#but if you actually read it in the context of the book it’s so obvious that he’s joking around with her

[softly-and-suddenly]

People are so boring about classic literature sometimes. Like I know it’s cool to be critical of men in books from the 19th century or whatever but it just leads to ripping out all of the nuance in favor of “Uh all of the Brontë men were evil and abusive and that’s all there is to those characters.” Say something interesting. I’m begging you

#yes this is about a class I’m in. what of it #There is a scene in Jane Eyre where Jane approached Rochester to ask him for leave for a few weeks to see her sick aunt #and he protests and makes a fuss out of it and he gives her a bunch of money and then takes it back and gives her less than he owes her #and if you read it in the strictest and least charitable fashion then you could say that Mr Rochester is an evil piece of shit who won’t #let Jane out of his sight and doesn’t give her what she’s due #but if you actually read it in the context of the book it’s so obvious that he’s joking around with her #and she’s ribbing him back in that same scene #because when you start out with the idea the Mr Rochester is an irredeemable monster and therefore everything he does is suspicious #you miss out on the very obvious fact that he and Jane are best friends! Their personalities gel perfectly #which is why they become so infatuated with each other #Saying ‘well Rochester didn’t give her all her money so he’s clearly manipulating and abusing Jane in this scene :(’ #is such an awful boring take that ignores what Charlotte spent hundreds of pages doing with these characters! #try having reading comprehension how about that #wuthering heights #jane eyre #the tenant of wildfell hall

[feyd-meowtha]

Some thoughts on Dune, media literacy and the way we interact (and do not interact) with difficult topics in fiction....

Buddy, imma say this with kindness in my heart.... If this gets you 'tweaking' then you aren't gonna like the ending of Children of Dune...

On the media literacy note.... big sigh.

It is explicitly said that Feyd and Paul were meant to marry and have a child had Paul been born a girl - obviously the natural reaction is to consider what the nature/implications of that would have been. The source material is EXPLICITLY telling you that they were made for eachother, destined to be together. This is also the text EXPLICITLY telling you that this relationship would be an acceptable thing in this world. Therefore engaging with this concept is not at all a reach and is very much backed up by the source material. People are not getting this idea from nowhere.

(Also if that still offends you, they're not actually first cousins but cousins once removed and 2 seconds of thinking about the family tree would have made that obvious, not that it really matters at all in the context of this story, but it is a very easy feat of inductive reasoning)

The fact is that this is a story about ruling families and (as they almost always do) it involves a degree of incest. This is ESPECIALLY true in the world of Dune where these people are being selectively bred like show dogs to have certain genetic characteristics, I hope I do not have to patronise anyone by explaining how that works. Especially given as Reverend Mother Mohiam says this, oh, 10 pages into the first book:

People who haven't read the literature love to lecture people on literacy, funny.

So, in conclusion, if this is how you feel then, with love, Dune is not the story for you. The fact is that a degree of incest IS normalised in this universe and if you're inclined toward tedious moralising based on writers exploring difficult ideas in fiction then I'm honestly surprised you ended up here in the first place. Dune is a story that constantly presents the reader with difficult ideas and invites them to critique and analyse them for themselves, including the morality of the Bene Gesserit breeding programme. In Dune no character is morally pure, no ideology is beyond corruption and no path is free of ugly choices. As adults we can engage with these difficult topics as we wish.

*Sigh* A few years ago these people learned the term 'media literacy' and they've been insufferable ever since.

#dune #paul atreides #feyd rautha #dune part 2 #dune part two #timothée chalamet #austin butler #dune meta #feydpaul #dune spoilers #paulalia #tw incest #incest cw

[bone-and-butterflies]

How to hide plot twists from both your readers and your characters in a way that is not frustrating or annoying.

So I was watching a book review for a book that I liked but both loved and hated some of the plot twists. Of course this got me thinking about plot twists and why they work for both readers and the characters that are falling for these plot twists.

Readers

The key is to control the information that your readers have. Your readers aren't going to consider an option unless (1) that twist is really common for your genre and that reader has read that genre a lot and will therefore be expecting it or (2) you have very obviously given them the specific information nessesary to unintentionally figure out the twist before the characters.

Why does this information stand out, you may be wondering. It is because there is nothing else going on to distract away from a piece of information that can seem meaningless with the right context.

Most of the time, if you're not writing a very specific plot line with a very specific genre, your reader isn't going to immediately know where the plot is going so they may not be looking out for the information relevant to a later plot twist, so as long as you justify an informational choice that explains a later plot twist in a way that covers a variety of basis, they're probably not going to pick up on the one piece you left out, aka what is going to make this twist fun.

This piece of information should be something small and unassuming. It can be magical, but if you're writing fantasy that magic has to be hidden really really well. I find that a plot twist works the best when the piece of information that is missing is something you wouldn't really think about, like the reason a prince was able to infiltrate a prison and hide his identity was because he had his cousin standing in for him and we don't know that this cousin existed and knew the limits of that world's magic (this is actually a plot twist that fooled me btw despite how obvious at sounds now).

A good plot twist that fools the reader relies on twisting the information that the reader has and therefore twisting how they think the story will go.

Midway sidenote: not every plot twist needs to exist to fool both the reader and the character, sometimes it is really fun to watch a character fail because of something inherent to that character.

