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#so this is really kind of a big deal
hellspawnmotel · 7 months
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I finished wild arms yesterday! what a great game
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spider-man-2o99 · 11 months
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individual stills of miguel Scampering on all fours and showing off his more distinct individual movement style (that he has because of his spider-man's Similar-but-still-distinctly-Weird-and-unique powers as compared to the more-graceful Others) so that i don't have 2 keep rewinding the clip(s) to see it. im REALLY excited to see him scuttling and skittering all over the place in the film just like he does in the comics-- and, like, seriously, Miguel Specifically being just. made Massive for some reason in his atsv design will never NOT be funny to me hes SO freakin Bouncy why did they Do That.
don't be Weird on my post or i'll kill you for real
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elvisqueso · 4 months
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"...What is it?" "The drums...they mean trouble. I shouldn't be here—" "I want to see you again—" "I can't—" "Please don' t leave—" "—I'm sorry." "..." "...I have to go now."
—Pocahontas (1995)
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cerealforkart · 23 days
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Closing Manga Thoughts
I just deleted a long vent post about every single one of my feelings about the end of the podcast and the manga being over. Except not really over because it looks like there's a lot more interest in a physical edition than I was expecting. Hopefully I'll see y'all in the preorders in a couple weeks once I figure out how expensive this will be to make and from there how much I want to charge.
Anyways. Please humour me for a quick moment while I make a big deal out of my thing because it might look like sixteen goofy little drawings in boxes every other week, but it's been a really big deal for me over the last year and a half. I've decided all I really want to say about the end of the manga is thank you for being a fandom I was comfortable sharing something like this with. When I first got into DnDads I had never shared fanart anywhere and I had been fallen off the creative train for a while. So thank you for being here, for engaging with the manga because without that engagement I wouldn't have bothered to see this through to the end. Thank you for allowing me to foster an interest in making comics.
I feel really peaceful now that it's over. It's hard to explain, but I was always very anxious about if people would still be interested in the next pages, if I was wasting my time, if I had phoned it in and should have tried harder. But now that it's over, now that it's complete, and I'm proud of every single page, even the ones I was kind of lazy with, I'm just very content and grateful that I was able to share this very special project, and I don't care so much about if they'll be looked back on fondly, or laughed at, or ignored anymore. It's done, and I'm happy.
Now that the manga is over, if you're ever wondering what I'm going to be doing next, I'll still be here. I have more DnDads ideas, some comics that will escape the four panel format I've been locked into for so long, and I draw One Piece stuff too sometimes, and that won't be going anywhere for a while still haha. I also have an original fantasy comic about a magic that kills you that just entered it's third chapter and you can check it out starting here on Tumblr, or on it's own website here. And if you ever want to request art from me or just support me financially, I have a ko-fi, I take requests for the low price of literally any money.
Once more, thank you. This project has been so special to me, and I'm so unspeakably grateful that it was this fandom I was able to share it with, I don't think it would have lasted, or even started anywhere else, for anything else.
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ampresandian · 2 months
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My (unofficial) PJO season 2 episode 5 script part 4/4 (part 1 | part 2 | part 3)
The last part! Thank you for reading I just couldn't get the vision for this episode out of my mind and had to write it down.
Images of script and copied text (bc I'm lazy and don't want to write out alt text) under the cut, just in case I didn't tag enough spoiler warning or people aren't interested <3
Annabeth Tries to Swim Home
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CUT TO: INT. DARK VICTORIAN HOUSE – NIGHT. 
Continuation of first scene/flashback. CYCLOPS is grinning at YOUNG ANNABETH menacingly. Behind him, the fire rages, and LUKE, THALIA, and GROVER are tied up in the corner. Annabeth’s attention is taken up by the large monster speaking to her. 
CYCLOPS: (in her father’s voice) Annabeth. How nice of you to join us. Now, Annie, don’t you worry. 
Annabeth draws her knife. As he speaks, the Cyclops approaches her. 
CYCLOPS (CONT): I love you, Annabeth. You can stay here with me. Don’t worry. You can stay forever. 
