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#tees maar khan
aahanna · 30 days
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Someone - how dumb r you ?
Me sometimes -
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anotherfanaccount · 6 months
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Om Shanti Om is so dramatic and the overacting sells it so well.
Farah Khan make another fun one please. It's been 9 years since HNY already. What a director honestly. Main hoon Na as debut and oso in the filmography.
And you know what, I need a Farah Khan heroine on screen again and srk directed by Farah is a delight, delicious delight NGL.
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debutlovers · 1 year
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sheila ki jawani felt illegal to listen to when i was younger
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celebmania01 · 9 months
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Geeta Kapoor's Legacy: How She Transformed the Indian Dance Scene Forever
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Geeta Kapoor, the renowned Indian choreographer, has left an everlasting impact on the Indian dance scene. Through her creativity, innovation, and passion for dance, she has transformed the way dance is perceived and celebrated in Indian cinema and beyond. In this article, we will explore Geeta Kapoor's incredible legacy and the significant contributions she has made to the world of dance.
Statistics show that the Indian film industry is one of the largest in the world, with a huge global fan base. According to a report by Statista, the Indian film industry is projected to reach a revenue of US$5.74 billion by 2026. Dance plays an essential role in Bollywood movies, and Geeta Kapoor's influence on choreography has been profound.
Geeta Kapoor's unique style of blending classical Indian dance forms with contemporary movements has revolutionized Bollywood dance. She has created a distinct signature that sets her apart from her peers and has earned her a dedicated fan following. Her ability to tell stories through dance and her attention to detail in choreography have added depth and richness to the dance sequences in Indian films.
One of Geeta Kapoor's greatest contributions is her role as a judge and mentor on the popular dance reality show "Dance India Dance." Through the platform, she has mentored aspiring dancers, nurtured their talent, and helped them realize their potential. Geeta Kapoor's constructive feedback and guidance have pushed dancers to explore their boundaries and reach new heights in their artistic journeys.
Geeta Kapoor's impact extends beyond the realms of Bollywood. She has played a significant role in the growth and recognition of contemporary dance in India. By blending various dance styles and experimenting with new forms, she has contributed to the evolution of dance as a modern art form in the country. Geeta Kapoor's work has not only influenced aspiring dancers but has also inspired established choreographers to push the boundaries of their craft.
It is essential to recognize the diverse perspectives Geeta Kapoor has brought to the Indian dance scene. Her inclusive approach to dance has celebrated and honored various regional dance forms, breaking stereotypes and promoting cultural diversity. Geeta Kapoor has given a platform to dancers from different backgrounds to showcase their talent and share their unique stories through dance.
In conclusion, Geeta Kapoor's legacy in the Indian dance scene is truly remarkable. She has revolutionized the way dance is seen and appreciated in Indian cinema. Her creativity, innovation, and ability to connect with audiences through dance have made her a pioneer in the industry. Geeta Kapoor's contributions to dance will continue to inspire future generations of dancers and choreographers, leaving a lasting impact on the world of Indian cinema and beyond.
Sources:
Statista. "Revenue of the Indian Film Industry from 2013 to 2026." [https://www.statista.com/statistics/1168171/india-movie-industry-revenue/].
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telugumovienews · 2 years
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Hero Adi Sai Kumar's account has not recorded any remarkable achievements after 'Prema Kavali' (2011) and 'Love Lee' (2012), which came in the beginning of his career. Aadi, who has been waiting for a proper success for almost ten years, has recently come before the audience with the film 'Tees Maar Khan'. In this movie directed by Kalyan G Gogana, Payal Rajput played the heroine, Poorna and Sunil played key roles. And let's see in the review whether this film breaks Aadi's series of failures.
