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myimaginarywonderland · 1 year

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Another long post in coming:

This fandom has gotten so weird.

I do not know what it is but something has definitely shifted and it honestly makes me uncomfortable to see how open some of you will be when it comes to not only invading drivers privacy but also just their general life it almost feels like.

Not only has it become normal that drivers are sexualized and treated like characters from a fucking TV Show but you are also all way too comfortable when it comes to treating them like an almost object. The amount of shit that some of you will post on public platforms where drivers can easily get access to is genuinely baffling. Some of you will have no hesitation telling a driver they should get ride of themselves but then will be not be sure about a fucking driver change?

So many of you will be so open to make posts about drivers ships and then go to said drivers and demand they comment on it and it's like, when did you all get so comfortable? Who gave you the right to demand a person's opinion on a complete non-existent relationship that you created in your fantasy?

Not to mention this weird wag culture, drivers insert like they don't have real girlfriends and this doesn't border on objectifying the drivers.

I know some of you might be young but the way many of you behave is truly not okay and you should maybe take a step back if you can't figure out why your behavior might not be mean.

And I don't mean there is anything wrong with complementing a drivers appearance or mentioning how the friendship of two drivers is sweet or intriguing.

There is a line and then there is going widely beyond.

Not to mention the complete willingness with which you will all blatantly play favorites like all of these drivers haven't done or said fucked up things in the past. They are human , they are bound to make mistakes. Of course you do not have to forgive them for that especially not when their hurtful actions affected you directly but don't act like most of these people would even be able to find a common ground with most of probably very open-minded and colorful folks. I can tell you that most of these man would probably if you actually talked to them one way or another in the way that some of you want to, turn out even shittier than previously assumed because their nothing like us common folks. They life in a compleltly separate and different environment than any normal working class person and they grew up in such a secluded way that ignorance is probably something that is bound to have been taught to most of them. What they do later is compleltly their decision but many are still growing and figuring out their place so maybe stop judging them while some of you are supporting people who are 27 and dating 19-year Olds. There's a German saying "Wer im Glashaus sitzt, soll nicht mit Steinen werfen" which means that someone in a house of glass shouldn't throw stones, translating to maybe don't judge if your position to judge is built on something just as bad.

Secondly this entire Lewis/Max fanbase feud has gotten so out of control that I feel like some of you are genuinely a hivemind that can't use critical thinking. We don't have to use every fucking word those two say and make it about how it could get ride of them or how they clearly are still hung up on etc.

I don't care who you support on this but maybe just stop fucking judging everything they say based on how you like/dislike them. Just like in the real world someone we might not like will also happen to make good points in an argument and there is literally nothing wrong with admitting that. I know we like to tag the position on this but like it's really not hard to ignore one side if you want to.

I am not asking you all to understand the other side in this because I agree that some of us just can't and won't see eye to eye and that's fine. But I wish some of you would step being so obsessed about a weird rivalry that really wasn't even that when there are so much more important and bigger problems we as a fan base should be talking about.

Another thing that I will never understand is this bitterness towards a driver who get another drivers seat. Yes, it will hurt especially if it's your favourite driver but also, the driver is not responsible for any decisions a team makes when it comes to who drives for them. That decision is either made in mutual agreement or the driver will be kicked out. And this is F1. Contracts really do not mean shit here and aren't a guarantee especially if there's any reason (performance, marketing etc.) that another driver looks more promising. I can guarantee that no driver is a villain in that sense and you should absolutely first and foremost blame the team.

Also I will never understand this weird only hating RedBull thing when it comes to teams. Like listen yes RedBull is an absolute shit hole and has treated their drivers badly but at least they give their drivers a chance to fail. The academies and driver programs for other teams are even worse with people just stuck in a category hoping, waiting to move up and missing out all opportunities to go to any other sport, let alone a different team. The entire way drivers are handled is done badly by so many teams. If you only accuse RedBull you are so off. Just look at Kevin and Stoffel at McLaren, Pascal who was tossed aside although he is clearly now proving his worth in FE, Nyck never being able to go anywhere because he couldn't afford it, etc. The problem is way bigger than just RedBull and to only look at them completely missed any point.

Additionally this is a special shout out to the Seb fandom Listen, I know it might sting that the car is now performing. But Seb willingly made the decision to leave in order to spend time with his family. He looks so much happier and relieved now then I feel like he was for years. Let him enjoy this. If you can't enjoy F1 since he is gone that's fine or even if you need a break. What isn't okay is wishing a driver to be ill so that Seb could come back when it wouldn't even be him as a first choice. Maybe some of you should take a page out of Mike Kracks book because he said it so beautiful in that interview. Sure you consider what ways there are to bring him back but ultimately you should respect his wished and decisions to be there for his family while exploring other passions and continuing to advocate for environmental causes.

Lastly, I wish some of you would realise that in F1 there isn't anything such as a goat unless you are purely using statistics which doesn't work. People have opinions on drivers and that's all fair to prefer one over someone else. What isn't fair is to dismiss a drivers career or results without actually fact checking or providing evidence for it. There's many reason why a driver might be more of a team-mate in a season like 2020 that some drivers missing out on races due to Covid which just means they had less race to prove their worth and get results. You can't compare drivers from different eras because F1 was complelty different in both instances and we couldn't possibly prove which one was the better driver. What I want to say by this is : You can prefer a driver but that doesn't mean he had to be one of the bests. There's no shame in supporting a driver whose results might be lacking. What is not okay is to shit on drivers or other fans while most of you ignore actual facts that determine said drivers points/position in the statistics. Before you engage in why one driver is better than another maybe consider actually looking up said drivers career and when I say this I mean beyond just plain race results or points and actually seeing their starts, development, qualifying etc.

F1 is currently very hard to enjoy but sometimes this fandom makes it so much harder.

So a tip for those of you who struggle with it currently and start to see that it's affecting them negatively: Take a step back and maybe reflect on how you want to enjoy this experience.

I can guarantee there a beautiful and fun communities out there who will welcome anyone that is kind and respectful. I can guarantee that once you actively start to make your own experience and maybe also form your own opinions there will be a revelation that this sport isn't that important and serious.

Breach out. Look for other racing because there is so much more interesting categories out there who actually will give a happy experience.

Racing doesn't end with F1, it merely starts there.