He reaches out for her. Annabeth stabs him in the foot, keeping hold of her knife as he reaches forward and grabs the door in shock. She runs around him towards her friends. 
The Cyclops rips the door of its hinges and throws it across the room with a roar. 
Annabeth reaches the older kids. 
THALIA: Annabeth! Thank the gods you’re okay.
YOUNG ANNABETH: (determined) Hold still.
Annabeth cuts the ropes around Thalia’s arms and legs. Thalia takes up her sword and stands defensively in front of the others. 
THALIA: Cut them free, Annabeth. I’ll hold him off. 
Annabeth turns to Luke and Grover as the Cyclops roars behind her. She saws at their ropes as Thalia goads and fights the monster. 
THALIA (CONT): Come on, ugly! Can’t you take me?
She slices at him with her sword. Now free, Luke can barely stand, Grover supporting him. They all turn to watch Thalia defending them against the monster. 
Suddenly, the Cyclops roars, and Thalia’s sword can be seen buried in his eye. As he rears back, she pulls it out, turning to her friends. 
THALIA (CONT): Come on. We have to go.
Annabeth leads the way through the house, back the way she came through the servants kitchen into the orangery. They escape through a side door, standing in the storm. 
Sirens and howls can be heard, the sounds of the monsters they have been running from closer than before. 
THUNDER rumbles as they look around desperately in the dark. Grover sniffs. 
GROVER: Come on. This way.
They walk away from the house. The Cyclops roars again from within. 
CUT TO:  EXT. POLYPHEMUS’ ISLAND – DAY.
SHEEP hooves/underbellies walk across the screen as POLYPHEMUS calls them. Under one of them hangs PERCY. 
ANNABETH: (invisible) Just don’t let go! 
Polyphemus drags aside the boulder sealing the cave. He addresses each sheep as they pass. 
POLYPHEMUS: (patting each sheep) Hasenpfeffer! Einstein! Widget! Widget? Heavier, huh? 
WIDGET stops in front of him, Percy clinging to her wool. 
POLYPHEMUS (CONT): Soon you will be big enough to eat! Go on, Widget!
WIDGET enters the cave, followed by the rest of the flock. 
ANNABETH: (invisible, from outside) Hey, ugly!
POLYPHEMUS: (looking around wildly) Who said that?
ANNABETH: Nobody! 
POLYPHEMUS: Nobody! I remember you!
ANNABETH: You’re too stupid to remember. But Nobody remembers you!
Polyphemus throws a boulder, aiming for the invisible Annabeth. 
ANNABETH (CONT): Your aim hasn’t improved!
POLYPHEMUS: Come here! Let me kill you!
ANNABETH: You can’t kill Nobody! And you’ll have to come find me!
Polyphemus yells, running down the hill to find Annabeth. Percy drops off Widget, glancing back outside at the island and the Cyclops before moving further into the cave. 
CONT: INT. POLYPHEMUS’ CAVE – DAY.
Percy moves through cavernous hallways, turning a corner into a dead-end room of sheep memorabilia. He backs out, going back the other way and turning right instead of left. 
He turns corners through a set of “rooms,” something that might be a bedroom, a room full of bones, and another room full of sheep memorabilia. He turns a corner and trips, catching himself against the cave walls with his hands. 
Righting himself, Percy looks around, breathing heavily. He looks back and forth, choosing a hallway and running into another room, full of wool and smelling of sheep. He covers his nose as he looks around the room, faced with three separate doorways. 
Percy makes a choice, going through the left opening. Down the hallway, he finds a room with a spinning wheel and loom. GROVER and CLARISSE are inside, trying to undo Clarisse’s ropes. 
CLARISSE: It’s no good. You’ve been working at it for hours!
They spot Percy. 
CLARISSE (CONT): You’re supposed to be blown up!
PERCY: Yeah, good to see you too--
GROVER: (hugging Percy) You came!
PERCY: Yeah, of course, dude. Now, Clarisse, hold still. 
Percy takes Riptide out of his pocket and cuts Clarisse’s ropes. 