Story: Jeeja (Anoop Singh Thakur) who earns crores by doing illegal activities in the name of business, kills or makes those who obstruct him disappear. He takes the Home Minister (Srikanth Iyengar) to the brink of death when he tries to curb his irregularities. Into the life of such a jeeja enters a common man named 'Tees Mar Khan' (Adi). Jeeja kills Vasu (Poorna), whom he regards as his mother, while beating his men 'Tis Mar Khan'. What is the real reason to kill her? Who is behind Jeeza? How did 'Tees Maar Khan' without any background become a policeman and hit Jeeja? What sensational things did he learn in the process of killing Jeeza? You have to watch the movie to know.
Audiences who want diverse films like 'Bimbisara', 'Seetharam', 'Kartikeya-2' will find it difficult to appreciate a routine commercial film like 'Tees Maar Khan'. It must be said that Aadi, who has been looking for a proper success for a long time, did not end his expectations with 'Tees Maar Khan'. For more information visit Teluguone.com official website
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Last month was on Spotify, looking for some Desi main male character energy waale playlist... didn't found any... Decided to take matter into my own hands and made a playlist for all My Desi Main Male Character brothers...
We too deserve a playlist to imagine ourselves during midnight in the peak dream sequences waale hours...
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Tumblr pe #Bhaichara on top karne ka ghammad hai... 🥊
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cakejerry · 3 months
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Tell me your favourite Bollywood songs please
Yassss tbh it's basic shit like chikni chameli love mera hit hit/marjaani and chammak challo and allah maaf kare/desi boyz and bulleya/all the songs from that movie actually lolz and main tera boyfriend and meherbaan/tu meri and shikdum/touch me and and badey dilwala/sheila ki jawani and do dhaari talwaar/isq risk and balam pichkari/badtameez dil and main agar kahoon and babydoll and latoo and and and OMGGGG im such an ipophead fr
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urmomw4ntsme · 2 months
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"ye kahani koi aur likh raha hai pappu" yes bbg her name is farah khan shes awesome
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oddeyecir-cle · 5 months
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nct dream as bollywood songs
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thought of making this after i saw this post by @yangkitties (which is so cute btw <3). praying this post finds it's way onto the dashboard of fellow bollywood - kpop enthusiasts
𐚁 lee minhyung
prem ki naiyya from apkgk - the awkward and adorable boy-next-door
saawali si raat from barfi - honestly all songs from this gem of a film should be the soundtrack for mark and his best friends to lovers trope
𐚁 huang renjun
sham from aisha - truly the embodiment of the soft boy aesthetic what can i say
sheila ki jawaani from tees maar khan - but he's also a bad bish so
𐚁 lee jeno
mast magan from 2 states - he's just the sweetest and softest, a lot like this song
ang laga de from ramleela - it's just so...uh *coughs* so *clears throat* freaking hot sensual...yeah * looks away flustered*
𐚁 lee donghyuck
illahi from yjhd - i can totally see him being bunny (the character, NOT the animal) in some other universe and i love this song so
sooraj ki baahon mein from znmd - need i explain?
matargashti from tamasha - the ranbir kapoor character to hyuck pipeline needs to be studied
𐚁 na jaemin
gulaabi from shudh desi romance - i mean the jaemin = pink logic yes. but also if you imagine him in the mood of this song- calm but somehow playful and adventurous. it makes sm sense
uff teri ada from karthik calling karthik - because uff teri ada indeed
𐚁 zhong chenle
drama queen from hasee toh phasee- sass, wit, theatrics. this song IS him.
twist from love aaj kal - unbelievably groovy. he's very cool and so is the song.
𐚁 park jisung
kahani from laal singh chaddha - i swear i'm not trying to baby him. he's a grown man ik, but his presence is so pure and innocent :(( and i love how calm this song makes me feel
dhoom again from dhoom:2 - just fits his aesthetic (plus he would obliterate the choreo)
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amarakaran · 9 months
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what are your fav bollywood movies?
my favorite bollywood movie and favorite movie of all time is main hoon na!!! my other favorites are kuch kuch hota hai, munna bhai mbbs, andaz apna apna, asoka, three idiots, devdas, hera pheri, phir bhi dil hai hindustani, and tees maar khan!
