Low Quality Moth Chase Scene
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VOTE FOR WEAVER. HE HAS TEETH.
GIVE HIM YOUR VOTE AND A BOX OF THIN MINTS.
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Not to be mean, but peas are arguably one of the worst fruits. They’re just a bit off :(
(Also just looking at mushy peas grosses me out, is it really surprising people make fun of British food? What about that looks appetising?)
Asparagus, on the other hand, is a nice vegetable you can grow in autumn. Good luck with pea planting season, though :]
*gasp*
to say such a thing... in pea plantin' season no less...!
HOT TAKE TOURNAMENT!
PRELIMINARY #204!
Not a submission
peas are one of the worst fruits
It's been a really long time since we've done one of these, hasn't it?
Anyway, propaganda is always encouraged!
And remember to reblog your favourite polls for exposure!
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'Whatever the moviegoing audience saw and heard in Sutherland's diverse onscreen performances, this was accompanied by the back story of the vulnerability of his flesh, of his near-death experiences, of his susceptibility to injury and ailment, his clumsiness, his damaged voice, his hypochondria, his lisp, his vertigo, his tendency to blush or weep, his "long frame [that] looks as if it had been molded by a slammed door" (Bruce Bahrenburg, "A New Image for Male Stars," Newark Sunday News, 3 November 1968, ES)—in short, what generally might be called his corporeal and emotional "subjection" to the world around him.' (203)
'Sutherland's fragile, clumsy bodily style in real life inevitably inflected his onscreen portrayals; to be a Sutherland fan in the seventies was to tune in to a series of characters whose bodies are under siege, always at risk, always susceptible, always not the inviolate body of the action hero but, rather, the body in danger of a malady, a paralysis, an injury, a fall, a haunting, a drenching, a shooting, an impotence, a transformation.' (204)
'"So I thought to myself," Sutherland's story goes, "Why not try this? Let's find out what it's like to not interfere. That conversation changed my life-changed my whole attitude about acting. Now I think of myself as the director's plaything. Film acting, basically, is about the surrender of will to the director" (Dreifus, "Sutherland" 88). Thus, the shift from an out-ward-directed to an inner-oriented politics coincided with a shift from a combative to a submissive relation to the director. In this period, too, Sutherland lent his star status, and a body that was susceptible to both punishment and ecstasy-or perhaps the ecstasy of punishment—to a series of projects dissecting fascism in its various forms.' (212)
'But it could just as well signal that the "self-loss" attributed to him is the result of a constant struggle with "eros" in its more self-serving libidinous forms and, as we shall see, the middle of the decade begins to take us into some interesting sadomasochistic territory.' (213)
'Sutherland remarked: "Fellini and Bernardo work differently, and their vision is different. But in each case it's an act of love" (Louis-Bernard Robitaille, "Brève Rencontre avec Donald Suther-land," Écran, 15 April 1976, 10, my translation). Sutherland doesn't elaborate on this idea, but it could be said that the chief participants in this "act" were, in each case, none other than Sutherland and his director, engaged in a kind of sadomasochistic contract that involved the transformation and then spectacularization of Sutherland's body, and the subordination of his mind. Each director cast him as a character designed to become the focal point for everything that the film was to negate: in Bertolucci's case, this meant using Sutherland to embody all the repressed sadistic impulses of the other characters in 1900; in Fellini's case, it meant making Sutherland the "blankness... the tabula rasa on which mythic significance could be inscribed" or the "smooth, aloof, faintly stupid" center to contrast with the "richness, corruption, and vitality of the life around him" (Gay 19).' (215)
