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#the pop punk songs were right
itstimeforstarwars · 1 year
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Working full time is killing me but if I drop down to part time they cut my pay and I don’t get near as much sick time and vacation time and I'm not eligible for insurance and I don’t get holiday pay or overtime pay and the bonuses are less than half of full time bonuses and also I'd have to go back to being floor or become a cashier.
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you were the one thing I got right
You In January - The Wonder Years
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friend-dispenser · 16 days
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Just realized I wrote these tags in their own post not in a reblog of the post I was trying to add them to!!!!!! Ugh!!!!!
AND I LOST THE POST!!!!!
It basically went like "I'm sick of hearing about taylor swift. Tag the most obscure band you listen to." If anyone comes across it please let me know cause I wanted to look through the notes again in a week or two! And also share my tags!
#Aki Akane (Japanese utaite rock singer who has crazy texture control)#Hillsburn (Folk Rock with violins and powerful harmonies and sad mad bittersweet lyrics#got synthier and a lot sadder with their third album. It's a great album in its own right but I prefer the first two)#Courage My Love (imagine Paramore but with a million layers of vocals and guitars and sometimes strings and pianos too#Becoming was my all-time favourite album for several years. Only reason it's not now is that it reminds me too much of my junior high years#Uncanny (slightly Prog-y Hard Rock band I went to see on a whim when I lived in Montreal for a month. Only have a few songs unfortunately#They're great though really good balance of intense and catchy and they were even better live)#Eat Lead Tracy is a super fun garage rock aggressive-but-a-little-tongue-in-cheek-about-it band#Kids Losing Sleep (Pop Punk with some The 1975-esque glitter and grime. Their EP called Loves is by far my favourite thing from them)#The Maes (aka The Mae Trio. I only know one song by them and it's Parallel Park but I love that song.#three part harmonies guitar mandolin and violin folk singer-songwriter cute and soft but not too cute and soft y'know)#Mother Falcon (someone else mentioned them. Folk Punk Orchestra what else do I need to say)#Orla Gartland (idk exactly how obscure she is but incredible rock singer songwriter. like if Boygenius was way less sad)#oh and Backpackparty!! (like Owl City + early Lorde + that youtuber you really liked when you were 11)#(their drummer/keyboardist was a youtuber I really liked when I was 11. Still listen to their EP Possibly pretty regularly though)
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sillyfudgemonkeys · 5 months
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I know we are talking about menu themes and not music but P5 I need you to-
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(Edit bc I'm paranoid: I'm talking to P5 only, not Midori, I like Midori TT0TT they just happened to be the one sharing the info)
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Chumbawamba - Tubthumping 1997
"Tubthumping" is the lead single from Tubthumper, the eight studio album by British anarchist punk band Chumbawamba. It is the band's most successful single, peaking at number two on the UK Singles Chart, held off the top spot by Will Smith's "Men in Black". It topped the charts in Australia, Canada, Ireland, Italy, New Zealand and reached number six on the US Billboard Hot 100. At the 1998 Brit Awards, "Tubthumping" was nominated for the Brit Award for Best British Single.
Vocalist Dunstan Bruce retrospectively observed that, before the group wrote it, they "were in a mess: we had become directionless and disparate". He credited "Tubthumping" with changing that, telling The Guardian, "It's not our most political or best song, but it brought us back together. The song is about us – as a class and as a band. The beauty of it was we had no idea how big it would be." Chumbawamba's anarcho-communist political leanings led them to have an irreverent attitude toward authority, and to espouse a variety of political and social causes including animal rights and pacifism (early in their career) and later regarding class struggle, Marxism, feminism, gay liberation, pop culture, and anti-fascism. In July 2012, Chumbawamba announced they were splitting up after 30 years.
"Tubthumping" recieved a total of 86,3% yes votes!
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shinekocreator · 2 months
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Some more Hazbin Hotel headcanons (because I can and you can't stop me):
Alastor unironically refers to Facebook as "the book of faces"
Lucifer, Adam, Lilith, Eve, and several other characters know ancient Hebrew (they're not familiar with modern Hebrew, yet)
Vaggie's favourite colour is yellow because it reminds her of Charlie, Charlie's favourite colour is yellow because it's a very happy colour, Lucifer's favourite colour is yellow because it's the colour of rubber ducks
Husk was a major fashionista in his overlord days, he slightly let himself go when he lost his title
Husk has a secret stash of Cuban cigars at his bar, nobody except for Alastor knows
Alastor is more of a smoking pipe type of person
Vaggie and Fat Nugget love each other, that's the only reason she was willing to tolerate Angel Dust
Angel never told Husk that his name is Anthony, he wanted to do it before the fight, but there were too many people around
Husk loves Angel's eyes, it's the most attractive feature of Angel for him (his smile is a close second), that's because heterochromia is fairly common in cats, and also because he can tell how sober Angel is through his eyes
Angel is a Gaga stan (you know I'm right) his favourite song of hers is g.u.y
Cherri Bomb enjoys 2000s pop punk occasionally (Avril Lavigne is her fave of the genre)
Nifty is a fellow jazz and swing enjoyer, she also likes classic rock n roll
Lucifer actually went through a metal phase
He also listens to Taylor Swift
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wilbursoot-updates · 4 months
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Lovejoy, The Twisted New British Boy Band
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Wilbur is mentioned in this article!
It was a December night, and as finals’ hush fell across campus, we fled north to the Aragon Ballroom for their Twisted Xmas. Little did we know just how sick and twisted it would be. (Although there was no punk-Christmas music played, thank God). We went for Lovejoy, an up-and-coming band in the pop-punk scene whom we had found by misremembering the name of Grouplove.