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diana--williams · 1 year
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Every Hindi Movie 2012 and before
Ishaqzaade
Tere Naal Love Ho Gaya
Cocktail
Jab Tak Hai Jaan
English Vinglish
Raaz 3
Talaash: The Answer Lies Within
Agneepath
Aiyyaa
Student of the Year
Ekk Deewana Tha
Kahaani
Barfi !
London Paris New York
Teri Meri Kahaani
Houseful 2
Ekk Main Aur Ekk Tu
Heroine
Ek Tha Tiger
OMG: Oh My God!
Agent Vinod
Rowdy Rathore
Bol Bachan
Players
Makkhi
Dabbang 2
Gangs of Wasseypur 2
Tezz
Life of Pi
Vicky Donor
Bodyguard
Meri Brother Ki Dulhan
Murder 2
The Dirty Picture
Zindai Na MIlega Dobara
Love Breakups Zindagi
Ladies VS Ricky Bahl
Desi Boyz
Mausam
Delhi Belly
Patiala House
Chillar Party
Don 2
Ready
Force
Singham
No One Killed Jessica
Stanley Ka Dabba
Ra.One
Dum Maaro Dum
Zokkomon
Dhobi Ghat
Break Ke Baad
Raavan
Anjaana Anjaani
Guzaarish
Karthik calling Karthik
Udaan
Band Baaja Bharat
I Hate Luv Storys
Aisha
Lafaangey Parindey
Houseful
Badmaash Company
We Are Family
Once Upon a Time in Mumbai
Veer
Action Replayy
Golmaal 3
Khelein Hum Jee Jaan Sey
Bumm bumm Bhole
Toonpur Ka Superhero
Paathshaala
My Name is Khan
Phoonk 2
Kites
Tees Maar Khan
Me and Mrs. Khanna
Aladin
Kurbaan
Ajab Prem Ki Gajab Kahaani
Wake Up Sid
Billu
Dil Bole Hadippa
Whats Your Raashi?
Wanted
3 Idiots
New York
Chandni Chowk To China
Hello
Jaane Tu Ya Jaane Na
Dostana
A Wednesday
Jodha Akhbar
Rab Ne Bana Di Jodi
God Tussi Great Ho
Thoda Pyaar Thoda Magic
Kismat Konnection
Fashion
Race
1920
Yuvvraaj
Bhootnath
Drona
Kidnap
Golmaal Returns
Ghajani
Ghatothkatch
Namastey London
Om Shanti Om
Jab We Met
Heyy Babyy
Taare Zameen Par
Bhool Bhulaiyaan
Chak De! India
Dhammal
Ta Ra Rum Pum
Cheeni Kam
My Friend Ganesha
My Friend Ganesha 2
Kabhi Alvida Na Kehna
Chup Chup Ke
Vivah
Rang De Basanti
Humko Tumse Pyaar Hai
Dhoom 2
Krrish
Lage Raho Munna Bhai
Golmaal Fun Unlimited
Bhoot Unkle
Paheli
Bunty Aur Babli
Parineeta
BluffMaster
Iqbal
Page 3
Mangal Pandey: The Rising
Vaah! Life Ho To Aisi
Aitraaz
Hulchul
Main Hoon Na
Lakshya
Garv: Pride and Honor
Taarzan: The Wonder Car
Dhoom
Gayab
Raincoat
Main Prem Ki Deewani Hoon
Kal Ho Na Ho
Munna Bhai MBBS
Koyi Mil Gaya
Devdas
The Legend of Bhagat Singh
Mujhse Dosti Karoge!