Characters

Remember how I said sometimes it's really fun to watch a character fail. That only works sometimes.

It is more annoying to figure out a plot twist that is really obvious and then have the character miss it because the author said so.

So how does a writer pull this off?

Be intentional. Have an idea in mind of when you want the reader to figure it out and ask your beta readers when they figured out your plot twists to control that as much as you can.

Your character does not know which genre they're in, so you have to both get inside the character's head and take the reader along with you so they understand why this character is making these poor choices and missing the most obvious villain in the room.

Why would a character miss a plot twist?

They are distracted or delusional. Characters have goals and they may ignore their better judgments to achieve these goals based on their personality. Put more emphasis on your character's motives to hide information that may make plot twists more obvious. Also, your characters may use information about their world to explain their motives and this information may also be vital to understanding a later plot twist

The average person does not go around thinking everybody around them is out to get them especially if those people seem incapable of that through the pov character's ego or the other character's demeanor. If your character has known somebody for a really long time or knows a piece of information that is vital to the worldview they're probably not going to immediately discard it. Fun fact: in the real world, when people have their views disputed, even with very good evidence, it can make them more likely to hold on to that old belief.

Expectation of harm. Different characters have different experiences with shape how bad they think things can get. For example, if a character has never experienced something, they may not know what can lead to that thing. (FYI older characters are more likely to know more things so be careful with this one.)

The Twist

For a twist to work, it must make sense with both real world and in world knowledge as well as common sense, so keep this in mind as you plan.

Conclusion

This isn't comprehensive because good plot twists require a lot of information to make them work and that's makes them very specific. While I would love to explain why different plot twists work, part of them working is them fooling you and hindsight bias is kind of a thing.

Keep writing. If a plot twist just isn't working either scrap it or let it sit until you have the information to build reasons why it should work.

#writing #novel #writing advice #writing tips #writers on tumblr #writerscommunity #writing resources

[papercorgiworld]

Can i request a Mattheo Theo and(or, how many u feel like writing) enzo with an older gf maybe like a girl who'd walk em like a dog and in a second they're like "Yes maam whatever you say🧎‍♂️" byw love ur writing I'm obsessed with ur works!!

I kinda wasn't taking request, but I suck at saying no and I just kinda felt like writing this. This is just short and quick, but it was a really fun idea. I gave it a bit more of a specific context, I hope you don't mind. Thank you so much for sending this my way. I hope you like it, bc I really loved your idea. I wrote this in like an hour or so, let me know if you spot any errors. Also currently 2k+ words into a very fluffy muffin coded Mattheo piece. So this is more like a suggestive snack. Enjoy my dears!

Warning: suggestive

I added a part two.

Whipped for their tutor

Mattheo

Mattheo had been skipping too many classes and his latest test had reduced Mcgonagall to tears, so it was tutoring sessions or no quidditch for the rest of the year. So here he was waiting outside of the transfiguration's classroom as the professor informed his tutor on all the material he needed to catch up with. The list was really long and Mattheo was starting to get embarrassed. Especially when he heard the professor refer to his latest test. He really wasn't stupid, he just neglected his studies for a bite too long.

He heard chairs shuffle and moved away from the door. The door opened and Mattheo's mouth almost fell open. You've got to be kidding me. (y/n). Fuck. Everyone at Hogwarts had a crush on you and in Mattheo's case it wasn't just an innocent crush. No, the thoughts he had about you were far from innocent. Professor Mcgonagall's voice pulled Mattheo out of his trance. "Mister Riddle, this is miss (y/l/n), she'll try to save your grade."

You smiled at Mattheo as he nodded at the professor's words. He was cute you couldn't deny that, but seriously the staring was obvious. When the professor left you two alone Mattheo chuckled nervously making you roll your eyes. Wasn't Mattheo Riddle supposed to be a big bad boy? You turn on your heels. "Follow me, I reserved us a classroom." Your voice is sweet and Mattheo feels himself heat up to an unhealthy degree. Yes, mommy. He stares at your ass for a second and then quickly walks after you.

"Mattheo Riddle." Mattheo introducing himself when he catches up with you and you smirk, before licking your bottom lip. "Oh, I know who you are." Mattheo smirks, feeling confident a his reputation. "I've also seen your grades." Mattheo's smug smile drops and he falls silent for a moment. You open the door to an empty classroom and enter, walking over to a table to lay your books on. "I'm actually not stupid." Mattheo finally manages to say and you look up as you organize your books. When you don't say anything he walks closer. "I just didn't work hard enough." He explains and you sit down. "Well, I guess I'm just here to make sure you work for it this time." You tilt your head and watch him almost drool.

"Sit." Mattheo nods and complies. Nothing left of this bad boy. He reaches for his books. "You should start with summarizing chapters 3 to 6." Mattheo huffs. "I never make summaries, I'll just read it over." You lean a little closer and rest a hand on his thigh, making him almost gulp at you touch. "Matty, be a good boy and summarize chapter 3 to 6 for me." Your lips near his ear have his dick twitch in his pants and if your hand would move even an inch you would feel it. Mattheo can't remember the last time he's blushed, but right now his face is reddening as he stares at his book. Slowly he moves his eyes, first to your half opened blouse and then to your perfect lips. "Yes, ma'am." Is all the notorious Mattheo Riddle can say before he opens his books and starts doing the work.