Under the Ballroom’s eaves, nestled in a crowd of teenage girls and their mothers, we caught sight of a woman’s lock screen next to me: “I’m nothing without you” scrawled in gothic handwriting. We weren’t sure what we had gotten ourselves into. Were we joining some kind of cult? Something that might continue to fill us with stories and motivation long after the concert, long after the holidays, through this winter and into the coming years? Then, lead singer Wilbur Soot, a teenage girl’s dream, stepped on stage with tousled hair. His toothy smile put me at ease and his mellifluous British accent calmed and enthralled us as the music came on.
While Soot was the center of the show, what’s a boy band without its boys? Bassist Ash Kabosu stood to Soot’s left, rocking shoulder-length hair and dark shades, in front of drummer Mark Boardman. Lead guitarist Joe Goldsmith flanked Soot to his right, performing in front of Alan Osmundson, the band’s touring trumpeter and keyboard player (who’s also an MIT Aerospace Engineering grad).
Lovejoy opened with a rolling drum beat, a groovy bass line, and an upbeat guitar melody. “Concrete” displayed all their charms. Soot counted his friends into the jam session before recalling a perhaps-fictional night out at 3 a.m. Someone, barely described, is making quite a commotion over Soot’s late-night kiss, enough that both our charming British boy and the bar’s bouncer is upset. Is this just a jealous fan? A long-term girlfriend? Someone a little too invested in that lovely accent? Soot recommends they “sleep on the concrete.” This tall, lanky boy, thin enough to be blown over by a small gust of wind, has a naughty streak in him! Soot’s music plays into emo and punk tendencies, writing about the dark sides of relationships and fighting the system, yet nastiness also comes from within him, giving him power and control.
And yet, somehow all the twisting only adds to this British boy’s allure. Soot’s songwriting is unconventional. It does not hold individual lines of lyrics like many other artists but instead rambles like prose, where one line is only understood by the context of the three lines before and after. With every song, the band publishes a short story. These short stories are just as much musical and emotional as they are lyrical. You would be forgiven for not knowing the names of “Concrete” or “It’s Golden Hour Somewhere” while they played. The refrains are so much less punctuated in his style, and it is hard to hear Soot sing those words over the sound of the entire crowd. Those of us at the concert experienced his stories collectively, uniting in these twisted and tousled emotions. Maybe this is a cult. We chose to join it by buying a hoodie, and they rewarded us with a trading card. What a great souvenir for my night with Wilbur the Hero.
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omegalomania · 1 year
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people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.
this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.
fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.
i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.
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fob4ever · 6 months
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i was at a bookstore yesterday that had a copy of the kerrang: living loud book that featured the FOB watergun fight article i've never seen transcribed anywhere so i made a transcript of it for archival purposes. enjoy! from kerrang, may 2005.
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For a man staring down the barrel of a loaded gun while wearing just underpants, Fall Out Boy bassist Peter Wentz looks remarkably chipper. Especially when you consider the person about to unload in his face is guitarist and vocalist Patrick Stump, grinning madly despite the fact that fellow six-stringer Joe Trohman has a pistol to his temple. He in turn is firmly in the firing line of drummer Andy Hurley, cackling loudly with his finger hovering over the trigger.
Passers-by stop and stare, waiting for the inevitable, messy climax of this "Reservoir Dogs" scenario. The tension mounts, onlookers brace themselves, the band get ready to open fire. Suddenly it happens.
"Argh!" screams Wentz as several litres of icy water soak him. "That's fucking cold!"
No, Fall Out Boy aren't about to blow each other away, They're having a water fight for K!'s benefit in a car park at the Chicago stop on travelling punk circus Warped Tour, where they're knocking out their "softcore" wares ("We're basically a hardcore band that couldn't cut it as a hardcore band," laughs Wentz) on the main stage alongside big hitters like The Offspring, Avenged Sevenfold and My Chemical Romance. The Windy City is more than just another stop for them; Chicago is Fall Out Boy's hometown, the place where they formed out of the ashes of their old hardcore bands, and where they still live with their parents- who are here for today's show - during the few weeks of the year they're not on tour.
It all started for Fall Out Boy here in 2001 when the members wanted a break from playing in their various bands. Long time friends Wentz and Hurley got together with hardcore associate Joe Trohman to do something a bit less heavy. Following a conversation about avant-metallers Neurosis in a bookstore, Trohman introduced Stump to the rest of the band. When their other bands folded, they took on Fall Out Boy full time.
"We wanted to do things before we were ready," chuckles Peter Wentz fondly of the early days of DIY tours for the benefit of the one or two people who would show up. "We'd plan two-week tours, just to see the world. Nobody would book us, so we had to do it all on our own."
"A lot of bands have scenes to go into and surround themselves with those people," says Stump. "We had no scene, so we would just play anywhere, with whoever."
FOB have come a long way from their humble roots. Right now they're America's fastest rising band. Radio smash 'Sugar, We're Goin' Down' has placed them squarely in the mainstream, having spent three weeks as the Number One song on MTV's 'TRL', a prime-time show usually devoted to pop acts like Maroon 5 and Ashlee Simpson. So dizzying their Stateside assent has been, they had to cancel their recent European tour in order to play the MTV Music Video Awards, where they are also nominated for 'Sugar...'. Thankfully, FOB haven't let the screaming adoration turn them into big-headed twats.
"A piece of shit with legs on it could walk onto 'TRL' and people would still go crazy," laughs Wentz. "That stuff just goes straight by me. With the fast turnover in the music industry, how can anyone have an ego"
Andy Hurley chips in. "You can be today's main stage and tomorrow's trash."
That's to find out tomorrow, though. Today among the madness of trying to plan anything on the Warped Tour - stage times are decided daily by lottery - Fall Out Boy have to try and find time for hanging out with family and friends.
"Three weeks on Warped is like three months on a normal tour," says Peter Wentz.
"Home becomes like Atlantis on tour, you wonder if it actually exists after a while," adds Patrick Stump.
Now FOB are big stars, a lot of old 'friends' have been coming out of the woodwork. Joe Trohman and Peter Wentz have polarised views on those who didn't give a toss back in the day suddenly becoming your pal once you've made it.
