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#that is also from kny
potatobugz · 6 months
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its like this, basically
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spkyart · 10 months
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...uhm... guys....
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I DON'T KNOW HOW TO READ SHIT
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scrimblyscrorblo · 3 months
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More Uzugiyuu - I can’t stop, the brainrot, this stupid rarepair ugh TT
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otaku553 · 9 months
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Another one (plus updated the previous one :)) part 2 of making me and my siblings into demon slayers now that my brother has finally watched the show! It’s my sister and me! With much better art and much better design than 4 years ago, hopefully
For my sister, I leaned pretty heavily into medicine, giving her a role more similar to that of Shinobu within the Corps: not primarily a fighter, and helping treat wounds sustained by other slayers in battle as a healer. My sister is, in the real world, a doctor, and I have massive respect for the amount of hard work she’s put into getting to where she is now. She’s such an inspiration honestly <3
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swingstep · 2 years
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whoops! new fixation dropped
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demonslayedher · 1 year
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Hantengu: As Bad As You Can Get Without Being Muzan
I've touched on this in old meta entries and I'm just going to wind up linking them here, but a friend got me going on this again today, so I'll state it again: Hantengu is one of the most insidious characters in this whole series, if you're going by sweeping themes of self-mastery which Gotouge may or may not have consciously intended.
For starters, I'm going to compare Hantengu to his polar opposite, Rengoku Kyojuro, mostly by referring you this post where I already explained how Kyojuro displays samurai-style idealized virtues of self-mastery, stoicism, and inner peace about death or aging. A common theme in oni lore is how letting one's passions run amok is what brings out the demon any person has potential to become, whether these passions are greed or worry or even joy. Kyojuro is very clearly a passionate person, but he's self-aware enough to know that his passions must be kept in check in order to benefit from them, and that means putting effort into maintaining them. He's seen how that can lead to burn out as in the case of his father, so he maintains his own balance by recognizing and accepting the harsh truths of any situation with as much grace as he can muster, recognizing and taking steps to overcome his own shortcomings, and recognizing and making a choice to "set his heart ablaze" instead of getting lost in frenzy.
Hantengu, on the other hand, lets his passions run so amok that they take their own physical forms, and even then no single one of them is ever consistently powerful enough to be sustained for long before he's spawned something new based on whatever new frenzy he's in. It's his reckless abandon of self-control that made him so demonically powerful.
There are other characters who lack self-control, though--Inosuke and Zenitsu are who they are because they are the perfect agents to introduce chaos to any scene. They gradually take steps to learn self-mastery, however--Zenitsu is hyperaware of his own failings, to the point of rumination, and Inosuke is hypoaware. However, at their core, their desire to do better by other people leads them down paths of self-improvement, a path which keeps them aligned with humanity as opposed to the allure of powerful demons.
Demons in this series display similarly admirable traits, though--Kokushibo and Akaza have striven as hard as any Corp member to improve themselves, for instance. Gyutaro and Daki might have had blatant disregard for others due to a lingering jealousy and hatred for how much better everyone else always had things than they did, but they have always taken active roles in standing up for themselves and trying to improve their circumstances.
If we dive into more loathsome, demented demons, we still see that they know themselves enough to own their faults, whether they see them as faults are not. Douma is quick to recognize his own lack of passion, Enma is unashamed as about what gives him pleasure and uses his underhanded, self-protecting tactics in order to play the long game in his strategy, Gyokko is an artist, and Muzan is perfectly clear and at peace with who he is and what he wants. Muzan's desires are so plain to him that it even opened up a believable opportunity for Tanjiro to feel sympathy for him in their final encounter, though Tanjiro made the choice not to.
Tanjiro never even entertained the notion of pitying Hantengu, though.
I'll come back to Tanjiro, but to borrow from this post about themes in KnY as they relate to oni lore: In many philosophies, even an excess of positive emotions can be detrimental, and people who follow those philosophies are instead encouraged to not given into any emotion too strongly. Likewise, the lack of a virtue can be bad, but an excess of it becomes a vice.
While the Ki-Do-Ai-Raku fearsome foursome represent the danger of unchecked, excessive emotions, Zouhakuten represents an excess of virtue, which turns it into a vice. From an outside perspective, of course Tanjiro was doing the right thing attacking a tiny oni, because this oni will go on killing people if he doesn't, but Zouhakuten focuses so intensely on the injustice of attacking the small and weak that he is ignorantly convinced of his own self-righteousness.