But also, that does not mean we should let some of the treatment that has formed in this fandom especially on here be tolerated.

Like I said the line from drivers being actual people and athletes that you admire to this weird cult like characterization has become way too accepted. Maybe consider not being a part of that or reflecting and questioning why you might be.

#f1 #if any of you have something else to add please do if it's respectful #weird rant but yeah hope I got some points across #also to everyone: my blog will be a safe space for everyone as long as you are respectful and treat others with kidness #yes I do not support all drivers but I refuse to become someone who actively roots for anything bad to happen to them #favourites are normal but the way some of you treat them isn't #also I will also welcome new fans and answer questions #look at other racing series guys!#there's indy and FE both with so exciting championships this year #and so many other racing events #yes there might be fewer fandoms for those buf it just makes them feel like more of a community than anything else

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hihimissamericanbi · 3 months

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FAVE HP SMUT CREATORS

Ever since I got that lovely anon asking for the best smut I've ever read, it got me thinking about some of my favorite smut creators in general.

So here is a very non-exhaustive list of fan-fucking-tastic smut writers and artists I've come across in the HP fandom that weren't mentioned (shamefully) in my last batch. Feel free to add to the list! We must keep the people fed.

xoxo go take a sip of cold water girl

WRITERS

@spookymoonie

Lord Espooky came into this fandom guns a-blazing with their kink headcanon a day for Wolfstar and it has spiraled from there. They GET IT. He has a super well-organized masterlist pinned to his tumblr ft tons of different kinks, fic lengths, scenes, etc. Go. Now.

@fiveht

The definition of IYKYK. Daddy kink isn't super my thing, but Five makes me enjoy it. If you vibe with age gap daddy Remus and pretty boy Sirius, their Adore series is a must-read. They also have a stellar A/B/O Wolfstar fic plus podfic and write some Marvel too!

@greenvlvetcouch

An absolute legend in this fandom. Wolfstar, Jeggy, Rosekiller. Gritty, chewy, embodied sex.

@emeryhall

Emery writes sex the way some people breathe. Like it's just part of the narrative. It's SO punchy. And also she is the queen of Crack Smut.

@kaaaaaaarf

Patron saint of Wolfstar hatefucks. mic drop.

@cancerravenclaw

We snagged MK over to Wolfstar from the clutches of Dramione. Her series "mk's kink exposé" could also be called "celine's kink exposé." I'll just leave that there.

@wolfpants

Everything they create is magic, but they are especially known for rare pairs and Dronarry.

WRITERS AND ARTISTS

@aspiring-artist-em

The queen of Lesbian Wolfstar. Both art and fic. Also queen of humiliation and pain kink and Walburga psychological trauma. ye be warned.

@upthehillnsfw / @upthehillart

I am afraid no one is ready for this art. Truly. Tons of different ships, positions, acts. I gasp every time. And their Pansmione fic is epic (which I have talked about before).

ARTISTS

@industrations

I highly recommend getting on Indi's Patreon so you can enjoy their NSFW drawings, mostly Wolfstar and Jegulus, occasional Rosekiller. Too many iconic moments to count.

@waxingrunes

The officially-sponsored artist of Five's Adore series. Look, their work is nothing short of indulgent. Shhhh don't worry about the physics just let it happen. And by It I mean Remus' big dick hands.

@basiatlu

By beloved. The one. The only. Bosh's drawings are so ALIVE. They leap off the screen. Her Drarry is nothing less than iconic. She also dabbles in other characters/ships like Wolfstar and Blackcest. Siriusly, you can't go wrong.

DRARRY SMUT

OKAY, Drarry people. There are so so many excellent Drarry smut writers it is impossible to name them all. Here are but a tiny handful I have pulled from my bookmarks. I'm happy to rec specific fics if asked :)

@cavendishbutterfly, @bixgirl1, @l0vegl0wsinthedark, @shiftylinguini, @kbrick, @fluxweeed, @academicdisasterfic

I'm tagging those other creators from older asks because I can't put this list out there without them on it <3

@crushofdoves @we-are-swearwolves @tenthousandyearsx @theresthesnitch @lqtraintracks Quietlemonhush @cuddlebugsirius

#celine spills #celine's library #smut recs #hp smut #wolfstar smut #drarry smut #jegulus smut #HI FRIENDS i love you all #celine's flirting again #fic recs #hp fic recs #fan art #hp fanart #wolfstar art #drarry art #jegulus art

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thebibliosphere · 8 months

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I saw your post about ingram, and out of curiosity, is there some advantage to going through the whole self-publishing thing with retailers when you're just starting out? like I mean the way that fandom zines work is that they don't even bother going through ingram or amazon or whatever. they just set up a social media site (usually twitter) to gain followers, open preorders (usually 1-2 months in length) to generate the costs of printing upfront, and then sell anywhere from a few dozen to several hundred copies of their books (usually artbooks, but anthologies exist too). I've seen some zines generate over a thousand orders. they're kind of like pop-up shops, except for books. maybe the sales numbers aren't so impressive to a real author, but the profit generated is typically waaaay more than the $75+ apparently needed for Ingram Spark, so I still feel like new authors could benefit from this method too, especially if they just need some start-up cash to eventually move to ingram if they want to for subsequent runs of their book. I think authors would also have to set aside some of the pre-order money to buy an ISBN number to have printed on their book, and I'm not really sure what other differences there are, but I just wanted to ask about it in case there's some huge disadvantage I'm missing!

So, popup zines work well for some people, and I know some authors who kickstart their work successfully. But for a lot, it's just not feasible as a long-term stratedy. Or even as a means to get off the ground.

Fanzines succeed primarily because an existing fanbase is willing and ready to throw money at something they love. They’ve got a favorite writer or artist they want to support. Supporting all the others is just a happy by-product. They also take a HUGE amount of short-term but intense planning that just doesn’t always jive with how some of us work.

I, for one, would never offer to organize a fanzine. I’ll take part in them as a creator, but I’d rather throw myself off a cliff than subject myself to wrangling that many people and dealing with the legal logistics.

When it comes to authors doing anthologies, it'svery much the same. The success of the funding often hinges on having other big-name authors involved whose existing fans will prop up the project. Or having a huge marketing budget.

