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#some of these episodes ARE very good episodes but they are also very out there and out of the box episodes
caseys-breanna · 3 days
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Ok I just finished rewatching The Rundown Job and so far I have -
The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.
'I've got a hacker *enter bf*, and a thief *enter gf*'
Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.
Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.
"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.
"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.
Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here
'For better or worse, we change together'. Aaaaaand that's on wedding vows.
"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."
The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'
HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera
Figuring out the job TOGETHER
This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.
The eyes on each other's lips during unlocking doors and saying thank you
'Kiss for luck?' the sequel: love boogaloo
HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE
"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down
Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers
"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."
Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-
*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO
The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic
Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.
"I kept one diamond. Sorry." I love her
Finally "kiss for luck" the trilogy comes to an end
*casually endangers self* "Fire is the only thing that kills it right?"
"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"
Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*
"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!
"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.
What a show.
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thenightling · 3 days
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Dead boy Detectives review
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I've watched all eight episodes of Dead Boy Detectives and it was a decent show. It's not something I may obsess over like The Sandman, or The Witcher, but it was decent.
Dead Boy Detectives is the story of Edwin Payne and Charles Rowland. Edwin was killed during a Satanic ritual in 1916. Charles died from hypothermia and internal bleeding after some bullies drove him into an ice-cold lake while throwing rocks at him.
(Note: That was not how Charles actually died in the source material. In the comics, Lucifer had quit and shut down Hell (the basis for the TV show Lucifer) so many evil souls returned to Earth, including the boys that sacrificed poor Edwin. They badly burnt Charles' back on a hot stove and Charles died from his injuries.)
The two ghosts decided to dedicate their afterlife solving mysteries to help other ghosts find peace. They are aided by psychic, Crystal Palace, who is haunted by her abusive ex-boyfriend who happens to be a demon.
Both Edwin Payne and Charles Rowland originated in Neil Gaiman's The Sandman: Season of Mists, The Sandman: Volume 4. Issue 25 of The Sandman comics, and within Act 2 of The Sandman audio drama.
The Dead Boy Detectives made their TV first appearance in Doom Patrol for HBO Max (now Max). During a shakeup at Max the show was moved over to Netflix as to better connect it with The Sandman since that is where they originated.
The show features different actors from the ones that played Charles and Edwin on Doom Patrol.
The Dead Boy Detectives is a decent show but ...it feels a bit like a CW teen drama. I had been told that some of the show's writers were originally writers for the CW... and it shows.
There are some deliberately surreal elements of the show that I think are a callback to their appearance in Doom Patrol.
I love the variety of supernatural entities in the show, including the appearance of two of Morpheus's siblings. Death and Despair. The things I don't like about the show can be considered CW tropes or cliches. The angsty romances and unrequited love. The ham-fisted abusive ex metaphor between Crystal and David The Demon.
And of course the most tedious of CW tropes, the end of the episode pining and angst while a sad pop song plays in the background.
If you look past the CW-ness of it, the show is enjoyable.
The only other things I can complain about is the "connecting thread" subplot of The Afterlife: Lost and Found feels like unnecessary filler. And I wish they would openly establish that Edwin, being an innocent, would NOT return to Hell if collected by Death now. I don't think that should be left hanging over his head. Especially since we're supposed to see Death as a kind entity. Also I think Charles says "Aces" a little too much. It's very distracting and makes me feel like the writers didn't know much late 80s English slang. It would be like if he was an American and they had him say "Radical" all the time. I get that it's kind of his catchphrase but it also got a bit annoying.
The parts I don't like are CW tropes and what I'd consider to be late 90s Vertigo edginess.
The thing I liked were plentiful though. The protagonists were and are likable. The ending is satisfying enough so that if there is only one season this was still good. I liked that it appears that one can ascend out of Hell after some self-reflection as is indicated by the boy Edwin confronted in Hell. The blue light was established to mean ascension, a good afterlife.
I also LOVE the opening credits theme music and animated sequence. It reminds me of the intro to Showtime's Creature Feature movies. (See the trailer for 2001's She Creature, not the 50s version. Watch the trailer at thirteen seconds in, on Youtube, and you'll see what I mean).
That's two Gothic themed shows from Netflix in the last two years with great opening credits sequences. The first being Wednesday. That one won Danny Elfman an Emmy.
It's funny, Wednesday and Dead Boy Detectives (which is a spin-off of The Sandman) have great opening credit intro sequences but The Sandman does not. Apparently Neil Gaiman was told people don't watch the opening credits anymore so The Sandman doesn't have them.
I feel we were cheated out of what could have been a great opening sequence for The Sandman.
Episodes 7 and 8 of Dead Boy Detectives were probably the best of the series. I liked it well enough that if Dead Boy Detectives gets renewed I'll happily watch season 2.
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txttletale · 23 hours
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Could you say a bit more about your thoughts on zygon inversion?
the whole two-parter is about how refugees (the zygons) who are being settled by the british government, and how some of them are Good Refugees who just want to assimilate and be Normal Human (read: British) People and some of them are Bad Refugees who join a scary terrorist group that use this fucking banner:
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it is, i think, completely impossible for anyone with even the slightest understanding of european political discourse to not immediately scan this as being, if not a 1-1 to metaphor exactly, about as damn close to being About Muslim Immigration as it gets, playing on the everpresent fear of the european white supremacist right that asylum seekers and refugees from west asia are all secretly suicide-bombers in waiting. and this episode takes the liberal stance on this, which is that yes, obviously some of them are insane violent evil militants who just want to kill people, but some of them are The Good Ones, and we should figure out a way to find and punish The Bad Ones without impactiung the Good Ones Too--this is, broadly, the liberal stance on immigration in the UK, and it is obviously also prima facie accepting of islamophobic ideas! jack graham did a great piece on it.
the doctor's little speech at the end of the zygon inversion essentially boils down to 'war is bad, you just want war because you're an arrogant idiot who won't be affected by it'. which would be all very well and good in an episode like the frontier in space, where the confrontation is between two competing imperialist powers full of bluster and bravado and jingoism--but in talking to UNIT and the zygons, he's textually equivocating between refugees who are unhappy with their mistreatment at the hands of the British government and the British government agency mistreating them (yes, i know UNIT is nominally plurinational but that is not the portrayal of them we are getting here.) the fundamental problem with the scene is that bonnie (as elizabeth sandifer has pointed out) is only there to say vacuous nonsense that basically amounts to "i love war and violecen and i think its good" so that the doctor can heroically say, "actually, itsNot good." she's written as such an embarrasing caricature for the doctor to knock over that it imo makes the whole speech profoundly unearned.
of course, peter capaldi sells it, like he often sells garbage he's given to say! it's even a moving speech against war, when taken out of context--but taken in context, it's just equivocating between the oppressed and their oppressors and treating them both as equally responsible for making peace, and i think that's morally repulsive.