Theodore

He was late and hearing from the laughter in the hallway, he wasn't in a hurry. "That Gryffindor goat just failed me bc she hates Slytherins." You roll your eyes at Theodore's arrogant voice echoing through the hallway, approaching the classroom you were supposed to meet at half an hour ago. "Can't believe you're stuck with a tutor, mate." Mattheo chuckled and you focus on Theodore's test in your hands. "I know, I probably can teach them more than they can teach me." Theo laughs as he opens the door and you tilt your head with a cheeky smile on your lips. "I doubt that." Is all you say and Theodore stares up and down your figure as you sat so elegantly and perfectly. Mattheo stands behind his friend mouth hanging.

"I might need some tutoring as well." Mattheo says his voice squeaky, making him look down in embarrassment. "No doubt, but this session is reserved for Theodore. I can call you Theodore, right?" There's a teasing tone to your voice but both boys are too enchanted by you to notice. "Anything." Theodore breathes as he takes a few steps towards the table you were sitting at. "Mattheo." You say looking past Theo. "You can close the door." Mattheo smiles bright as you say his name and does as you say, only once outside he realizes how foolish he must've looked.

Theodore was now alone left at your mercy. "Are you just gonna stand there?" Theo shakes his head and smiles like a love struck puppy. You were the hottest and most unreachable girl at Hogwarts and now he got to sit next to you, smell your perfume and take in your perfect features from up close. "I don't actually need tutoring." Theo said with a half smirk on his lips, faking confidence. "Your latest test says otherwise." You move the piece of parchment over the table towards the Slytherin, who's immediately flustered. He really doesn't need his dream girl thinking he's stupid. "I say we start by correcting the mistakes you made and filling in the blanks you left." Theodore chuckles, he really didn't want you of all people to tutor him like he was a little boy. He needed to you see him as a man for far from innocent reasons. "I don't think that's necessary." Theodore protests.

You scoot a little closer to him and lay your hand on his thigh, gently moving between his legs. An unsteady breath leaves his parted lips. You owned him and you both knew it. "Don't be like that Theo, just do the work... for me." Another breath leaves his lips and he reaches for his quill, like a good boy. Cute and whipped, exactly how I like them.

Enzo

It wasn't even his fault. Mattheo and Theodore had gotten him high and he had written the word 'soup' as an answer to every question. Now he had to skip quidditch training to go hang with this tutor. With his hands in his pockets he entered the library, scanning the room for his appointed tutor. That's when he saw you. Gods, you were a view. He smiled, immediately getting flustered, you were out of his league and he knew it, but damn you were fine to look at.

"Lorenzo, right?" She's talking to me. Oh by Salazar, it's happening! Say something! "Lorenzo?" You snap your fingers in front him and his smile turns goofy. "Sorry. I was fantasizing- I mean dreaming- thinking." You press your lips into a line you were used to guys getting a little nervous around you, but this guy couldn't even hide it and that just made him adorable af. "I'm your tutor." You don't bother introducing yourself, since you had caught him staring at you enough times for him to know your name and sizes. "Tutor?" The Slytherin seemed to panic at the idea, but you chose to ignore it leaving him with some of his dignity.

"Come on. I was just planning on getting your books." Enzo nods and watches you walk, making you turn after a few seconds and raising your eyebrows. "Come on, Enzo." He sighs at the way you say his name, like you did it better than any other girl. He hurries and follows your every step carrying every book that you summon. Suddenly you turn on your heels and Enzo almost bumps into you, smiling at you as his eyes rest to your soft lips. Probably fantasizing. "Let's start studying, shall well." You announce and despite the discouraging pile of books Enzo quickly nods. "Yes, ma'am." You chuckle. Whipped. With him still trailing behind you a dirty thought sets root, maybe a younger and utterly whipped guy like Lorenzo Berkshire might make a good sugar baby.

#slytherin #slytherin boys #theodore nott #theodore nott imagine #theodore nott x reader #enzo berkshire #enzo berkshire imagine #enzo berkshire x reader #mattheo riddle imagine #mattheo riddle x reader #mattheo riddle #papercorgiworldwritings

[backtothefanfiction]

Nicknames

Summary; explaining where you and Felix get your nicknames for each other from.

Warnings: fluff, tragic backstory, neglect, sibling bullying

A/N: the whole point of the Summer at Saltburn shorts is that you can read them in any order and they make sense but this is probably one with the most context as to why reader lives/spends their school holidays at Saltburn.

Summers at Saltburn Masterlist

You can’t remember a single summer you haven’t spent at Saltburn. Even as a kid, before your father ran off to South America (when he came under investigation for embezzling company funds), you had always spent some time at your Godfather’s house; because his kids were the same age as you. You were the youngest of four, a “happy” accident 6 years after your older brother had been born. He was supposed to be the baby of the family, not you and the age difference between you and them (they all had only a year or two between them) made them cruel.

Felix had started to call you Daisy in response to hearing your older brothers and sister refer to you as Oopsy at one of his parents parties.

“Why do you call her Daisy, my darling?” Elspeth had asked her son when she realised he’d started to refer to you exclusively as the small yet resilient dainty flower.

“Because her family call her oopsy, as in oopsy Daisy.” He says through a mouthful of food.

