pondering a titans rewrite. anyway i like the idea that jason shows up in the first season (which is dick-centered/Gotham&bludhaven-centered) like three times. first to establish dick’s strained connections and jealously over his robin mantle being taken from him, and bruce replacing him so easily after firing him. secondly for jason and dick to begin to connect as well as jason and gar to become friends since the original titans show seemed to want to imply that but then did nothing with it. and then the last time jason appears it’s because he ran away from Bruce and is looking to find his mother, sheila, but probably gets distracted in helping the titans. and then jason leaves to go find sheila and, well. i think we know what happens next
Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.
All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.
okay i’ve got to vent about the nicki minaj situation bc yeah. i used to be a hardcore barb for almost 10 years (2010-2019). and when i say a HARDCORE stan i truly mean it, i had a twitter account dedicated to nicki, she was even following me and often interacted with my tweets when she was online. i was absolutely in love with her and her work. i met my best friend, who’s like family to me, because of her. the pinkprint helped me survive middle school bullying. i followed her through europe when she went on tours. i supported every project, stayed chronically online for her and engaged in petty arguments with people on stan twitter to defend her. i fell out around late 2019 because i felt like most of her lyrics had sounded the same for a while but mostly because she started seeing her current husband, a confirmed rapist. seeing nicki pick up a beef after beef with every young female rapper gives me a huge ick and internalized misogyny vibes. but the beef with megan? it’s been years since i last followed news on nicki, but now i find myself losing my mind every time i see something on here or tiktok. not to mention her twitter omg. it truly feels like i’m witnessing her downfall caused by no one but nicki herself. she’s literally destroying her legacy, a legacy tied to so many memories i made during those 10 years while being her fan, and it just sucksssss. it feels like she no longer has a pr team capable of damage control or persuading her to take a break from social media. she seems to be spiraling with everything she posts. not to mention that ben shapiro tweet, congratulating a white, homophobic supremacist. and the barbz who let her remain in her perfect little bubble, shielding her from any criticism, constructive or otherwise (perhaps out of intimidation – i know, i've been there) and doxing people in the name of what? a millionaire to whom you’re a literal stranger?
People are so boring about classic literature sometimes. Like I know it’s cool to be critical of men in books from the 19th century or whatever but it just leads to ripping out all of the nuance in favor of “Uh all of the Brontë men were evil and abusive and that’s all there is to those characters.” Say something interesting. I’m begging you
How does Chara feel about seeing Flowey? And the realization that it’s Asriel. How do they feel knowing that their plan caused Asriel to become like this. A twisted mirror version of them that’s come to hate monsters where they hated humanity. How do they feel about it.
Guilt. So, so much guilt. From both of them, actually. Asriel idolizes Chara and being Flowey, he still thinks it was his fault that their plan failed (why'd he wimp out? He should've just killed those humans. Idiot). Chara thinks it's their fault for even doing said plan in the first place (foolish foolish foolish I've killed us both).
Now, when Chara woke up after Frisk fell down, it was after dying together with their brother. They likely felt Asriel die. Asriel likely felt Chara die. And suddenly they're reunited, both undead one way or another. And they didn't even know.
The pacifist route wasn't just an epic underground adventure -- It was terrifying to witness firsthand how these monsters were attempting to take Frisk's soul. But didn't they wish for this, like once they wished for Asriel? For monsters to kill humans? Point is, Chara already got these Complicated Feelings long before they even thought of Flowey being Asriel.
But at the same time, the pacifist route was also a healing journey. It was undeniable that they got through it together as a team. Chara felt like they redeemed themselves, somehow, by guiding Frisk who's hellbent in sparing every single monster that tried to kill them. They could find it in them to forgive humans. To give humanity a chance. And by extension -- themselves.
Yet what happened with Asriel can't be undone......... Sikeee. When they discover the truth in True Lab, Chara went through what I'd call the Emotion Tornado. Good ol' guilt is back, horror, denial,...relief, hope? By the time, Chara is already familiar with the 'monsters are now the twisted image of who I had wanted them to be' thing and have partly made peace with what had happened. And the last part's going around in the form of a golden flower.
what constitutes being a monster in spn is so deeply interesting bc so much of the show is used to argue that monstrosity is not about what you are but what you do. And that you can always be a better person, your monstrous traits aren’t necessarily actually monstrous.
but as the show goes on we learn that this is only true if dean deems you human. So sams monstrous traits must be buried deep and thrown out in order for him to be good. Sams monstrous friends are inherently evil bc dean says so. Deans monstrous friends are fine though, of course.
