point where he can get through most days. He can put on a media face (bland, inoffensive, stoic, proper) and get through whatever nonsense The Crown has sent him to attend without visibly crumbling to pieces. It’s at night, with no distractions or witnesses, that Henry can let the mask fade away—can feel.
Tick. Tock. Tick. Tock.
It's still strange to think that his dad is gone. Every day is another one that Arthur won’t be there for. He won’t get to do another puzzle with Bea. He won’t see Henry graduate from uni. He won’t be there to see the next season at the Globe. He won’t be there when the Queen starts insisting Henry join the military. He just won’t be there, his absence a dark cloud over every triumph and fall, every mundane moment and milestone from here on out. 
But Henry will be here, stuck in this gilded cage of tradition and expectations—staring at the white walls of his bedroom, unable to fall asleep. 
Tick. Tock. Tick. Tock.
The sun is actually coming up now—a wearily familiar sight. As much as Henry wishes he could sleep like he used to, the golden glow on his bedroom walls is beautiful. The sunlight is dappled today, peeking through the leaves of the tall trees on the grounds of Kensington, creating an intricate, ever-shifting pattern of shadows as the sun rises. 
Henry thinks could write an entire anthology of poems about sunrises, actually. There’s something poignant about the juxtaposition of a new day while he’s still looking out of the chasm his dad’s death left inside him. He can see clear sky at the rim, but the light feels so far away.
Tick. Tock. Tick. Tock.
He knows Dad wouldn’t have wanted Henry to be so despondent, would have wanted Henry to be living his life as much as possible. Would have wanted Henry to find a way to move forward into his future. He knows that Arthur would have been the most excited to meet Henry’s therapy dog later today.
The idea was brought up by his therapist a month ago, and today it is finally happening. Henry was going to meet the dog that had been picked out for him. Hopefully he and the dog will be a good match or the whole process will start all over again. Henry would be stressing about it, but—
With bright sunlight climbing up the walls, the gentle ticking of the clock, and the memory of his father’s smile at the forefront of his mind, Henry has a good feeling about the day ahead.
Tick. Tock. Tick. Tock.
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england-would-fall · 3 months
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Hello friends! This is my first WIP Wednesday, no fault owing to the amazing people who have tagged me in the past. Look at my banner!!! @luainthewild, your styling is impeccable darling.
Shall we do a FirstPrince snippet? Short uni roommates au crack!fic being posted this Friday for a mini gift exchange, because life is serious and I am not.
Henry Fox did not share beds. Not because he was a misanthrope (he wasn’t) or a blanket-hoarding sleep gremlin (he was). Not because he hadn’t had the opportunity or the invitation (he most definitely had). It wasn’t even because he had a rather embarrassing amount of money that precluded him from the need to share sleeping quarters. He did, and it did; it just wasn’t the reason. Henry Fox did not share beds for a reason far more extreme and horrible than any of that. Henry Fox did not share beds because, against the advice of his grandmother and every agony aunt in the British Isles, he became hopelessly, miserably, irrevocably infatuated with any pretty boy who batted his eyelashes in his general direction. Sharing a bed would inevitably lead to trouble, and he could whip up quite enough of that on his own, what with being the quick-tongued homosexual British Literature degree-holding son of an actor. He really and truly did not need one more single ounce of difficulty with his family or strata of society or any of that shit. And that would be fine. Absolutely fine. Wonderful, manageable, definitely doable in every possible circumstance imaginable…except this one.
Let's see who we can wrangle some WIP Wednesday posts out of! @luainthewild @couldvebeenus @shame-is-a-wasted-emotion @wordsofhoneydew @lyricoloratura anyone wanna share with the class? anyone not tagged who wants to join, please do -- and if you want to be tagged next time, let me know!
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wibble-wobbegong · 9 months
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F stsnds for F U VIRGINIA!!! not literally tho plz stop :(
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mcnuggetclub · 9 months
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the way alex looks at henry
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pixlokita · 8 months
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Page 33
Previous - next - first
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creaman · 10 months
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Who says you can’t have OCs drawn exclusively in 1st person POV?
