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#there is no character with as much DEPTH
adamprrishcycle · 1 year
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I support everything adam parrish does. Even the weird shit like sacrificing himself to a magic forest, scamming people for fake psychic readings even though he is in fact psychic and falling in love with an ancient, sentient horror who is stuck inside the body of an irish-american catholic teenager with a shaved head
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poorly-drawn-mdzs · 7 months
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Gaslighter? I hardly know her!
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dreadark · 9 days
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that ivan loves till is the most obvious thing about them
but. does ivan know that…?
the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love? probably not. and part of the reason is the one he loves himself
because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"
but ivan can't be satisfied with just watching he… wants. ivan wants till’s attention, till’s affection—
surely this selfish wanting can’t be love
...no wonder he was never able to express his feelings straightforwardly when he belittles them so much but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all only showing affection when till can't see it, right until he knows he's going to die
but ivan's feelings for till are all he still has of himself... to think of them as shallow...
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I've seen this translated as "I should've been kinder" to him (till) or to her (sua)
but really, the one he should've been kinder to was himself
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ping1n · 6 months
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It's so surreal being in the tes fandom and watching people make amazing, elaborate stories out of cookie clutter villains and shallow side characters that in game have 5 lines and I fireballed to death without a second thought.
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ottosbigtop · 1 month
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Cannot believe he lost the idgaf war…
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pycth · 3 months
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I fixate on one-liners too much, but can you really blame me when they hit like this?
The feelings that run through me whenever even the slightest pinch of a character’s canonical appearance is mentioned—
If y’all notice that bit of iridescence in his eyes, that’s color(s) associated with Freelancers in my canon ✨
Then I had a thought that since his eyes were brown, a natural hue, and my version on empowereds eye colors depend on their abilities unless you’re humanborn in which you have a bit of both (almost like heterochromia) 👀
Ergo making my version of Sam a humanborn Freelancer which I think really adds more to the struggles he’s been through and, if I really wanna get deep with it, even relating to Lovely in a way which would make having his hand in helping with the process of their turning a lot more meaningful because he can relate to the loss of an incredible ability you 1. didn’t know you had and 2. spent so long trying to manage it only to have it taken from you just like that. He sees a little of himself in them—and y’know Sam Collins is the kind of man that wants to give others the chance to have what he couldn’t.
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dittobooty · 11 months
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Thinking a lot about how in One Piece there's a continuing theme of self sacrifice that often doesn't meet its end (I won't say always because there are some characters who have eaten shit for a cause). But I just think about how easy it would be to just accept their sacrifice but the narrative won't allow that. Robin, Zoro, Sanji, Jinbe, they've all tried to give their life for the sake of others but they can't because they really don't have to. I think about Robin's "I want to live" regularly. It's so easy to die for someone but it's so much harder to live for them. And living for them gives back so much more than dying for them does. Dying is just a moment but living lets you have more moments and more time to show how much you care and lets you do so much for others. I feel like a lot of other shonen show dying as one of the bravest things you can do but One Piece is so different because it shows you that living is actually the bravest thing.
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simplyavatrice · 1 year
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nobody does it like her
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keywhole · 6 months
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wyll is just as fascinating and deep as the rest of the characters. i’ve seen so many people call him boring when he has gone through LITERAL HELL, made a pact with a devil to save lives and was DISOWNED BY HIS FATHER and he is still smiling. he can’t face himself in the mirror. he has so much self-loathing and guilt behind his honor. he will make the best choice no matter the cost; even his own freedom. so many people love the “hurting prince charming” trope and yet he’s “boring.” come on. also fucking look at him come the hell on
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dollypopup · 1 month
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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bottombaron · 2 months
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you know, i can handle a little bit of fun "Nandor is dumb" talk, but i have a net-zero tolerance for any implication that Nandor is not educated.
Nandor would have been incredibly educated in his lifetime.
even (or especially) as a soldier in the Islamic World. being a soldier was more like getting sent to boarding school that's also a military camp. they weren't just concerned with creating loyal fodder for war. they were building the next government officials, generals, accountants, advisors, etc. it was important that young men knew how to read, write, speak multiple languages, learn philosophy...sometimes even studying art and music was mandatory.
if he was nobility (and its most likely he was), take all that shit and multiply it exponentially. Nandor would have been reading Plato at the same age most people are still potty training. he would have been specifically groomed in such a way to not be just a brilliant strategist and warrior, but also diplomate and ambassador of literally the center of scientific and cultural excellence of the age.
so like yeah, he can be a big dummy sometimes, sure. but that bitch is probably more educated than any of us will ever be.