CLARISSE: (rubbing her wrist) Where’s Annabeth?
PERCY: You’re welcome. She’s outside. 
CLARISSE: Great, come on.
PERCY: Wait. Was... It was just you in your lifeboat?
CLARISSE: Yeah. Everybody else... I didn’t even know you guys made it.
Percy looks down at his sword. 
PERCY: Okay. 
GROVER: Come on, guys. We need to go help Annabeth. 
They move back through the cave, Grover guiding them. As they come back into the first room Percy ran through, they hear a loud crash.
Annabeth screams. 
POLYPHEMUS: I got Nobody!
Percy, Grover, and Clarisse move to the doorway, peeking through to the main room. Polyphemus is standing at the doorway, holding his arm up. He shakes his fist, and ANNABETH’S CAP flutters to the ground, revealing Annabeth, hanging upside down from his hand. 
FADE OUT. THE END
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sunbun-fnaf · 5 months
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working on some Silly Shit™ 
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aroaessidhe · 8 months
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2023 reads // twitter thread
To Shape A Dragon’s Breath
YA fantasy
a young Indigenous girl finds & bonds with a dragon hatchling - the first time in many generations for her people - and is required to go to the coloniser’s dragon academy in their mainland city, to learn how to raise her dragon and the science of its magic
historical inspired setting on the cusp of industrial revolution with steampunk vibes
bi polyamorous MC, Black lesbian SC, nonverbal autistic SC
#To Shape A Dragon’s Breath#aroaessidhe 2023 reads#this is really really good i loved it!#the chapter titles are all like snippets of a story. or like sentence fragments that match up. which is cool#it is definitely more about being indigenous in a coloniser institution than Dragon School - not Super dragon heavy if you want that#I suspect the subsequent books will get into that when she gets big enough to ride and stuff#t’s also def YA! i’ve seen a few ppl assume it’s adult and be like its very young :( but like. I mean its perfectly reasonable for a 15yo m#definitely a Lot of racism and colonialism which is not fun to read! though it's still through a YA lens. there was def a part of me that#was imagining consequences of the narrative as if it were an adult novel#on that line of thought - at the end a lot of it is kind of solved by them going to the king and he's is like. oh no racism is happening?#that's bad i'll deal with those people! which felt like. a little simplistic. but maybe the easiest way to end the narrative for book 1 -#I don't think the author ACTUALLY is going to portray the king as a Good Guy throughout the series - it just felt conveniently like -#a simple YA solution to some very big and complex elements? if that makes sense? (but again - it is YA so it's allowed I suppose!)#some of the worldbuilding (like all the science learning) is probably setup for next books - we don’t really see any practical application#the romances are also subtle and not Overbearing In Book One which i like - leave some space for the series!#also her getting fanmail from a 10yo mixed race girl who looks up to her 🥺#anyway. i really loved it!#oh also it reminded me a little of leviathan. i guess just the steampunk/time period/european culture....#To Shape A Dragon's Breath
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xoxo-ren-xoxo · 2 months
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really weird thing ive noticed lately re: hermits getting critiqued for stuff theyve said or done is that as soon as someone holds a shit opinion (even if it's just them being stupid, or a centrist, or saying a bad word without knowing what it means, or whatever) people immediately seem to flock to the 'this guy should die' 'kys' 'why are we giving this person a platform' rhetoric and like. that's not how meaningful change is made?
like, yeah, if one of my beloved CCs posted a tweet or video tomorrow about how much they hate gay people, or believe in conservative ideals, or they just said a bunch of slurs or whatever (these are hyperbolic examples obviously) then yeah, fuck them, they should go rot. but like, having some dumb takes, or saying bad things in the past, doesn't = evil terrible person...
idk, i feel like we can critique content creators without getting so insane about it. like, shit, there are things some of my favourites do that i don't like, but theyre not even really worth bringing up tbh. unless its something actually important, i feel like it just creates more drama out of nothing and all these assholes come crawling out of the woodwork to tell everyone how much they hate that creator. or find their content boring anyway so clearly they have no real merit to anyone.
more of an explanation of what i mean in the tags but yeah.