Most self-pub authors have zero marketing budget. I’m one of them, and I’m under no illusions that my work would not be as popular and self-sustaining as it is if I didn’t have a large Tumblr blog.

When I thank Tumblr in my forewards, I am utterly sincere. Tumblr brought fandom levels of enthusiasm to an unknown work and broke the Amazon algorithm so hard, that Amazon thought I was bot sniping my way to multiple #1 spots and froze my sales rankings.

That’s not the norm. And while I could probably kickstart my own work as an indie creator, that’s because I’ve put literal decades into building up a readership. I’ve been doing this since I was 16 and realized people thought I was funny. I didn’t know what to do with it or if I’d ever actually write anything, but it meant the groundwork was already there (thank you, past-me). I basically fell upward into my success by virtue of never being able to shut the fuck up and wanting to make people laugh. Clown instincts too strong.

New or first-time authors trying to sell their work without that will find it infinitely harder.

All of that aside, even if an unknown author somehow gets lucky and manages to fund their work, there’s still the question of shipping and distribution logistics. Are you shipping everything yourself? Better hope you’re able-bodied and have the time for it. (for reference, it took me months to ship out 300 patreon hardbacks because of my disabilites. It damaged my back and hands. I couldn’t type for several weeks after I was done.)

Are you going to sell primarily at conventions? Better hope you’re able-bodied, have the time and don’t have cripling anxiety about being in large groups...

Also, will selling a dozen to a few thousand copies in one burst be sustainable in the long run as a career? Not for me. Doing things via Ingram and Amazon means I earn a steady trickle of sales for the rest of my life provided the platforms remain and so long as I keep working and can generate interest in the series, not just when I have funds to pay for physical copies to sell. The one-time (in theory) cost of $75 to distribute through Ingram gets paid off pretty quick that way. And it doesn't require the same logistics as doing the popup/crowdfund.

Ultimately, it comes down to what you are capable of but also the type of work you’re doing. If you’ve got an extended network of fellow creatives who will back you or you’ve got a large following elsewhere, doing it like a popup might work for you.

If you’re an exhausted burnout who can’t fathom the short but intense amount of organization that sort of thing requires, not to mention doing it over and over and over... Ehhhhh. No thank you.

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iloveyouemanuelmarco · 1 month

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I don't understand how Vivziepop still has a fanbase anymore that unironically still supports her after all the scenarios of controversy where she brushes it off as petty internet drama from "petty envious antis" atleast before she runs off into her crowd of chronically online and discourse obsessed problematic adults on any social media platform(Mostly Twitter to be specific but still)who are just a group of yes-men for her to use to attack not even only children on the interwebs who just happen to be uncomfortable with the fandom she's cultivated over her career of a wannabe artist and animator, but other adults too who by the way are somewhat consisting of survivors of abuse, rape, are LGBTQIA+, BIPOC, neurodivergent/disabled and possibly more. It honestly makes me sad as it does angry because the concept of the show isn't that crazily impossible in my opinion atleast and it could of had so much potential to do way better if not only the obvious subject matters were treated with much more care in an attempt to rework the scripts but also if Viv didn't do half of the stuff she did just a bad person in general. Like...is that really the best you can do for your fanbase???You cannot be not-joking atleast a little bit when you're telling me that apparently not only are children not being stopped from engaging with an 18+ rated show(even though the amount of vulgar language is done so poorly that it could pass of as your average failed Newgrounds animation), but that they're literally being encouraged to interact with the fandom???Are you out of your mind???Don't even get me started on the other stuff that you all probably already know about such as the blatant mockery of S.A., abusive relationship dynamics, hypersexuality in victims of said scenarios that happen irl, having other such "jokes" including some sort of rapey scene at all and having someone who actively and openly supports "non-con" fiction???!!!! What is wrong with you people??And apparently I have to share the home of the beautiful planet Earth with these idiots choosing to have the cognitive dissonance and brain function of an almost-empty and dusty old peanut...Along with the fact that the woman herself treats her animators at Spindlehorse Productions(her studio I suppose)like utter dog-dung, she has proven to drag anyone who defies her problematic and dare I say dangerous behavior through the mud and gets away with it all because of her stans/fans making her the "face of independent animation/indie animators". I honestly feel so awful for those who may have genuinely looked up to her at one point, atleast not knowing how much of a horrible person she was behind the scenes of the computer screen but its whatever anyways I guess. If any aspiring makers of cartoons or comics(LGBTQIA+/BIPOC/Disabled preferred) would like to promote the stuff they male down below in my comments section than feel free☆. It's the least anyone can do under the storm that's being made and has happened for such a long time ughh. The project should have been attempted a little more to be prevented from the confines of those echo-chambery and gross parts of fandom-centric social media communities and It's so discouraging how long this has been going on too, but hey. She's the lady that unironically made a literal pedo character that she attempted to present as a villain while just having the original character end up as a sort of "cool af bad-girl aesthetic uwu" character. Oh my fucking God please stop at once I swear to the highest Heavens and the deepest, most darkest depths of Hell(Ironic).

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ponett · 3 months

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Thank you for brave and honest opinion on the show, Hazbin Hotel. I sincerely hope the toxic fanbase don't find you. They are incredibly crazy and scary. I genuinely mean this out of concern.

no yeah, the response to the review has been extremely warm, thankfully. i wasn't sure how it would go over considering that fanbase skews young, obsessive, and extremely defensive, but i've mostly just gotten a few comments like "i don't agree with everything here but i think you articulated your points well," which i appreciate. i did get a couple randos on twitter accusing me of clout chasing but whatever lol

i was a little nervous about putting this out not just because of the infamous fandom attached to the show, but also because i didn't want it to be seen as like, one indie creator shitting on another or whatever. which is why i don't really talk about my own creative work anywhere in the review, and left off the end-of-article plug i would usually do. i didn't want people to interpret it as an attempt to promote myself by tearing down something else popular but controversial, nor did i want to turn it into "and here's why MY story is so much better!" i genuinely just had a ton of thoughts about a show i watched that i wanted to get out of my head

the first draft also had a short section after the intro that was more blunt about how hazbin isn't just some indie passion project anymore, it's a real-ass tv show that deserves to be judged as such, and how other people are allowed to like it more than me and it's nothing personal etc. etc., but i just cut all that stuff way down. it was way too defensive, and any stan who's already decided they're going to get mad at criticism of hazbin or helluva boss is not going to be swayed by a disclaimer. that sort of thing should go without saying on a review, anyway. (but, again, thankfully people have been reasonable in their responses so far)

#anon #ask

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odysseyeurobeat · 20 days

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Literally just me gushing about eurobeat

Y'know what? Tumblr, you get a little treat. I don't have much better of a place to post something long-winded like this, so here we are.