"The way I look at it is if someone's a dick to you and you don't know them, so what?" says Trohman. "Just care about who did support you, keep those important people close, not the people who five years ago called you a loser."
"I work the opposite way!" Wentz counters, before adding darkly, "The people I think about most are enemies. My brain works on revenge!"
Though a tight knit group of close friends, Peter Wentz is clearly Fall Out Boy's spokesman. He does most of the talking during the interview and writes the lyrics, and seems like the most driven one of the lot. As well as doing Fall Out Boy, Wentz has also written a book with tattoo artist Joe Tesaure, 'The Boy With The Thorn In His Side'. It's a dark, twisted tale that could have come straight from the brain of Tim Burton.
"I've always been into Roahl Dahl and people like that, and I was friends with a tattoo artist at the time and we came up with this idea to do a book together," he explains. "It wasn't something I felt fitted in with what Fall Out Boy is, I hate when bands do something that's not 'them'. The book is what it is, and Fall Out Boy is what we are."
Despite all thise talk of nightmares and revenge, FOB are upbeat individuals, enjoying their newfound success, while refusing to allow success to go to their heads. They'll tell you they don't like the shallowness of groupies or industry parties, and that the trappings of rock stardom hold no appeal.
"I don't feel like I deserve it," says Wentz in closing. "It's not like, 'this amount of time and this amount of shows = this kind of bus'. I appreciate what we've got. We've toured in a tiny van and it was cool, but now we're having new adventures living like this. I don't feel we deserve it more than any other bands do."
He surveys the sumptuosly appointed tour bus for a moment before chuckling heartily.
"Actually, that's a lie, we totally deserve it more than anyone else! Ha ha!"
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dazednmatthews · 15 days
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Headcanons for Chris being with a girl w a completely different music taste than him 🤭 I'm thinking she's taking him to metal concerts, alternative stores w all kinds of shirts and belts and leather, overall how do you think that would go, his reactions at first and all 🙏
okay i tweaked the request just a bit but i hope it still suffices!
chris x music lover!gf
-we all know chris loves music very much
-so when he meets you and you guys start dating he’s absolutely ecstatic to find out you do too
-the difference between chris and you is that while he can enjoy any type of music if it really appeals to him, you genuinely love every type
-exchanging playlists is a must!
-“baby! i made you a playlist.”
-“another one?” he smiles fondly.
-“yes but this one is for that specific outfit you wore when we went to the beach. like it just inspired me.”
-you’re always dragging him to record stores and to hunt for vintage cds for your collections
-he loves going to your apartment because it’s full to the BRIM with posters of your favorite artists, guitar picks, tour setlists— the whole nine
-he typically gets you concert tickets for holidays, anniversaries and your birthday because it’s what you spend most of your money on anyway
-he loves going with you to them because he loves to see you in your element. singing the songs with your whole heart, dancing to the music and smiling so big it makes him the happiest he’s ever been
-one time, at a concert for an artist you’d loved for many, many years, he caught you mumbling along to a song that resonated with you deeply. there were tears streaming down your face as you held your phone with shaky hands. he took the phone out of them, pressing a quick kiss to your temple. when you looked at him confused, eyes red but makeup still in tact, he says, “just be here, right now, ma. i know how much this means to you. i got this.”
-you didn’t think you could love him any fucking more than that moment.
-he constantly proves you wrong though. he’s just good like that.
-sometimes there are certain artists and songs chris really can’t get behind, mostly your metal/pop punk/ punk rock bands but it doesn’t stop him from trying
-“well… i’m glad you like it, baby.”
-he’s always getting you merch
-for your first anniversary he got you matching guitar pick necklaces that were engraved and you loved it so much you made sure to show him just how much
-listening to music together is one of your favorite things to do
-you’re sitting on his bed, music playing from his tv. sometimes you’re smoking a joint, you draped over his lap while you pass it back and forth and exchange lazy kisses.
-sometimes you’re jumping around, dancing together while laughing manically while the tv is blasting, matt and nick trying to bust the door down because of the volume
-“chris! turn that shit the fuck down or i swear to god i’m going to beat the fuck out of you!”
-you never listen
-the next morning is full of scowls but usually it’s you making breakfast so they’re fine
-sometimes, your favorite times, you’ll be reading and chris will be working on something while sitting in bed together, music playing softly in the background. a song will come on and he’ll look over at you, admiring you. when you notice, you raise an eyebrow. “what?” he shakes his head. “nothing. i just love you is all.”
-and because even after all this time, chris still manages to make you feel like he’s looking at you for the first time, you feel your face heat. “stop it.” you say, knocking your shoulder with his. he smiles, that smile made only for you. his eyes are soft, so soft that every look feels like the special kisses he gives you when it’s just you two in a room. “this song reminds me of you every time i hear it. sometimes when you’re away i play it and the distance feels better.”
-you pull his face to you so fast, interlocking your lips and pour every single emotion into the kiss. “i love you.” you repeat it like a mantra, just to make sure he really knows.
-he does. “i think that’s my favorite song.”