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skamenglishsubs · 2 days
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Subtext and Culture, Young Royals, Season 3, Episode 6
Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.
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Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱
Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.
Culture: The third-years are painting the banners that go on the trucks on graduation day.
Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.
Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.
Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.
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Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.
Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.
Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.
Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.
Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.
Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?
Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.
Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.
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Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.
Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.
Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.
Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.
Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!
Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!
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Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.
Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.
Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅
Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.
Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.
Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.
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Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.
Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.
Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.
Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.
Meta: This is a brutal Fleabag reference.
Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.
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Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.
Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?
Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.
Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!
Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.
Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭
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Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!
Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!
Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.
Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.
Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.
Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?
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Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.
Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.
Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.
Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.
Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.
Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.
Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.
Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?
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Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.
Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.
Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.
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Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".
Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.
Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...
Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.
Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.
Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!
Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.
VAD FAN TROR DU?
As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭
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Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.
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Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.
He is finally free.
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essektheylyss · 1 day
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for the ask game: 🧡🖤💚
🧡: What is a popular (serious) theory you disagree with?
Until I see definitive proof that Ludinus is in fact as old as he wants people to believe he is, I will not believe it. I don't even really have an opinion on how old he is; I just don't think he's as old as he tries to suggest. And lest it be said that I am playing favorites, the thing about Ludinus is that he talks the way Essek talks in 91—and there are a lot of things Essek says at that dinner that I take with a good heaping of salt. It's this sense that they're talking around things that they would rather people not question; they're both very skilled at talking around things in a way where they aren't outright lying, but they'd rather you not think too hard about it because there's shit they're not saying. To be clear I also won't be mad if there does turn out to be some evidence in canon that he is that old, but thus far, there is nothing definitive, and I do not take the word of unreliable NPCs at face value.
🖤: Which character is not as morally good as everyone else seems to think?
I don't think this is really an unpopular opinion at this point, but Jester. Nice =/= good. I don't think she's evil, by any means! But her morality is a lot more complex than it's given credit for and I think it's one of the things that is most interesting about her. I'd actually consider her largely amoral; it's just not really an axis of consideration that she worries about. She doesn't want people to hurt her or her friends and she doesn't want something to destroy the world, but otherwise she doesn't really care much about what someone's morality is. "Just don't be evil to me" is an incredible sentiment for a reason. She cares more that Essek said they were his friends than the fact that he's the traitor they've been looking for. Ludinus is so insignificant to her despite his literally world-spanning evil plots that she has basically forgotten him six years later, even though two members of her friend group have spent the last six years trying to pin him down. Jester is hilariously amoral and I love that for her.
💚: What does everyone else get wrong about your favorite character?
[cracks knuckles] OKAY, this is where I've got receipts, because hooo boy do I have an opinion and I will be proving it.
Essek does not have an opinion on the Prime Deities. He does not really have much of an opinion on religion. He actually does not by the end of the campaign have any real issue with the Luxon, and frankly he primarily expressed issue with the Dynasty's worship because, until he got to Aeor, he wasn't certain that the Luxon was a real entity at all—which he contrasts against the Prime Deities, in fact!—and he seems to believe there is compelling evidence in Aeor that categorically disproves his hypothesis that the beacons are simply constructed Age of Arcanum devices.
Originally he is mostly concerned that the Luxon religion is used as a "crutch" which is "distracting them from what other good things they could do with the time and focus". He does specify that any religion can be used as such, but he only remarks upon the one he knows. His theory about the beacons, as of episode 91, is that they may be "artifacts designed in the Age of Arcanum that have been misread" that could be put to even further use.
He also does parrot the Dynasty party line in their first meeting about the Luxon being "the basis of how we've been able to free ourselves from the binds of the lineage the Betrayer Gods left for us", and while I do not take him at face value here (see the above commentary about unreliable NPCs), I doubt the truth of this statement is lost on him, considering his familial connections to Bazzoxan, which I can only imagine would not exactly endear one to the Betrayers, though this is only conjecture. If we do care to take him at his word here, it's not unreasonable, since he obviously has a lot more interest in the power offered by the beacons than anything else.
With all that being said, his tune on the Luxon itself has at least changed by the time they get to Aeor. He discusses iconography found in Aeor and when prompted by the Nein about whether the beacons were created by mortals, says, "I do not believe that they are made by anyone but the Luxon. They are of the Luxon. But they've been around since the Luxon's been in Exandria, which is the beginning."
So we started with him largely apathetic to religion, uncertain if this god was real, and by the time we circle back to him, he has now sided fairly definitively with the fact that the Luxon is an entity that has been around since at least the Founding. (For those keeping track at home, this is longer than Predathos has been around. In the Dynasty's creation myth, it may also have been around before the Prime Deities arrived, which is technically not incompatible with the creation myth of Exandria at large, but I digress.) Like most of Exandria, and as is perfectly reasonable for both his culture and his region, he probably doesn't have any love for the Betrayer Gods, but doesn't express much opinion if any on the Prime Deities. He has no time for religion, but frankly, he doesn't have time for much except for his own research, so it's hard to really ascribe any noted contempt to that.
Like, look, I've written plenty of religious trauma Essek fic, and I don't doubt that that element of it exists, but overall, in terms of canonical statements, it's pretty tame.
With that being said, I do want to fast forward a bit to draw attention to something else. Because I actually do think he ends the campaign with some measure of respect for, at the very least, the Wildmother.