The other demons don't do this, particularly--they justify what they do, like Daki saying how this is just the way the world works that beautiful and powerful oni can do whatever they want because that is how the world works, but she doesn't claim her actions are righteous. Muzan also makes rational points--which Zouhakuten echos--about how the demon slayers drive a lot of the violence due to their own inability to make peace with their lot in life, and going out of their way to attack demons. However, as much as Muzan believes he is superior, he doesn't belief he is a god who can cast moral judgement on others, nor is he interested.
Zouhakuten, taking the form of a deity that fiercely protects the precepts of Buddhism and threatens those who defy it, makes the daring claim that he is just.
The Demon Slayers Corp members, at least those like Tanjiro, are guilty of the same thing. The difference, however, comes back to self-awareness. For example, Tanjiro is confronted with the question of whether Zouhakuten/Hantengu has ever eaten anyone in Tanjiro's life, and as he has not, Tanjiro must at least question if justice is on his side anyway in attacking Zouhakuten. It was an easy answer, but being mortal and easily killed for sticking his neck out by picking fights with demons, it's something Tanjiro continually has to question and reaffirm.
Yes, the answer is always easy for Tanjiro, and yes, there are Corp members who are only in it for the glory or the money (and these characters are not treated as heroes). However, Tanjiro must also continually self-reflect on his own weaknesses and failings. Taisho Secrets tell us he's even reviewing his training and battles in his sleep to analyze and learn from them, and we see his continual efforts to improve no matter how beaten down he's gotten. In the heat of battle he has to keep himself confident and focused. He's got to keep from beating himself up unfairly, and he's got to keep from getting over-confident, it's a balance to maintain and it takes practice to read oneself with clarity.
He's constantly having to practice self-mastery, which means Total Concentration of whatever strength he needs to pull from, including passions like righteous anger that make it feel like his heart and/or forehead are ablaze. It takes him practice to be able to keep rebounding, but he's got humility to be able to learn from others, take criticism, and analyze himself with clarity.
These are the virtues which Kimetsu no Yaiba extols, and which most separates the paths of righteous from the paths of those who who gave into their passions.
As a few other examples: --Nezuko retains her virtues by recognizing her own weakness and focusing on self-mastery --Rui lost himself in a feeling of entitlement, conviction in his own sense of justice, and disappointment in his parents. Or so he thought! That was all the result of running away from a truth about himself he didn't want to face; the fact that he was the one responsible for breaking his family bonds. --The Pillars, with all their human faults, remain righteous because they could easily succumb to their own sorrows, angers, and self-loathing. The fact that they do not--however much these things have messed them up--and they keep striving to better themselves, for the sake of a conviction in something difficult to achieve otherwise.
Zouhakuten, instead of rising above his own shortcomings, is a deeper concentration of, a wallowing in those unbridled passions. Being so convinced of his own righteousness, he does not have any clear self-understanding, and therefore, has no inclination toward self-mastery.
He is, after all, Hantengu.
Hantengu made himself into what he is because he convinced himself of his own lies about his own helplessness, and this utter lack of self-awareness and his unchecked passions are what make him a demon. By doing nothing to improve himself, he grew out of control. And, ultimately, Hantengu is selfish. Everything must revolve around him and how he is the most wretched creature, the most powerless thing to ever have the harshness of the world thrust upon it. Among a cast of relatable demons, made victims of their own poor luck or circumstance or a desire to amend some wrong done to them, Hantengu is the worst because he got himself there for nothing but his own self-centered lie.
While all the demons have relatable traits which have flown out of control, he's the most realistically like someone we all know or have met. He's the most benign and hardest to catch, one whom many philosophical, religious, or therapeutic texts try to warn against for how his insidious fleeing from truth grows into something monstrous.
The scariest part is that the wallowing Hantengu might be closer than we think.
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ink-the-squid-gremlin · 4 months
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Endouma is a terrible ship, and here is why.
‼️WARNING‼️: Post not only contains semi spoilers for KNY, but it also contains mentions of things like suicide, depression and noncon/sexual assault. If you are uncomfortable with those topics, please refrain from reading.
TLDR: Enmu and Douma are not compatible with each other because that ship is mostly built up on fetished MLM tropes, overly sexualized versions of the characters and the romanticization of SA.
(God, I feel like I have been posting nothing but hot takes on this account as of late. I promise I will go back to posting art, cosplays, and more just chill stuff after this.)