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filmnoirsbian · 5 months
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I'm not necessarily a punk gatekeeper like idrc abt "sell out" accusations bc tbh I like when artists I like get paid and expand their audiences and I'm a green day fan so yk but even at their most sell out they were putting out shit like american idiot so it's not like they weren't still politically punk. And I don't even think you can't necessarily be privileged and still make good punk music (again, go listen to willow smith's recent stuff both her solo albums and as the anxiety it's great) but as a huge fan of the baltimore and dc hxc scene it's just like ok. So what's the point? Punk sounds like garbage to people who don't like it because punks cared more about getting their message across than making shit that might get radio airplay. They were fucking angry about the state of things and they made music for people who were also angry about it, and so often there was no crossover appeal. Remember when bad brains got fucking banned from dc bc their shows went so hard? If you want to make music with a punk-sounding influence that isn't necessarily political that's fine, that's how we got pop punk and the alt scene, all those "I hate my town" bands, the blink 182s and avril lavignes of the world, but there's a reason it's called pop punk and not just punk. Avril wasn't called the punk princess ever bc people knew that'd sound fucking ridiculous. She was the pop punk princess. I'm not saying that punk songs and bands can't become mainstream or popular, green day won fucking grammies, the clash and the sex pistols etc all got their big paydays. Which is why the hxc (and other early punk subgroups like riot grrrl etc) scene erupted at all; they felt like the big punk names weren't going hard enough anymore, and in a lot of ways they were right but that's sort of the nature of music, eventually audiences get bored or radio stations and studio execs want to discover the new big thing and then what was outsider music becomes mainstream and then those outsider fans decide those bands have sold out and look for something still outside/something harder which won't so easily be sold to the general public, rinse repeat. But I AM saying that if you're going to try to call your music punk, I better see you in the fucking pit.
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crplpunkklavier · 1 year
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idk. i read an article the other day about how the structure of pop songs is changing. how producers advise artists now to put the best part--choruses, hooks--right at the beginning, or at least within the first 30 seconds of the song, because otherwise people will scroll right past on tiktok and instagram.
idk. the same article explained that songs are getting shorter and shorter because you need people to loop you on spotify to make any money at all, and of course a 2 minute song is looped more than a 5 minute song, just sort of due to how time works.
idk. can i fault artists for wanting to make a living? but how dreadful to make art like this.
idk. i've always been a defender of pop music despite feeling at home in punk, because i don't think there's anything bad in humans sometimes wanting something simple, something easy to listen to, something immediately relatable. it's an idea that dates back all the way to romanticism. sometimes all we want is to dance and sing along and know that everyone everywhere feels heartbreak.
but idk! that's the consumer end of it. do we really want to be catered to like this? do we want to be presented with music that is cut and rearranged and bastardized and bastardized and bastardized all so it can catch our constantly waning attention? who needs to change first? one of us will have to.
and idk! the article somewhat nonchalantly ended by saying that "of course," there are some genres where people will still appreciate longer songs, "like rock and techno," as if rock artists aren't struggling to pay bills all the same.
idk, man. i'm old enough to remember hearing a song on the radio, or even fucking mtv, and going out the next day to buy the full album with my pocket money, just hoping it'll be as good as that one song. and if it wasn't, was that really so bad? i'd rip my favorites off the cd to burn my own mixtape, and then i'd sell the cd to someone else, for them to enjoy. but those were different times. sometimes i find artists that don't offer cds anymore at all.
idk. idk. i'm going to uninstall every app and handwrite a letter to sony to demand all songs be a minimum of 8 minutes long. figure it out.
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thefallennightmare · 7 months
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Miracle-eight
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(gif created by me, the fallen nightmare. feel free to use, simply give credit)
Pairings: Noah Sebastian x Reader
Warnings/Tropes: forced proximity, slight enemies to lovers, slow burn, smut, angst, fluff, mentions of death, and swearing.
Summary: Reader is the merch girl for Bad Omens. It wasn't what she wanted to do with her life but when her mother got sick with Alzheimer's, reader took a job where she could to help with the costs. She thought it would be a one-time gig but the longer she was on the road with them, the harder she fell for Noah Sebastian; even if he wanted nothing to do with her. She needed a miracle to save her mom and her future.
Author Note: things are about to get REAL intense so buckle up!
Tags: @ada-clarence @nonamessblog @thescarlettvvitch @malice-ov-mercy @crimson-calligraphyx @theoneandonlykymberlee @yumikitten @blackveilomens @cherrymedicine13 @thebadchic @notmaddihealy @jay02bo @beaker1636 @jakekiszkasguitarpick @punk-pr1ncessxoxo @er3nslovergirl @iamdesolate @lma1986 @jessitpwk @themodern-daywednesday @writethrough @bngurngheart @dreams-that-are-anwsered
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Holy shit, I give Bryan so much damn credit. He does this almost every single night and I've only been hopping around back and forth in front of the stage to get random clips or videos of the guys set for one night. At first, I was nervous to tell Bryan about my promotion because I felt as if I was stepping in his territory with taking pictures but he was ecstatic. Even offered to show me how to work the camera that I'd bought for my other content. I remembered how red in the face I'd gotten when he asked if I'd always been interested in photography when he saw the type of camera I had. Obviously I didn't tell him the real reason I had to buy it.
"It was a gift from an aunt," I lied.
My eyes glanced away from my camera over to Noah as he finished the last line of Like a Villian and snapped a few photos of him from different angles. I wasn't great at editing pictures, something else Bryan offered to help me with, but I still could tell what was considered a good shot.
I stood in front of the barricade and the crowd behind me screamed for the guys, absolutely thrilled that they could see them live even when the festival was canceled. It was the last-minute show that I pulled together and the small venue we were in was packed full of fans.
After our early dinner, before the show and after Noah fingered me under the table, we played oblivious to what happened. I hated we didn't talk about it because all I thought about while I was getting ready for the show tonight was if Noah and I were dating or if we simply were messing around. Even though I didn't want a relationship right now because of everything going on with my mom, I also didn't want us to be a casual hook up whenever one of us were horny.
I knew I needed to talk to Noah about this; it wasn't good to keep everything bottled up because it would only fizzle over before exploding. But the part of my heart that has genuine feelings for him was afraid of getting hurt if I found out he only had sexual feelings for me.
"How are we feeling tonight, Cleveland?" Noah asked the crowd.
Their screams echoed loudly around me as I took a few pictures of Nick before walking over toward Jolly to get a few pictures of him. I made a mental note to get back on stage to get a video of Folio drumming when Noah's voice stopped me in my tracks right to the side of him. I was on the floor but still only a few feet away from him.