I love eurobeat music. Big surprise from the girl with it in her handle, right? But I don't just love one kind of eurobeat. No, I'd go so far as to say I love it all. This genre becomes an absolute buffet of delightful, energetic, silly fun when you forget about trying to look for ways it "doesn't count", and try to look for the ways it does.

I love early eurobeat! I love the stuff that's indistinguishable from early Italo Disco, the formative things where the tempo was still low and the disco vibes were still high! That's Eurobeat and the first few volumes of Super Eurobeat are great for this!

I love later eurobeat, too! Even if some of the sounds aren't always my favorites, I love that folks were trying new things and dabbling with new sounds, experimenting in ways that in previous years seemed prohibited! Comparing some aliases who have been going for multiple decades from this period to when they started is also super fun!

I love traditional eurobeat, if I could pick a name for it! Faster, more rave-influenced, whether or not it's still got some disco elements in it, themes about nightclubs and love and loss and betrayal and that ever-ubiquitous fire! Maharajah Night has some great examples, leading into the bulk of pre-200 Super Eurobeat volumes!

I love J-Euro! It turns out, folks in Japan have different ideas and tastes and approach the genre VERY differently than the folks in Italy do, and I love how it sounds! I love how the sound design is so different and the speed jumps a little higher!

I love indie eurobeat! I love hearing how new and amateur producers take a crack at the sound, and seeing what folks do as the tools for making it grow and evolve! Even virtual versions of the synths the masters used to use are available now, and it's fantastic to hear how those things sound in new hands! I love the ways indie producers bend, break, and work around the rules of the genre and still deliver a uniquely "eurobeat" experience! Without this category, I would never have found DJ Command, DJ Bouche, Turbo, Vikas Beatbox, the Galaxian Recordings crew, and so, so many more!

I love happy eurobeat! The nature of the genre makes it so straightforward to pair its signature energy with joy, delight, empowerment!

I love sad eurobeat! That very same energy that powers joy and happiness can be just as powerful for driving home sorrow and sadness, and some lyrics even carry strong emotional weight (we're well past the days of eurobeat being only about Burning Love Car Baby Fire Desire Tonight Drift Tokyo, y'know)!

I love fandom eurobeat! Yup! Vocaloid, Touhou, MLP:FiM, Vtubers; whatever you may be a fan of, chances are good there's a eurobeat remix out there (or even an original) that suits your fancy!

I love Initial D eurobeat! How could I not, right? The classics are classics for a reason, and eurobeat and drift racing are a uniquely fantastic pair. Of all the things eurobeat could be about, it's one of a few that really knock it out of the park!

I love feminine eurobeat! Masculine eurobeat is great too, but it already gets a lot of love in the other categories, so I want to celebrate those eurobeat songs that feel quite the opposite while still being perfectly eurobeat! Eurobeat is broad enough to express feelings like this, too!

I love songs that aren't quite eurobeat, but have elements of it! And I love eurobeat songs that heavily include elements from other genres, too! Eurobeat is like any other genre-- it has not always had the same chances to rub shoulders with other sounds in the dance space, but when it does, some wonderful things happen! And the whole music world is enriched for that cross-pollenation!

I love the songs I used to dislike! To think I'd go from vastly disliking Norma Sheffield's discography, to adoring it so fully! Disliking "Higher Higher More and More" to seeking it out from time to time! Not being fond of SAIFAM/BBB's style, to knowing some of its songs by heart!

And most of all, I love that I get to MAKE this stuff for a living! I do not take the fact that this could've not worked out trivially, and I hope I've rewarded your patiences well with a lot of new favorites and starting points for diving deeper into the genre over the last... almost 20 years, now!

And that's just the tip of the iceberg! I understand some eurobeat isn't to everyone's taste, but I think if you haven't tasted all that there is out there, you owe it to yourself to see how you feel about it. You might be pleasantly surprised!

#eurobeat #initial d #odyssey eurobeat #eurobeat brony #ken blast #super eurobeat #rambles

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applestoashes · 2 months

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An update on Apples to Ashes

Hi, it's Prima, the creator and sole developer of Apples to Ashes.

Wow, it's been two years since I conceptualized Douglas and the idea for a visual novel. I think about how much has changed for me personally since March 2022, the different things that have happened to and for me. It's hard to sum it all up into a few words, but to put it plainly, there's been a lot of hardships I've encountered in my personal and professional life since starting this journey, along with some blessings that kept me going along the way.

When I first dreamed up this concept, I was experiencing a lot of new things. I was participating in fandoms for other indie "yandere" VNs, I was drawing a shit ton and garnering a following. I was actually becoming the active, well known artist I'd been striving to become since around 2015. I was so inspired and, somehow along the way, I gained the attention and respect from a lot of other creators. It was so insane to think so many talented people cared about what I was making, considered me worth following, etc.

That only grew as time went on, especially when I started the A2A project. From that point, I watched in absolute shock as people engaged with my own ideas, drew my own characters. They were hyped for this visual novel, they wanted to know more. Douglas started to get associated and drawn with other indie VN characters. This feeling of being put beside all these other amazing creators was disorienting to say the least.

Due to a lot of things I've been through, it feels like the magic wore off a bit. A lot of the drive I experienced at the peak of 2022 kind of plateaued, and... lots of things changed for me. I started taking commissions, I started doing more than just art, like getting back into video editing and voice acting. I got hired by a studio, I got a lead role in another visual novel. I told myself that I can do all these things that I want to, despite the additional need to work a regular job, and the fact that ADHD VERY much has hands. Financial hardship and mental illness... double homicide

A lot can change in two years. My inspirations for the setting in A2A came from my experiences with a job I had at the time. Well, needless to say I've had a few jobs since then, and been through a few very... jading experiences. The person I was when I conceptualized Apple to Ashes and the person I am now are two different people. I was very bright-eyed and inspired, especially by my peers. I wanted to attempt to do something I'd dreamed of for a long time: make a visual novel, and it felt possible, tangible.