In 140 after the Raise Dead fails, he talks briefly with Fjord about the unfairness of it. Fjord passively directs him to "if you were to ask my wise friend Caduceus..." Immediately after this exchange, Essek challenges Caleb to not accept defeat, and admits he wishes there was more that he or any of them could do, but concedes that, "Unfortunately, this type of magic is beyond my purview."
Immediately after this exchange, Caduceus asks for divine intervention.
Of course, he then spends several weeks gardening in a temple to the Wildmother, and seems to find some genuine clarity and perspective there, but I think this alone is enough to argue that, for a person as driven by empirical evidence as Essek, this sequence of events in 140 would be plenty to earn a wizard's respect.
So my formal belief is that Essek is not in fact anti-god or anti-religion, let alone against the Prime Deities. My opinion is that it's very easy to imagine him on his post-campaign travels leaving a small offering at any shrine of Melora he might pass, not out of actual worship but as a sign of respect.
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commonwealthcass · 1 day
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Greetings again
i was wondering how deep you got into the Fallout show and if so what do you think of it so far? since im a bit mixed, mostly due to me being a FNV fan and just weirded out by some decisions in the show, but what do you think, also how Cass would react to this new Ghoul, also wanted your opinion on Raul
Hey there! I’m actually a big Fallout NV fan myself and, tbh, I was very skeptical of the series when I first heard that it was in development. Video game adaptions don’t have the best track record and initial shots had a lot of people making speculations about sneak peeks we were given like Lucy visiting a town that some people thought looked like Megaton. I went into watching the show without any expectations and was pleasantly surprised at how faithfully they had tried to make it - it’s good for people who aren’t familiar to Fallout but also had enough nods that give us long-time fans a treat. I’ve had a couple friends say they were sharing the show with their parents and grandparents, which I think is pretty neat!
I think so long as you keep the mindset that this is its own thing. The last episode exceeded my expectations and I’m looking forward to the next season but I get it might not be everyone’s cup of tea. Still, I do think that the showrunners did do a good job of constructing something that feels like it would belong in the universe.
Raul was my buddy in NV and I loved his story arc. We find him pretty self deprecating and suffering from survivors guilt when we find him in Black Mountain. Getting him to open up about it and take on the vaquero outfit I felt was really rewarding. Probably the companion I traveled the most with besides Boone.
Also, I think Cooper would, in typical Cooper fashion, would definitely make a big impression for sure…
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fearful-quartet · 3 days
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So I've been listening to The Magnus Protocol, and managed to get my dad into TMA last year so he's now listening to Mag Protocol too. So last night we were listening in the car to the latest statement, and I was half-jokingly saying which fear the statement sounded like mostly, to which my dad starts talking about how he doesn't think these statements and the O.A.I.R are connected to the Fears at all. I'm gonna try to put a cut for anyone not caught up but here's how this led to a theory of mine:
So Lena said to Gwen that there's good and bad forces that need to be balanced, but she never said which side of that the O.A.I.R. is part of, if any. I was noting this when it hit me.
Every single Magnus Protocol Statement so far has been about misfortune coming around due to perceived fortune or a fortunate opportunity becoming misfortune.
Let's break this down ep by ep so you see what I mean.
Episode One: It's a little hard to figure out what the fortune is to the misfortune, especially since it's mostly getting us used to the characters and the overall setup of the show, but for the first statement I think it's not the statement giver, but the husband. Harriet (the one emailing) says he sounded excited in an unsettling way (I am assuming the "he" she is talking about is her husband since she doesn't mention anyone else). When she meets him, or what has him, she describes that he laughed and laughed. Her misfortune was his fortune, his joy.
The second statement in that episode of course is about the Institute, but by way of a bunch of spelunkers looking for something intriguing to discuss. I haven't quite figured out the connection here but I am sure there is one, even if it's through the characters (aka Sam) finding something within it.
Two: A lot easier to connect to this. Daria is finding joy through getting this tattoo that allows her to change how she looks and alter her appearance immensely (and grotesquely). Enough said.
Three: This statement is one that overall I just don't understand tbh, but I think it shows the opposite? As in the victim is experiencing fear and discomfort the entire time, but towards the end you'll notice he gets much more happy and calm about the situation.
Four: This is again easy, it's about a violin that needs blood but will give you amazing talent if you pay that price, and horrible bloodshed if you don't. Self-explanatory.
Five: The guy is trying to make a living off watching and reviewing horror movies, gets excited at a live showing of one just for him, then realizes it's not what it seems and posts everyone should see it. Easy enough. (Very Grifter's Bone in energy)
Six: The introduction to infamous new tumblr sexyman, Needles. I shouldn't have to spell out how he gets pleasure from others in pain by needles.
Seven: All I gotta say is it's "all for a good cause" and you should get the picture.
Eight: Utilizes that uncanny fear of false hospitality if you ask me, but either way this statement is clearly taking something associated often as comforting and twisting it.
Nine: The dice literally affect fortune and misfortune and likely make the statement giver into the embodiment of fortune. 'Nuff said.
Ten: Bonzo needs no explanation for this in his introductory episode so let's move on.
Eleven: This one goes more into obsession territory than anything, which is another running theme of the show and another theory, but it also talks about how the sea brings comfort so that could be part of it. (Also I noticed the sneaky possibly Dr. David reference in there lol)
Twelve: Now I know what you're gonna say, "How is this one connected to fortune at all, Cal? It's about some woman being traumatized at a strip club!" Well think about this: what if it wasn't supposed to end in Bonzo? Gwen gave Bonzo an "assignment," didn't she? And Lena pretty much outright says that this statement was that assignment. So it's possible this is what happened after stopping the initial outcome.
Thirteen: The latest episode as of typing this, and the most clear with evidence. The man literally gains a fortune from his own misfortune, so ya know it's right there.
So every statement is a good thing turned bad or a bad thing turned good. So what? Magnus Archives had plenty of statements similarly framed, so why am I focusing on it here?
Because what is the tagline for Magnus Protocol again?
Fear takes many forms.