'Sutherland's self-confessed pleasure in this arrangement is consistent throughout his career. He calls himself "the most favored girl in [Fellini's] harem" (Glenys Roberts, "Donald Sutherland: Devastating Eccentric," Company, May 1979, 52), or Fellini's "concubine," his "courtesan," remarking that "acting in that kind of situation gives me intense sensual pleasure.' (219)
'I knew always that I was the best lover he had. That I would be able to walk on quietly, silently, and he would see me out of the corner of his eye. That he would feel something—a little rush of something. I don't know whether Fellini loves actors or not. But he loved me. And it was—t'was all very caressing and very, very refined. All nitrous oxide. (Caldwell 52)
The pleasure in this fantasy comes from the disorientation brought about by its subjects' instability. Sutherland finds attractive the sort of man who takes pleasure in dressing up so outrageously as to cross gender boundaries, making him a "transvestite." At the same time what he loves is being that splendidly dressed up man who waits, passively, for Fellini to come and take him away. What's exciting is the prospect that this director who has expressed nothing but contempt for him, referred to him in nothing but abusive and denigrating terms (a "sperm-full waxwork," "a stronzo—a turd"), will nevertheless catch a glimpse of him, and be made to feel "a little rush of something" in spite of himself. The reference to nitrous oxide, often used recreationally in conjunction with amyl nitrite to enhance euphoric sensations, puts us even more squarely into the pop culture world of queer sexual pleasures.' (220)
From Jean Walton, 'Donald Sutherland: The Politics and Erotics of Submission', Hollywood Reborn: Movie Stars of the 1970s, ed. James Morrison (New Brunswick: Rutgers University Press, 2010), pp. 202-225. https://www-jstor-org.libproxy.york.ac.uk/stable/j.ctt5hhwzq
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1. Sabotage
2. Sacrament
3. Sacred
4. Sacrifice
5. Sacrilege
6. Sadness
7. Safe
8. Safeguard
9. Sailor
10. Saltwater
11. Salvage
12. Salvation
13. Sanctuary
14. Sand
15. Sanity
16. Sapphire
17. Sarcasm
18. Satellite
19. Satisfaction
20. Saturday
21. Savage
22. Save
23. Saviour
24. Scalding
25. Scale
26. Scandalous
27. Scare
28. Scarlet
29. Scarred
30. Scattered
31. Scenery
32. Scent
33. Scholar
34. School
35. Science
36. Scrapbook
37. Scratch
38. Scream
39. Scribe
40. Scrolls
41. Sculptor
42. Scythe
43. Sea
44. Seance
45. Search
46. Seashells
47. Seatbelts
48. Seclusion
49. Second
50. Secret
51. Security
52. Seduce
53. Seeds
54. Seeking
55. Selfish
56. Senile
57. Sensational
58. Senseless
59. Sentences
60. Sentimental
61. Separate
62. Serendipity
63. Serpent
64. Servant
65. Shackle
66. Shadow
67. Shallow
68. Shame
69. Shameless
70. Shampoo
71. Shards
72. Share
73. Shatter
74. Shaving
75. Sheet
76. Shelter
77. Shenanigans
78. Shield
79. Shifting
80. Shine
81. Shirt
82. Shock
83. Shooting
84. Short
85. Shoulder
86. Shower
87. Shrieks
88. Shrine
89. Shrouded
90. Shuffle
91. Shy
92. Sibling
93. Sick
94. Sight
95. Sightseeing
96. Signal
97. Signed
98. Silence
99. Silhouette
100. Silk
101. Silver
102. Similarities
103. Simplicity
104. Sincere
105. Sinful
106. Sing
107. Singularity
108. Sinister
109. Sinking
110. Size
111. Skeleton
112. Sketch
113. Skies
114. Skiing
115. Skipping
116. Slapped
117. Slave
118. Slaying
119. Sleepless
120. Sleepover
121. Slice
122. Slick
123. Slide
124. Slipping
125. Slither
126. Sloppy
127. Slow
128. Small
129. Smile
130. Smirk
131. Smitten
132. Smoke
133. Smooth
134. Smudge
135. Snacks
136. Snapped
137. Snapshot
138. Snared
139. Snarling
140. Sneak
141. Snow
142. Snowblind
143. Snowbound
144. Snuggle