I've learned a lot since then. There's a lot that goes into making a game, especially considering I'm largely pursuing it alone. Due to that, and the choices I've made, the things I've been through, Apple to Ashes progress has largely been halted. I feel a lot of pressure to make it something satisfying for everyone that's given love to this project. I feel a lot of guilt about the lack of progress, and feel like I'm earning the ire of people who are tired of waiting, or perhaps losing any momentum or interest I had originally garnered.

All that being said, I'm not saying all this to come to the conclusion that this project is canceled. It's not. I want this story to come to fruition. I want to give everyone waiting the experience they deserve. I want to reach the full potential this concept offers. I want to explore the themes I've attached, use the experiences I've had and witnessed. I want to bring light to these issues using this medium.

The TLDR of this is... Apples to Ashes will happen when it happens, but it is going to happen. To those of you who have offered your patience, I really appreciate it more than I can put into words.

Thank you for reading.

#apples to ashes #updates

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finleycannotdraw · 7 months

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can u recommend some bands? i think i like ur music taste and i am terrible at finding music

ty :)

of COURSE I can <3 you’ve probably heard of some of these, but maybe there’ll be some you haven’t! I don’t know what you already like, so… here we go :)

Hozier. Yeah this was always going to be first on the list I’m currently listening to basically nothing else! He’s an Irish folk/soul/blues/etc idk musician who uses a lot of religious and mythological themes in his lyrics and has a lot of songs that include social justice commentary.

The Amazing Devil is a folk rock band with an incredibly unique sound. Their songs are incredibly emotional and have an awesome fantasy vibe going on—plus there’s two singers, and they often sing independently from each other, which is something you don’t see often!

Good Morning Bedlam is a bluegrass band that I’ve gotten into recently! They’re sort of like… a mix of the amazing devil and the crane wives?

The Crane Wives, while we’re at it, and

The Oh Hellos. they’re fairly similar and I don’t have a ton to say about their stylistic differences, but they’re all definitely worth checking out!

Florence & The Machine. Most people have heard of them but I always like to recommend them anyway

Alec Benjamin, if you’re into softer indie music! He has a lot of different styles of lyrics, but his voice is consistent, so he’s great to listen to if you’re looking for that sort of variety.

Chxrlotte doesn’t have a lot of music out, but I’m a big fan of the music she has released, including the ones about Good Omens! The others are more angsty which I love too.

The Family Crest is an orchestral indie pop rock band, which blows my mind. I can’t believe orchestra isn’t a more utilized tool in popular lyrical music, because they do it so well.

Good Kid is actually my brother’s favorite band, and I love them too. They’re also indie rock, but they have a very distinctive style and are easy to get into! Plus they haven’t released a shit ton of songs like some other artists, so it isn’t overwhelming to explore their discography.

Jonatha Brooke is an artist I only know about because my mom liked her music a lot in the 90s, but she’s got a super nice voice and has some awesomely relatable lyrics. I especially recommend her album Ten Cent Wings!

Midlake is a super melodic folk rock band. I’m obsessed with their album The Courage of Others, which has a melancholy vibe that’s super easy to get lost in.

Palaye Royale is harder rock than anyone else on the list so far, but they’ve got an awesome style. Unique voice and definitely darker themes in their lyrics.

Tears for Fears is a pop rock band that I love because my dad does. (My parents are musicians—I trust their music taste).

Toad the Wet Sprocket got their name from Monty Python, but PLEASE go listen to the Architect of the Ruin EP. You will not regret it. Also the song Something’s Always Wrong is like… entrenched in my very being.

Elbow is a band that I never see in fandom circles, but they’re definitely not obscure. Check out their album Little Fictions! They’re kind of like Midlake.

Will Wood ranges from chaotic and fun (The Normal Album) to absolutely soul-crushing (in case I make it)! Sometimes even both at the same time!

(I would’ve also put Paramore, Fall Out Boy, My Chemical Romance, and other rock/pop punk bands I like on there, but I assumed you already know them.) (If you were looking for harder rock or metal, let me know, because this list is not that.)

If you want more genre-specific recs or even album/song recs, don’t hesitate to ask!! Music is the fuel of my soul.

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brandogenius · 3 months

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hiiiii! could you write julien x reader where basically is ex to lovers? 😭 like maybe reader is also on the public eye and the fans reactions to it? it could be a headcanon or a blurb, whatever it’s better for you!

thank u !!! pls !!!

this is such a cute request i have so many ideas for this one!

‼️RPF‼️

(NOT PROOFRED)

MINI FIC? - julien x reader - ex to lovers.

Request: “could you write julien x reader where basically is ex to lovers? 😭 like maybe reader is also on the public eye and the fans reactions to it?”

Word count: 1,749

(please let me know if you would like a part two! this was quite fun to write! )

everyone knew of you and juliens past. five years ago in 2018 the two of you were a pair. boygenius was starting to blow up and you were by juliens side ever since. julien wasn’t shy in letting everyone know that you were her girlfriend. dedicating some songs to you and posting photo dumps that include you in some of her instagram posts.

you weren’t as known as much as julien in the music scene. a small indie and pop writer. you had accumulated your own small handful of fans. majority of them boygenius fans, there in support to hype up their favourite musicians girlfriend.

you were seen on tour with the boys. promoting the release of their debut ep ‘boygenius’ you were just as excited as the trio. you couldn’t have been more prouder of your girlfriend.

until something changed. 2020 had come around and fans had noticed the lack in content with the both of you. you stopped appearing in juliens photo dumps. you unfollowed julien on twitter. julien took your tag off her posts. it was a devastating time for the fans. it didn’t take many people long to figure out what this all meant.

of course you have a handful of fans who respected what was going on. choosing to mind their own business and support both of you separately. however, with every bunch of food and respectful fans, you had the ones who didn’t understand what boundaries meant. screaming in your comments section or directly going as far as @ julien on twitter asking what happened between the two of you.

both of you have been keeping quiet about it until an interview was published, julien was promoting the upcoming release for her album when the interviewer dropped a question over the computer screen.