“Oh how horrible. Is that true darling?” She says turning towards you. Elspeth had always treated you as if you were one of her own and the thought of people being so cruel to you made her blood simmer under her collected exterior.

You paused before saying “yes,” unable to look her in the eyes.

“Well,” she said, patting your hand that lay resting on the table between the two of you, “I much prefer Daisy, because you are. You are beautiful and strong and don’t let anyone tell you otherwise.”

——————/////—————

You had taken to calling Felix “Fix” only a few summers back, when he finished secondary school and brought his first school friend home for the summer. It wasn’t until another 3 summers later and Felix brought Oliver home for the summer that he finally asked you why.

You had decided to hide yourself in the field in hope of actually trying to get through one of the books you’d brought with you to read this summer. You actually hated the field. It had a very specific rule, if you were going to lie out in the field, you have to do it naked. It wasn’t the rule itself that made you hate it, but the fact you always seemed to get bit by something hiding in the long grass.

You’d managed to sneak away and remain undetected for all of 30 minutes (which was a new kind of record because searching the whole house for someone could take up to an hour at times) before Felix came stalking across the field towards you.

“Clothes.” You called out from behind your book.

He was silent as he stripped off his polo shirt and shorts before stomping through the long grass towards you. He remained silent as you continued to read but his fidgety fingers and legs told you there was something he wanted to talk about.

“Just say it.” You say, your eyes pausing at the end of a paragraph to make sure you wouldn’t lose your spot, hoping his question would have a quick answer and you could go back to the novel in your hand.

“Why do you call me Fix?” He says.

It’s not a question you were expecting and find yourself dropping your book into your lap to turn and look at him. “I thought it was obvious.” You say, peering over the tops of your sunglasses at him.

“Well apparently it’s not.” He replies.

“It’s because you like to fix people.” You say, lifting your book back up to your eyes, figuring it was answer enough, but alas, Felix protested.

“I don’t like to fix people.” He scoffs and as you look over the top of your book at him, you can see the small scowl forming on his face around his furrowed brow.

“Oh yeah?” You say before you both get distracted by the sound of another pair of feet making their way across the field towards you. You look to see Oliver making his way towards you both and it’s like the god’s have just handed this to you on a plate. “Ahhh look,” you say, seizing the opportunity, “here comes exhibit C.” You say to Felix, before shouting a reminder of “Clothes!” At Oliver.

Felix doesn’t say any more about it that afternoon, but when he corners you that evening before dinner, he has to ask. “Okay, so if Ollie is exhibit C, I’m assuming Michael was exhibit B…” he pauses as he waits for you to give him a small nod of confirmation before he asks, “Who’s exhibit A?”

“Me.” You say, as if it’s obvious. One look at his face tells you that you’ve stunned him into silence. Your face is calm and confident as you make your way into the dining room, leaving him alone in the hallway to ponder his thoughts.

#felix catton imagine #felix catton fluff #felix catton x reader #felix catton #saltburn #saltburn imagine #fluff #summers at saltburn

[queerfables]

Alright GO fans, let's talk Sodom and Gomorrah. This biblical story comes up a few times in Good Omens canon, a kind of offhand mention each time, and the most interesting part to me is the implication that Aziraphale was there.

If you only know the cliff-notes version, you've probably heard it as the story of God condemning homosexuality to the point of wiping out several cities over it. Maybe you've heard this too, but - that's not exactly what happened. Look, I'm an atheist, I have no dog in this race. If I thought it was about smiting people for homosexuality, I'd be happy to call God a wanker and move on. But I've read the story of Sodom and Gomorrah (You can too! It's very short!) and I've read other parts of the Bible that reference it, and I think a much more straightforward interpretation is that it's about offering hospitality and protection to strangers. It's also about the consequences of wanton cruelty, and God laying waste to those deemed beyond salvation.

In Good Omens, the book, Aziraphale and Crowley discuss Sodom and Gomorrah this way:

"Come off it. Your lot get ineffable mercy," said Crowley sourly.

"Yes? Did you ever visit Gomorrah?"

"Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-"

"I meant afterwards."

"Oh."

According to the book, then, Aziraphale at least saw the city after it was destroyed. Maybe Crowley saw the aftermath too or maybe he just heard about it. They both understand it as horrific.

The show is more direct, and suggests that Aziraphale was there during the actual destruction. Gabriel asks if Aziraphale remembers Sandalphon. Aziraphale does.

"Sodom and Gomorrah. You were doing a lot of smiting and turning people into salt. Hard to forget."

Aziraphale regards Sandalphon warily during the conversation. I believe we're supposed to interpret this scene based on the popular understanding of Sodom and Gomorrah as cities that God wiped out because of the inhabitants' sins. The obvious implication, then, is that Sandalphon is the heavy, the one called in to deal with disobedience. He's trigger-happy, relishes violence, and Aziraphale has seen what he's capable of. From the careful way Aziraphale discusses their prior acquaintance, I think he feels the destruction of Sodom and Gomorrah was a tragedy and believes Heaven's actions were disproportionate and unjust.