145. Soaked
146. Soap
147. Soar
148. Society
149. Soft
150. Solace
151. Solar
152. Soldiers
153. Solemn
154. Solitaire
155. Solitude
156. Solution
157. Somebody
158. Someday
159. Somewhere
160. Sonnets
161. Soothing
162. Sorcerer
163. Sorrow
164. Sorry
165. Soul
166. Soulmate
167. Sound
168. Sourpuss
169. Souvenir
170. Space
171. Spark
172. Sparkle
173. Speak
174. Special
175. Specialists
176. Spectator
177. Speechless
178. Speed
179. Spellbound
180. Spending
181. Sphinx
182. Spice
183. Spies
184. Spiral
185. Spirit
186. Split
187. Spoils
188. Spontaneous
189. Spooky
190. Spooning
191. Spotlight
192. Spring
193. Spying
194. Square
195. Squeak
196. Squeezed
197. Stab
198. Stability
199. Stage
200. Stagnant
201. Stained
202. Stairway
203. Stakeout
204. Stalemate
205. Stalker
206. Stamina
207. Stance
208. Stand
209. Standard
210. Star
211. Star-crossed
212. Stargazing
213. Starting
214. Startled
215. Starve
216. Static
217. Stay
218. Steady
219. Steal
220. Stealth
221. Steel
222. Stereotypes
223. Stickers
224. Stigmatize
225. Stitches
226. Stoic
227. Stole
228. Stone
229. Stop
230. Storm
231. Stranded
232. Strange
233. Strawberries
234. Stray
235. Street
236. Strength
237. Stress
238. Stretching
239. Stricken
240. Strictly
241. Strike
242. Strings
243. Striving
244. Strolling
245. Struggle
246. Stubble
247. Stubborn
248. Stuck
249. Students
250. Study
251. Stupid
252. Subconscious
253. Subdued
254. Subject
255. Subliminal
256. Submerge
257. Submission
258. Substitute
259. Subtle
260. Subway
261. Success
262. Succumb
263. Suddenly
264. Suffer
265. Suggestive
266. Summer
267. Summon
268. Sunbathing
269. Sunbeams
270. Sunburn
271. Sunflower
272. Sunkissed
273. Sunlight
274. Sunrise
275. Superficial
276. Superhero
277. Superiority
278. Supernatural
279. Supernova
280. Superstition
281. Support
282. Surface
283. Surprise
284. Surrender
285. Surveillance
286. Survival
287. Swagger
288. Swamp
289. Swapped
290. Sway
291. Sweat
292. Sweet
293. Swimming
294. Switchblade
295. Sword
296. Sworn
297. Symbol
298. Sympathy
299. Synchronicity
300. Synergy
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Black Sails Monologuolympics BR3.2: Secondary Main Characters: ROUND 2
4/8: Anne vs. Vane
Anne, to Jack, in 204: "I've put a lot of bodies in the ground for you, haven't I? […] Watched your back. Cleaned up your messes. Carried out your plans. I didn't always understand. Didn't always agree. But I did it. Some fucked-up, awful shit 'cause I knew you needed it done. I don't think the night you had last night comes even close to something to bitch about. […] I know she's dangerous. Especially to me. I ain't in my right head about her. She knows it. And it ain't hard to imagine her intent is to play us off one against the other. But I'm asking you to do this for me. I'm asking you to watch my back on the other side of that door. 'Cause I know as long as you are, there ain't shit she can do to get between us."
VS
Vane, to Flint, in 308: "I don't [have an instinct towards comfort]. And had I that instinct, I would resist it with every inch of will I could muster. For that is the single most dangerous weapon they possess, the one they tempt. "Give us your submission, and we will give you the comfort you need." No, I can think of no measure of comfort worth that price."
BRACKET THREE ROUND TWO // BRACKET THREE // ALL
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Passages from a manuscript I wrote in August 2020:
A pure separation between will and its empirical contents becomes unbridgeable: there is no way to properly consider how the contingent sequences of acts and their effects can become the object of the purely formal will. Any “rational” nonempirical laws of moral practice are empty and useless--or close to useless. It can have the utility of serving as an apology, a kind of rationalizing smokescreen, for the unintelligent submission of current standards and institutions.
