Pet Recovery Counter-Conditioning Phrases
"I am my own person. I am allowed to prioritize my own needs and assert my own boundaries."
"I belong to myself and only myself."
"I deserve to be loved by others, touched gently, and treated with compassion."
(Romantic specific) "My body is mine. No one is allowed to do anything to my body against my will."
"I am a human being, and I am entitled to human rights, such as food, water, and sleep. My needs are not a privilege that I have to earn, they are human rights, and I will fulfill them when necessary."
"I can think for myself and take care of myself."
"I am a human being, not a slave. I am under no obligation to obey anyone's command."
"What happened to me was unjust. I did not deserve to be abused by my former master, and I will not tolerate abuse from them or anyone else."
"I am a good person."
"I have a right to be treated with dignity."
"I am not worthless. I have value apart from my master's attention."
(Romantic specific) "I am allowed to say no."
(Guard dog specific) "I am not a monster. In the past, I acted to protect myself, and I will continue to protect myself with or without my master."
"My rescuers are not a threat. My rescuers do not want to hurt me. My rescuers are safe people."
"If I am ever mistreated, I will report it to my rescuers as soon as possible."
"I do not need to lie to protect myself."
"I am allowed to love myself."
"I am encouraged to form relationships with the other recovered pets, and they will not be hurt if I interact with them."
(Bonded pair specific) "I do not need to protect my bond. I do not need to depend on my bond. My bond and I are our own people, and I am allowed to develop my own interests and take care of myself before my bond."
"I am a person, not a pet."
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The journalist
Tara’s Story - I
New female whumpee just dropped. Made her for another world, but @whumping-newbie abducted her into her Hitman-based (military) whump story and it’s a match. This is a collaboration.
Tara witnesses a conversation she shouldn’t have.
Content (warnings): Mostly build-up, some notions of (military) police brutality, manhandling, a touch of self-sacrifice that will definitely be built upon later, abduction. Female protagonist.
Marrakech
"Don't." Rabia's voice is rough. Her hand settles on mine, just as I want to grab my camera and leave for the Swedish consulate.
"It's alright, love." I point at the orange vest. PRESS is written over its back in huge letters, both English and Arabic. "I'll be good. It's just a peaceful protest. They'll want the world to see."
"The world, huh? Last time I heard JBS had an audience of 25 thousand."
I put a hand on my hip and give her a mild frown. "You know that I've sold to bigger stations before. If it's good enough a story, I'll make national."
"If it's good enough a story, some people won't want you to tell it." Gently, she takes the camera from my hand. "I appreciate the time you've spent in my country, but it's still not yours. I’ve got a bad feeling about this. Trust me. You don't want to be caught up in this."
"I do!" I'm almost desperate. "Rabia, I've been waiting for the chance to do something political. I love all those 'human interest' cute little pieces, but I want to be taken seriously as a journalist. My story on Strandberg’s fraud was the perfect start! I’ve got a foot in the door, and now, these protests are happening right next door. Literally. So I beg you -" I reach out to take the camera back from her hands. "Don't keep that from me."
"The roof." Her grip around the camera is firm. "We can film the consulate from the roof. That's still good enough. You can get people on the street at another time."
"Rabia -"
She stops me with a simple look from her dark eyes.
"Please," she whispers. "Please, my love, I beg you, too."
I sigh, before I lean in to press a kiss to her fingertips. "The roof, you say?"
She nods, relief flooding her face. I love her smile. I love being the reason for it. I've been insanely lucky to find someone like her in my life. She's right. It's her country, not mine. She's been my compass for so long. I should trust her now, more than ever.
"Let's go up there then. Lead the way."
-
The situation in front of the consulate is calm, despite the disproportionate amount of noise. Soldiers are monitoring the protesters, guns ready, but still relaxed.
I bite my tongue to not comment on the chances I'd have, interviewing some of the people. I know the language well enough, I've learned to get people to open up to me, I -
I shouldn't think this. Rabia is way more experienced than I am. If she feels something is off about this, she's probably right.
I take some more pans of the gathering crowd, zoom in on some of the signs. Mentally, I'm writing the off comments. I'll prepare a 30 second piece, just in case the station needs to fill a blank in their international news. Protestors, waiting soldiers, maybe something about the general mood in the city.
I nod to Rabia and point at the other side of the building, where an abandoned school has been turned into some sort of temporary army quarters. "Let me do a little moderation?"
