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#shots fired man
hoosbandewan · 2 months
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Tom Bennett, his tiny waist, and his flailing arms at Dunkirk - World on Fire 1.05
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sugar-grigri · 3 months
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I think I remember you making references to Fire Punch in a few analysis post so I assume you've read that one, but have you read Goodbye Eri, and if so do you have any particular thoughts you want to share on it? It might be my favorite, although it's hard to rank Fujimoto's works because there's something different I like about all of them.
Hi Yuta! or is it Fujimoto?
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2022, Goodbye Eri is released and I'm in for a huge slap in the face! I've finally got the chance to talk about it, so thank you!
It's hard to come after the war after this one-shot has been the subject of so much analysis, interpretation and criticism. But I think it's a work that's deliberately designed to be a trap, and the first mistake would be to try absolutely hard to determine whether Goodbye Eri is true or false. 
Trying to detect the true and the false is futile, not that it's really impossible, but arguments could be several pages long and the theories put forward would remain mere hypotheses because no explicit confirmation is given. Quite simply because this is not the aim of the work, nor a satisfactory way of reading it. 
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For example, when Yuta's father seems to be getting angry with Eri, we understand from Eri's "And Cut!!!" that it was all a set-up. So, as a good reader, we can only assume that what follows is pure reality. However, the father, now an actor, if he should play his line differently.
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As another illustration, when Eri is close to death and Yuta are talking, there are a few hints that they might have a relationship, but this is denied by Yuta himself, in a discussion with Eri's friend. 
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The film plays with this to such an extent that all sorts of theories are possible. It could just as easily be interpreted as there being only two films (on Yuta's mother and then on Eri's death), two films but in different ways: one about Yuta's mother and a second film about Eri, as a vampire, with the end scene played by Yuta's father and by Eri before her death.
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This explains why, even after Eri's death, Yuta continues to film because the film isn't actually finished yet, the editing being there to reverse the scenes played chronologically, to make it look as if Eri was still alive, and so on. ..
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As you can see, it all makes sense, and our preference is purely personal because they all work. But I'm not going to play that game, because it only shows me one thing, and that's that the plot surrounding Eri is deliberately obscure. 
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I've seen a lot of people describe Goodbye Eri as a work about dealing with death - the way we want to remember those we've lost, etc... It's about mourning, symbolically saying goodbye, hence the title. Which is true! But it goes further than that.
Eri's plot is deliberately obscure because the right way to appropriate the work is not through her. She's the character we know least about. Physically alone, we learn that she wore glasses and braces. Mentally, she was more annoying than she seemed in the movie. Eri is a mirage in which we won't find answers, so we have to learn to say goodbye.
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The only reliable information given in this OS is that everything is filmed by Yuta's phone. And in reality, you know Yuta better than Eri, so it's him you should turn to...
Hi Yuta!
Yuta is almost never shown in this OS, as he is always filming. And when he is shown accurately, it's when he's inspired by other films by watching them with Eri, in other words, he's continuing to work on his own film by watching others. 
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Yuta's first film began as a result of his mother's narcissistic desire, as he was celebrating his birthday, discovering his gift, a smartphone, all of which was directly taken over by his mother, who asked him to film her until she died.
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By keeping only the good sides of his mother, ignoring all the abusive parts of her, Yuta does not follow his parent's wishes, he does it for himself, showing what he himself wants to retain from his childhood, his story, in order to move forward properly.
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But as everything is filmed, it gives the impression that the videos have been passively lined up without any sorting, without any choice. Yuta takes his revenge because he refuses to film his mother until the day she dies, stopping before then, preferring an explosion to conclude his film. It's brutal because it's as if Yuta's tastes, his little touch of fantasy, are suddenly surfacing, while the rest of the film is just as personal, just as him. So when his film is mocked, it's a work so personal that Yuta wants to die. 
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It's not insignificant that it's Eri who intervenes, whose only certainty was that she loved not only the films but also Yuta's, simply because she saw not only Yuta's mother in this film but also him, whom she considered to be the best character. She wasn't revolted by the ending, because she was aware of Yuta's touch throughout the film. The same ambiguity then resurfaces, we don't know if Eri is in love with Yuta, she corrects him to say that it's these films, the two are so linked, that liking Yuta's films is tantamount to liking the teenager. 
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Yuta follows Eri's desire to produce a film that is above all personal to him, to the point that when Eri sees her last moments narrated by him, she sees Yuta more than herself, because she is seen through someone else's eyes. 