I'm confident this is how we're supposed to read the scene. In the context of the story, we're supposed to understand that Aziraphale doesn't approve of the smiting, and that he feels threatened by Gabriel and Sandalphon coming into his bookshop and pressing him about Armageddon. But I'm fascinated by what it would mean if Aziraphale and Sandalphon's history really tracks onto the story of Sodom and Gomorrah. Because if Good Omens' version of Sodom and Gomorrah is at all biblically accurate, and if Aziraphale was there... it's kind of mind-blowing, actually, that he still feels so much compassion for the people who died and still thinks Sandalphon was wrong.

I'm going to explain why, but fair warning, it gets ugly. I promise nobody is actually raped, and I think that promise in itself says plenty.

According to the Bible, Sodom and its surrounding cities are accused of being overrun with sin. God sends two angels to Sodom to verify this, intending to destroy everything if they find it to be true. In the world of Good Omens, I think one of these angels must be Aziraphale. The other one is likely Sandalphon, but in the Bible it's God rather than either of the angels who rains down burning sulfur on the cities so it's possible it's someone else, and Sandalphon is only on smiting duty. Without anything else to go on, though, let's assume it's Sandalphon.

So our two angels arrive at Sodom in the evening, and at the gate to the city, they meet Lot. Lot is an immigrant who has made his home in Sodom, and I think the implication is that this is why he's not completely steeped in sin like everyone else. In any case, he immediately offers to put the angels up for the night, and although they'd planned to stay in the square, Lot is really insistent. He is a good host! Also, he knows the city is dangerous. So the angels go to his house and he makes dinner for them, and then before they can go to bed, a mob shows up at the door.

See, the men of Sodom have heard about the strangers staying with Lot. They surround his house and demand he hand them over. The New King James Version puts it this way: And they called to Lot and said to him, "Where are the men who came to you tonight? Bring them out to us that we may know them carnally." Several other translations say that the men wanted to "have sex with them". But I mean. It's a fucking mob. They've surrounded the house. We all get what this is, right?

So Lot goes out to meet the men, and he says "Don't do this terrible thing." Off to a good start! Then he says, "Tell you what, I have two virgin daughters. Do what you like to them and we'll say no more about it." Oh boy. Dad of the year award, right there. But still, he insists, "The angels are under my roof and my protection."

The men outside Lot's house are pissed. They say, "You're an outsider, who are you to judge us?" They threaten to do worse to him than to the angels. They swarm him and almost break the door down, but the angels pull him back inside.

The angels then strike the mob with blindness to stop them getting into the house. They say to Lot, "Look, you gotta take your family and get out of here. God sent us to see how bad things were and, uh, long story short, we're burning it all to the ground. You get it, right?"

Maybe you know the rest. Lot's son-in-laws don't believe him and won't leave the city. Lot's wife looks back and turns into a pillar of salt. Lot and his daughters take shelter in a small town called Zoar, and from there flee to the mountains. Everything else is destroyed.

It is a tragedy. The plains are leveled down to ash, until there's nothing left that can even grow. Was there really no one innocent in those cities? No children or animals? (You can't kill kids). Still, I think about that awful night under Lot's roof and I don't think I could blame anyone for giving up on all of it.

So what if that's the story? There were two angels in Sodom before it fell. What if it really was Aziraphale and Sandalphon, trapped through the night in a stranger's house, surrounded by men who want to rape them. Whatever their power as angels, that has to be terrifying.

If it was Sandalphon there with Aziraphale that night in Sodom, I have to wonder what he was like. There isn't any kinship or understanding from Aziraphale. Despite knowing the circumstances better than anyone, he still sees Sandalphon as a threat. Given that, I think Sandalphon must have taken a truly disturbing kind of joy in raining down vengeful fire and brimstone, beyond what you might expect from someone who was afraid or angry. Maybe he was never afraid; maybe instead he revelled in the violence building through the night as the reason he needed to tear everything down. Maybe he was afraid in the terrible way that exposes the depths someone will sink to to protect themselves (maybe offering his daughters was never Lot's idea). Or maybe Aziraphale just tried to reach out to him afterwards, to offer understanding and ask for some in return, and Sandalphon shot him down so coldly and viciously that Aziraphale knew immediately this wasn't something he was allowed to have feelings about. Whatever happened that night, it left Aziraphale feeling more of an outsider from Heaven than ever.

But if it happened that way, it happened this way too: Aziraphale survives a night like that, and when he looks out into the breaking dawn, he thinks, these cities don't deserve to burn. He sees the good in a place that's just shown him its absolute worst. I think that says everything about him as a character, actually. Of course he won't give up on Heaven. Of course he'll fight tooth and nail for his home on Earth. Whatever the worst is, there are still things worth saving. There are still, always, people worth protecting.

On that note, before I wrap this up, I want to go back to Lot's words to the men of Sodom, and draw a parallel that makes me feel some kind of way. Because when Lot declares the angels under his protection, what he says is essentially, "Do not do anything to these men, for they have come under the shadow of my roof for protection." And all I can think about, reading these lines, is Aziraphale standing in his bookshop as it's surrounded by hostile demons, and telling the angel under the shadow of his roof, "You came to me. I said I would protect you. And I will."

#good omens #good omens meta #fable talks good omens

[genericpuff]

I wonder why christian misrepresentation are rarely talked about if compared to other religion misrepresentation. Like, I've seen people really vocal about Greek myths misrepresentation in LO and such (and it's valid because it's a culture and religion) but I rarely saw the same thing with christian even though there are many media who use christian religion innacurately, to the point where it comes off as using it as an aesthetic and not a proper religion.