"Before we play our next song, I want to give a shout out to someone special. She was the one who set up the pop up event earlier today and put this whole show together," Noah waved a hand around, showcasing the sold-out crowd.
The crowd cheered again as I gulped, not knowing where he was going with this.
A smile graced his face as he pulled the microphone closer to his lips. "She's someone that's been with us for two tours now and she's become a great friend to us."
I narrowed my eyes at him as ours locked.
"What are you doing?" I mouthed.
Noah ignored me, only giving me a smile and a small wave, even under the dark stage lights his eyes burned bright.
"You might recognize her as our merch girl but recently she became our social media ambassador so whenever you guys send us weird D.M's, just know she's the one reading them."
The crowd laughed at that, and I couldn't help but chuckle as well.
"But in all seriousness, she deserves this. Lets give Y/N a huge scream of thanks for putting all of this together."
Now the screams were deafening, and I tried not to sink into myself as people in the first few rows noticed me standing there. I gave a tiny wave to the crowd before snapping back over to Noah.
"Fuck you," I yelled up at him, no hint of malice behind it.
Noah winked. "You know if I'm being honest. I didn't think she could pull it off, so we made a bet. If she was able to, she'd get to design my next tattoo."
Some people in the crowd hooted and hollered at that.
"So if you see me with a tattoo of her name or some shit like that; that's why."
Before I could crawl into myself even more for having the spotlight on me, they started up into the next song, and letting my camera hang from my neck; I walked up the back of the stage up to the platform where Folio's drums were and watched in awe as he let himself go, being the beat that everyone followed. It was a true experience being able to watch him. I took out my phone to record a video of him to post on the Bad Omens Instagram story and when he finally noticed I was there; he winked after I took a few pictures of him with my camera, I walked down the stairs of the platform thinking of what I could get for the final shot of the night. I had a lot of close-up shots of Nick, Folio, and Jolly but none of Noah.
Biting my lip, I snuck up being him not to get in his way of performing, and as he sang the last few lines of Just Pretend, the lights in the venue went dark. The only source of light was from the flashlights of the fan's phones and seeing how ethereal Noah looked, I snuck up beside him to take two quick pictures.
He peered at me with a sideway glance as the corner of his lip lifted in a sly smile and once I was satisfied with all the pictures I took tonight I walked off the stage to the back. Noah, however, hooked a finger in the belt loop of my jeans and yanked me back towards him.
"Would you say I'm worthy?" he sang the last line, the lights fading around us.
I couldn't see anything in front or around me but I could feel Noah's presence behind me. His warm breath fanned across the back of my neck as mouth pressed gentle kisses there.
"Angel," he mused. "Do you know how beautiful you look tonight?"
His hands gripped my hips, and I shivered with his touch as he led us to the side of the stage where the rest of the guys were waiting. They would hang out for two minutes before going back on for their two song encore; Concrete Jungle and Dethrone.
I was turned in his embrace and saw the huge grin spread over Noah's soft features. Sweat glistened his body all over and his hair clung to his forehead.
Fuck, he looked so good.
My fingers raised to brush the hair back, but I stopped myself. Noah noticed, and he gave me a confused look.
"Everything alright?"
As much as I wanted to talk to him about us, I didn't want to do it before he was about to go back on stage.
"Yeah, you just took me by surprise is all with what you said."
"It's true," he shrugged. "Before when you were at the merch table, I could barley see you but now that you're so close to me, I couldn't stop watching you all night."
A blush painted over my skin and I cast my gaze downward, not wanting Noah to see how much his words affected me; although, I had a feeling he already knew. This was becoming more of a problem than I liked. I was allowing him to inject himself in my bloodstream, infect me with his presence and it would hurt me in the end. Whether it was because I ended things or he realizes that the problems with my mom were too much to deal with. I need to focus on my mom and now this huge step in my career, I couldn't let myself get blinded or involved with someone I worked with.
Too late for that.
The crowd was cheering for one more song and I knew they would run back out on stage in less than ten seconds.
"Angel," his finger brushed along my jaw. "What's wrong?"
My lips parted, but no words came out, unsure what to say. This wasn't the time and Jolly could tell as he watched us so he adjusted his guitar before slapping Noah on his shoulder.
"We have to go."
I nodded behind Noah. "I'm fine."
His eyes searched mine, fingers still gripping my chin. "You're sure?"
"Yep," I lied while patting his chest. "Go fight God; I'll see you guys back on the bus."
With a chuckle, Noah's fingers slipped away from me and I watched the four of them run back out on stage for the encore part of their song. I could stay and watch but there was no need to hang back anymore. They gave me the choice if some nights I wanted to help the crew take everything down I could or I could head back to the bus early to rest or do whatever I wanted.
I know I should hang back to help tear everything down but right now, all I wanted was a bit of solace on the quiet bus away from everyone.
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"Oh, god not that one," I muttered to myself as I browsed through the pictures of my phone.
I should look at the ones I took tonight, but I was looking at more risqué pictures. Tonight, Lana's second payment was due and as usual, I was short. Even with being promoted, I wouldn't get paid until the tour was over. So, the only thing I could do was ask Lana if she was fine getting the payment a few days later than normal and thank fuck she was.
Take your time, dear. We're all good over here.
Even though I was alone on the bus, I couldn't risk recoding something in case someone walked on so instead I took a handful of different pictures. These, though, were way more revealing than I usually take. One was in the bathroom on the bus; I was bare from the waist down with my pussy in full view but kept my Bad Omens t-shirt on, rolling it up from the bottom until it stopped over the middle of my breasts. You could see half of them, but the nipples were covered. My phone blocked my face, which was something I still wouldn't forget, and I took a few different angles.
The next set of pictures were of me laying in my bunk, now wearing a black thong but now the shirt was off, and I had my hand resting over one breast while the other was bare for the camera.