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For me, there aren't two or three films, but just one from start to finish. Because you see, we've said goodbye to Eri, we've got out of her tricky story to reflect on Yuta, but we still haven't stepped back enough. Because you know who made the film, and it's not Yuta, it's Fujimoto. So, third stage :
let's salute Fujimoto. 
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The film we've just seen in this OS deals with a number of overlapping themes, the way in which a loved one is portrayed, the relationship with others, death, creation, but above all, the extent to which a work is personal. Goodbye Eri is a pretext for Fujimoto to show us the extent to which even the cutting is the fruit of reflection, is already a message.
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In this OS, all the boxes are in the video format of a smartphone, each moving, static shot depends on Yuta, just as each shot is in the third row, drawn by someone.
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People make the mistake, like the first audience of Yuta's film about his mother, of relating to works as linear stories to be trusted, even if they film his mother every day, Yuta's editing is his way of counting a story, it is certainly not the truth in all its neutrality. It's only at the moment of the explosion, which expresses the most of Yuta's personality, that people get upset.
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This offbeat, absurd explosion is something that Fujimoto punctuates in his works, yet they are both thought out and personal to him. But they are often mocked as a way of poking fun at his work. What Fujimoto is saying is that the work doesn't become brutally personal for the controversial, offbeat moments, just the way he depicts a scene from life is personal. 
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People believed this version of the author's mother, otherwise they wouldn't be outraged by this disgraceful way of portraying this nice woman at the end, so in itself, Yuta's film worked. But all this is just a pretext for Fujimoto to point out that he is the author of all his other works, CSM, Fire Punch, Look Back, Just Listen to the Song... They are just like another film made in response to the positive or negative reactions of the others.
Fujimoto likes to trace the common ground between these works, which respond to each other. Each one, placed side by side, is an attempt by Fujimoto to upset his audience a little more, a second or third try.
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The mistake is to separate the author's touch from his work, just as we are tempted to focus more on Eri than Yuta. Just as Fujimoto reminds us through this OS, who writes, draws Goodbye Eri. The first part of CSM was turned upside down by the fact that Makima was a demon from the start, abusive to the point of being the antagonist.
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A violent and abusive maternal relationship. The design of the mother is also a bit similar. Mentions of the breasts, something that also went down quite a bit and left its mark on a lot of readers because it was so out of sync. The emphasis on cats... A rejected boy. A work focused on female characters.
Goodbye Eri is a work in which Fujimoto makes fun of himself, his works and the things that bring them together. Yes, there will be an explosion if the author so decides. Yes, Eri can live again, be a vampire, if the author so decides, but what's to stop him making his characters die, and then bringing them back to life a few pages later? 
The characters' plots are the authors' playgrounds, whether you like it or not. You can't detach works from their authors, or read works as unrelated things because they were written by the same person. Talking about death, life, mourning, love, with a touch of fantasy is what Fujimoto does in each of them. 
So if you're lost, remember that what you're reading isn't in the title but in the author. 
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andy-clutterbuck · 6 months
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3x01 | Seed
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chronicowboy · 1 year
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one thing we don't talk about enough during the shooting scene is when they're in the truck pulling away from the scene and the captain's truck like explodes and buck uses his body to shield eddie from the fire
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pearlcaddy · 1 year
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lockwood & co appreciation week 💀 favorite dynamic
portland row trio + burn the house down (ajr) So do you think, like, we're being lied to about everything? Of course we're being lied to. But by who? And why? And what can we do about it?
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ququoquaw · 1 year
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don't know how many ppl on here would be interested in this but a while ago i made some lists on media recommended or at least talked about by tatsuki fujimoto
Manga Somehow Related to Tatsuki Fujimoto Part 1
Manga Somehow Related to Tatsuki Fujimoto Part 2
Anime Somehow Related to Tatsuki Fujimoto Part 1
Anime Somehow Related to Tatsuki Fujimoto Part 2
Non-Anime Somehow Related to Tatsuki Fujimoto
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kc5rings · 9 months
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Man, as someone who also has a degenerative sense issue (vision in my case instead of hearing) that PV for Eyja nuked me from orbit
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fauvester · 1 year
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do any of the adoption kids dance? what's their taste in music? also is there a story behind the splash on iskra's right forehead temple?
OMG i have so many silly little thoughts about postcanon Cardassian youth music
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I love my post-WWII cultural timeline for cardassia, which puts 20 years post-Fire sort of in the mainstream jazz/swing era. Out from the dignified waltzing of Garak's youth and into furtive lindy hopping in basements and bombed-out factories after government curfew.