Yaadein
Lagaan
Rehna Hain Tere Dil Mein
Nayak: The Real Hero
Kabhi Khushi Kabhi Gham
Dil Chahta Hain
Lajja
Hamara Dil Aapke Paas Hain
Mohabbatein
Kaho Naa..Pyaar Hain
Pandavas: The five warriors
Ramayana: The legend of Prince Rama
Mr. India
Sholey
Dilwale Dulhania Le Jayenge
Kuch Kuch Hota Hain
Dil To Pagal Hain
Hum Aapke Hain Koun!
Mann
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anotherfanaccount · 6 months
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Realised why I don't like HNY as much as MHN and OSO.
It's simply because Charlie is not simping over Mohini. Actually he straight up is disrespectful to her.
I mean from Major Ram straight up falling for Miss Chandni and fumbling words and steps and just is such a sweetheart.
Then there's Om who worships Shanti, even when his love is not requited. I mean he gives his life for her.
Anywho, Farah meta referencing all srk hits was so funny. Deepika and Abhishek have so much goofball energy fr. I loved this ensemble, they really were having fun.
And I'm once again asking for a Farah Khan movie.
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Bohot din se tees maar khan nahi dekhi
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elif-ants · 2 years
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when u get this u have to put 5 songs 🎵 u actually listen to, publicly. then, send this ask to 10 of your favorite followers (non-negotiable, positivity is cool)✨
last one was english songs so lets do the hindi ones i listen too!
mast magan from two states (would like to state that my south-indian cousin married a punjabi guy and they danced to this song on their wedding during the sangeet)
sheila ki jawaani from tees maar khan (it's fun ok!?)
subhanallah from yeh jawaani hai deewani
ye ladka hai deewana from kuch kuch hota (my college better be like this or i'm suing karan johar)
ratta maar from student of the year (boards ka saal hai)
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lovepropaganda · 7 months
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"Sheila Ki Jawani" Full Song | Tees Maar Khan | Katrina Kaif | Vishal Da...
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getmemymicroscope · 1 year
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It's crazy to think about how Emraan Hashmi's career has gone from 'serial kisser' (Murder, Zeher, Tumsa Nahin Dekha, Aashiq Banaya Apne, Aksar) to spanning a career that includes not just 'serial kisser,' but also: 'one who always dies' (*spoiler warning*: Murder, Chocolate*, Kalyug, Aksar, Gangster, Awarapan, Jannat, Jannat 2, Hamari Adhuri Kahani, Chehre); large cast star (Once Upon a Time in Mumbaai, Mumbai Saga, Baadshaho, Shanghai; The Dirty Picture); and even occasionally solid single-lead movies (Why Cheat India; Ungli; Raja Natwarlal; Mr. X). That's not to say all the movies were amazing or anything, but he's become pretty dependable as an actor (and while the song quality hasn't lived up to the success of his first couple of movies - which was going to be hard to do, living up to this appearance of Himesh as a singer, and then even getting Atif Aslam involved there for a bit - Zeher, especially; Kalyug, too - it is still pretty good overall). In fact, in this aside about songs in his movies, while you can't go wrong with Aashiq Banaya Apne and Aksar, as full soundtracks, I also love Tum Mile and Once Upon a Time in Mumbaai, and essentially every movie has one to two absolutely solid songs.
At the same time, it really sucks to see Akshay Kumar struggling through a string of flops right now, because - well, this is nothing like his string of bad movies in 1994 (11 movies released in total - though Mohra and Main Khiladi Tu Anari were actually good, and Suhaag was entertaining) or 1997 (7 movies in total) or that weird span he had of really bad 'comedies' that people inexplicably loved (Garam Masala, Deewane Huye Paagal, Phir Hera Pheri, Heyy Babyy, Khatta Meetha, Action Replayy, Tees Maar Khan, Thank You - though I will admit to, on multiple rewatches, having developed a soft spot for the absolute spoofiness of Tees Maar Khan). That's not to say his movies this past year were all excellent (looking at you, Raksha Bandhan, which was one of the worst movies I've ever seen), but this string seems to be more because people are stupid (they are) than a bad choice in movies. Sure, Ram Setu left something to be desired and Cuttputlli suffered from one too many idiot characters, but Akshay's been solid throughout. This isn't a rehash of the early 90s, that's for sure - people are just being dumb (as evidenced by the box office, aside from Pathaan, has been a disaster).