“i’m sure the fans are dying to know what happened between you and your girlfriend- or should i say ex at this point?” julien sat in front of the computer, an eyebrow raised as she watched the interviewer stare back at the musician. julien never in the slightest could imagine what audacity the interviewer had in that moment to ask that.

“well you see-“ julien fiddled with her headphones, readjusting them onto her head. she could see the interviewer sat there notebook in hand with pen firmly placed on the paper, ready to write down what she had to say.

“- there’s nothing i want to say on this matter. you’re interviewing me for my album right? why don’t we ask questions in relation to music, rather than my personal and private business”

the interviewer, taken a back quickly spluttered as quiet apology and composted themselves. going back to pre selected questions to ask in relation to music.

the question left julien in a sour mood for the rest of the day. the interview was quickly published. julien didn’t really want to check it out. having some small hope that the interviewer would be kind enough to edit it and take out that part but unfortunately not.

she knew it would stir up another wave of questions and panic amongst both fandoms. even if you were staying on the low side for now, keeping out of the public eye, she couldn’t help but feel a bit guilty - feeling a bit bad for dragging you back into this mess of chaos that occurred just only weeks ago.

you ok the other hand were a bit more composed. less hot headed julien. you simply ignored everything to do with the shorter musician. what happened- simple happened. it’s in the past you can’t change it anymore. you just need to go ahead and think of the future.

you continued to post on social media, posting tiktoks and tweeting. working on promoting your newest song virtually on home. most of the fans had moved on. coming to terms with the fact the two of you will most likely never interact again.

2020-2023 passes as quickly. both of you are doing your own thing. you are topping the charts with your album and singles. fans have definitely moved on but always remember. new fans are introduced to you and learn the basics. your past with boygenius member julien baker. the time you won your first award. your first world tour.

it’s the first few months of 2023. february is welcomed with longer days and a spree of award shows. your schedule was booked and busy for this month. you had a lot of interviews to attend in relation to your record you dropped in January. it was one of your proudest works to date. working hard on the album since your last one released in 2021. this was filled with songs you’ve written over the years that didn’t make it. lyric sheets that were shoved into your folder, uncovered and refurbished with better lyrics, tweaked and changed to suit your aesthetic.

one of your tracks - track 7 was one that got the most attention. 3M on youtube, billboard no1 charts. it was a bit odd since it wasn’t even your title track. fans heard it and went wild. theorising over the poetic lyrics.

it was an old song. one you wrote about julien. one about heartbreak and the feeling of yearning. you didn’t name anyone but somehow fans chose to believe it was about the boygenius member and they were right.

today was the billboard music awards. all different kinds of celebrities made their way through the red carpet. photographers and paparazzi shouting and wanting to get their direction

the boys came first. julien walking alongside lucy and phoebe. the boys stood in front of the backdrop, posing for photos. the blinding white light filling juliens vision. the sound of various amount of clicks were just enough to distract her from her own rambling thoughts for a quick moment. you were going to preform the newest song at the awards tonight. it would’ve been the first time the two of you seen each other since 2020.

a small nudge to the side by lucy had julien shaken out of her thoughts. the trio walking off to another background for another round of photoshoots.

not so long after. fans tuned into watching the livestream. you made your way onto the red carpet. fans instantly made a realisation. without knowing, you and julien were matching outfits. julien with a black and white suit. you walked into the photo zone with a black and white dress.

posing for the photos seemed weird. fans taking to twitter to discuss and theorise what the connection was. was it a coincidence? was it on purpose? you finish up with the interviews and photo zone and quickly head into the venue.

you took your seat at the table, you seemed to be the only one there so far so you didn’t seem phased. glancing up you raise your eyebrows in surprise seeing a familiar head oh platinum hair

just your luck that the all too familiar trio is sitting at the same table as you. you smiled as phoebe took a seat beside you. lucy and julien across from you.

fans would be in the building too. mainly up in the higher sections. you wouldn’t be surprised if you see all the fan pages posting about this later on. you knew you had to act professional and calm.

you jumped slightly as a hand tapped your arm. phone stared at you with a mix of concern and amusement. “huh?” “i asked how have you been?”

“oh- pretty good you know” you shrugged, a small smile playing on your lip. “making music and stuff” you took out your phone to distract yourself from the burning gaze of juliens eyes on you. like a second nature you can just tell. you chose to ignore it for now.

the billboards ran pretty smoothly. you won two awards and quickly went backstage to get ready for your performance. you felt a hand wrap around your wrist as you turned back.

“can we talk?” you turned around to stare at the smaller girl in front of you. julien stood there looking at you with a frown on her face. you glanced at the stage with a small sigh “you know i have to go on stage soon- can it wait?” you really didn’t want to talk to her- not when you’re about to preform a song.. essentially about her.

“after? please” juliens words were quiet. hesitent almost. you sighed to yourself, taking interest in the wall behind julien as you nodded. “fine - yeah. after” julien let go off your hand as she nodded. standing back as she ducked her head to walk away.

preforming for the first time in a while was a bit weird. you were so used to preforming on a web camera or pre recorded for saturday night shows, preforming to a crowd of a good couple thousand people was a bit nerve racking.

your eyes found juliens as you searched the crowd. locking eye contact you didn’t dare break it neither did julien. watching the shorter musician give a thumbs up and a positive smile made you feel calm. it made you feel more better you were able to preform the song without any worries.

finishing the song you took a deep breath and quickly thanked everyone before walking off the stage. you needed a minute to yourself to calm down before returning to the table. you sat in the backstage area, clutching a bottle of water in your shaky hands as you scrolled through social media.

“that was pretty epic” you looked up at the familiar voice. a small smile spreading across your face as you looked up. julien sat down across from you, fiddling with her rings anxiously. “you think so?” you chuckled.

“it was awesome! it’s your new song right? congrats on number one” julien leaned back in the chair. in the moment it felt right. it felt like how it used to. like nothing has changed since then.

“what did you want to talk about?” you tilted your head, being the first to break the conversation to the one both were too anxious to start.

fans broke twitter that very night. during the interval, videos spread across twitter like wildfire. you and julien walking back out onto the floor, hand in hand with smiles across your faces.

new theories started to arise. what happened? is that why julien left the table? what did you talk about?