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myechoecho · 3 days
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Queen of Tears really just took a sharp nosedive off a very steep cliff these past 3 episodes. I didn't post anything about the last two episodes since there was nothing to say. I've had issues with some aspects of the drama that I could overlook because Hae In and Hyun Woo were top tier stuff. The break down of a marriage of two people who loved one another finding their way back to each other through medical crisis was so good. It didn't even need the Eun Sung or the family business stuff (it would have made a tighter, more coherent drama but I digress). But the last 3 or so episodes I've lost all patience. We've had:
Hae In's miraculous brain surgery which required no shaving of the hair, which I can overlook because it is a drama. Her memory loss too, as again, it's a drama and it's been hinted at since the beginning. I'm not necessarily thrilled with it but it's fine.
There is no way that Eun Sung would have suddenly become her legal guardian just because Hyun Woo left. It makes NO SENSE. Hae In was clearly there with Hyun Woo. They met with her doctors. There would have been forms and documents signed, with appropriate translators for any language barriers. Eun Sung would not have been able to waltz in and say I am her guardian now. I'm fairly confident of this even without knowing German law.
Hae In's family had people in Germany following her for...reasons??? They did nothing to protect her from Eun Sung? They didn't go to her when Hyun Woo was carted off? To be fair I was kinda fast forwarding part so maybe I missed something.
Hyun Woo's arrest, extradition back to South Korea, finding the evidence to break his case, trail, release and then arrest of the real perpetrator all took place within a month. Which seems absurdly fast. Also they found and arrested the hired hit man but not who hired him??
Hae In is following Hyun Woo, taking notes to figure stuff out for herself yet does not think to look herself up on the internet? Pretty sure there would have been articles about her saying Eun Sung threatened her?
I generally forgive the burned notebook finding its way back to her.
Also, Hyun Woo's sister is married? With a kid? Living overseas?? and we find this out in ep 13 or 14? No pictures of her kid anywhere?? No phone call?
Hyun Woon has been hit by car, by Eun Sung because of course that happened. At least he won't get amnesia, right? RIGHT?
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What a mess.
I still stand by the core story of Hyun Woo and Hae In being the strongest parts, even within the past 3 episodes.
How much do you want to bet they are not even going to address the miscarriage, which was catalyst for their whole marriage falling apart in the final episode. Despite the 1031 being used for pass codes. I've been wanting that from when we found out and it looks like it won't happen. Who knows if Hae In will even get her memory back.
The preview for the final episode doesn't give me much hope, even if we get a nearly 2 hr final episode like Crash Landing on You.
So much wasted potential in the drama. If only they had focused on Hae In and Hyun Woo, and not 20+ other plots.
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kelsonius · 16 hours
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What I find really interesting about Dungeon Meshi is how it explores the role of humans/humanoids in an ecosystem and what is okay to consume.
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Take the kelpie for example. Senshi is attached to the kelpie that frequently joins him while he's fishing, even naming her. Marcille also thinks it's cute and supports the idea of Senshi riding it. After that doesn't turn out well Senshi apologises while delivering the killing blow, appearing remorseful. Nevertheless, he himself sets out to salvage usable ingredients from the now deceased kelpie and even Marcille uses some of its fat for soap.
That is an example of exactly the type of relationship I think humans should have with livestock animals. I'm mostly vegan (occasional exceptions made for fish and eggs) both because of the environmental and animal rights issues with large scale livestock farming/the meat industry. However, I very much support a harmonious approach shown by indigenous peoples and small scale farming for example. Where, similar to Senshi and the kelpie, the animal lives a good life and is loved by its keepers until it is killed and all its parts are utilised.
There is also something to be said about people's involvement in the slaughter of animals so they respect the origin of their favourite products, like Marcille with the soap, since that is likely one of the reasons people currently consume animal products in such copious amounts. I regrettably didn't save the post in my drafts, but I saw someone on here talk about how far removed we are in the west from the origin of our meat products and how absurd it is that people are disgusted by a fish served with its head for example.
Meanwhile, Laios and Chilchuck are arguing over whether it's okay to eat a fish-man since it resembles a humanoid. Laios naturally wants to eat everything but Chilchuck has reservations when it comes to humanoids. This comes up in later episodes as well, where the rest of the crew appears to have fewer reservations since the creatures are being killed in self-defense and they're now seeing the utility of not letting resources go to waste.
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Now I wonder if they'll take it as far as cannibalism, but humanoids are already a close metaphor. In any case, it is a great way to showcase how the arbitrary values we attribute to different species influences what we consider to be acceptable food, even though it's all just meat. I mean, I could never slaughter a cat for example but somehow would be fine with eating human flesh...
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kinardscoffee · 2 days
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Do you think Tommy is here to stay for a while? How do you think is going to evolve his relationship with Buck? Will we get another kiss next episode?
I would love for him to stay forever!! Love him!!
Hey, Anon! Thanks for stopping by! I love talking about anything related to bucktommy, so you've basically made my day with your ask!
This turned into a long ass post, so I'm putting the rest under the cut.
Yes, I really do think Tommy is here to stay for a while because, honestly, he's the perfect LI to become Buck's endgame.
And I know that that thought is the biggest issue with certain stans right now, but like, he can easily have little storylines weaved throughout the series with the main and guest stars. And, if you actually read the interviews that the actors and Tim are doing, it's clear that's the goal. In fact, I was actually going to make a post for that idea, but I'll just add it here:
Hen, Chim, Bobby
Tommy clearly has a connection to Hen, Chim, and Bobby from his days at the 118. We've seen it in S2, so it's a canon fact. Chim saved his life, so that's a strong fucking bond right there. Not to mention they clearly enjoy quoting movies and probably discussing the plot of movies together. (Thank you, Bobby begins for the bar scene) Tommy was there when Kevin died, too, so he understands the loss that Chim has experienced through the job. And let's not forget that he had the opportunity to watch Chim become an amazing paramedic.