As I was still deciding, Folio came bounding up the stairs of the bus, his energy radiating off of him. When he saw me scrolling through my phone, he sat down and took my phone from my grasp.
"Are those the pictures from tonight?"
"Folio, no!" I bellowed while reaching for my phone.
I fell onto his lap, my chest pressing against his hips and he stiffened when he realized what he was staring at; the picture of me in the bathroom mirror.
"Woah," was all he said.
I groaned in embarrassment as rolled over in his lap now looking up at him and snatched my phone back.
"Please forget you saw those."
Folio stared ahead as he blinked a few times, almost processing what he saw before his gaze fell on me. Something twitched beneath me and when I realized what it was, I sat up with a start staring down at his dick, which was semi hard.
Oh God.
"This is so embarrassing," I covered my face with my hands.
Folio let out a low chuckle before slowly removing my hands.
"Who were you sending those to?" He wondered.
I quickly shook my head. "No one."
A small noise sounded from the back of his throat as he adjusted himself on the couch, still clearly affected by seeing my half nudes.
"If it makes you feel better, I like the one in our shirt the best," Folio grinned.
I smacked his chest. "You can't tell anyone about this, please. I already feel weird about taking them and now that you saw them, it's going to make things weird between us."
"You're the only one that thinks that, Y/N. And if you feel weird about taking them, then why did you? From what I saw, you have nothing to worry about."
My eyes narrowed at Folio in a playful glare; it was very clear that he indeed liked what he saw.
"If I wasn't mortified by you seeing my nudes, I'd take that as a compliment."
His brow raised in amusement. "Were they for Noah?"
"Hell no. He can never know about these or even see these, understood?" I pointed a finger to him.
"I won't tell him but I can't promise that I'll forget what I saw," Folio winked before get up from the couch and headed back to his bunk.
I was still burning up when Nick, Jolly, and Noah came onto the bus and when the latter's eyes fell on me, he reached for my hand.
"What?" I stared at it.
Noah lifted me from the couch and dragged me to the back area of the bus so we could have some privacy. He was still wearing his stage clothes, and I marveled at the tattoos that peaked through his blank tank top. Once alone, he let the door shut behind us as he fell to the larger couch in the room; me falling into his lap.
"What are you doing?" I asked while trying to sit next to him instead.
Noah's fingers dug into my hips to lock me in place. "I think we need to talk."
With a sigh, I nodded. He was right and as much as I didn't want too, this had to be done. Still in his lap, I positioned myself so I could look directly in his brown eyes.
"This," I pointed between us. "What is this?"
I could see with the look that flashed over his face that Noah was trying to figure out the best words to describe us.
"I'm not sure what to call it but I like what we have going. I don't want it to stop," he admitted.
"What changed, though? Last week it seemed like being around me was like pulling teeth," I said.
Noah sighed and wrapped his arms around me to pull me into his chest. "I tried to stay away from you because I thought it was a bad idea to get involved with someone on the crew and with what happened in Chicago, I took it as an opportunity. But the harder I tried to forget about you like that, the deeper you sunk your claws into me."
My heart shuddered in my chest.
"Can we maybe take things slow? Maybe see where this goes. I can't have a relationship right now. There are some things going on in my life that needs my attention, especially once I'm home," I explained.
I didn't miss the hurt look that shined in his eyes but Noah nodded. "I can wait, angel."
He was not making this easy.
This time, I extracted myself from his grasp and stood on my feet, giving us some distance.
"I can't ask you to do that," I said.
"You're not. Whatever you've got going on, I want to be here for you," Noah assured.
Tears brimmed in my eyes as I let out a long shaky breath. "It's a lot and I don't want to push you away again. If I'm being honest, I've wanted this from you for so long and now knowing you feel the same, I'm afraid."
He was on his feet fast to press me against the wall with his hips. Noah's large hands pinned mine above my head then he buried his face deep into the skin of where my shoulder met my neck. I let out a mix of a whine and moan when his rutted his hips into mine.
"Angel, I'm not going anywhere."
I gave a half nod, understanding, but I couldn't really focus with the way his cock pressed against my lower abdomen.
"This," I panted. "Isn't slow."
Noah hummed as he left a small mark on the skin behind my ear and I nearly melted into him.
"You're going to kill me," he breathed before pulling away from me, my hands falling to my sides. "But we can take things at your pace. If you want to hang out and watch a movie or something, I'm here. Or if you need help with other things, I'm here."
I linked my fingers with his and brought them to my lips to kiss the tattoos on the back of his hand.
"Thank you, Noah."
With a fond smile, he led me out of the room to the front of the bus where he motioned for me to sit at the table.
"Want some tea?" He asked.
I smiled. "Please."
I then sat at the table across from Jolly and Folio. Still embarrassed by him seeing my nudes, I refused to meet Folio's amused gaze and kept my own on my phone. I was turned away from everyone so no one could see me as I uploaded a few pictures to my Only Fan's page. I needed these pictures up as soon as possible to start making money.
"So are you excited to go back home for a few days?" Jolly asked.
"Oh shit. I almost forgot!" I beamed.
Bad Omens had a two-night show in Los Angeles, where we headed next. Then after those two nights, we would head up to Washington. With everything that had been going on lately, I forgot to mention to Lana that I could stay home those nights with my mom.
"We can book you a hotel for you if you want," Folio said.
"Or you could stay with someone," Noah piped up from behind me.
I glanced over my shoulder at him. "Slow, remember?"
He bent low to leave a kiss on my forehead and my eyes fluttered shut. "I'm only kidding."
"My mom's excited to see me so if it's alright, I'll stay at my place," I said.
Noah's lips twitched before he nodded. "Sure."
Seeing that the pictures uploaded to my site, I stuffed my phone back into my pocket and talked some more with Jolly, not realizing that Noah's phone went off with a notification or the way he adjusted himself in his pants when he looked at the screen.