#pom writes #julien baker au #julien baker x reader #julien baker one shot #julien baker fluff #julien baker x singer!reader #julien baker fanfic #julien baker x fem!reader #boygenius au #boygenius fanfic #boygenius one shot #boygenius x reader

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ripplestitchskein · 2 months

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I just saw the funniest thing about Stolitz and it really reinforced my belief that people just cannot handle the long period between episodes indie animation requires. They just cannot make connections for that long and their own personal expectations and imaginings of what it should be have too much time to percolate. As a recent comer to the HB fandom who watched the entirety of the series in a single afternoon and skipped the Pilot because it’s not canon I am having a completely different experience. I attribute this mostly to the Pilot, as that seems to have colored peoples opinions of Stolas and subsequently Stolitz in such a wild way and they had to sit with that characterization for so long they just cannot fathom that the story is playing out much differently than the Pilot set up. And yes a year is a long time to sit with expectations of a show direction and a characterization I won’t fault them for that.

“They turned Stolas into sad clown boy”. “The show is all about Stolitz relationship drama now”.

Did we watch the same Season 1, Episode 2? Because our first “real” introduction to Stolas is immediately good dad, sad owl boy, relationship with Blitzo. The first episode sets up the current state of the Blitzø/Stolas relationship, sets up the business and overall character dynamics but doesn’t really give us any information on their backgrounds or current emotional states. It hints at a few things coming up, a few things to look into further but nothing beyond surface level. As you’d expect from a first episode. The 2nd episode shows us that some major things were gonna be exploring are Blitzo and Stolas, Stolas and his family situation, Blitzo’s history as a clown and why he hates Fizzarolli bot so much, the Moxxie/Millie dynamic and brief brushings on Loona and how Blitzo interacts with his employees, but I’d say we actually get more information on Stolas and Stolitz earlier on in the show than we do anything else. It was setup from the beginning that these were all major premises we were going to explore and….WE DO. We start the season that way. We end the season a little further down the road but still focusing on those basic things setup in the first two episodes.

I see a lot of criticisms of the writing but from my perspective, watching them all in a row the writing is pretty spot on in terms of set up, change, payoff. And the structure is exactly what we expect for a multi season show. They introduce Stolitz at one point in their relationship in S1 Ep 1, and by Ozzie’s we have a very clear change that was progressed through the other episodes of the season. That same narrative thread, introduced at the beginning of the show is carried through into S2 and the underpinnings of reactions we saw in S1 episodes 1 and 2 are revealed throughout, we now see why Stolas and Blitzø react the way they did in S1Ep1 via the storytelling in S2Ep1 and the structure of those two being the first episodes of their respective seasons is exactly what a writer should do. They feed into each other perfectly. A person watching only those two episodes would have no trouble filling in the rest of the seasons or the story at large and that’s exactly what a serialized writer should do. The show didn’t change anything midstream, it didn’t shift plot points, it very clearly setup these pins to knock them down as we go on. Fizzarolli backstory? Done. Blitzo’s relationship with Millie and Moxie had several episodes of exploration, we see a bit more about Loona and Blitzo and Stolas’s marriage drama is the main catalyst for overall big drama and they are exactly where they should be if you are plotting this out using a three act structure for a television format.

Things are REVEALED they aren’t changed, and while real life concerns and schedules and business things do affect how episodes get released or how things play out or which characters are available to appear, not knowing any of that background until AFTER I had already watched the show I’d say the writers are doing a pretty remarkable job keeping the flow, of developing the characters and relationships and paying off what they setup waaay at the beginning 3 years ago when they released eps 1 and 2. They’ve also done a great job of giving every character a little moment to shine even though, as they established in episodes 1 and 2, the main focus is on Blitzø, Stolas and how their relationship is the catalyst for everything. That it’s why I.M.P does what it does.

I highly suggest people watch it from start to finish without the Pilot, or at least just the first two episodes and S2 Ep 1 and take into account what is shown and setup at the very start versus the story we are currently at and I really think it will show that nothing has changed, the story is progressing as it should, at the pace it should, and that the characters are growing and changing as they should based on the things that have occurred.

#helluva boss #Stolitz #Stolas x blitz #vivziepop

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sabertoothwalrus · 8 months

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I am SO excited for your clowns, but I know you got the whole non disclosure thing going on so I'm just sitting here patiently waiting like 🤡👀👀👀👀👀👀 y'know? Take care of yourself lol!

I think I mentioned in some tags somewhere that I talked with my professor (van partible 🤭) about my pitch (I made a pitch bible) and it wasn’t quite Getting The Point Across, and that it’d be good to make a proof-of-concept. And the more we talked, the more I realized maybe I shouldn’t keep them secret, after all. Cause like, nowadays, studios have only really been picking up pitches with established fanbases. And… I think I know how to build a fanbase? Literally four days after I talked to him about this, I did the whole mole interest thing. I’ve also made Nico the Catboy. This ain’t my first rodeo, yknow?

So..! I might start working on a pilot soon! this semester I’m animating my short film and also helping a friend with his personal animated project, so I might not even start boarding until winter break. So you might not hear anything about this for at least a year.

I still want to keep it relatively ,, Separated? from fandom culture, if possible. I realized the source of lot of my hesitancy actually came from the fear of lines between canon and fanon getting blurred. Because, with online indie content, the “canon” media does look a lot like fandom content. And so I’m going to try to be a bit more formal with this than how I typically post. Maybe less approachable about it. We’ll see.

Stay tuned! 🤭🎪

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palettepainter · 3 months

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EDIT: So I totally forgot about the line where Vox is like "And hey, you still have him under contract" Sooo this entire idea is false. But the idea of Vox saying Angel quit is still an interesting one, since it implies there is a possibility sinners can "quit" in some way from a contract

So two things real quick: I know I've been talking about Hazbin a lot, but tbh If I were to do anything with that fandom it would be with my OC's/NG's, I'm still not crazy over the main cast (besides the potential dynamic between Vox and Angel, and Fizz x Ozzie from Helluva Boss, the characters don't grab me as much as characters in other fandoms do)

And second thing is I do wanna bring up an interesting point I don't think anyone else has mentioned yet

Vox specifically says "Oh Angel quit?". Obviously this happens in ep 2, but by ep 4 we know Valentino has Angel under contract, Valentino even says "I own you (Angel)". While we don't know a great deal of lore about how contracts work in Hell, I think it's a given to assume they're a big deal. More so, they're not something you can just "quit" and move on from

I just find it really interesting how Vox asks if Angel "quit" rather than saying something like "Oh you fired him?" to Val.