When it comes to Hen, he helped get rid of Captian Gerrard when Hen was being put through hell. (And yes, I do believe he said something to the higher ups. He is a military guy, and following the chain of command is very important to them, so I'm not surprised he never voiced his opinions outloud. Add that with the idea that he was very deep in the closet, he was probably terrified of that man.) And he knows that when it comes to Hen, she will never give up to do what's right and I like to think Tommy took a page from her book and applied that to his life on his journey to accept himself.
Then Bobby. Probably the first man in a leadership position that treated him with kindness and respect. When Bobby comes to the 118, there's some resistance, mostly from Sal, but even through all that, Tommy sees that Bobby is fair (transferring Sal to another station instead of fully firing him) and welcoming (by incorporating family dinners).
Athena
I was struggling with how he'd be connected to Athena, but then I remembered: trivia night!
Athena and Bobby used to have game night with Michael and David. Can you IMAGINE Bobby and Athena inviting Buck and Tommy over for dinner and game night??? I can. And I am so here for it!
Teams would absolutely be: Bobby and Buck. Athena and Tommy.
And let's face it. Athena sees Buck as Bobby's un-adopted son, so if Tommy makes Buck happy, Athena is good.
Karen
This one is interesting and maybe a tiny bit of a stretch, but I really believe that Tommy and Karen could connect through their interest for aviation/aerospace. She's a rocket scientist for crying out loud. He'd be like a little kid at the place where she works.
I also like to think that maybe, due to his childhood and being constantly between homes, he can help discuss the trauma that Mara might feel.
Maddie
I mean, the most important thing to her is that Tommy obviously makes her little brother happy and giddy. She wants to meet him, which is something I can't recall Buck or Maddie ever saying before about one of Buck's LI. Maybe Abby, but Buck was living in her apartment soooo... yeah.
I know Lou has revealed the backstory he has set up in his mind for Tommy and after saying his father was an alcoholic, I can't stop thinking that maybe little Tommy unfortunately experienced abuse from his father or witnessed it happening to his mom. Tommy, having a childhood connected to domestic violence, while not in the exact same way that Maddie experienced it, gives them something in common on a deeper level. An understanding of how important it is to accept love and open yourself up to the possibility.
Eddie
Eddie's friendship with Tommy is actually so interesting to me too because I have this crazy "invisible string" theory that includes him.(Platonically) But, moving on...
Clearly, they share a love of the same things. Muay Thai, watching fights, cars, Buck, basketball, the military.
For me, the military is their real connection because of Eddie's breakdown. No one else in Eddie's life can really understand what he's gone through and how it feels to maybe be the only one of your unit to survive. I'm pretty sure Tommy has already gone through therapy, and since Eddie had no one to reach out to with shared trauma like Frank suggested, he found that second chance in Tommy.
Buck
I mean... they connected lips and soon hearts. 🥺 Sooo....
Next question...
I really hope their relationship evolves in the cutest, sweetest, sometimes naughty, way!
I want to see nervousness. I want to see them learning things about each other. I want them to cuddle and laugh and go on double dates.
I want them to worry about the other one during a dangerous call or rush to each other at a moments notice.
I want to see them fall so in love with each other that I can sue ABC for giving me cavities from all the sweetness.
Having said that... I also want to see disagreements. Arguments and vulnerability and then the process of apologizing and making up.
So, basically, I want them to evolve into a healthy, stable, loving relationship.
And hell yeah! There will be a kiss on Thursday. I'd like to believe we'll see more than one just because of Oliver's interview, but for sure, we're getting one initiated by Buck and honestly I cannot fucking wait!!!!
I want him to stay forever, too. You're not alone 🩵
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cookiesaddict · 22 hours
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Full Moon + Apology Tour Episode Analysis/Prediction
Full Moon
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The episode stars with Stolas and Blitz waking up on the day of the full moon. Their duet starts, Blitz sings how excited he is for their usual full moon date and the things he wants to to do Stolas in bed. Stolas is excited as well, but anxious. he wants to end their arrangement, and give Blitz to choice to stay or go.
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Blitz arrives at imp headquarters. Blitz is in his formal clothes, ready for his and Stolas’ date. He puts Moxxie in charge, and leaves all of his paper work for Moxxie to deal with while he is gone (poor Moxxie).
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But before visiting Stolas, Blitz wants to make their night extra special by giving Stolas a romantic gift. With his shopping bag in his hand, he goes to the lust ring asking Fizz for help to find the perfect gift for Stolas.
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Blitz arrives at Stolas’ palace, the gift is in his hands what seems to be candles I think? Blitz thinks they’re going to go bed like usual, only to find out that this is not what’s going to happen. Stolas admits to ending the arrangement. Soon, an argument between the two breaks out.
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Blitz feels used now that Stolas is ending their deal, thinking that Stolas doesn’t want him anymore. Their argument escalates. And instead of letting Stolas in, Blitz starts to push Stolas away by probably saying something very hurtful to him. Blitz now realizing that he has hurt Stolas badly, desperately tries to reach out to him by trying to grab his hand. But as he does so, Stolas kicks him out of his palace by using a portal. It’s too late now, Blitz has lost Stolas. Then the episode ends.
Viv has said that “You’re losing me” by Taylor Swift is a very Stolas coded song. A part of the lyrics goes like this:
“Now, you're runnin' down the hallway
And you know what they all say
You don't know what you got until it's gone”
By losing Stolas, Blitz realizes now what he had in Stolas and what he has lost. Or maybe he realizes this later in “Apology Tour”?
Apology Tour
(This one was really hard for me to predict. It could go in so many ways, so I’m most likely wrong.)
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Blitz visits Stolas, probably to get back into Stolas’ good graces again. But Stolas is not having it. He is still very angry and hurt. He is obviously not happy to see Blitz again. “Do you feel any remorse for what you do?” Judging by this line, Blitz is likely downplaying everything and acting like nothing has happened (Like he did with Barbie). Either way, Blitz attempt to apologize and win Stolas back has failed. So he goes back home, and starts crying on the couch? (him crying on the couch could very well be from another episode)
Eventually, Stolas decides to join Verosika on tour. Verosika likely wants to help Stolas with his break up, and wants to give him a change to vent about Blitz and pour his heart out on stage. Blitz decides to go to Verosika’s concert for some reason. Maybe he goes to the concert to try to apologize to Stolas again? He did seemed to be really focused into trying to apologize to Stolas at the beginning of the ep, so is he is going to try again?