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beaulesbian · 9 months
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I'ts like there's a rope attached to my chest and it keeps pulling me towards you. And it feels so right. - Red, White and Royal Blue (2023)
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"On purpose. I love him on purpose." - Red, White and Royal Blue, chapter 13, by Casey McQuiston
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dani-dabbles · 9 months
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from barely there ankle brushing to a full body wall press, this is the character development I love to see
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stargirlofthecentury · 9 months
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i have never in my life been this roped in to a movie and it's marketing
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the-holy-ghosted · 6 months
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i dont think we talk enough about john bridgens and henry peglar. just like in general. and that is a crime
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cricketnationrise · 3 months
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hello! :) THIS IS SO CUTE I CAN'T WAIT FOR A POSSIBLE CRICKET EXCLUSIVE!! because i am obsessed with u fr but that's common knowledge. <3
for the ficlet fest, if you'd like:
time stamp: 2:23am
location: brownstone
character: alex/henry
song: this is me trying by taylor swift (only if you want!!!!!!!)
rating: whatever you'd like
but like you can go any direction with this I'm just always projecting my adhd/anxiety/not good enough feelings onto alex on a regular basis :')
my ao3: firenati0n | Archive of Our Own (same as tumblr user)
THANK YOU SO MUCH! SENDING LOVE XOXO
your cricket exclusive is here! i actually went full on henry pov with this one bc my brain got stuck on the trying of it all. so have some first post-canon fight make up. this is actually the longest ficlet yet, but somehow i don't think that'll be a problem 😂 💜🦗
read the rest of the ficlets here!
❤️🤍💙❤️🤍💙
2:32am, brownstone
The brownstone is quiet when he returns, which is completely reasonable for just after two-thirty in the bloody morning. 
It’s also immaculate, which is decidedly less so, especially considering the state of the place when Henry stomped out a few hours ago. 
The hallway is clear of trip hazards, shoes neatly in the rack. The kitchen gleams in the range hood light; counters clear and wiped down, small appliances lined up as precisely as Buckingham guards. Peeking his head in the for-once dark office reveals two tidy desks, chairs pushed in, and both of their laptops plugged in and charging. 
The den at the base of the stairs makes Henry pause. The stacks of books have been put away. The coasters on the coffee table have been relieved of their burdens of half-drunk tea cups and abandoned coffee mugs. In the dim light from the street lamps through the window, Henry can even see vacuum lines in the carpet. A second glance has Henry taking cautious steps inside.
There is one thing out of place after all. 
On the couch, propped on a few of the numerous throw pillows Pez insisted upon, and tucked into the quilt Ellen sent them, is Alex. Like an anchor to the ocean floor, Henry is drawn into the room, and to Alex’s side. 
He kneels between the coffee table and the couch near Alex’s head and just looks for a long moment. Alex clearly hasn’t been sleeping well. The couch is too short, even for Alex’s shorter frame, so his legs are tucked uncomfortably. His curls are more of a wild mess than normal, like he’s been tugging at them. Alex is gripping the quilt as tightly as he normally clutches Henry, and there’s deep furrows on his forehead. 
Henry should let him sleep, probably—neither of them have been sleeping all that well. Increased paparazzi presence as Alex’s first semester of law school starts and Henry takes a more active role in the shelter has been stressful. But Henry can’t help but reach out and try to smooth those lines on his forehead. Something churning and tense settles inside him when his gentle touch has Alex’s eyes blinking open, a small smile on his face when he recognizes Henry.. 
“You came back.”
“Of course I did, love.”
Alex exhales messily, blinking back tears now. “I wasn’t sure— After earlier—”
Henry shushes him with a hand on his cheek. “I will always come back to you. Promised I was done being an obtuse fuckin’ asshole, didn’t I?”
“You still left, though,” Alex says.
It’s Henry’s turn to fight back tears. “I could hear myself sounding more and more like Philip at his worst. It scared me. I didn’t want to subject you to that, to even inadvertently use my knowledge of you as a weapon. So I left before words I didn’t actually mean could find their mark.” He sways forward, resting his forehead on Alex’s, needing to be closer. “You deserve more than sharply aimed words, especially when you haven’t done a thing wrong.” 
“Hen…”
“I’m sorry Alex. I shouldn’t have— I knew it would be different once the paparazzi got wind of our plans, but I wasn’t prepared for how much more invasive they would feel. I’m having a hard time adjusting to life beyond Kensington’s thick walls and I started to take it out on you.”
Alex’s hand pulls on his shoulder. “C’mere.”
Henry climbs onto the couch and sprawls undignified on top of Alex, tucking his head into the crook of his neck. Alex’s hands, as ever, hold him steady, rubbing large circles across his back.
“There were two people in our fight, Henry. You aren’t the only one struggling. Or taking it out on the person he loves.” He presses a kiss to Henry’s temple. “I could hear echoes of my parents, but couldn’t figure out how to stop the word vomit. And that scared me—I never want you and I to be like them.”
Henry pulls his head back to meet his gaze fiercely. “Never.”
Alex smiles at his vehement tone, but it's got a rueful edge to it. “We’re gonna have to figure out how to talk about this stuff before it blows up in our faces again.” 