Enmu and Douma are not characters that should not be shipped together, for multiple reasons. Starting off, THEY ARE NOTHING ALIKE!!!! I don’t know where or how it was decided that they were alike, or that Enmu is “Douma 2.0”, but it makes no sense. While both are meant to be irredeemable monsters, Enmu was an irredeemable monster from the get go. From what we know about his backstory, he knew he was scamming people and targeting the weak and vulnerable for it. Douma’s backstory goes a bit more in depth and explains that he was put into the role of “all mighty god” as a child, which lead to the power of it going to his head as he grew up. Douma was still an impressionable child who was failed by the adults around him, and as he grew up he took on some of those same traits as the adults he was surrounded by. The bottom line is this: Douma, while a shitty person, still has some way to sympathize with him, Enmu does not, and thats just on the story side of things.
Enmu and Douma also share nothing in common personality wise. On face value, they may kinda act similar (i.e how they talk (sorta)) but it really just stops there. Enmu ultimately had a goal to kill Tanjiro and gain more blood from Muzan so he could climb the ranks of the demon hierarchy. He wanted to gain more power and to overthrow one of the upper moons for the sake of power. He doesn’t care how many people he has to torment, hurt or kill, as long as he has spot in power, he is happy, hell, he literally has vulnerable and even sick children do his dirty work! Enmu is a sick and twisted individual and he prides himself on that. Douma on the other hand put on the happy and up beat facade to hide that he knows he was failed. Douma is aware he was failed as a human, and so he decided to fail his followers by being the embodiment of false hope. He plays into the false icon lifestyle by pretending to be hopeful and happy around his followers and even the other demons to an extent. He doesn’t care so much about power, rather he cares more about control. Douma keeps up his false religion persona to keep control over his followers. He knows he’s failing them, but he doesn’t want to lose the control he has over them.
Now onto the elephant in the room: the mischaracterization I’ve seen of both of them in the Endouma ship. In both fanart and fanfics I’ve seen and read (well more so forced down my throat since thats all I’ve seen with Enmu in recent times) both Enmu and Douma are mischaracterized to high hell just so we as the reader/viewer will feel pity for them. I’ve seen more of this with Enmu, in that all the stuff that made him unique from the other KNY demons is stripped away so his “savior boyfriend” Douma can comfort him and coddle him. Now, writing an AU is one thing, but if you’re just going to make content of the ship with the characters as they are in the series, then their actual personalities should be honored or at the very least acknowledged.
Going more in depth about the mischaracterizing I’ve been seeing with Enmu, almost all (ALMOST all, not all in general) Endouma content I’ve seen have made him either a depressed and anxious baby that Douma is meant to coddle, or an overly fetishized hyper feminine man thats there simply for sexual reasons. It just goes against their roles in the story of KNY.
Going off of the hyper feminine man mischaracterization of Enmu I’ve seen in regards to the Endouma ship, having him be pretty much a “femboy” not only contradicts him as a character, but it also is pushing toxic heteronormativity on a queer relationship. Making Enmu essentially the “woman”, while putting toxic heteronormativity in a very much MLM ship, it also just boils him down to a sex object and nothing else. Now, I will not say that portraying Enmu as a very sexual and even gross character is wrong, because there were plenty of scenes in KNY of him that had very sexual and perverted undertones, but that is what they were, undertones. There is more to his character than just the sexual undertones he has (as I stated earlier when describing him), and by boiling him down to a “sex doll” for Douma just kind of shows that there wasn’t much of an understanding of his character while making the ship art or a fic. He is much more than a sex object.
Moving onto the mischaracterization I’ve seen of Douma, while not nearly as bad as Enmu, it still feels very off from his character. Making Douma someone who GENUINELY cares for another person is also very contradictory to how he acts in the series. He is someone who cares very little for anyone he comes to meet, whether it be his followers or other demons. Now you may be asking “but, Ink! Douma saw Daki and Gyutaro when they were on the verge of death and decided to save them!” Which is exactly what I am talking about. The only reason he “saved” them was to keep up his facade of a savior and to get himself “brownie points” (for lac of a better term) so his public appearance would look good. Because he cared very little for Daki and Gyutaro, it shows that he only cares about looking like a good person and nothing else. Portraying him as essentially “Enmu’s therapist” that coddles him and such just feels weird. Douma has no emotional connections to anyone, so why would he have an enmotional connection to a demon that is considered lower than him?