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lord-squiggletits · 22 days
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Could he really?
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Are you really, really sure Pharma could have just run away or asked to be transferred?
Is it really that easy to stand up to the DJD?
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It's almost as if Delphi being on the same planet as the DJD's base (something that was common knowledge and that Prowl didn't care about when stationing Pharma and an ex-Decepticon ward manager right next to them) means that there was no escape from the DJD.
It's almost as if isolating victims and keeping them from calling them for help is explicitly part of the DJD's modus operandi.
It's almost as if psychological warfare is just as much of a weapon in Tarn's hands as physical torture/killing is.
It's almost as if being a victim of the DJD is considered a fate worse than death.
Kind of weird how it is that in the same issue that the DJD are established as a terrifying threat, the same issue where Drift is compassionately asked if he's scared of being so close to the DJD, is the same issue where Pharma gets framed as a selfish madman for doing what he thought he had to to survive.
Dying of the Light came about 30 issues too late to vindicate Pharma and make it understandable why he did what he did. But even so, it's still really annoying how Pharma is the one and only victim of the DJD who gets called selfish and cowardly for doing what he thought was his only option to escape blackmail or death.
No one on the Lost Light, much less Ratchet himself, had any problem with considering Drift to be "on their side" even after millions of years as a member of the mass murdering Decepticons. And Ratchet had plenty of compassion to spare for Drift to ask him if he was scared of the DJD. Absolutely no sympathy to be had for Pharma, though; he's just a terrible doctor and Autobot who deserved everything that came to him. Murdering patients was just because he was an organ harvester working for the DJD, not because everyone at Delphi (including an ex-Decepticon who would be on the DJD's list) and himself was under threat of death by horrific torture.
Honestly I don't even think the unfortunate implications/unfairness were intended, at this point I just think that Pharma was simply intended to be a "mad doctor" character trope + token evil villain Autobot to add variety to the rogues gallery so like. The fact that the characters treat him like shit was just meant to be a narrative signal "look how much this guy sucks and is just so evil not even the good guy Autobots like him."
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leoserblog · 10 months
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Ok this might be an unpopular opinion but someones gotta say it...
Cassandra is a better Casey Jones than Casey Jr
Ive gotta be honest... i think casey jr is a kinda mid and i dont particularly think all the fanfare about him is warranted LOL
I want to note real quick that i dont DISLIKE him! He is a good character who only got as much development that a 2 hour movie could give him, and he filled and satisfied the role he needed to play in the movie, but the way the fandom latched onto him over the og casey... kinda makes me raise a brow
(Essay/rant about the prioritization of casey jr vs og casey under the cut :P)
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Fandom spaces love a traumatized boy from the future, and believe me i do too! But the amount of attention given to casey jr after being revealed as casey is a wild amount compared to the amount of attention the original casey gets. Maybe its just me getting into rottmnt after the movie aired, but this seems a little baised?
Not only that, but the amount of... idk the best way i can think to describe it is infantilization of casey jrs character isnt helping my opinion of him. It feels like most content surrounding him babify him and reduce him only to his trauma post movie. I understand that it can be interesting to explore his trauma now that he no longer lives in the literal apocalypse, but it feels strange to see him reduced to someone who cant get around on his own and lives with the turtles when the original pitch for the movies ending has him leave to explore the world, which i feel is very appropriate for him and wish they had kept it in
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In the movie when april shows us where the og casey has been and what shes been doing throughout the film, it tells us that casey is friends april which in theory, shouldve also shown us that she and the turtles are friends to some degree as well and should already have her place established within the group as this generations casey jones
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However the final shot of the movie is a group shot of the family+casey jr, which subtlety implies that he's the new casey instead, and that this is the main cast moving forward (should it move forward *sob*). While both caseys being considered in the main cast could be true, it does strike me as a little odd that this was the final direction the rot team decided on for the official ending versus the scrapped ending, especially because it complicates the pre-established canon. It wouldve been one thing if our og casey was a different character, but that isnt the case.. y... (<_<)
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Casey jr is an interesting character though! And i can understand why he appeals to fans, especially as his character post movie is fun to expand on aswell as developing his past involved with future versions of the main5, but one (me lol) could argue that the og casey is just as interesting of a character to delve into as she was involved, when you boil it down, a cult most of her life, and that concept, as well as the guilt she could hold for working with the foot and releasing the shredder, ontop of trying to befriend and gain the turtles and aprils trust are also intriguing concepts that could be explored, yet finding content that mentions her at all beyond her relation to casey jr is scarce
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It feels as though shes been reduced to a background character within the fandom despite being a reoccuring character for the entire show.