#this is kind of about ppl finding out x is a centrist and... apparently that means telling him 'kys' is ok#i dont even like centrism but like... wasnt he super right wing at one point? is this not at least a mild improvement? he's just some guy#i like his content. dont care enough to get into drama about him being a 'we should all just talk it out!' kinda guy. who give a shit.#this is also kinda about doc's little rant on twt about plestine/isral (spelling to not clog tags) which was basically just -#- 'stop asking me to speak on these things 1. i could get into legal trouble 2. i stopped talking about politics years ago for good reasons#which like. isnt my favourite response to things? but i also Get It yknow?#it wasnt as big of a deal as ppl seemed to think it was#(especially since he very clearly retweeted donation post and said hes against innocent ppl dying. which is pretty clear to me.)#anyway the milder things im talking about here is like. harry potter references or mild orientalism re: 'asian-style' builds#like. i could go mad about that but i really dont give a shit#i dont#and like im a hard leftist. but i just do not care. so long as they arent a massive right winger or a creep im fine#*i say massive right winger but tbh i kind of mean right winger at all. i just dont give a shit about ccs wanting to remain more centrist#especially online.#anyway#hermitblr#hermitcraft#mcyt#discourse#ben chats shit on the internet#to clarify im not tryna say that its cool to play both sides politically but also i dont think bringing up a 4 year old post -#- to stir up drama is very genuine. looking at the notes i just see a lot of 'wow fuck this guy i hate his content anyway' and its like. ok
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aroaceleovaldez · 1 year
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i always see so much of Nico ships where either Nico is the one pining or the focus is almost completely on Nico pining and i feel like we’re missing a lot of opportunity here. Where’s the inverse? Where’s the POVs from [other character(s) of ship] of them falling hard for Nico and just absolutely losing their mind pining over him because he’s so impossible to read that they can’t tell at all if he likes them back or not. Them doing some complicated social dance cause they cannot for the LIFE of them figure out Nico but they’re trying so hard until they finally just tell him outright and find out Nico has liked them back this entire time and they lose their mind just a little bit more. WHERE IS IT.
#pjo#riordanverse#nico di angelo#shipping#examples: one of my favorite headcanons is that Will got a crush on Nico the first time he saw him during the Titan War#when he brought reinforcements n stuff. cause yknow. the dude showed up in thematic armor with three gods and parted an army#and then ensues like a whole year of poor Will helplessly pining over him but a.) Nico is never around and b.) Nico is barely aware of him#ergo why Will is acting Like That in BoO cause he's BEEN TRYING SO HARD TO GET NICO TO NOTICE HIM#on-and-off for a WHOLE YEAR#and he is DETERMINED to at least be Nico's friend by the end of the summer#just so that he can stop losing his mind over it#secondary example: i write a lot of pre-HoO Jason stuff and i really love the potential dynamics between him and Nico then#with Nico being this rogue who randomly shows up#and Jason keeps getting flustered by this guy who doesn't seem to care who he is at all. which is part of the reason for getting flustered#cause Nico keeps treating him as an equal! which is kind of a big deal for Jason#and at the same time they're doing this diplomatic dance and the two of them are just being SO overly formal#because they're both like that. so it just sounds like theyre flirting like Victorians#and poor Jason is so distressed post-HoO when he realizes he'd forgotten all of that. and now he has to START OVER#and Nico is NICO so of course it's impossible for Jason to gauge exactly where they stand#etc etc those are my two most detailed examples
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anghraine · 2 years
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“What a delightful library you have at Pemberley, Mr Darcy!”
“It ought to be good,” he replied, “it has been the work of many generations.”
“And then you have added so much to it yourself, you are always buying books.”
“I cannot comprehend the neglect of a family library in such days as these.”
This conversation is intriguing because, as is often the case in P&P, there is so little narrative framing or comment that you have to make quite a few assumptions based on how you read the characters. We don’t even hear Elizabeth’s reaction to this interchange and don’t know how she takes it (though when Darcy later tries to talk to her about books, she’s sure that their tastes are so wildly different that they won’t have anything to talk about).