Selfiee is, by no means, one of Akshay's greatest roles ever - and probably not Emraan's either. But it's nowhere near 'bad' or anything either. Probably what hurts it most is that it depends entirely on being an emotional drama (with that random attempt at comedy that is the other actor, which arguably wasn't really needed for the story - but I guess it works a bit better than having him be a completely serious competitor) - and in a day of crazy action movies, emotional drama appears to be a bit harder for people to sit through.
At it's core, though, it reminds me a lot of Taxi No. 9211 (which I absolutely love!) - it's not as good, in my biased opinion, possibly because by making one of the characters a 'big name actor' (in the movie, I mean, not because they cast Akshay Kumar), the movie automatically goes to a much larger scale than the individual battle between Jai and Raghav. That battle is contained between them, and their loved ones, and one poor rule follower/pencil pusher at a bank; whereas here, almost immediately, it becomes a full-scale nationwide thing involving not just 'a common man,' but instead the "Common Man." And that just seems to be a bit harder to pull off, especially about something like a driving test (like, what the hell is up with that 10 question test he gives him; are they able to freestyle questions like that?).
The other movie that comes to mind is An Action Hero - which is sort of funny, because Akshay had a guest appearance in that role where he was advising Ayushman's character on what to do in that setting. Of course, in that movie, it was the death of someone and not just a driving test issue - and also, of course, the movies are completely different and pursue completely different stories. But the idea of an actor 'gone rogue' (less rogue, here, since he's actually able to defend himself) and the country up in arms about the sudden lack of deitiness of their self-annointed god is very similar - to the point where, in both movies, we have a bunch of very, very annoying media people who just do not shut up.
As this movie progressed, I saw more and more similarities to Taxi No. 9211 - Emraan as Nana, Akshay as John. And while the scale is much more grand, the basic battle - egos; common man versus rich man - in the backdrop of a time limit brought forth by something out of their control is very similar. Not as fun, here, maybe - I don't want to keep harping on it, but I really do think a lot of it had to do with the overzealous public that was over-the-top invested in everything - but still pretty fun overall.
Main Khiladi Tu Anari is obviously a fun song (though, sadly, it's an end credit song - though, given the gist of the movie, I think that was pretty obvious from the moment the song released) - a rant about Bollywood's obsession with destroying old classics with remixes instead of just coming up with new stuff aside - but the song at the beginning was just meh. The background music that played was pretty cool. Akshay and Emraan are, obviously, absolutely fantastic. Absolutely love them. Diana Penty sadly has very little scope, and Nushrratt Bharuccha's role is only slightly bigger. Adah Sharma was a surprise, in the sense that I had no idea she was going to be in the movie.
I do like that they didn't drag everything out too far and give us too many false endings (a la Pathaan, or RRR) - the whole thing is about a driving test, and they do pretty good about sorta sticking to that. There's probably a lot that could be said about the over deification of stars by the public (very similar to the bullshit that goes on with some politicians here, and with religious zealots here and there) and how ridiculously people act in that setting (see: the paparazzi, aka media, the entire movie; the fans at the end, once Akshay leaves; the talking media heads on the TV, egging everything on), but sadly, we're probably a long, long time from that changing. Whether you should ever think of some such celebrity as a god is questionable (no; the answer is a very simple no); but the society is such that so many people do it (see, again, the success of Pathaan, for example, and the stupid zealots that keep pushing a boycott over things like the color of a sari or lyrics in a song or words in a dialogue or content in a book).
I really did enjoy this movie, and I would not be opposed to watching it again for entertainment.
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