Now similar to what I said about Enmu earlier, Douma is also much more than a sex obsessed pervert. Douma being portrayed as basically a male nymphomaniac in the Endouma ship is a very strange way to portray his character. Yes, he may have been fine with letting women seek refuge in his temple, but again, it was to make him seem and look like a good person. We should all know, or at least have the understanding that Douma is literally a woman eater. The women he houses in his temple ultimately have the fate of being nothing more than food. Viewing his reason for taking in women as something sexually driven is a complete misunderstanding of his actions. This misunderstanding of Douma paired with the sexual misunderstanding of Enmu not only creates a toxic relationship, but it also fetishizes and sexualizes MLM pairings. This is something I’ve noticed more in Endouma art, but a lot of it that I have seen feels very fetish-y. I can’t go too in-depth about this aspect, as I am a queer woman, but the way the ship is portrayed in a lot of the art I have seen of it feels as though it is pandering to the appeal of yaoi obsessed straight girls. While yaoi has been a term used for decades to refer to MLM based pairings in media like anime and manga, over the past couple of years, its meaning has become more based around fetishizing MLM pairings rather than just being about MLM pairings.
I now want to bring up something that I’ve seen associated with Endouma (and also the Enmuzan ship, but that is a topic for another time) that really makes me uncomfortable, and that is noncon and the romanization sexual assault. I don’t want to talk too much about this topic, as it is not only triggering for me, but it should also be common sense that fetishizing sexual assault is wrong. Again, this is more so something I have seen in artwork, but it seems almost normalized for Douma to be portrayed forcing himself onto Enmu. Now, I know you are all probably saying “Ink, if you don’t like it/are triggered by it, then don’t interact with it”, but when its all that has been made in regards to newer Enmu content as of late, and how people are hyping it up, its kind of hard to avoid. It makes me truly question just how many people really missed the point of their characters, and only focused on things like Enmu being more androgynous, and Douma being tall and muscular. In a general sense, if a ship is built on, or is popular from fetishized and romanticized sexual assault, it shouldn’t be a ship.
Finally, I just want to mention that these characters have NEVER once interacted in canon. I know that hasn’t stopped people from shipping characters before, but it’s just something I want bring up. (As well as the fact that the Upper Moon’s hate the Lower Moons)
I want to end off this post by saying that all of this is by no means targeted at a specific person, nor am I trying to say that my opinion is correct. I am just stating my own opinions and just stating observations I have made after being in the KNY/Enmu fanbase for nearly 4 years now. People are allowed to ship characters together (within reason) however they like, but just be aware of how it will look on your own part, and what views it may look like you have.
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nerosdayinanime · 22 days
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fighting for my life to draw anything the past like 2 months what the fuck
anyway for the kitsune au im dipping back into the very first iteration of it where sabito was more of a monster, in current iteration he was revived as a kitsune (from the rock tanjiro split) to help tip the scales in slayer's favor and hes kinda a pawn of the gods. sometimes hes not really in control of himself when he goes against powerful demons
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hoe-4-the-clones · 8 months
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the silliness from people calling every red haired older man "Tanjiro's dad" inspired me to make this edit
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softichill · 2 months
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Pose + foreshortening practice ft. Boarboy
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murachinchi · 8 months
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HanTan Swap AU
pov u broke into their house.. i draw inspo from bl mangas and it supposed to be at least half body but i got frustrated
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tanjir0se · 3 months
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Alright so here’s what I’m thinking
A plot B plot structure because you KNOW your girl can’t resist an A plot B plot
A plot: while sparring and bickering a little, Giyuu accidentally calls Sanemi ‘Sabito’. Sanemi, being Sanemi, who doesn’t know who Sabito is, automatically assumes Giyuu was trying to insult him (not helped by Giyuu’s stubborn refusal to elaborate). As fate would have it, shortly after they’re assigned to a mission together and Sanemi makes it his mission to get Giyuu to explain who Sabito is. We cut back and forth between this and B.
B plot: Meanwhile, the mistake stirs up old feelings for Giyuu and the B plot is centered around him meeting Urokodaki and Sabito for the first time, Sabito’s initially coarse behavior and how it was always undercut but a real tenderness for him. We span several years, showing Giyuu and Sabito’s relationship developing from a sibling-esque rivalry to the beginnings of first love, and finish the B plot probably the night before final selection.