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Blitz soon finds out he is not welcome at the concert, which is why he is dressed up as a ghost or something so he could sneak in unoticed? It’s a Halloween concert anyways. Eventually, Blitz bumps into Verosika. Maybe it will result in them finally making up and for Blitz to apologize to her?
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The concert begins, and Stolas finally takes the stage. Unaware that Blitz is there, he starts to sing. Judging by the text on the banner, Stolas is singing about his grudge towards Blitz and how hurt he is. The scene with the shattered mirrors with Blitz’ reflection in it during Stolas’ song, also supports that it is possibly a grudge song. It could also be Stolas singing how hurt he is, rather than it being a grudge song, which seems more likely to me?
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But maybe as the song progresses, it gradually turns into a love song because he loves Blitz just too much to stay angry at him? While Stolas is singing, Blitz is hearing every word. Blitz looks at him. Is he touched by Stolas’ love song? I think Blitz now knows that Stolas genuinely does love him, since Stolas doesn’t know he is there. So there are no reasons for Blitz to not believe everything Stolas is singing. Not just that, but it will also gave Blitz an insight on how much Stolas is hurting.
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However, it seems that Stolas isn’t angry at Blitz anymore. Because in the next scene, Blitz and Stolas appears to be talking (Blitz still has that same ghost disguise on). Looks like Blitz apologized to Stolas, and that they are finally making up. Maybe even confessing their feelings for one another? Who knows, maybe decide to take things slow? It could also be that they just stay friends for now. But I feel like they’re definitely making up. The episode ends.
(Also There is also a whole b plot with m&m and Loona fighting a robot at the lust ring. Not sure if it’s from the same episode? Also I have literally no clue why the robot is there.)
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indieyuugure · 2 days
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I love how you respect Mikey as a character here
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He’s a goofy lil guy and you don’t deny it in the fic, but I appreciate how you allow the writing to actually acknowledge his (conflicted) feelings. He’s not just a one-note comedic relief, he feels like an actual character.
Not to imply he doesn’t have any internal life in the actual show, but based on the admittedly very few episodes I have watched and what I’ve heard from fans, the way he’s portrayed makes me incredibly uncomfortable. That’s why I’m more drawn to fics like yours :)
Also, if Donnie wasn’t dying and they’re not in danger (i.e., in Foot HQ), I 100% bet these two would have a blast just hanging out. They’re adorable here.
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Also also, PS: This update looked so good! It’s so clean and gorgeous! The jump to Clip Studio was absolutely the right choice.
Thank you!
I agree, Mikey is a goofy little dude, but he’s also a person with feelings. It’s definitely easy to forget that when writing him, but I think because he’s such a silly guy, when he says something with a lot of weight, it means something.
I think the show actually covers his true emotions more than some fans would like to blow out of proportion, so I’d highly recommend watching the entirety of the show, I feel that the show’s ability to portray it’s characters gets better over the course of it’s episodes(as is pretty common with tv-shows), but also it’s just a fun show to watch.
Regardless though, I’m flattered to hear you think I do a good job writing the characters as people :] Also yes! Leo and Mikey are such an underrated team! I love writing them on missions together.
And very glad to hear you like the pages. I’m still working out all the settings and stuff to make it look the same as before, but I was thankfully able to get it pretty close 👍 Definitely enjoying using CSP a lot, and the fact that it uses iCloud is such a relief too.
Good question! :]
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bluebirbo · 2 days
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Breaking Down Moments From The Trailer
oh man, it’s been a while huh? the hb trailer came out a while ago but I figured it’s still relevant enough to talk about so that’s what I’m doing. I’ll simply be speculating on things that got my attention in the trailer!
starting with
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these two scenes clearly take place in the same episode and in the same location. I’m not 100% sure that big shadow is Andrealphus but I think it’s safe to assume it’s him based off of what we know. I believe this is also the same area we saw the Octavia leak take place so I think there’s a good chance we see her side with Stella’s family in a fake out “turn to the evil side” scenario
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on a similar note these two scenes of Blitzo and Millie fighting don’t seem to take place in the same episode. now I’m not saying this based off the location but off of the outfits. unless the characters do a quick change between fighting I think it’s safe to say we’re going to see a plot line of Millie and Blitzo having disagreements/fights through out AT LEAST two episodes of this season
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this is pure speculation but I’m like ninety nine percent sure that this is Tilla. It’s very exciting that we might get to see her after so long but she’ll also probably get the Barbie Wire treatment if not worse so…
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I’ve seen a lot of theories over who this fiery guy could be but I think the correct guess is the wrath sin, Satan. why he’s saying “you’re a disgrace” I have no clue. at first I assumed he was in the same room as Mammon and was scolding Stolas but Stolas isn’t in that scene (as stated very clearly)
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i DO think that these two scenes are related and probably take place in the same time as the Mammon one. the railings with the snake and apple pattern appear in both. they also use the same template of blobby background characters if that will help prove my point at all
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Octavia, you poor sweet summer child. she deserves so much better than what they’re gonna give her. on a more positive note though, I do really like that they’re keeping the star motif she’s had throughout the show
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this is so dumb I can’t even talk about it. Verosika get outta there girl, you actually have a well explained reason to say Blitzo sucks, not this overdressed owl
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no clue what this guy is about. he has the same marking on his chest that Blitzo has on his bell. we know that bell came from Tilla but that’s about it. if anyone has any theories I’m open to hearing them
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the too many villains thing is really showing in this trailer. now not all these characters are necessarily villains but all of them will cause at least some struggle for our main characters. that’s seven in total (eight if you’re counting Stella and her brother separately and six of you group the cherubs and dorks together). all of this is supposed to span across only five episodes. that isn’t mentioning any internal conflict or joke time. the writing team is gonna have to work overtime to fit everything in
that’s all I’ve got to say. I could break down the trailer frame by frame but I don’t have the energy for that. I can’t wait to see everyone else’s thoughts as we progressively get closer to the release date of Full Moon. thanks for reading and I’ll see ya next time!