Is it because of rampant religious trauma especially in western world? No ulterior motives on this question. I'm not a christian and yet I'm curious about this. I apologize if this sounds harsh.

I obviously don't have The Answer(tm) to this but personally speaking (and I'm about to get VERY personal here so take this with MOUNTAINS OF SALT), I think it's just the obvious - Christian mythology is one of the most well-documented and strongly protected out of virtually any other religion on the planet. Especially here in the West, it's commonplace for kids to go to Sunday school, for couples to have Christian weddings even if they're not practising Christians themselves, even the American anthem references the Christian God. It's simply not as easy to 'misrepresent' it because the representation is written into our very fabric of society. Even Greece itself is primarily made up of Orthodox Christians.

So anyone that does 'misrepresent' it are either completely mislead hardcore Christians, or people who are doing it intentionally, such as with the intent to make a parody of it or to deconstruct it through a different context or whatever have you. And of course, people will still get mad at those things, if you're implying that people aren't vocal about Christian misrepresentation then frankly IDK what to tell you there LOL If you want a contextual example in the realm of webtoons, Religiously Gay was dragged to hell and back during its launch for having a very crude and insulting depiction of St. Michael, and frankly, yeah I don't disagree because what the fuck is this-

(like at best it's just terrible character design lmao that said, there's also plenty else to criticize Religiously Gay for, including its fetishy representation of gay relationships and the fact that it's still just the "naive person who looks and acts like a child hooks up with mean person in a position of power" trope, blech, but the character design is definitely the first thing you notice)

There are even plenty of hardcore Christians who will deadass claim "misrepresentation" over things that ARE factually correct but they just haven't read the actual Bible and simply cherry pick what works for their own agenda. And of course those people are routinely called out by people like myself who know for a fact that Jesus wouldn't have promoted the war crimes that many modern day Christians are committing and justifying today. So it really depends on the definition of "misrepresentation" here.

The issue specifically with LO and Rachel that I personally call her out for (and many others) is that she's called herself a "folklorist" and claimed she's so much more knowledgeable on Greek myth than anyone else, while making a complete mockery of the original mythologies while not being honest about her intent as to whether LO is actually supposed to be a legitimate retelling OR a parody (because it sure acts like the latter more than the former, but she still seems to expect us to take it seriously and consider her knowledge of Greek myth superior?) Which leads to a lot of her teenage audience claiming shit like "Persephone went down to the underworld willingly" and "Apollo did assault Persephone in the original myths actually" and the classic "why would Lore Olympus lie or make up fake myths?"

You just can't pull off this extent of erasure with Christian mythology because we have a whole ass book of it that's been preserved, sold on shelves, and systematically integrated into society for thousands of years. Of course, there are people who will still try their damned best to twist the Bible to match their own bigotry with the whole "Jesus hates gays" bullshit (he would never), but it's met with equal amounts of 'misrepresentation' that are actually fully well-read and are intentionally subverting and changing things to either critique, parody, or restore the original intent of a lot of stories in the Bible without all the manufactured right-wing crap.

Greek myth, on the other hand, has some stories that are well preserved, and others, not so much. And in the modern day outside of the poems and hymns, you'll also rarely, if ever, see anyone use stories from Greek myth to ostracize, torture, and murder other people. "Misrepresenting Christianity" is more often done by actual Christians who are using the Bible to commit hate crimes than the people who have actually read the Bible and are just taking creative liberties with it for the sake of deconstructing / parodying / analyzing / subverting it. Veggie Tales "misrepresents" Christian stories because obviously Moses wasn't a fucking cucumber lmao but it still accomplishes its goal by retelling Christian stories in a way that's fun and educational for children.

By comparison (on the whole, I'm not comparing LO to Veggie Tales LMAO) LO just isn't clear in its intentions beyond Rachel's initial statements that she was trying to "deconstruct" the myths, while labelling herself as a folklorist. Therefore, I'm going to criticize how she does it because the way she's done it up until now has been very mishandled and has resulted in a lot of misinterpretations of the myths simply for the sake of fandom. And yes, these people exist in Christian media as well - they're called TV evangelists.

And that's my (very heavy) two cents.

#here's your reminder that missionaries are colonizers #find me the Hellenistic pagans knocking on people's doors asking them if they want to hear about the glory of Aphrodite lmao #honestly it also depends on what you're surrounding yourself with #obv if you take part in the LO fandom and avoid what's going on in the christian world then what you experience and see will seem skewed #like even i could be very wrong in my opinion based on my own experiences as someone who lives in the west- #maybe there ARE pagans knocking on doors and using greek myth to commit hate crimes #so yeah we all gotta try not to fall for survorship bias #there are plenty of stories of people getting mad about christian mythology and its misrepresentations on BOTH sides #lo critical #lore olympus critical #anti lore olympus #webtoon critical #ama #ask me anything #anon ama #anon ask me anything

[pokkop15]

Thalergy

The opposite of Thanergy (AKA “Death Energy”) in the Locked Tomb series by Tamsyn Muir.

So you say, “ok so it’s just life energy?” to which you are mostly correct. Thalergy is exactly that but what’s interesting about this to me (and soon to you all as well I imagine) is the etymology of thalergy!

The etymology?

The Etymology.