Iskra definitely sneaks out to go to parties with the rest of the disillusioned youth of Prime. Garak knows. She knows he knows. He desperately yearns for a Cardassia filled with dancing and music and so he will condone youthful rule-breaking.
Mels suggested Romulan pop (rpop you might say) becoming a chief cardassian cultural import and I think that that's hilarious so I'm claiming it. Garak hates it but it's ubiquitous. Electropop cover of the Anthem of the Cardassian Union. Iskra Idan and Jocasta love it and play it constantly.
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Young Elim listens to Terran music that he's picked up from Julian. They do sing-alongs on long drives. It's very sweet because neither of them can sing for shit. Jo listens to Cardassian classics and the occasional classical Vulcan or Andorian piece while she works.
Idan plays the Romulan harp (vulcan harp, but Romulan style [e.g. violin vs fiddle]). The harp itself was a gift from Bashir's parents. He mostly just toodles around on it for fun and appalls his Vulcan classmates with his banjo riffs.
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As for Iskra's scar, it's the usual thing you'd see with being a child victim of annihilative mondicide.
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homobiwan · 9 months
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Gender non conforming men don’t exist for you. “He isn’t serving” shut the fuck up have you ever considered that a guy is dressing for his own enjoyment and comfort and doesn’t need to conform to your ideas of what gnc fashion should look like
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evilkitsch · 5 months
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it’s ok to make jokes abt white girls who exclusively listen to white girl music UNLESS you’re a white person who exclusively listens to white man music in which case. literally die?
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marc--chilton · 19 days
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really? your insult is "you're insane"? did you shit your wit out earlier when cuddy swapped your vicodin for laxatives? step it up greg
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hauntingblue · 20 days
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making a collection
making another collection with a threatening aura
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#davy back fightbpart 3 letsgo#HOW do the three big guns get wasted on the eating contest... horrible plan.... luffy is fine bc well... but not sanji and zoro like damn.#luffy DOESNT WANNA EAT??? CALL THE NAVY!!!!#what was i saying.... bad idea putting the three beasts there#FRANKY FRANKY FRANKY!!!! they captured the two princesses :(#one sided beef squashed between luffy and foxy. friendship ended with random ex marine guy. now luffy is my best friend#usopp and franky bonding time hell yeah. throw usopp by the head once more pelase#nami with zoros swords just like holding them looks so cool like she should get a few swords too... nami three sword style oda drawing pls#i think this man underestimates nami and luffys power together he doesnt know about shiki#luffy saying he knows its a trap and sorry for being late.... lets go on an adventure all nine of us.... usopp yes anding his lie..... omg#cant believe nami isnt there yet. she could take this guy. oh there she is!!!!! she does look cool with the swords and jumping to get luffy#zoro screaming in agony from luffy getting shot omg THIS FUCKING GUY OF COURSE!!! this looks like its so over#zoro and sanji must feel so useless rn. they didnt even get the chance to fight like damn#komei-kakka??? more like come caca. boom#luffy face down dead on the floor akdjkaa chopper have you tried looking at the wound to see if it harmed him idk#it hit the face akdjskn usopp that was coom also#was robin flirting with the other guy and zoro caught her and she told hum to shut up???#'your friends got the best of me but you are still in my arms an-' 'HEAT EGG!! ALSO YOU'RE ON FIRE!'#flare maneauver that was so slay also luffy and nami in the same frame so twins of them. my children. birthed them one right after the othe#zoro and sanji fighting back to back. back to back to back to you i dont wanna fall right back to us maybe you should run right back to her#that is such a bop song. also post wano zosan. and post wci. see the recurrent theme#fighting in water.... being on top of the sword that was a slay... red hawk ace i will never forget you it seems#foxy liking his jolly roger omg nami fooled him ahdhsjs i think they should have pirate game event every year they yearn for contests#now since this experience foxy should make monthly multitudinary pirate games olympics hoping the strawhats join them a la gatsby#the faces at the mushroom akdhaksjs#talking tag#watching one piece#watching one piece movies#kinda loved how robin betted on franky against usopp.... i will take the crumbs
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roychewtoy · 10 months
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lilalbatross · 1 year
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freytful · 2 months
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gonna keep thinking about how mgs4s ending is so thematically resistant to a nice clean fixit, while also making the nice clean fixit so narratively tempting. The post credits scene already feels like a fix it to the first ending!
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mbirnsings-71 · 6 months
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Guys I'm so normal about the Mighty nein one-shot I am so normal [is shaking violently]
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