In any case, both fans and critics have come away with a lot of different interpretations of Darcy’s book-buying sprees and, in particular, what he means by “such days as these.”
I just read an article that dismissively characterized it as a stuffy civilization-is-falling-down-around-us-in-these-degenerate-times thing showing the basic conservatism of his mindset, and while that article was particularly hostile, it’s a pretty common reading. And you can read it that way, but frankly, it doesn’t seem the most natural reading in the context of either the scene or his overall characterization.
Darcy is repeatedly associated with books and reading and general intellectualism. The Pemberley library links his family pride and his sense of legacy with his personal inclinations—as an individual, he’s bookish, clever, and fairly cerebral. He reads, he buys new books, he enjoys philosophical debates, his response to Elizabeth’s assertion of their different tastes in books is “cool, then we can argue about them :D”, he encourages his teenage sister’s artistic interests and defends her disciplined approach to them when she’s not even there, he collects fine and apparently borderline-incomprehensible paintings, he’s dismissive about the expected accomplishments of upper-class women in favor of reading (partly bc Elizabeth has been reading, but it’s not surprising that a man responsible from age 23 for the education of a young girl has Thoughts on the ongoing female education debates of the time).
All of this is to say that Darcy is engaged with what was then contemporary culture and discourse. This is especially the case if you go with the time of his creation, 1796, but it doesn’t make a huge difference because these debates were still ongoing in the 1810s, and he rarely refers to specific figures and instead prefers more generally familiar concepts and arguments (or chooses to rely on those in conversation with women), and in any case, the English artistic movements of the 1810s owed a lot to those of the late eighteenth century.
And a big eighteenth-century debate was about the merits of modern art, especially literature, compared to ancient art. Historically, there was a lot of deference in English literature to ancient models and dictates, and controversy over newer forms like the novel (in English) but also in poetry and drama and essays. To some people, it seemed like art was going horribly astray by diverging from the ancients (despite the continuing strong influence of Classicism). Others thought the artistic movements of the time were fucking awesome valuable and important, which is generally Austen’s position (most famously in the defense of the novel in NA).
So when Darcy speaks of “such days as these,” I don’t think this is coming from snooty disengagement from the current literary zeitgeist, but rather, the reverse. He’s seeing all these ideas being hotly debated in various essays and treatises, and the English novel taking modern form, and poetry undergoing changes that will only become more drastic, etc etc, and thinks—this is important. Anybody with a family library should be adding the literature that’s coming out at this time.
TL;DR I think Darcy has an affinity for modern art/literature/culture in any case, but also, is so convinced of the importance of the literary “moment” he’s living in that he thinks he’d basically be shaming his ancestors if he didn’t include it in the collection that he’ll pass down to the next generation as it was passed to him.
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mcybree · 4 days
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the server wide traitor blacklist is so so interesting to me… The only reason everyone has stayed alive so far is because the community as a whole acts as a safety net. When someone dies, everyone chips in. Now that it’s established that you can get rejected from that community safety net for making enough people angry… ooh. social exile as a direct threat to a player’s survival. if they stay committed to this shit could get real
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canisalbus · 6 months
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Almost forgot to look at the tags in that Giordano post, I'm glad that Cardinals being higher than Archbishops was something you mentioned, and that I was remem that fact correctly :). And I love that Machete surpasses someone who thought him to be a "good for nothing". Go white boy go!
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decepti-geek · 2 months
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rewatching Cinderella 2015 for the howevermanyth time and THIS TIME the part that made me weepy was when the fairy godmother first showed up in her disguise.
Because in the original Disney version, and honestly in most versions - whether it's a fairy godmother or the birds/her mum/etc - the wish-granting entity coming to her aid in the moment is, I think, generally framed as a reciprocation for her determination to do good deeds in all the moments of her life leading up to this one. Then the animated Disney also film adds a line that makes it explicitly an identity crisis, where she's in danger of losing her faith that there's good in the world and that that matters, so the fairy godmother comes along to help restore her faith right when she's about to lose it. And that's a decent enough upbeat kind of story to tell in itself.