Thanergy as death energy derives its name from Thanatos, the greek god of death (technically the personified spirit of non-violent death but modern perception of the name is usually edgier than that lol). So it would be normal for those unfamiliar with the myriad of divinities within the Hellenistic pantheon to justly assume the ‘thal–’ in ‘thalergy’ comes from an opposite divinity of Thanatos that was a personified spirit of life. Except that doesn’t exist. Reading the first two books I knew that thalergy as a word wasn’t derived from any greek or roman words meaning “life” but I didn’t really dig any deeper on where it did come from because I didn’t think it was overly important. I Was Incorrect.

Because you see, the context for me to really connect the dots had gone over my head up until I had read Nona the Ninth. (I recall some meta posts pointing out that the Themes™ had in fact been present in the previous books just less obvious.)

What Themes? And Who The Fuck Is Thalergy Named For??

Thalassa.

Primordial Goddess Of The Motherfucking SEA!!!!

So yeah! Remember all those posts talking about the importance of all the themes regarding the sea/ocean in the Locked Tomb series? Yeah so here’s more fuel for that lmao

Edit 11/20/2022: also many people have brought up other examples like Thalia (the muse of Festivity whose name also means blooming) as another more direct connection to life and @adurna0 who actually speaks Greek has pointed out that thaleros is in fact a word that means "lively" so even if the Thalassa connection is a thing it is more likely a double meaning than the lone one.

#the locked tomb #gideon the ninth #harrow the ninth #nona the ninth #nona the ninth spoilers #ntn spoilers #Thalergy #Thanergy #Alecto The Ninth #Tamsyn Muir #You fuckin genius I swear #Thalassa #It fucking would be the Ocean too #Also I legit did not fucking have this realization until I was halfway through typing the tags on literally my last post on this blog #But like AHHHHHHH #the fact that even a myriad later the name of the sea still rests on the tongues of people that have never once laid eyes upon her #OOGH #Also if you've come this far never expect TLT meta from me ever again #I'm not saying it'll never happen but the odds are low #I barely even reblog TLT stuff to this blog cuz I'm too lazy to tag spoilers lmao

[ae-neon]

Nesta Vs ACOSF, a rambling rant

TW: mentions of sexual assault and abuse

Besides the "love" story that read like a quiet descent into domestic horror, ACOSF has one element that keeps me from being able to pick it up even just to sift through for Nesta gems: sex.

Here me out, I'm not a prude and I think we could have gotten a smutty romance but...

At her core, Nesta has always been a proud and modest person.

To be clear, with pride, I mean that her sense of self - her famous steel spine - has kept her together and unbroken even during harrowing circumstances. It's vital to her. It's so ingrained in her that - given we have no other explanation - we can assume it's what shields her mind from literal magic. However, like any trait, her pride can also be a thing that comes off as negative in the wrong situations.

With modesty, she was raised to keep a certain ideology that based her value on sex, beauty, marriage etc but it's important to understand that Nesta applied those standards inwards, at herself. (Eg In acotar, she brings up Feyre and Isaac in defence of her and Tomas, in acomaf, she is mostly upset about not hearing from Feyre or being notified that Feyre has switched courts - not about Feyre sleeping with Tamlin and then Rhys)

Now, I don't think Nesta's modesty makes her better than Feyre, in fact I was happy to get the representation of two different types of views on sex

But what I didn't consider at the time was that SJM was painting this out to be a negative trait.

In retrospect it seems obvious even though Nesta has defied her narrative destiny and become a sort of icon, at the end of the day she was still supposed to be written in a negative contrast to Feyre.

It seems funny but imagine you consumed the book the way Sarah intended, the way so many in the fandom have. The old Sarah Says rule, for my long time mutuals.

For example:

The dinner in acomaf - it's obvious Nesta is upset that she hasn't heard from Feyre only to have her come through not only as a whole Fae but bringing others and endangering their entire family.

But imagine it as a one dimensional reading and suddenly the "I fuck" dialogue is a girlboss moment of feminism giving a fuck you to the strict patriarchy of the "mortal lands" let's ignore how the Fae are actually more patriarchal and the Illyrians even more so than that

So understand that Nesta's modesty is being directly contrasted with Feyre's sexual freedom. The reader - at least from sjm's perspective - is supposed to agree with Feyre and disagree with Nesta in a sort of win/lose, yes/no, black/white dichotomy.

And because sjm is consistent and boring and a self-inset author, this dynamic doesn't change even when the protagonist does.

Only now sjm and her feminism has changed from fuck-whoever-I-want girlboss to kinky-but-only-with-my-husband tradwife

So Nesta can't be prudish and cut off because 1) it's not as conducive to the breakdown of self and buildup of a dependent and abusive relationship and 2) it's not in direct contrast with Feyre's current monogamous, traditional family values character.

So Nesta starts drinking and sleeping around and it's not because we're going to explore the unraveling of the pride and modesty at the core of the character as part of her transformation or as a result of her trauma

But because it's supposed to be a bad look, degrading, it shows she's failed, it makes her a loser

All of that is already insane. And even more so when taken with the context of her assault by Tomas and the sex centred relationship she has with Cassian

Now add to that the fact that in the book, Nesta is an object of desire for 2 villains and undergoes assault and drowning AGAIN

Sjm literally gives less than 2 fucks about SA, that much is obvious even from the way she inflicts and then disregards the experience of both Feyre and Rhysand respectively. It's a tool for her, a quirky story element

But to have Nesta experience such a similar thing - especially when the experience of being Made can be read as a sort of rape allegory on its own - and all for the sake of "romance" fantasy??