Is Vox even aware that Valentino has Angel under contract?? His brighter mood when he asks if Angel "quit" could be because, for all he knows, Angel is somebody who causes Val to loose his cool, somebody Val chooses to keep around, which causes problems that he ultimately has to sort out. Indirectly, Angel causes problems for Vox (I assume the reason Vox pulls out his phone while Valentino is ranting is because it's likely he's done this song and dance a hundred dozen times and doesn't take it all that seriously anymore).

And if Vox doesn't know about Angel's contract, he's left to believe that Angel is causing problems on purpose. It's probably likely Vox knows Angel is important to Val because of the money he makes him, but he also probably knows that Valentino is a literal tyrant and employs dozens of people who, all together, make him a lot of money

I think the idea of Vox perhaps not being aware of Angel's contract is further supported when he turns to Val later in the episode, when the V's are discussing about having somebody infiltrate the hotel, and asks "Do you think Angel would do it?". He phrases the question casually, like there's a chance Angel could say no, phrasing it a way that makes Angel the one who decides

Alternatively, he could have said "Can you (Valentino) get Angel to do it?" or "Can't you (Valentino) make Angel do it?"

It's very possible that this is just me thinking too deeply into stuff. While I do want this show to do good for the animation world overall, praying it'll draw more attention to other Indie Animated projects (cuz god knows Disney isn't pushing out good movies like it used to-) the writing in some episodes - looking at episode 3 and parts of episode 1 - isn't brilliant. Plus with how some of the writing is in Helluva Boss also I don't have a lot of hope that THIS much thought went into the script for the show.

It's very likely that Vox isn't written this deeply, but if it turns out I'm right and some of what I've discussed does end up being true though trust me I have my doubts, I'll be surprised

#Hazbin Hotel #Hazbin hotel Vox #Hazbin Hotel Agel Dust #Hazbin Hotel Valentino #hazbin vox #angel dust

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theaguanzon · 7 months

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I’ve been writing for as long as I can remember. Novellas, poetry, fanfiction—you name it. There was always a burning desire to express what was in my heart, to tell the stories that lived in my head. However, because I’m located in the Global South, because I’m the product of several generations of law and medicine, l never let myself think that it could be anything more than a hobby only for my spare time. It wasn’t until 2020 that I took a leap of faith, quitting my office job and deferring my master’s program abroad in order to write a fantasy romance epic rooted in Southeast Asian culture, tradition, and mythology.

And now, flash forward three years, my debut novel THE HURRICANE WARS is a USA Today, Indie, and New York Times bestseller in its first week of release! This would never have been possible without: my communities, fandom and Filipino, and all the book bloggers who really showed up for this novel, who tirelessly spread the word; my brilliant agent Thao Le who’s had my back since day one; my Harper Voyager US team, who poured so much time and creative energy into THW’s publishing and campaign; and the booksellers and librarians throughout the US who advocated for an unknown brown author’s debut to have a place on their shelves. I owe it all to you!

I kind of want to cry for the girl I used to be, battling mental health issues and flitting from one degree program to the next, hoping to find the one that was fulfilling and “acceptable” at the same time, even though deep down writing was all there ever was or could be. I kind of want that girl to see into her future and say “Kaya naman pala” and wallow a bit. But I prefer to embrace this moment, in awe at the knowledge that my past has informed the voice that I now share with the world, and it is this same past that has gotten me here.

I’m proud to represent my motherland the Philippines in this achievement. I hope that in some small way this can be a step toward encouraging Southeast Asian policymakers to address the gaps in support and infrastructure for our talented local writing scenes, as well as motivating the global publishing industry to seek out more Southeast Asian writers and give our stories a platform. Onward! 💖🌩️

#thw #announcements

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olderthannetfic · 10 months

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I'm curious about people's opinions on this.

I recently saw some complaints about people writing het omegaverse and how it should only be for queer relationships and there seemed to be some drama over it and claims that het ships are ruining it. And because I tend to enjoy drama more than I should I read a long twitter thread. Now, the omegaverse isn't my cup of tea. All I really know about it is, wolves, Mpreg, dominance and submission. But it is very popular. Nearly all of my fandoms and ships will have a few omegaverse fics on every one of their AO3 pages. (Nearly all of them are M/M ships)

So I guess, what are the issues of people writing het omegaverse? Or should this be another case of Don't like Don't read and let people have their fun? Or does it just not really work for het ships?

Yes, het will totally ruin the weird dog dicks AU. Absolutely.

There are no ~issues~. People should write whatever the fuck they want. But if you want to explore whether it "works", you have to delve into what makes omegaverse tick actually, which is more than just wolves+mpreg.

One common use of the trope is to make someone 100000% the top 5eva. This is the type people often mock or complain about in m/m, and it works much the same in f/m. This is what showed up in that stupid omegaverse lawsuit situation: indie het erotica/romance novelists are now using this as a way to structure their fsub rapey ultra alpha hero stuff, and one of them decided she was the original and no one should steal her idea. (Soooo original.)

The Alphaest Alpha to Ever Alpha is a fantasy, not realism, no matter how many dicks the ship has, so it's not any stranger to go "No, he's really, really on top!" about the dude in het than about one of the dudes in m/m.

If this trope is hot to you, it's hot. If it isn't, it's not any stupider with het than with slash.

But that's not the only thing omegaverse gets used for. It's also used for the diametric opposite: debunking the idea of someone naturally being super, duper default on top. This kind of fic often does something with betas and actually engages with the idea of a three-biological-sex system (instead of betas being how you get rid of the characters you don't ship). It will have alpha/alpha relationships or omegas topping or omega-->beta trans characters or all manner of other gender/sex exploration.

I don't read a ton of het in fandom, but I do read m/m/f, and I've read fics where each chapter is a different scenario where the three are some other omegaverse combo. This is where you'll often see female alphas and male omegas and various takes on exactly what that would look like. There's no reason het couldn't also be used to explore sex and gender stuff.

And, really, some people just find knotting hot. A story being het won't change that.

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