But in the live action film!! The fairy godmother doesn't even reveal who she is until after she's tested Cinderella one more time, right in the depths of her crisis of faith. I've always loved that moment cause obviously it alludes to traditional fairy folklore in a way that adds a smidge more depth and mystery to the way the magic works than you typically get in a Disney movie, so for me it's one of the little details that makes this like. just a really good fantasy/fairytale movie that's less of a Disney Movie™️.
And then on this rewatch, it's hit me that it isn't only about like... proving to Ella that she's not alone in the world, that kindred spirits who share her values do exist, with a dash of fairy folklore sprinkled on top. I never caught it before because I don't think Ella catches it herself at the time (she talks about magic not existing after the godmother pointedly mentions kindness, and those two concepts are pretty much fused together for the purposes of this film) - but the request for a cup of milk, made whilst Ella is still crying, is made in order to prove to her that kindness doesn't just exist in other people who also value it and will support her when she struggles to believe that's true. That part would be proved by the godmother just revealing herself immediately.
The request proves that kindness still exists in Ella. That even when she's in the absolute depths of despair, she has the capacity to practice kindness, and doing so comes so naturally even in her worst moments that she needs someone else to point out what it actively signifies. That even when she doesn't consciously believe in it, she does it regardless, so she really has no need to fear losing her faith. The existence of kindness isn't dependent on her faith in it, because it exists in her no matter what. And that's as much of a reward for her as the dress and the carriage and the shoes and it's one that goes deeper than building up enough Good Person Points to afford fairy gifts, because it's one which engages with who she is in the moments outside of her kindness, and which shows her that she's allowed those moments too, without it meaning that her capacity for kindness is in any way diminished.
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Random au because I can't stop thinking about this:
On the doc Mike and Pac found in the prison said that if Walter Bob completed that specific task he would be free from the jail/no longer a prisoner, right? (MY memory isn't the best so maybe this is a bit wrong but that is what we have for today folks augstwfwywfrqcw)
So
What if one day he finishes the task and Cucorucho with a smile brings him to another federation building and asks him to get into a room
So
Days later Fit is asked to clean a room, no big deal, another day of honest work where he starts lurking around looking for anything that could be useful for him and his mission
And then, in another place that he isn't suppose to be, but that he got into anyway is a... something. In the corner. It's small, it's scared, maybe even trembling a little bit and tired, very tired.
It's an egg.
When he enters, it turns around to face him and Fit freezes for a second because now he can clearly read the name on top of the kid.
"Walter Bob"
Well, he isn't coming out of that building alone.
Also! For fluff purposes! Imagine he bringing him to show Pac and Mike, like, Walter Bob doesn't have the memories of Before but he can't help but feel at ease around those "strangers" and their vibrant, lively energy, especially because they seem to like be around him as well, always full of hugs and itens and new places to show around.
Ramon being a good older brother! Showing him how to explode things and being perfect to bring his more quiet and chaotic side.
The fact that before he couldn’t remember ever having a bed just the cold metal of the cell and the guards shouting and pain and experiments and cold cold cold
But now it's different! Now he has a family, people from everywhere smiling and talking to him and helping and saying strange, kind things like that their house is his as well and that if he ever ever need he could call
And then Forever reforms the NINHO to have another room and Bad calls him to chat while making his buildings and Baghera gives him a bunch of invisible potions so they can hang around listening to gossips and Philza is always chill in letting him visit and Foolish laugh and goof around like nothing could ever go wrong everytime he gets too anxious and Mike and Pac are there and...
And Richas gives him beautiful paintings to put in his room and Dapper show him all his cool animal collection and Leo take him to a train ride and Tallulah helps him to decorate his room and...
And and and
(And the hope is there, it hurts too much to bare sometimes, like it's a knife that already cut him before.
But little by little, with time, the wounds begins to heal)
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new concept that’s making me go feral: My Goodbye from Epic the musical but it’s the Ava and Player at the graveyard
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guinevereslancelot · 3 months
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