Finally after their mission Giyuu is injured and they both find a Wisteria house to patch up. Sanemi finally demands to know why Giyuu “insulted” him and Giyuu immediately takes offense to the notion that being called Sabito’s name is anything but an honor. His temper takes ahold of him and he finally tells Sanemi exactly what Sabito meant to him. Sanemi immediately feels bad for his assumption, especially given his own history as a big brother.
And then they. Idk. Kiss or something. whatever
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urostakako · 11 months
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happy june <33
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otaku553 · 9 months
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3 of them!
The third and final part of turning me and my siblings into demon slayers: my brother! He’s the only one out of the three of us that exercises regularly and actually does martial arts so he gets to be the strongest :P he’s also the tallest, like 10 whole inches taller than both me and my sister but he’s actually the middle child! And he’s only a year and a half older than me :)
For his weapon I wanted something similar to a staff but also containing a blade, because he showed me some staff forms one time for his martial arts club and it was really cool :0 so I’m not sure how viable the twin-blade staff would actually be in battle or how it would be made (but if the sword smith village can make kanroji a whole whip out of a metal blade then I think they can definitely make a scabbard out of metal). The way it works is that when sheathed, the blade is a full staff, and either side individually can unsheathe to make a spear. It can also separate down the middle to become two swords, which is much more effective for traditional breathing styles. Shougen is the only one strong enough out of the siblings to fight effectively without the assistance of wisteria poison.
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octoooo · 10 days
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Hey did you know Mitsuri is actually a reindeer?
What you don’t believe me ? Okay well I literally got this from the manga so..
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Bet you feel silly now huh
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My thought process:
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Panel redraw:
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𝗐𝗁𝗒 𝗇𝗈𝗍
❥𝗌𝗇𝗂𝗉𝗉𝖾𝗍 : 𝗌𝖺𝗇𝖾𝗆𝗂 𝖼𝖺𝗍𝖼𝗁𝖾𝗌 𝗋𝖾𝗇𝗀𝗈𝗄𝗎 𝖾𝗒𝖾𝗂𝗇𝗀 𝗒𝗈𝗎 𝗌𝗈 𝗁𝖾 𝗍𝗁𝗂𝗇𝗄𝗌 ‘𝗐𝗁𝗒 𝗇𝗈𝗍?’ (𝗌𝗆𝗎𝗍)
{ 𝗐𝖺𝗋𝗇𝗂𝗇𝗀𝗌 — 𝖻𝗅𝖺𝖼𝗄 𝖼𝗈𝖽𝖾𝖽 𝖿𝖾𝗆𝖺𝗅𝖾 𝗋𝖾𝖺𝖽𝖾𝗋, 𝗆𝗈𝗍𝗁𝖾𝗋 𝗋𝖾𝖺𝖽𝖾𝗋, 𝖻𝗋𝖾𝖺𝗌𝗍 𝗆𝗂𝗅𝗄, 𝗈𝗈𝖼 𝗌𝖺𝗇𝖾𝗆𝗂, 𝗍𝗁𝗋𝖾𝖾𝗌𝗈𝗆𝖾, 𝖽𝗈𝗎𝖻𝗅𝖾 𝗉𝖾𝗇𝖾𝗍𝗋𝖺𝗍𝗂𝗈𝗇, 𝖽𝗂𝗋𝗍𝗒 𝗍𝖺𝗅𝗄, 𝗄𝗂𝗇𝖽𝖺 𝗈𝗇𝖾 𝗌𝗂𝖽𝖾𝖽 𝖿𝖾𝖾𝗅𝗂𝗇𝗀𝗌 𝖿𝗋𝗈𝗆 𝗄𝗒𝗈 𝖻𝗎𝗍 𝗂𝗍 𝗐𝗈𝗋𝗄𝗌 𝗈𝗎𝗍 𝗂𝗀. }
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you who recently had a baby with sanemi, your loving boyfriend, walks out of the room only in your underwear and a loose cami, f/c bonnet covering your braids, the baby nursing on your tit, not know sanemi’s friend rengoku is there planted on the couch manspreading.
sanemi who nudges kyojuro to look in your direction, whispering amongst themselves, as you bend over to get a bowl from the dishwasher, putting in some strawberry banana puffs for yourself not even aware of the extra person in your house.
sanemi who calls for your attention watching you turn eyes widening slightly in sight of rengoku before saying fuck it and greeting them both. “morning ‘nemi, morning kyo. I didn’t know you were coming over this early.” you sit in between them as they watch your son who looks just like his father, except for a mixture of your skin tone, drinking from you before having his fill.