To continue using Marx’s term, we must further investigate what concrete labor may be, i.e. what our activity can be recognized as outside its representations on the market, by which such concrete activity becomes reduced to the abstract labor embodied in commodities. Of course, our concrete labor under capitalist conditions is to a great extent determined by how it will be represented on the market (and therefore reduced to abstraction)--but this determination is not total. We are not here dealing with physical laws, but with highly contingent historical phenomena. To see phenomena as historical is to understand them as containing spontaneity that may change the structure along which they had been set, and so as not fully determined and defined by this phenomena.
The most concrete meaning of the term “science” must refer to the behavior of humans dependent on a communal network of practices and culture as they interact with their environment. This activity must be understood in terms of the purposive guidance of the agents of the experiments and research. The impartiality and neutral observations of science are in fact highly specialized and powerful acts of desire. As Dewey put it, “the work of observation and description forms a constituent division of labor within thought” (203). Such “mere observation, pure brute description” is a purposive artifice of “instrumental character” (204). It must also be defined by the organic continuity of the scientific agent with their world, by which meanings can become genuinely indexical to the dynamics of the world.
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🍄 Preliminaries: Ni No Kuni: Wrath of the White Witch 🍄
Top 2 make it into the preliminaries!
Duncecap
“I will be submitting the entire catalogue of mushroom familiars from Ni No Kuni. Why? Because it is one of my favorite JRPGs and look, they're kinda funky cute. This one is just a tiny... A goof even. He just wanna go outside, look at him.” - Submission 201
Napcap
“he eepy. If he wins, he gets a nap. (probably)” - Submission 202
Nightcap
“Extra eepy! Might put the other contestants to sleep too, but that's okay. Arguably the most aesthetically cute.” - Submission 203
Madcap
“Okay, this is the last of them. idk lol mushroom maracas” - Submission 204
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John Hardyng’s Map of Medieval Scotland, 15th century. British Library, London, Lansdowne MS 204 :: [Scott Horton]
* * * *
“Once people envisioned the possibility of change in a fixed order, the end of an age of submission came in sight; the turn to individual conscience lay ahead. To that extent the Black Death may have been the unrecognized beginning of modern man.”
― Barbara W. Tuchman, A Distant Mirror: The Calamitous 14th Century
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Vriska with Toast Mastertoast part 3
part 1, part 2, part 3, part 4, part 5, part 6, part 7
163. @mrcosmo
164. pastelmaryam (deactivated)
165. unknown :(
166. simple-simone (deactivated)
167. @alisonnyash (active, but unable to link)
168. @goatnads-blog
169. @ladyrainmaster
170. extrasuperverys (deactivated)
171. @kawaiisaiyan
172. mageofdoyoumind (deactivated)
173. @ghastly7 (Hi lil' bro!)
174. @sevenseasdawny-blog
175. Deactivated Unknown :(
176. @writersadditction (active, but unable to link)
177. whynotfabulous (it me)
178. candycaptor (deactivated)
179. theshittyartofhomestuckplatypus (deactivated)
180. posteriordarrier (deactivated)
181. kringlefrickler (deactivated)
182. @arrozcontoffee
183. @cantspelladiewithoutdie
184. missinkart (deactivated)
185. kay-kay-okay (deactivated)
186. @chezforshire
187. @pellu0-blog
188. @tlsdlrhdwh (full disclosure, I think this URL is not owned by the original creator anymore?)
