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#the monolith
worblewobble · 4 months
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heaven help us now
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carp3tpasta · 2 months
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Idek
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glazeliights · 8 months
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I am sooo soso normal about them. blinks innocently at you
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fihas · 3 months
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fuck it all. monolith fancam
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Gustav Vigeland (Norwegian, 1869-1943) Monolith Of People, ca.1924 Vigeland Park, Oslo, Norway
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Would it distort this reality to order a black coffee?
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stuckasmain · 3 months
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An interesting note about the movie is the way it approaches violence, there’s a bunch of interpretations already and I’m by no means the first. However, what I’ve noticed in my last few rewatches was how the film seems to take violence as a learned thing rather than an inherent human trait. (A much more common interpretation broadly).
In the book it’s much more clearly laid out but the group of man apes we follow are on the brink of dying out. They’re starved and a bit behind, the land they rely on to forage is bleak and picked through. They’re weak from starvation and overall very passive as even herbivores seem to knock them about and do better. There’s no memory, no thought really— they can’t go far even if the thought occurred to them. It is only through the monoliths influence that they begin to pick up tools, to hunt and fight and truly live instead of barely surviving. Now, violence was not introduced by the monolith - we see clearly the world around them is full of it— nor would tools be never used if not for its influence. It merely sped along the process, utilizing the time these man apes did not have. As the natural evolutionary time it would take them to realize this wouldn’t be met this group would starve before hand.
On the discovery we see a similar case of passivity, this time in the modern evolved man. This time the world surrounding them is not nearly as harsh and dangerous— in fact it’s coddling! While the nature of space travel is a incredible risk we see their world is comfortable and abundant. They have all the food, water, air, shelter they would need— in fact this world could operate very well on its own without them at all. Their position, unknown to them- or perhaps known deep down- is arbitrary. Hal is sort of like an all encompassing mother- their provider and world. They have no need for violence, though they know of it and are capable of it. In this case it is not the monolith’s influence but own instinct. This time man has the proper drive for survival and the tools to ensure that it lives.
On the discovery violence is influenced by circumstance- self preservation. Both from Hal (with additional influence of illness) and Frank and Dave. Interesting both the human and computer sides have the same goal: preservation of the mission and preservation of the self.
However evolved it shows there’s still a sense of primitive nature to the species as when a problem arises violence quickly becomes the only solution. Like with the ape men Dave and Frank must quickly abandon passivity when the land around them begins to fail (Hal, their world malfunctions. Just as the land around the apes is dead). They can no longer be a dependent. You can’t leave mother so you must kill her in this case.
To tie this back to- something- I was going somewhere initially. I think it shows a part of both the monolith’s plan but also a general lesson. To evolve past violence you must first know it.
There’s nuance to this, especially when comparing these examples of violence for survival vs. the more irrational type (war, countries fighting) examples we see later on. However I want to keep this brief so I can remain writing something coherent but the eventual idea is that humanity will evolve even past necessary violence into something like Dave becomes (again book has a whole thing on the alien theory. Strictly 2001 speaking)
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flagggermus · 1 year
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withoutalice · 4 months
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POV: You're Dave Bowman in the Monolith
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propaganda:
✅ "Multipurpose"
✅ "the monolith is probably one of carmen’s sex toys"
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cantsayidont · 4 months
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January 1976. Jack Kirby takes Dave Bowman through the Stargate in this spectacular sequence from Kirby's tabloid-size adaptation of 2001: A SPACE ODYSSEY. Another one that could really stand a proper remastered reprint (with flat colors, thank you), if the undoubtedly complicated rights issues could be sorted out.
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definedoctrrchandra · 4 months
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Ever since I saw the monolith in person I've wanted one as a paper weight
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limbobilbo · 9 months
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The monolith.
uh I dont know what to describe this as exactly
So enjoy.
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favoriteginger · 2 years
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This is how I beat art block
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meteor752 · 3 months
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The real question about to Vita Carnis universe is, could you eat a Monolith? I wanna taste it
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millipedemountain · 1 month
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Trying to build a chaotic smash or pass slideshow to subject my friends to, if anyone sees this, give me some suggestions, I’m struggling to think of more things to add.
To give you an idea of what I’m looking for, here’s a few options on the list:
-The Grinch (specifically the Jim Carrey version)
- Glamrock Freddy
-The monoliths from vita carnis
-A ford f-150
-The flower women in original Alice in wonderland
-John Kramer from saw
Be as weird or as normal as you want, I need a couple basic ones too to even things out.
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