“Not tonight, though?”
“Nah, not tonight.” 
They’re quiet for a long moment, curled around each other on the couch, when a niggling thought finds its way past Henry’s lips. 
“Alex?”
“Hmm?”
“Why were you on the couch? Did you— Did you not want to be in our room?”
Alex holds him tighter. “I— You left and— So I was cleaning, and I did this room last, and when I was done there was no way stairs were happening, so I just collapsed here. I didn’t  actually think I'd fall asleep, I don't usually when you aren’t right next to me.”
“So it wasn’t because you wanted space from me?”
“Fucking hell, baby. No, I never want space. I want the opposite of space from you. If I could figure out a way to crawl into your rib cage every night I would.”
“Oh.” The last bit of tension leaves Henry’s body at that and he relaxes fully on top of Alex. 
“Yeah, oh.” Alex chuckles. “But, as nice as you feel on top of me, it’s late and this couch ain’t big enough for the two of us.” 
“You fit on it better than I do,” Henry can’t help but tease.
“First of all, rude. Second of all, I also have to pee so get up before I shove you off.” 
Reluctantly, Henry stands and reaches down to help Alex up after him. Henry folds the quilt and hangs it over the back of the couch, smoothing the last wrinkles with his hand. When he straightens up, Alex is only halfway up the stairwell. 
“Meet you in bed?” Alex whispers.
Henry climbs up to meet him. “Always, love.”
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steam-beasts · 3 months
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POV; You're just a guard and a baby Henry wants uppies after waking from a scary dream
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He shall officially awaken soon ;)
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betryl · 7 months
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Along with Camilla's and Bunny's, another pov I would love to see is Charles'. He had such a tragic development throughout the book, but we get to know very little about what he actually went through, and it makes it easy to put all the blame on him – of course, he was an abuser and that doesn't change, but it would still be so interesting to actually get his own opinion, without Henry, Camilla or Francis speaking on his behalf. Not to justify him, but just to see things the way he did and get yet another interpretation of the whole story.
We'd get to know what his and Camilla's relationship was actually like – and it would probably look even worse from his perspective. His encounters with Francis, too. He puts the blame on Charles taking advantage of him, even though they were probably both taking advantage of each other in some ways – but we never got to hear how Charles felt about the situation.
We'd get to see him slowly lose his mind to alcohol, and it would probably be even more subtle than how it felt from Richard's pov, making it even the more chilling. Him getting progressively more depressed, more irritable, more violent (and therefore, I believe, more guilty about his own behavior too), to the point of being basically drunk all the time, and feeling like a totally different person to how he was at the beginning.
And then we'd get to see him get more and more paranoid about Henry. I would have loved to see more of their dynamic, because while I've seen some people reducing it to a love triangle with Camilla (?), it wasn't just that, and Charles had quite a few valid reasons to hate him. Henry pulled Charles into the whole mess basically against his will – he was the only one who, more than once, tried convincing the others the murder was a bad idea, and no one listened to him and listened to Henry instead. He was depressed for Bunny's death. He got coerced by Henry to get involved with the police too, having to bear the weight of everyone possibly ending up in jail if he did something wrong.
He realized that all of this was mostly Henry's fault, but then the situation with Camilla came along, and Charles suddenly understood he had just become the next target Henry might have wanted to get rid of – and he even tried to. He had every right being scared of him, but the others barely even believed him. So the paranoia turned into genuine fear for his life, until he eventually snapped, and we know what happened next.
All of this was hidden behind Richard's pov, which definitely made it difficult to understand his actions or how he was feeling. As much as I don't like him as a person, he really grew on me and genuinely became one of my favorite characters. And seeing it all from his perspective would be terrifying.
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anchoredarchangel · 2 months
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A Spark and Flash Paper
Firstprince • Explicit • 15.1k • Complete • Bonus Fic
“When I was in college, my girlfriend and I used to play this game-” Henry has been through extensive and rigorous etiquette training. Private tutors. The whole lot. He’s been thoroughly and expertly edified to remain impassive, attentive, unruffled, in even the most extreme of circumstances. But if this gorgeous man is about to tell him about some sort of perverted royal roleplay he engaged in with his college girlfriend, Henry’s going to revisit his decision about not jumping out of the bloody window.
Or:  Henry attends a charity gala intent on changing the trajectory of his life. He certainly does, but not quite in the way he expected.