189. @vriretta-13
190. makara779 (deactivated)
191. @angelg0th
192. oddreddisk (deactivated)
193. @kou-kou-puffs
194. kittens-of-art
195. @julshii
196. Unknown :(
197. @rainekitty
198. bigdanny-d (deactivated)
199. Unknown :(
200. ferainoob (deactivated)
201. goinggrimdark (deactivated)
202. Same Unknown :(
203. ff123456789
204. Same Unknown :(
205. Same Unknown :(
206. @lady-of-the-virgos
207. kanaya-maryams (deactivated)
208. @purpleumbry
209. @courbet-nft
210. @boobsballoon
211. Unknown Submission :(
212. @les8oo8oo
213. @saintoftoasters
214. thewitchofsweets (deactivated)
215. @mysterydruids
216. @poisoncider
217. averagesizedcthulhu (deactivated)
218. @quiversarrow
219. @spadefish
220. @wembleysfraggle
221. @xomene (active but unable to link)
222. @kodakura
223. lxvxperfectionn (deactivated)
224. meddlingfashionista (inactive)
225. @clophia
226. @eccentricalli
227. @liouxp
228. wayloned-a (deactivated)
229. derejane-kittyjane (deactivated)
230. @napcake
231. @4themindandsoul
232. @messy-lanee-us
233. @casentine
234. @rawmeat3
235. @snail-piss
236. comicalamity (deactivated)
237. derejane-kittyjane (deactivated)
238. fylyne33 (deactivated)
239. Deactivated Unknown
240. @rac000000n
241. @birdlimes
242. @stuckwithtoast (it me)
243. @kanayasittinginplaces
244. @birdlimes
245. @askthesanguineknight-blog-blog
246. @berligelin
247. @flafly
248. @liardy
249. @sidelley
250. teenyfettuccine (deactivated)
251. vriskac (deactivated)
252. @vriska-kisses
to be continued...
part 1, part 2, part 3, part 4, part 5, part 6, part 7
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Submissions have been closed!
We got a total of 541 submissions with 204 different characters!
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Submission Statistics
So of all 216 submissions:
Lyrics was selected for 119 submissions
Music/sound was selected for 204 submissions
Choreography was selected for 112 submissions
The characters/unit in the song was selected for 172 submissions
And other was selected for 101 submissions (2 of which didn’t have any other reasons selected lmao) (I enjoyed reading all of the “other” reasons very much btw, so thank you for them <3)
How many songs were submitted for each unit (I’m going to put this under a cut cause it’s gonna be kinda long since there’s 21 groupings/categories they’re in)
fine had 5 unit songs and 1 solo song submitted
Trickstar had 2 unit songs submitted
RYUSEITAI had 4 unit songs, 2 solos, 1 kinda solo thing submitted (of which 1 unit and 1 solo song were added by me afterwards) (also idk how to explain the last one, so ig just trust me /lh)
ALKALOID had 8 unit songs submitted
Eden had 3 unit songs, 2 Adam songs, 3 Eve songs, and 2 solos submitted
Valkyrie had 7 unit songs and 2 solos submitted
2wink had 3 unit songs submitted
Crazy:B had 9 unit songs submitted
UNDEAD had 9 unit songs and 4 solos submitted (1 of the solos was added by me afterwards)
Ra*bits had 2 unit songs and 1 solo submitted (I added the 1 solo afterwards)
AKATSUKI had 4 unit songs submitted
Knights had 10 unit songs and 4 solos submitted (4 of the unit songs and 2 of the solos were added by me, oops)
Switch had 4 unit songs and 2 solos submitted (1 of the unit songs was added in by me)
MaM had 1 unit song and 1 solo (since See You Again is technically a solo)
Double Face had 4 songs submitted
Jin and Akiomi had 1 song submitted
7 shuffle songs were submitted
4 cover songs were submitted (I added 1 of them)
3 fusion unit songs were submitted
And there were 13 songs that I just threw into a category of “other” cause there were only 1 or 2 for what would be each group (this includes past/temporary unit songs, the Eccentrics are in here as well)
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I posted 2,554 times in 2022
That's 1,528 more posts than 2021!
1,967 posts created (77%)
587 posts reblogged (23%)
Blogs I reblogged the most:
@razziegirl
@skippyv20
@the-best-soap-opera-ever
@the-cat-with-the-emerald-tiara-1
@willandkate
I tagged 157 of my posts in 2022
#youtube - 111 posts
#royal reading - 11 posts
#submission - 8 posts
#tarot - 7 posts
#british royal family - 5 posts
#royalreading - 3 posts
#fakeflix - 3 posts
#princess of wales - 3 posts
#catherine - 2 posts
#royal commentary - 2 posts
Longest Tag: 36 characters
#no more never complain never explain
My Top Posts in 2022:
#5
173 notes - Posted August 27, 2022
#4
So I did read it.