I’m just eternally wishing for a version of this show where sams abilities are so deeply ingrained in him that he can’t ever get rid of them. And he’s allowed to be a hero regardless. Give me a season 5 where sams eyes randomly go yellow. Or he has to deal with demon traps or he needs to control his emotions bc anger from him can be literally explosive, but regardless of all of this he still shows dean more compassion than dean ever leant to him in season 4. And regardless of all this he still beats the devil.
He probably got out while he was in a stupor, he gets stupid hangry fresh after a shift and the local game are always sure to suffer for it
One of Sun’s worst fears is that one day the carcass he comes-to half-devoured is a person. Moon, Monty, and the rest of the glams have been diligent in watching over him on moon weeks for years, but things like this do happen and it haunts his nightmares how easy it is for him to potentially maul someone he cares about
yknow i didn't necessarily start my wyll origin run with the intent of romancing astarion in mind but the more i play the more i find their similarities amusing when it comes to like, the surface level personality they present to strangers in act 1.
wyll is a compulsive flirt. you see it in dialogue with shadowheart and lae'zel - he just tosses out a couple lines that clearly aren't supposed to go anywhere (asking lae'zel if she believes in love at first sight, blatantly reusing the same flirtation attempts with shadowheart) and i see this as part of his Blade of Frontiers persona. obviously a traveling vigilante would have no time for romance or relationships, but he's socially aware enough to have learned that people respond well to a certain level of rogueish charm. especially if his reputation precedes him. he can safely and positively engage in surface level flirtations with the people he interacts with because the person doing the flirting isn't real - at least not to him. he often says the Blade is his best self, but to him its an ideal he strives to achieve, not the person he really is. and i imagine that includes the ability to give discouraged people positive attention in a nonthreatening way. its safe. its superficial. he doesn't have to follow through.
this is overshadowed somewhat by astarion's tendency to flirt with anything that has a pulse, but the perspective they both have on it is pretty similar. theyre both coming from a place of not actually being interested in the recipient of their attention - whether that be through astarion's ulterior motives or wyll's lack of capacity for a relationship - but they both still put on this front because it's habitual. it's worked for them and it's gotten them through the varying degrees of social contracts they find themselves in. so they wind up trading lines easily because they've studied from the same script.
anyway what im getting at is bumping these two personalities against each other can definitely result in wyll and astarion committing to the bit so hard they accidentally wind up in a relationship. like, you're safe, you know the rules, you're speaking in a language i'm familiar with but we both understand that neither of us expect anything back on an emotional level. wait when did we start confiding our deepest secrets with one another. what do you mean you trust me.
I keep thinking about Durge, who, even after defying Bhaal, is never truly free from their father's legacy.
Because yes, the Urge is gone, the cursed blood of Bhaal doesn't call to them anymore. But body remembers, even if mind doesn't. Body knows what it did, it knows what it was created for. It's instinctual, bone-deep reflexes of a person raised to be the perfect murderer. It's little twitches and how easily opponents fall: foes and former allies alike.
It's small glimpses of the past, because mind doesn't remember, but the body DOES. It's the eerie familiarity of darkest corners of Baldur's Gate, it's people recognizing Durge on the streets, people they don't remember but who remember THEM.
It's the feeling of being haunted by your own self.
It's the body of Ketheric, the bloody mess left of Orin, Gortash's lifeless frame. It's the knowledge you're the last one, what this tragic story of conquer started with you and ends with you.
It's the feeling of emptiness where bubbling joy once was, the blood on the blade what brings no feelings. It's being charming, or kind, or honest, or gentle, or honorable, but at the end of the day still being the best in the art of murder - and who are they if not Bhaal's unholy blade?
Godless and fatherless, struggling to reimagine themselves.
Especially when memories come; they never return fully, never in the whole picture. But glimpses, the shards of existence what was once theirs cut deeper than any ritual blade would.
I keep thinking about Durge weighted down by the grief of the world, guilt of the world.
Alone: without a god, a father, a sister, a partner (Gortash, bc these two were absolutely insane for each other).
Alone and with whole life ahead; lost and confused and with hands bloodied.
Hero, people call them. They don't feel like a hero.
Homura did nothing wrong. And I stand by that. Because, she didn't do anything wrong towards anyone nor did she do anything with malicious intent. The only thing she did wrong is entirely in regards to herself. Rather than basing Homura's entire character around an act she made out of love or reduce her character to an evildoer with no morals nor love in her heart like some people still do to this day under the poor facade of “valid criticism,” I'm going to explain what Homura actually did wrong in Rebellion and her what her act of selfishness actually was.