For the two seasons of rottmnt that we did get, we are shown just what kind of character casey is and her possible dynamics with the turtles+april. Shes passionate and powerful and beyond determined to prove her worth and reach her goals. Shes also playful and reckless, a side that fits well with the main cast and their humor and, if the show was given more time, couldve developed naturally as the newest addition to the family as most caseys are. I could also argue that her characterization fits that of previous caseys more than casey jrs does (though i will admit that considering the plot of the movie, i cant positively say what hed be like outside of life or death scenarios, but i also cant imagine hes going to make a 180 in personality without it feeling jarring and ooc)
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Now, i wont ignore the fact that her arc was cut horribly short and her involvement in the movie was quite literally a brief mention, both of which definitely play into how under appreciated she is. But at the same time it almost feels like everyone, including the show runners, have willingly pushed her aside for this new boy version to fill the role of casey jones. Hell, even when you look up rottmnt casey jones, cassandra barely shows up. Its casey jr which further proves my point
Idk, TLDR im pretty disappointed that despite being a consistent character for the entire show, no one seems to write or acknowledge her and if she is mentioned, its only relevant to push forward casey jrs character development or a brief cameo. As much as i do love casey jr (i can feel like hes mid and i can like him!) it seems like most people forget about the original casey, or favor casey jr in her place and she deserves more love and credit than shes given!
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prideprejudce · 9 months
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the more i think about Oppenheimer the more disappointed i get because at its core it’s such an interesting story to tell. like the whole manhattan project catapulted the entire world into a new atomic era that we could never go back from whether we were ready for it or not. and the fallout from the project not only changed and devastated the lives of hundreds of thousands of people (including of course the victims in hiroshima and nagasaki + the people living in new mexico where they tested the bomb) and the continued generational trauma of the bombs. also just the general mass panic and fear that the Cold War instilled into every citizen in the states who were literally waiting to one day be just annihilated by a nuclear attack. the whole creation of the atomic bomb had so much impact on the world. so doing a deep character study of both oppenheimer and his colleagues on the moral ambiguity of their work in the project and the outcome of it is such a great movie concept. but the film didn’t feel like that at all. instead Nolan gave us the watered down story that he’s best at and spent almost three hours forcing us to watch whether oppenheimer had to lose his disneyland government fast-pass due to his communist ties or not (spoiler: he does) and how strauss doesn’t like him because he got his feewlings hurt once. all the other scientists and physicists were given one or two minutes of screen time and were really just names to a face. the actual bombs creation was given a sidelong glance and trivial explanation at best. and of course to tie it all off the main female side characters were either naked/having sex for 80% of their screen time or was given the character depth of a piece of tissue paper
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comradekatara · 8 months
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i think the reason that a lot of people don’t recognize how fucked up sokka is is due to the fact that sokka himself refuses to acknowledge it. he is extremely repressed and operating on so many layers of cognitive dissonance that he doesn’t even realize that he is not in fact “normal” or “mentally stable” or “healthy.” part of sokka being extremely fucked up is also refusing to acknowledge or confront that he is remotely fucked up. so he generally presents like a well-functioning person who, despite being incredibly cerebral, doesn’t have a particularly rich inner life. but that’s only because he’s walled off every single aspect of his existence that causes him (real) pain or sadness or grief, put it in a vault and then buried it. and confronting any of it, even a little bit (like admitting that he felt abandoned by his father leaving, or that he misses his mother, or any other normal expression of pain that katara has no problem communicating) would mean confronting all the harmful logic he has internalized regarding his identity and denial of his own inherent humanity. so even though he seems like he has no filter and loves to complain, he is actually performing pretty much constantly. for the sake of those to whom he feels obligated, but mostly for himself.
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avephelis · 4 months
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every time someone mischaracterises jay ferin as the therapist friend a fairy loses its wings btw. put some respect on her emotionally-constipated ass.
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