It actually feels like the reporter was almost unfairly (one shouldn't be so mean to blinkered people) and definitely slyly taking the pi$$ out of her and her delusions of grandeur; but, that she is too self-absorbed to read between the lines, and the journalist knows it and so takes great delight in penning the daggers that surreptitiously cut to the bone. It is a work of stealth, rather like the glittering spangly OTT beauty of a drag queen who captivates you from a stage and you realise afterwards with some disappointment that it is actually a man. The elite New Yorker and DC intelligentsia will love it. It feels and reads like a piece of criticism disguised with a sprinkling of platitudes, syrupy descriptions and words that would make MeMe's heart sing; like their office appearing as if they sit on adjacent thrones gazing out at their empire. Cue the Pink Panther theme music.
It seems clear from the article that the writer had the feeling that it was all a great big show - a put-on - with the heavy use of adjectives describing a series of staged vignettes designed to paint the picture of serene, blissful homeliness, girl guide level good deeds and dismissive largesse. It is like putting lipstick on a pig. Between the lines, it screams fake! fake! fake! as you envisage red flags and sirens popping up with regularity in the writer's head and you can almost feel the panic sweat of the author as she negotiates her way out of a near-hostage situation. What with the harvest basket and baked goods with Lili's label on them and Archie delivering a weeks worth of fruit to school once a week, and giving a back pack to the security guard to give to the homeless man on the corner. For the intelligent reader, one can discern that the writer could see it was being laid on thick, but decided to work it. The final work reads as if she is a cross between a psycho Red Riding Hood, Alexis Carrington and Marie-Antoinette, as it waxes satirically on in a dream-like manner about her glorious life. You can literally feel the narcissistic glow that she emits to capture the writer's senses. Yet, I sense the writer was not really all that captivated, but perhaps laughing up her sleeve. I could almost feel the cathartic relief at the end as the writer escaped the clutches of madness.
I am calling it... this is a cleverly constructed hit-piece - that MeMe is probably ecstatic over - but also one that will have many people especially in Aberdeenshire laughing their heads off while spitting their cornflakes! It is a magnificent creation, a Trojan-horse cover story that paints a Daliesque portrait of delusionary grandiosity. It is absolutely melting, nay dripping, with sarcasm, darlings!
I can't wait to see what River makes of it. I am sure that he will be filled with glee as he dissects it for his little fruits, you know...
194 notes - Posted August 29, 2022
#3
Now we know the answer to how the Spencer's viewed her.
200 notes - Posted July 21, 2022
#2
I feel devastated for Sophie, this is a truly heartbreaking image. My heart goes out to her. ❤
204 notes - Posted September 10, 2022
My #1 post of 2022
Wow!
230 notes - Posted September 19, 2022
Get your Tumblr 2022 Year in Review →
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HOT TAKE TOURNAMENT
PRE-PRELIMINARY #10
Submission 204
Johto is the worst Pokémon region, you guys are just blinded by nostalgia
[SUBMITTED JUSTIFICATION UNDER THE CUT]
"First of all, the story sucks. It's literally just the first game's story (which was already incredibly lackluster) except more pathetic since Team Rocket doesn't have the only member anyone can take seriously anymore. The only reason why it's not the worst story in the series is SwSh exists. It feels like someone's pointing a gun to the back of your head and forcing you to get involved.
Second, the new pokémon. They're either too weak to use without grinding a ton, poorly designed, way too hard to get/post-game exclusives, evolutions of Kanto pokémon, or a mix of two or more of what I just said. It's like this game doesn't even want you to use them.
Third, the region itself. When you compare it to other regions with incredible and memorable landmarks, everything Johto has to offer is just. Lame. I don't care that you have a lighthouse, a cave system, or ruins when other regions have exactly those things but more interesting.