What Homura did wrong was condemn herself to suffering as an immortal deity, the Devil whom acts as a rebellion against God, The Law of Cycles, strict laws of the original universe, which included Madoka Kaname not existing. That is what she did wrong, but not in the black and white, Good-vs-Evil way most people interpret this as. Yes, they are meant to be enemies one day, but because God favors rules and always doing the right thing, whereas the Devil favors her desire to stay in a world where Madoka is happy, where her friends are happy, where they are safe and have a chance at a life. A desire for happiness vs maintaining order of a broken world for the greater good, even if maintaining order means making sacrifices and making hard choices that directly rebel against that desire and yearning for happiness.
But, here is why Homura is wrong in dooming herself to her fate as the Devil. It's very subtle, but seconds before the Flower Field scene, as they are walking, Madoka turns and tells Homura that it really hurts her seeing her in so much pain and not being able to do anything about it. This may seem like a simple thing a friend would say, but remember that Madoka lost her memories as a goddess. And, as a goddess, she was stuck alone in Heaven having to watch life go by, Homura's life go by, and wasn't able to interfere. Think about that for a second. Think about being Madokami.
Think about when she could finally understand just how much Homura did for her, just how much Homura fought for her in all those time loops; the moment she's able to reciprocate her feelings, she fades from existence as the consequence. Wanting so badly to comfort Homura as she bears the psychological burden of being the only person to remember her, to know her, to miss her, to grieve and mourn her. Thinking the only time she’ll ever be able to see let alone talk to Homura again is when she’s essentially dying from all the grief, the pain, the guilt, the sadness of not being able to save her from her fate of being a goddess trapped in isolation. Think about that, then look at what she says here again. Of course it hurts Madoka seeing Homura hurting so badly and feeling powerless to do anything about it. Because that's what she's been doing as The Law of Cycles. Much like how she said she'd never make the decision to become a Goddess in the first place a few seconds later, she says this because this is the real Madoka who loves and cherishes Homura, who hates to see her hurt.
Take that into consideration when looking at what Homura turns herself into at the end of Rebellion, how she's suffering and you can see the exhaustion on her face and in her eyes, how you can see the immortality essentially sucking the humanity out of her to the point where she herself believes she is evil. This was never about Good vs. Evil. This is about Homura hating herself so much not only for being unable to save Madoka, but possibly even for loving her in the first place considering her love is what made her powerful enough to condemn herself to her fate as a Goddess trapped in Heaven with her wish. This is about Madoka hating herself so much to where she only deems herself worthy so long as she's helping others, her self-loathing making her reduce herself to a sacrificial lamb and throwing away her life for the better of everyone else, caring so little for herself and being unable to even fathom that she'd be mourned or grieved if she were to die, thus sacrificing herself over and over, seeing herself as a means to an end if it means freedom for everyone she loves. Madoka has always been there to comfort Homura and protect her since the first timeline. How can she do that if her memories and powers to do so are locked away? She can't. Because Homura doesn't believe she deserves Madoka's love.
Homura doesn't believe she's worth Madoka's sacrifice in becoming a God and Madoka doesn't believe she's worth Homura's sacrifice in becoming the Devil. Madoka cannot understand that she is so so much more than what she can give to other people whilst Homura is the only one that does. Homura can't understand that dooming herself to immortality pains and hurts Madoka because she can't do anything about it thus she can't save her from her suffering like how Homura ceased her suffering. It's a cycle. A snake eating it's own tail. A pumpkin that spins round and round and round. They're both selfish and they're both selfless. Homura is selfish in the sense that she's not taking into consideration how Madoka would feel if she knew how much she were suffering as the Devil for her sake yet she is being selfless because she's only suffering as the Devil for Madoka and her family and their friends to have a happy life. Madoka is selfish in the same sense that she's not taking into consideration just how psychologically damaging it is for Homura to not only have to watch her die over and over again throughout 100 timelines but to then erase herself from existence with Homura being the only one to remember her and she is selfless by of course only sacrificing herself so much because she cares for everyone and all Magical Girls, Homura especially included. They both love each other enough to sacrifice themselves for the other but they both hate themselves so much to where they believe they are undeserving of the other's love hence they keep dooming themselves to suffering in isolation and in turn dooming each other.
oughh i wanted to do a cute laishuro take on the blu ray extras (what if laios had been eaten instead) but lets be honest. they absolutely would not have made it as far without laios