(Henry’s POV of No Consequences)
Read on ao3: https://archiveofourown.org/works/53761807
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meraki-yao · 8 months
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RWRB Movie Analysis: The Placement of Alex's Speech
Alright I’m really fucking sick of people complaining about the placement of the speech. (I swear, I write half of these essays out of irritation. But I’m happy while doing it so it all checks out)
Two things.
Regarding Henry’s consent
Use context clues people. Henry says, “Your speech was beautiful. Made me very proud to be your boyfriend.” It’s clear that Henry approves of the speech.
Again, what can be shown explicitly is restricted by the format. The point of Henry’s montages during the speech is to show how trapped and helpless he is in the situation. (for more, I wrote about it here.) The scenes need to keep that atmosphere/feeling of isolation and pain. If let’s say, we have a scene where the prime minister asks Henry about admitting and coming out, it would take away the consistent feeling of Henry’s pain. Cinematically, it won’t work. But that doesn’t mean in universe, it didn’t happen.
Also, Alex fucking loves Henry with every inch of his soul. He’s willing to fight for them, but he’s also willing to be patient for him. After getting his feelings sorted out and knowing with 100% clarity that he’s in love with Henry, he is never, ever going to do something that so obviously would hurt Henry. He would rather get hurt himself than hurt Henry. (Corresponding Book Quote: “Alex wants to go to war for this man, wants to get his hands on everything and everyone that ever hurt him.”) He wouldn’t make the speech without knowing Henry is okay with it. He just wouldn’t, that would straight up be out of character. So the fact that he did, means one way or another, he has Henry’s consent. And Henry later approving the speech in the piano scene, proves that. (It’s completely possible that the script itself meant to explain it this way, but if at any point they might have explicitly discussed coming out, my guess would be the Kensington breakfast scene, Prime, I’m coming for your hard drives—)
Regarding the placement of speech
There are two reasons for this.
One irl reason, is again, the format of the medium, and movie story telling. You want the tension to continuously build, increase and move upwards, then get a big but concrete resolution, and then this part is over. Having the speech as a conclusion after the balcony wave will not feel as well resolved as directly having the speech, then ending this part of the story with the big, big protest and balcony wave.  
But there’s a diegetic/ in universe reason as well.  
A lot of people, especially those who complain that Movie Alex is a himbo (also spite writing an essay on that, WIP, stay tuned), forget that Alex is a budding politician, and in fact, is a damn good one.
He, despite being kind of confused about his sexuality (read this essay for more), figures out Miguel’s flirting is mostly trying to get his statements for his articles, and in a fairly polite and classy way, Alex declines. (The state dinner slip was because he was way too entranced by Henry) He was a speaker at the DNC. His Texas campaign ultimately won Ellen the election.
When is comes to these things, he knows what he’s doing, and he’s good at what he does.
Making the speech before the crown can make a statement, was a strategic move.
Henry told Alex about his grandfather’s stance on this during the Paris date. He also told, well, yelled at Alex about the pressures he has from the crown during the Kensington confrontation. Alex knows the King will disapprove of their relationship and attempt to shove Henry into the closet.
So he has to be the one to control the narrative. He needs people to listen to, and believe in his, or rather, their side of the story.
And here’s a bit about human psychology. When receiving a new piece of information, our first impression and subsequent judgement of said information tends to be persistent. If we are provided with a second piece of contradicting information, we will tend to treat the second piece with much more criticism and suspicion. The mindset would be “prove to me the first one is wrong” instead of “Which one of these is right”.
Therefore, for Alex to get more people on his side, he must speak first.
(I almost imagine this is the reason the White House blocked communication with the palace. That bugged me for a while, until I thought, if the White House doesn’t block communication and receive a demand from the palace, they aren’t really on grounds to refuse it without a diplomatic mess. It’s the equivalent of avoiding talking to someone you don’t want to approach with the excuse “Oh my phone was off sorry”)
Imagine it. If the crown does what the King originally proposed and claims all the emails are fabrications and denies that Henry is gay and in a relationship with Alex, then Alex’s speech will be viewed through tinted glasses of “this is a fabrication, this is a lie” and it will take much more persuading for people to believe in Alex, because their first judgement of the issue, would be the crown’s lie of a narrative.
But by making the speech first, people’s first judgement of the issue, would be Alex’s explanation, of it being an invasion of privacy, and of it being true. Even if the crown denies it, with the first judgement being Alex’s narrative, it would make it much easier to see through the lie, because in people’s head, they already assumed that Alex is telling the truth.
By making the speech first, Alex has won both himself and Henry, the pen to write history.
Making the speech first is in no way Alex disrespecting Henry.
By playing politics and strategy, Alex is protecting Henry in the most familiar way he knows.
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bitchthefuck1 · 2 years
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The Secret History:
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