She nods and takes the camera, carefully stepping back on the flat roof until she has me in a good angle. I flash her a smile, a private one, before I switch over to the professional one. "While protestors gather in front of the consulate, the military presence in the city is becoming more and more palpable. Provisional bases are emerging like in this abandoned school behind me-"
Rabia's eyes widen and she gestures for me to stop.
"What? I-"
"Shhh. Down," she hisses. "Look. Who's that? Is that -"
Soldiers are approaching the building, a blond foreigner between them. He's somewhat nervous, carefully glancing around. I can imagine why. It's him. The man all this is about.
"Strandberg," I whisper, as I get to all fours, staring over the edge of the roof. "Keep the camera running."
"Bet." Rabia lays flat on the roof next to me, keeping the camera on them.
On a hunch, I pull out my smartphone too and start filming. Always have backup. Whatever is going on here, it's going to be news worthy.
"Why is he outside?" I whisper. "This doesn't look like an arrest, this looks like-"
A man steps out of the school building, another soldier, but with a more pompous uniform, causing the guards in the courtyard to straighten their backs and stand at attention.
"General Reza Zaydan," Rabia mumbles. "He shouldn't even be in Marrakech."
"They're talking. They're - what the hell are we seeing?"
There’s an order for an arrest out on Strandberg, he’s an escaped prisoner, all but under siege at the Swedish consulate. Just the fact that he made it out to the street is remarkable, but talking to a high ranking general of the Moroccan army, who doesn’t make any effort to arrest him? There’s a story behind it, and I need to be the one to report it.
"I don't know. I..." Rabia crawls backwards from the edge of the roof and looks over at me. "Love, let's leave, alright? Right now. I... They... This is bad."
I’m still peeking down at the schoolyard, the familiarity between them, the-
Yeah. We certainly should take this material somewhere else for now.
Rabia pulls back the camera, and suddenly, on the schoolyard, the general freezes. He's looking at us. Straight at us, as he yells "Sniper!"
Fuck.
"Run," I stagger back and try to pull Rabia back with me. She doesn't move, just rolls onto her back and looks at me. "No use," she whispers flatly. "Too late. We're dead. We're dead and it's my fault. Forgive me."
"We're not. We're not dead, we have to run, we need to-"
Shouts and footsteps sound from downstairs, still on the other side of the street. They're coming. They're looking for a shooter. They'll be cautious, but they'll be brutal.
"Hide," I hiss. "Take the camera and hide, they don't know there's two of us."
"Forgive me," she whispers again.
I can't help it. I slap her across the face, hard, and she finally blinks, staring at me in confusion. "The water tank. Now."
Somehow, she manages to get on all fours, grabbing the camera. "But-"
"I'm American. They won't let foreigners vanish." Unlike her. I don't say it. We both know it. "It's okay. I've got you."
She opens her mouth, freezes, before she nods and crawls over to the tank, pulls herself up the ladder and vanishes inside.
Steps are coming closer.
"Don't shoot!" I yell, in English, then French. "Please, I'm unarmed."
The phone is still in my hand. The phone, with the video, with Rabia's voice, with her contacts, with -
Oh, fuck.
"Hands up," someone yells and I hear them climb the metal stairs.
Without thought, I stuff the phone between the slats of one of the AC units next to me, before I sink to my knees and lift my hands. "I'm a journalist! Press! Don't shoot!"
-
They don't have Rabia. That's the only thing that matters. She's safe. My love is safe.
I tell myself that, repeat it over and over, while I'm thrown to the ground, hands in my hair, a knee pressing into my back.
She's safe.
All will be well.
They force me down the ladder, drag me down the stairs. Nobody stays back on the roof.
They do believe me, me and my ID card. That I'm a journalist, not a sniper.
I'm not sure if that's entirely a good thing.
Behind me, a group of soldiers stays back on the first floor to search the tiny two room office I've rented. I, however, am not needed here. They sling a shawl around my hair, before drag me across the street towards the school. To hide my hair, a part of me realises. To hide the fact they're arresting a foreigner.
Arresting, or abducting.
Arresting. I tell myself. It's an arrest. It'll be okay. Even though I've witnessed some shady things going on. Even though they're dragging me into some empty school room, tying me to the single chair standing in the middle.
It'll be okay. It always turned out okay.
"Stay." A soldier says in broken English.
I don't comment that I don't actually seem to have a choice.
It'll be okay.
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