sanemi who takes your son from you pulling him right off of your tit making you groan as you cover the puffy brown bud that began to bead with milk. “‘nemi I told you don’t take him like that, if you pull him off too fast I’ll start leaking.” you whine with a pout before apologizing to rengoku for flashing him. “no problem darlin’ it’s your house.” you nod stand up and taking your bowl with you telling your boyfriend you were going to shower.
sanemi who nods letting you be on your way watching rengoku stare at your switching backside that got plumper when caring and having his son. he caressed the tuft of white hair on his sons head watching his mean face scrunch even more, like looking in a mirror, before putting the baby over his shoulder to burp him. he looks back at kyo who watches him nurse his kid, a smirk on his face. “so what do you think?” rengoku didn’t even have to hesitate his smile growing big.
sanemi who kissed your forehead as you whine, fretting over your son as you hand him to your mother who complains that she’s taken care of children before with a hand on her hip. watching you wave as they drive off, leading your by an arm around your waist towards your bedroom, planting a tingling kiss on your neck chuckling as you shivered, looking down into your doe brown eyes.
sanemi that kisses the knot in your furrowed brows after he asked you if rengoku can join in. “you want me to fuck kyo? seriously?” he shrugged a cheesy smile on his face as he grip your hips with both hands massaging them. you left out an interested hum. “okay ‘nemi just want y’all to be careful I’m so sensitive right now.” he hums a patronizing ‘yea’ as you throw your arms around neck he pulls you closer, both hands gripping the fat of your ass in the soft shorts you wore, making you whimper into his kiss.
sanemi that opens the door for rengoku with a roguish grin on his half soaked face. “I see you started the party without me.” nemi shrugs, a cheeky laugh spilling from his mouth. “what can I say, what my woman wants she gets.” they walk into the bedroom finding you massaging your breast, a hand in between your legs fiddling with your clit. rengoku takes off his shirt tossing it to the floor and sitting at the edge of the bed rubbing on your calf.
sanemi who sits behind you so you both face rengoku, hand going to grip your throat nipping it, swears he can’t get harder as you moan out a “hey kyo.” “hey darlin’ you wanted me to play with you and sanemi?” you nod your head. “she says she’s too sensitive since she’s had the baby but that just means she’ll come quicker.. had to test it out myself.” sanemi says making out with your neck as rengoku hummed in amazement. “is that right?”
sanemi who watches rengoku fuck himself into your tight cunt, sucking at your tits taking his child’s nutrients, his own dick stuck down your throat that you had no problem talking. “it’s good isn’t it?” rengoku lifted his head your bud popping out of his mouth making you moan around sanemi’s dick causing him to groan. “fuuck yeah so sweet making me wanna cum in her.” you clench down on rengoku’s dick.
sanemi who moans out “sshit I know right. she would love to be fucking pregnant again ahhh a-always asking me for another baby, ain’t that right you fuckin slut?” he taps your cheek making you whimper around him. he watches rengoku fix his position to dig deeper in your guts.
sanemi who gets help from rengoku to clean off your unconscious frame sullied with their cum, walking to the kitchen to get some actual nutrients, they talk about any and everything until rengoku feels it’s time to take his leave, being stopped by the white haired male. “she’s been super emotional lately too, so if she knows you left she’ll probably bawl her pretty brown eyes out and…you like her don’t you?” rengoku’s eyes widen giving sanemi his answer.
sanemi who shrugs. “I mean I wouldn’t mind if she wants it, or to keep doing it with you but then again it’s her decision. you taking the couch or you gonna get in the bed?”
sanemi who chuckles lowly hearing rengoku’s footsteps behind him.
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𝗌𝗉𝖺𝗆 𝗅𝗂𝗄𝖾𝗌, 𝗋𝖾𝖻𝗅𝗈𝗀𝗌 𝖺𝗇𝖽 𝖼𝗈𝗆𝗆𝖾𝗇𝗍𝗌. 𝖣𝖮𝖭𝖳 𝗌𝗍𝖾𝖺𝗅, 𝖼𝗈𝗉𝗒 𝗈𝗋 𝗉𝗈𝗌𝗍 𝖺𝗇𝗒𝗐𝗁𝖾𝗋𝖾 𝖾𝗅𝗌𝖾. ©𝖼𝗂𝗍𝗒𝗉𝗋𝖾𝗌𝗂𝖽𝖾𝗇𝗍𝗂𝖺𝗅
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