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scekrex · 2 months
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Hello there gorgeous ✨
Prompt idea with reader being a part of a band that's heavily inspired by Babymetal, like the type of music is pop mixed with metal, the outfits, the whole vibe basically. Heaven's got a new band in town and it's reader's band (You can either create a name for them, go without mentioning any name or whatever else you choose to do with that! You can even ask me and we'll both think about the name c:). Adam at first was like "Tf? New band getting popular? Pfft, they probably suck, no one can out-do the first fucking man🙄" but then when Lute asked him to actually go and check it out with her since she got curious when one of the exterminators went there and told her that it was absolutely fucking awesome. They go and it's literally just a blast. The crowd work is astonishing with how the fans, even the shy ones, have no problems with being vocal with the lyrics or movement, the light effects are just top notch, sound quality is gorgeous and clear, the vibe on its own is just one of a kind and Adam is like "Yeah, shit, this is actually really cool, like wtf" but the biggest magic is when he first hears and then sees the reader alongside the two of his like "backup vocals" (I wouldn't really call Mo or Moa that, but I can't find a better word rn) absolutely rocking out, enchanting everyone as if he was some sort of magician, making Adam start questioning his sexuality, simply going "Am I fucking gay? What's actually happening right now?"
Recommendations for like ideal crowd work representation would be any song but my favourite is this one:
https://m.youtube.com/watch?v=E8pcFhPZQYg&pp=ygUKSGVhZGJhbmdlcg%3D%3D
Light and visual effects I'd probably say this one:
https://m.youtube.com/watch?v=Hru3zh8l2kE&pp=ygUUQmFieW1ldGFsIGRpc3RvcnRpb24%3D
And the one that could work the best in my opinion to like WOW his snarky bitch ass would be this one:
https://m.youtube.com/watch?v=ALznpaBWUTo&pp=ygUMbWV0YWxraW5nZG9t
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Rock on my superstar! 🤟🎸❤️
Sup babes, I changed the vibe a lil, going in a more punk-like direction. I don't like describing outfits so the only thing that got a description is reader's vest bc low-key important. Anyway I hope you like it!! xoxo
Part 2
And I dream to be your fantasy
pairing: Adam x male!reader
warnings: language & sexual tension
note: not beta read bc fuck you I don't have beta readers
A new band was blowing up in heaven, their posters were everywhere and Adam was already pissed off by it. Who the fuck did they think they were? Playing in his area? Fuck no. He avoided them as best as he could - considering that their posters hung in every window it wasn't that easy to do.
Lute landed next to Adam, she was visibly excited about something so the first man stopped with a sigh and turned around to look at her, “Sir, have you heard about Divine Fuck-Ups?” Adam growled as he gave Lute a nod, “Bitch, their posters are everywhere, how could I fucking not?” Lute simply rolled her eyes at him, “Yeah well, the other exorcists won't shut up about how good they are so,” the exorcist pulled out two concert tickets. Adam looked down at her, his expression a mix between hatred and betrayal. Had Lute seriously bought two tickets to a different band's concert? Especially when that band was playing in his fucking area on his fucking main stage? Apparently she fucking did. “You bought fucking tickets,” Adam grumbled, pointing out the most obvious thing ever. “The concert is tonight, I'll pick you up so we won't be late.” And it was not like Adam could have disagreed with her, Lute was onto something and the brunette was pretty sure she'd move mountains to get his ass to that concert.
-
The concert was… different than what Adam had expected it to be, the crowd was loud and wild, there were multiple mosh pits and none of their fans stood still for even the finest moment, they were constantly moving, vibing, enjoying their music to the brim. The first man had to admit: he was impressed by that. The only thing that bothered him was, that Lute had picked him up so fucking late that they were basically behind the massive crowd, enjoying the concert from the distance which also meant even though Adam was tall, he wasn't seeing shit.
So he simply grabbed Lute's wrist and pulled her with him as he made his way through the crowd, careful not to hurt anyone. Because while he was all for rock ‘n’ roll, the most rock thing to do was to watch out for each other at concerts, a rule he had learned very early.
He had somehow managed to make it to the front row, Lute by his side as he finally laid eyes on you for the first time. Your hair was sticking to your forehead, it was soaked in sweat just like the rest of your body - that was probably the reason why you were shirtless, wearing nothing but a black jeans vest with golden spikes on its shoulders. Your arm was wrapped around the waist of your background singer and you and him shared a microphone as you growled the lyrics of Lute's favorite song.
The background singer that had been in your arm only moments ago, was now dropping to his knees in front of you, grabbing your hips and wiggling them, his face only a couple centimeters away from your crotch, before he quickly got up again. Holy fuck that was hot. Adam was visibly mesmerized by your performance, not just the singing, growling and shouting but the way you owned that stage. The way you made the people go wild, your harmony with your band mates was a once in a lifetime sorta bond and the first man loved everything about it.
The song ended and you breathed heavily into your microphone. “Make some noise for Cove,” you yelled only to lick the man's jaw, Cove - the background singer that had gone down on you during your performance - was enjoying it, a little too much to Adam's liking but who was he to judge? Well he was the first man, that's who he was. “Okay, whatcha say to one more fucking song?” The crowd screamed and cheered, demanding the offered song like it was their air to breathe, shit even Lute screamed at the top of her lungs. Her white hair was all messy, her clothes clung to her body due to her sweating so much and she looked like she had one hell of a time.
The guitarist played the first three cords and the people around Adam were cheering, clapping and whistling. Then the drummer joined in and so did the bassist. Then your voice echoed through the air and Adam felt like he was in trance, all he needed was your voice and your body.
He wasn't able to dance, to enjoy the music, all he was hearing was your angelic sounding voice, it was enchanting through and through. The way you were moving your body held him in a chokehold, the amount of control you must have had over every single muscle was pure bliss in his eyes. He didn't even realize that the last song had ended and that you had just spoken your goodbyes, that's how lost he had been in your voice.