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txttletale · 20 hours
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(Other than the really weird bit about "Male presenting Doctor") what were your thoughts about the specials?
pretty mixed bag, pretty messy, but good overall. i think they were very obviously a nostalgia trip for people around my age lol and it worked! i loved seeing tennant and tate back onscreen together, their chemistry hasn't aged a bit, and honestly just watching doctor who that wasn't written by chris chibnall was a breath of fresh air. they weren't boring, like seasons 11 and 12 were, and they didn't go too far off the other end into nonsense like flux did. characters want things again! the show can let itself just be silly! i was literally cheering out loud when donna and the doctor were just saying random scifi gobbledegook at each other for like a solid several minutes during the star beast.
the structure of the specials kind of baffles me. i love wild blue yonder--i think it's definitively the best of the specials as a standalone, it's absolutely fantastic, creepy and atmospheric and bringing things around to RTD's strength, which is well-written characters interacting with each other and letting good actors just act. but at the same time i dont understand why it exists? it feels like...idk. imagine if you watched the star wars original trilogy but instead of the empire strikes back the middle film was just a feature length film about luke and han surviving on an ice planet with no reference to anything that happens in the last film except the two characters' relationship. and then the next film was still return of the jedi, unchanged. it felt like that
i liked all the weird campy silliness of the star beast and the giggle, and they were both very fun! neil patrick harris gave a fantastic performance, there are a lot of very memorable sequences from the giggle, but it's very very all over the place. so many threads get kind of picked up and go nowhere. the toymaker's haunted house dimension goes nowhere. RTD's eyerolling social media commetnary goes nowhere (thank god tbh but yknow im illustrating something here). even the toymaker kind of goes nowhere, after ncuti gatwa shows up he's bascially an afterthought who loses by dropping a ball. obvious parallels to david tennant's first episode with that ball scene could be made, but just... aren't. it feels like load-bearing sectikons of the plot and themes were cut out to make room for a backdoor pilot for the stupid fucking UNIT spinoff
oh and it goes without saying i fucking hate all the UNIT wank in the star beast and the giggle. i hope space nine eleven 2 happens to their stupid fucking avengers tower i cannot stand kate stewart who is constantly a murderous bonehead (in the giggle alone she gets two pepole killed by not listening to the doctor and assuming that this teleporting godlike entity could be restrainted by Two Guys) who is both in and out of universe just a boring nepo baby with no merit of her own
um. i still dont know what happened with the regeneration. i think the implication is that when david tennant dies hell time travel back to become ncuti gatwa inside himself--at least the rehab dialogue seems to make that implication. but it's not really explained or explored? baffling. i do think that fourteen getting to settle down and live a peaceful life with his friends is cute.
oh yeah and the ask said other than that but goddd there was some good stuff in the star beast and honestly with the state of the UK media i will take any perspective on trans people that includes baseline human erespect but some of those lines made me cringe so bad. anyway overall i am cautiously optimistic for the future of the show--oh ncuti was fucking great did i mention that i instantly bnought him as the doctor he owned the scene, the moment he was there it was clear he was the protagonist, and i liked the church on ruby road well enough too--i am cautiously optimistic but i worry that a big UNIT-shaped tumor will devour huge chunks of it and it'll be annoying. also russel t davies is like 60 and i just dont want to hear what he has to say about twitter so im not looking forward to dot and bubble
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thinkingotherwise · 2 days
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I’ve recently gotten into Wind Breaker myself! It’s hard to find blogs who are into it, so far, so I was excited to see you do!!♡
If you don’t mind, may I request Sugishita and Sakura (separately) coming to terms that they have a crush? And and, said crush is also a secret admirer of theirs. The mutual pining… how long would it take for them to spill the beans, or would reader have to take it into their own hands? All the fluff ˶ᵔᵕᵔ˶
Thank you so much!♡have a great day!
I'm very happy that Wind Breaker is becoming more and more popular, it's really good and I can't wait for next chapters and episodes to come.
The both of them are so awkward, that they would certainly need some help to make them realize someone has a crush on them.
Kyotaro Sugishita, Haruka Sakura x Secret Admirer! reader
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Kyotaro Sugishita
Kyotaro got to know he had a secret admirer because of Tsubakino. It was they who saw the little snacks and notes appearing in the younger boy's locker. He didn't tell anyone about it because he honestly didn't know what to make of them and so Tsubakino had to help him realize that the gifts he received were given to him by someone who clearly had feelings for him. It was evident, especially by the sweet notes.
That got him thinking, about the possibility of someone liking him, and that made his feelings all confused because there was someone who already had a piece of his heart for themselves. Kyotaro liked you, and he came to that conclusion all by himself. You were usually helping out Kotoha in the afternoon, buying her stuff, and being a waitress whenever more clients appeared. He found you really adorable with the apron on and the small smiles you sent everyone.
He had the biggest problem of his teenage lifetime to solve, even worse than the fights, because he started liking you and now there was someone who was leaving him all these notes, meaning he had someone who liked him. Kyotaro didn't know what to do and how to resolve the "love triangle" he found himself in.
How his heart felt lighter when one day he saw you sneaking into the school and leaving the very familiar snacks and notes in his shoe locker. "Oh my, what is that, Kyo?" His hiding spot got exposed when Tsubakino stood behind him and noticed you near the locker. "(Y/n)!" You felt a shiver running through you as you quickly turned toward the familiar voice of your senpai.
They called after you and when your eyes met their and Kyotaro's you became alerted and flustered. You wanted to get away but you were frozen by the uneasy feeling and embarrassment of getting caught. It was then that he got to understand you were his secret admirer and it was you who got him all those snacks and notes, and that the "love triangle" situation was resolved like that.
Kyotaro let out a sigh clearly relaxing as his gaze was still stuck on you, then like a lightning bolt his cheeks became red. Your senpai cooed at that swinging from side to side with a wide smile on their face.