Fourth, the League. As just characters, I love all of them. But everything else about the League is AWFUL. There are FOUR gym leaders that don't use a SINGLE new pokémon and hardly ANY have a new pokémon as their ace (considering my first point, I really can't blame them too much but you are supposed to represent JOHTO so why are you using KANTO pokémon). The badges are bland, they're boring, it doesn't even feel like I got anything from beating them. And, oh, God, the leveling curve is ATROCIOUS. Why is the CHAMPION OF THE REGION using a team where the strongest is level 50? I know people will point out the Kanto post-game but when you look at the levels of the teams, there's a serious jump in the curve. The last gym leader in Kanto's STRONGEST POKÉMON is level 60. The VERY NEXT BATTLE, the one against Red, has the WEAKEST POKÉMON ON HIS TEAM AT LEVEL FUCKING 80???????
Whenever I think of this region, I struggle to find anything good about it besides the human characters. They completely botched almost every single aspect of it yet people claim HGSS are the best games or remakes in the series."
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I posted 229 times in 2022
That's 55 more posts than 2021!
195 posts created (85%)
34 posts reblogged (15%)
Blogs I reblogged the most:
@cryptidsofgw2
@poroquagganbob
@guildwars2
@legendaryskyscale
@billysquirrel
I tagged 196 of my posts in 2022
Only 14% of my posts had no tags
#gw2 - 187 posts
#shitgw2playerssay - 185 posts
#shit gw2 players say - 175 posts
#guild wars 2 - 175 posts
#submission - 123 posts
#eod spoilers - 27 posts
#lws5spoilers - 13 posts
#old lion's arch - 2 posts
#shit guild wars 2 players say - 2 posts
#for real though - 1 post
Longest Tag: 57 characters
#so many friends lost along the way since i was last there
My Top Posts in 2022:
#4
204 notes - Posted April 25, 2022
#3
214 notes - Posted August 11, 2022
#2
a more hands-on approach requested
372 notes - Posted May 12, 2022
My #1 post of 2022
378 notes - Posted August 26, 2022
Get your Tumblr 2022 Year in Review →
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Shaykh ‘Abd al-‘Azeez ibn Baaz (may Allaah have mercy on him) was asked: What is the ruling on the person praying behind the imam holding the Mushaf during Taraweeh prayers?
He replied:
I do not know of any basis for that. It seems that he should focus with proper humility and not hold the Mushaf, rather he should place his right hand over his left as is the Sunnah, placing the right hand over the left wrist and forearm and placing them over his chest. This is the most correct view and is best. Holding the Mushaf will distract him from these Sunnahs, and his heart and eyes may become busy following the words on the pages and that may distract him from listening to the imam. What I think is that not doing that is the Sunnah, and that he should listen attentively and not use the Mushaf. If he has knowledge he will be able to prompt his imam, otherwise others will prompt him. Then if it so happens that the imam makes a mistake and is not corrected, that does not matter, unless it is in Soorat al-Faatihah, rather it matters only in Soorat al-Faatihah, because al-Faatihah is a pillar of the prayer which is essential. But if he omits some verses other than al-Faatihah, that does not matter if there is no one behind him who can alert him to that. If someone holds the Mushaf to correct the imam in the case of necessity, then there is nothing wrong with that. But if each person holds a Mushaf, that is contrary to the Sunnah. End quote.
He was also asked (may Allaah have mercy on him):
Some members of the congregation follow the imam’s recitation in the Mushaf when he is reciting. Is there anything wrong with that?
He replied:
It seems to me that this should not be done. It is better to concentrate and focus on the prayer, and to place the hands on the chest and ponder what the imam is reciting, because Allaah says (interpretation of the meaning):
“So, when the Qur’aan is recited, listen to it, and be silent that you may receive mercy”
[al-A’raaf 7:204]
“Successful indeed are the believers.
2. Those who offer their Salaah (prayers) with all solemnity and full submissiveness”
[al-Mu’minoon 23:1]
And the Prophet (peace and blessings of Allaah be upon him) said: “The imam has been appointed to be followed, so when he says takbeer, then say takbeer, and when he recites, then listen attentively.” End quote.
Majmoo’ Fataawa al-Shaykh Ibn Baaz, 11/340-342 (tel:11/340-342)
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