He really didn't understand why but everything inside of him was screaming to get to you, to make you his, to have you. Where those thoughts came from he didn't know, he wasn't gay after all but fuck you had looked hot on stage, better than any woman could have.
-
Don't ask him how, but he had managed to get a backstage pass once the concert had ended, it definitely had its advantages to be the first man. So there he was, waiting for you to arrive and once the door opened his eyes were basically glued onto you. “Hey there babes,” a cocky, confident smirk was on his lips as he pulled his mask off his head. You gave him a quick glance out of the corner of your eye as you walked over to your dresser, “So you're the bitch who thought of him as important enough to get backstage even though my team told ya no, huh?” Adam tilted his chin upwards as if that was something to accomplish, something to be proud of, “The one fucking and only.” You just rolled your eyes at his answer as you turned around to face him properly, “Listen, if you wanna hook up, now's a bad time. I have to get ready for another gig in just a couple of hours on the other side of heaven, be a fucking babe and leave, okay?” Oh but the brunette wasn't planning to, not now, not when he had the person he desired right in front of him. He walked over to you, his hand was quick to grab you by your hip and pull you in, the first man leaned down a little and murmured, “Oh babes, no need to act like you're fucking hard to get, I know you want me just as much as I want you.”
And that actually caused you to chuckle, because the confidence was so fucking wrong. You had just told him no and yet he acted like he was the man of your dreams. “Cutie,” your finger slid down his chest and stopped at his sternum, tapping him there harshly as your voice dropped an octave and your expression shifted to seriousness, “I do men, not boys. Come back when you decide to act like one.” And fuck, that did things to Adam, things he would never be able to admit to, not fully at least. Because you were acting like hot shit and for the first time he wasn't annoyed by it. Because you were hot shit, fuck probably the hottest shit he had ever laid eyes onto. “Now move your pretty ass out of my dressing room, babes,” you gave the first man one last sweet smile, your finger traced along his jaw and he leaned into every bit of touch he got from you. His eyes were clouded and for the first time in very fucking long it wasn't just lust that fogged up his mind, but interest and maybe even love.
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997 · 1 month
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sorry but as a longtime charli fan her whole admit you're so jealous of me i'm just living that life woo is beyond cringe at this point. i get that it fits the brat concept but like ma'am you're a 31 year old woman it's not cute anymore. idk how anyone can listen to von dutch without getting major secondhand embarrassment
i turned 31 yesterday and if im being honest (and taking into consideration two recent leaks i heard not even 15 mins ago) this IS what i would be doing for an album if I were charli LOL it circles back so perfectly to the scene that was there before she released her first album as xcx.... charli started to gain traction during the witch house era but she was there during the late new rave myspace era was around and where the electroclash electro punk influence was immense and that mood was EXACTLY what brat is trying to be about. its so obvious and natural i just think you're projecting expectations of what a 31yo woman should be portraying herself as not even trying to be woke but like lol... charli never promised us something too somber or high brow she sticks with club ready catchy pop and tries to engineer around that and its VERY well thought out IMO... maybe its cause i started to get into music the same time as her but idk im extremely excited she looks GOOD the attitude is RIGHT the songs SLAP and mind you im not afraid to tap out when she drops something i dont like (sucker/charli)
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elceeu2morrow · 6 months
Text
'Louis Tomlinson has proven he's not just an ex-boyband star, he's a rocker'
Some know him as 'that guy from One Direction', others, including myself know him as arguably one of South Yorkshire's finest exports but Louis Tomlinson is only getting better, writes Daniel Bird
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Image: Mirrorpix/Daniel Bird
Daniel Bird Assistant Showbiz Editor 17:31, 12 Nov 2023
Louis Tomlinson may only have two solo albums but he's proving to be one of the artists people should keep an eye on.
Having burst onto the music scene in 2010 as one-fifth of One Direction – a band created by Nicole Scherzinger on The X Factor after all five members were rejected, he's proven he's not just an ex-boyband singer. While singers from bands tend to keep a low profile and venture into other industries after a split, Louis is on a one-way ticket to becoming a mega-star in his own right.
Known for never losing his Doncaster accent and humour, the 31-year-old is currently embarking on his Faith In The Future World Tour, performing to thousands of die-hard fans every night – which he deserves credit for.
Although he may have come from one of the biggest bands of all time, the cheeky chap isn't afraid of getting up close and personal with fans – much to the dismay of his security who leap into action when he jumps off stage and runs to the barricade to see fans. In recent weeks, Louis has seen his expensive vests ripped off him, with fans even going as far as tickling him.
This, however, hasn't stopped him from putting on an incredible show. Despite only releasing two studio albums as a soloist (his second topping the Official UK Charts), he's pushing himself to the limits and playing arenas across the world. Most recently, he performed to around 21,000 fans at Manchester's AO Arena on November 11.
Walking onto the stage may be daunting for some, but Tomlinson showed no signs of fear as he opened with The Greatest – ironically, perhaps the greatest opening track. Throughout the night, he performed hits including Kill My Mind but also paying tribute to his One Direction days, belting out Drag Me Down and Where Do Broken Hearts Go. But since his pop days, Tomlinson has edged towards a more EDM and synth sound before finding his comfort in rockier tracks. He'd previously stated he'd taken inspiration from the likes of Sam Fender, Amy Winehouse, Arctic Monkeys and Manchester legends, Oasis.
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Image: Mirrorpix/Daniel Bird
Nowadays, fans can expect the odd pop hit but also enjoy punk rock as well as indie pop and soft rock.
However, despite being in the business for almost 14 years, Louis remained grounded and acknowledged that Manchester was the start of his career. Between songs, he recalled his first audition for The X Factor in front of Simon Cowell, Scherzinger and Louis Walsh, being in the city. He told fans: "This is where I did my very first audition, so to be back here on my own it definitely feels full circle and I couldn't have done that without you.
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