Cheering you on they pushed Kyotaro in your direction making him almost smash into you but he stopped just inches from you. "Do you... want to go... out?" He asked clearly confused about what exactly to do. You nodded your head quickly muttering 'yes' in agreement and Tsubakino cheered loudly saying they would immediately tell Umemiya about this. Hearing that Kyotaro became even more flushed and you lightly chuckled at his expression.
Haruka Sakura
You fell in love with him the moment you saw him protecting the townsfolk from some gangs. His fighting style was amazing and so eye-catching and his confidence was really doing something to you. After that, you saw him more and more often, with his friends on patrol, eating some food in a nearby cafe, or helping others and fighting. Then you started hearing things he and his friends were talking about, it's not like you were eavesdropping on them on purpose, it's just they were quite loud and you were nearby.
You heard that he wasn't eating well, so you took it upon yourself to leave him small fruit bentos or juices. You thought keeping him healthy would benefit not only you seeing him stronger but also others as he'd have more energy. Yes, that certainly was your reason too also start adding some notes whenever you saw him beating someone up, saying how cool he looked.
Suou and Nirei saw the gifts and after talking things through with Haruka, who blushed all the time and told them they were saying bullshit, they started seeking out a person who could leave them on his door handle.
After several days they noticed you always staying nearby and carefully watching Haruka with amazement in your eyes. His friends pointed you out making him flushed because you were pretty, like really pretty in his eyes and you admired him for his fighting style. He then experienced the same phenomenon as you did with him, Sakura started seeing you more frequently around town, sometimes trying to protect people and helping around. Even though he knew it was you who left him the healthy bentos, he was scared to confront you and tell you he also liked you.
Then one day he opened the doors because he heard something scratching at them, only to be face to face with you, who was hanging the small fruit bento on his handle. "Umm.." You took the gift back from the handle and looked startled at Haruka. He was as surprised as you not knowing what to do his gaze fell on you then on the bento and again on you. His face became more flushed with every second.
"You- the fruits- note." He stuttered out nervously but then turned away quickly composing himself before meeting your gaze. "You are the one to leave the fruits and notes, right?" He said and you decided that it was a "now or never" moment. "Yes, I'm (Y/n) and I really admire you and your fighting skills, and if you'd agree I want to go out with you. Please." You confessed in one breath pushing the fruit bento in your hands in front of him and bowing.
The silence was evident and you became worried. As you raised your head you saw Haruka bright red with his hand covering half his face as the other gripped the doors. He gulped loudly before he replied. "Actually, I wanted to ask you out to thank you for all the food." His voice was shaky from nerves as he took the bento from your hands. "Yes, of course!" You said loudly and then coughed and corrected yourself. "It would be my pleasure."
Tags: @misticbullet
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atopvisenyashill · 2 days
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seeing how some greens act like rhaenyra being groomed by her uncle, and subsequently being unable to let go of him, is HER personal failure turned me into a rhaenyra extremist when i simply enjoyed her character beforehand.
im really glad you're speaking about it because even though it's fiction, it still perpetuates a very dangerous rhetoric
wait this gives me an excuse to ramble, pls excuse me if i phrase things maybe a little crassly here, it’s a delicate topic i’m speaking indelicately about but also, i think i should be allowed bc [redacted] BUT-
obviously i don’t like, love, some of the changes to the show but i think the first half does a great job of setting it up to where you can see both alicent and rhaenyra are surrounded exclusively by much older men who want to fuck them, and have just no way of knowing who is being genuine with them. because no one is really! so you have episode 4, where alicent is sleeping in a room with pornographic art on the wall and being called to her husband’s bed and she can’t say no, and he’s not going to do anything to make the whole thing even marginally easier for her. and then you have rhaenyra, pulled from her bed by her uncle to a brothel, and she’s completely exposed, and she’s experiencing new things, and he’s purposefully trying to make this feel good but also overwhelming for her, then abandons her drunk & confused & half naked. this is The Same Thing - they’re both being used and manipulated by a much older man, but because that manipulation looks different, they react different. but it’s still manipulation.
yes, the type of abuse is different when it’s like, your ugly ancient grandpa grooming you vs a handsome 30 year old stranger you met online that you tell all your high school friends is your boyfriend, but ultimately, both the grandpa and the 30 year old boyfriend are abusers but more importantly, the granddaughter and the high schooler are both victims!!! i think a lot of people when analyzing this whole thing, will pin daemon as a groomer but then completely forget that this also makes rhaenyra a victim. some people will even hee hee haw haw over it because “oh your feminist icon would rather marry her groomer uncle than her gay cousin in the book” DO YOU HEAR YOURSELF. could it possibly be that rhaenyra prefers daemon to laenor because daemon has manipulated her into thinking she is only free with him? she is only safe with him?? could it possibly be that he has been giving her gifts and taking physical liberties with her for her whole life, and being the Good Cop, Sweet Confidant to her parents Bad Cop her whole life, that she feels taken in by him because he is all she knows???? in the same vein that alicent just swallows all the poison and bullshit from otto because that’s her father, and his protection is all she knows????
honestly part of like ~the discourse~ that’s most frustrating is that most greens just refuse to see rhaenyra’s pov or see that she’s also a grooming victim grasping for power to protect her own children, again just like alicent, but on the flip side, most of the analysis from the blacks side is like “if you think nyra is a victim of grooming you are just as bad as the people calling her a whore for having children out of wedlock” and like, how do you even engage with that. with either of those opinions. you can’t wksjd so if youre, ya know, like a normal fucking person who can see how both girls are being manipulated, but you have like a fondness for nyra specifically, it’s just constant bad takes. there’s nowhere to go to escape the bad takes.
i thought we had already hashed out this idea that being aware or unaware of your victimhood doesn’t suddenly mean you’re not being oppressed during the main show with arya and sansa but no, we’ve actually just taken this exact same annoying fandom discourse about which teenage girl is dealing with being abused in the most acceptable way and made it a thousand times worse.
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