“My friends are girls wrapped in boys.”
I bought Sonic Youth’s Bad Moon Rising on vinyl sometime in the mid 90s — I think in 1994 when I was working on the paint crew for Charlottesville City Schools between semesters. I got really obsessed with it, pretty much fell in love with every song. I wrote a whole piece about it a decade or so ago, which you can read HERE if you’re ok with the fact that it predates my transition and may reflect some poor understandings I had of myself and the world at the time.
Anyway.
One song from Bad Moon Rising that really stuck with me is “Society Is A Hole,” which is either the second or third song on side one depending on whether you really buy that “Intro” should be a separate track from “Brave Men Run” (I am a skeptic on this question). It starts with a tape loop of the locked groove that ends side four of Lou Reed’s experimental noise album Metal Machine Music. The loop runs throughout the song, rising and falling in volume depending on what else is going on. The whole thing has a particularly uncanny ambience that appealed to me. I remember walking down Richmond’s infamous Monument Avenue, decades before they took the statues down, in the middle of the night with “Society Is A Hole” blasting in my headphones, feeling like I was vibrating on its frequency.
Thurston Moore’s enigmatic lyrics might mean a lot of things, and I’m sure any interpretation I could give them would be different from his own. But there were lines in the song that leaped out at me, burned themselves into my brain forever, to the point where now I sort of hear them without really HEARING them, you know?
But so anyway. I’ve been reading Kim Gordon’s memoir, Girl In A Band, lately. It’s really good, and has led me to pull some of my old Sonic Youth records back out (by which I mean “find them on Apple Music and add them to my library,” what did you think I meant?). Since Bad Moon Rising is still my favorite Sonic Youth album ever, it’s gotten several plays this week.
And this morning, listening to it doing dishes, I suddenly heard that bolded line at the top of this post in a whole new way. It’s from “Society Is A Hole,” of course, and I always liked it, but my interpretation of it was vague. I don’t think I could have told you what it MEANT, really. Today, suddenly, it hit me like a thunderclap: this line is about closeted trans girls.
Well, OK, not to Thurston Moore, I’m sure. But I think that’s why it always stuck with me. On some level I identified with being a girl wrapped in boy, as if my birth-assigned gender was some restrictive foil wrapper enclosing me all my life, like one of those pieces of Easter chocolate with a picture of a bunny painted on the outside.
I don’t think I could really see how much this idea related to me, particularly at the time of my life when I first got Bad Moon Rising, until I pulled that wrapper off once and for all. Which is a very difficult thing to do, especially when society has everything invested in keeping you in there. But it is at least a nice thought, to think that on some subconscious level, I saw echoes of the truth of myself in the world long before I’d gotten to a place where I could admit it to myself.
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Hm. There's this strange idea that reputation does not matter and anybody who cares about it are losers bowing down to the ruling class (and well, that is a part of it) instead of the very real thing that has dire consequences (see: wei wuxian and jin guangyao)
"What will happen to Yunmeng Jiang had they stood with Wei Wuxian and the Wens" is not an open and shut case and maybe all they were going to lose is opportunities for advancements (which by the way is a very serious deal for a war torn region and a sect struggling to find their foothold) but also, it is a very real possibility that they fall with Wei Wuxian.
And hm, there is selfishness in wanting to protect your own over everybody else which jiang cheng is very much guilty of. (Although i'd argue that there is lot of nuance here) But he is also somebody who's motivations are rarely about himself, would put his people above his wants and needs and well being, and would rather eat his own foot than ask anybody to put up/stay with him. Including Wei Wuxian, the guy who supposedly he feels he is owed by. And you know, there's selflessness in that
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"The climate has changed in the past" a) not on this scale and b) because of it thousands of people died, civilizations collapsed, species were wiped out and it took centuries to claw back from it with some things being irrevocably lost. I'm sorry that you think you'll be the one to make it out but frankly if the house is burning down the last thing people want to hear is "don't worry, fires have happened before".
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i don't personally agree with the perspective that "miguel NEEDS to partially correct about canon events, otherwise he's a villain" because like. setting aside the issue of possibly naturalising the irl choices writers made (e.g. fridging gwen) through the concept of 'canon events', to me defining miguel's morality comes down to two questions:
What is Miguel's intent when pursuing his goal? <- it's unambigiously heroic. he desires to save people. and -
Can I plausibly understand how he has come to the belief system (and therefore goal) he has? Yes. I can understand why, when viewing the things he did (universal patterns of suffering between spidermen & the trauma of that dimension collapse), he came to the conclusion he did.
Keep in mind the other bits of information we and the characters are working with are:
Anomalies seem to affect the world they're in (Vulture appears to affect the Guggenheim's structure w glitches)
They're also in danger of dying if they don't have a stabaliser like the watch
But say for the sake of argument Miguel is completely wrong about breaking canon and doing so would not endanger anyone and the alt dimension collapsed for reasons utterly out of Miguel's knowledge or control. That still doesn't negate the heroic intent he operated by nor his desire to save people.
What "How much or little is Miguel correct?" affects is how tragic it makes Miguel's guilt and the moral concessions he feels that guilt about. Whether you would argue for it being needlessly tragic or bleak is another conversation entirely but how correct he is about what damage canon events cause doesn't actually change the fact he operated on sincerely good and heroic intentions.. And I think atsv already sets up that last point in an understandable manner.
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5:02 AM EDT September 15, 2023:
Sonic Youth - "Society Is A Hole"
From the album Bad Moon Rising
(March 1985)
Last song scrobbled from iTunes at Last.fm
File under:
Bands who at one point or the other were the best in the
world
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I made a breakdancing robot
just for a hobby.
It fell over into a crowd of people
and pinned a drunk new mother under its weight.
I am not an engineer.
This was a bad idea.
But boy you should have seen it do windmills.
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