Even Nesta's reading habits are sexualised, to be clear I don't think there's anything wrong with reading smut, but the scope of her intellect and reading is narrowed down when we're suddenly made to believe most of the books she reads are smut.

This is someone who likely taught herself economics and investment within months in order to not just pay off the debt, upgrade her whole family's way of life but also rebuild the family fortune. Someone who, having stopped schooling at around 14/15, did the math needed to calculate the feasibility of the evacuation of a small country.

Someone who's verbally stated life goal was to see what a woman could make of herself in the world.

Even her love of reading is used as a stepping stone for how horny she is, instead of it being a result of her deeply ingrained need for escapism

She reads smut because the only thing she has in common with Cassian and the IC is sex. Because sjm thought one of the core elements of a friendship between 2 SA survivors and a disabled woman from a culture that mutilated her for being born a woman would be their desire to fantasise about men.

All the while the male love interest treats her like garbage.

We could have had a smutty book filled with sex where each scene could have been the growth of Nesta's trust and love of Cassian through intimacy. It could have been a sexual relationship that involved and explored kink - which explored vulnerability and the negative impact of how Nesta's pride became a source of stress and strain.

It could have been an exploration about the complicated relationship with desire and oppressors that many survivors have. But it isn't.

It's hahaha horny, so RELATABLE

Even when it comes to the abusive situation Nesta grew up in, it's just hung up like decoration on the character. Not explored, let alone healed. I don't wanna hear that sjm explained or explored Nesta's abuse when we don't even get her mother or her grandmother's names

We don't get

The complexity of being a trapped and abused woman who came from a trapped and abused woman who came from a trapped and abused woman

Or the complexity of a dysfunctional family

Or even the journey of recovery from addiction and self-harming behaviour

Now, not every aspect of Nesta or any survivors lives have to boil down to how it relates to their experiences but SJM is praised for her "recovery" and so much of this book is about sex and abuse but has no depth

It could have been a less-deep, fun experience of sex and desire and kink. But no

Nesta has sex with many faceless men because sjm is condemning her as a failure. Sex is her punishment, it makes her dirty and unworthy and cheap.

Then, through her "healing", she becomes a sex doll for the right guy. Sex is her reward, it makes her hot and useful and appealing.

Sjm writes not just like a man but like a particularly talented misogynist so it's the way sex is used that really puts me off

Edit: ultimately I think the sex and romance should have interacted with and evolved her pride, modesty and past experiences, rather than those things being demolished to turn her into a sex doll

#anti acosf #anti nessian #anti sjm #acotar rant #nesta deserves better #sjm critical #nesta archeron

[queens-of-spirits]

Why the svsss papapa scenes are literary genius actually, Part 1:

So, fun fact, I originally wanted to do a funny little post where I ranked the four papapa scenes in svsss (with special mention to the start of the return to childhood extra and LMY’s writing) but my deranged ass decided to go full quirky English prof and turn this shit into a proper analysis.

So, believe it or not, the svsss papapa scenes are actually really important for understanding a lot of the characters and themes of the story. So yes. I am going to go through them all and explain why. Starting with…

Maigu Ridge (spoilers, obviously):

If this were actually my silly rankings post (which I still may make), Maigu ridge would rank dead last in any category related to actually being an enjoyable smut scene to read. That’s fine, because, to put it bluntly, that wasn’t the point.

It’s a subversion of the pressure and idea of the perfect first time or instinctive sexual skill seen in both power fantasy and romance/bl novels. That subversion and the shock of what happens is meant to take us out of the scene and make us think about the characters, the situation, and the tropes we take for granted. Remember, svsss is genre savvy twice over, both in Danmei/bl and power fantasy fiction. It explores both those worlds and the complicated aspects of both (I.e the obsession with revenge). It’s not trying to be a good smut scene, it’s setting up the characterization of the couple and the character arc seen throughout the rest of the papapa moments in the extras (more on that in future posts, but it’s about SQQ learning to be more open with his desire and pleasure) and exemplifying the main themes of the book (forgiveness and intention)

So without further ado, here is my analysis on this scene.

The notes about SQQ’s character in the Maigu Ridge scene should be obvious and understood by looking at the broad context of the scene. Like the Without a Cure moment, it shows how much he cares for LBH and his willingness to put his own life and body on the line to save him. It is devotion, pure and simple. However, more depth is revealed when examining specific passages (note all quotes are from the English publications because I don’t speak Chinese, so I’m sorry if the translation muddled the meaning).

The most vital part to me for Binghe’s character is this line:

“he’d done this out of consideration for Luo Binghe’s convenience, but unexpectedly he was flipped back around. Luo Binghe jammed himself between Shen Qingqiu’s legs, his entire attention rapt on Shen Qingqiu’s face.”

This refers to how SQQ tries to turn around so that LBH would not see his face during what is about to happen and LBH flipping him over again.

This, I believe is symbolic. SQQ turns around because he thinks that anyone will do and he is the only one willing, but that’s not true LBH wants SQH specifically. He needs to relieve the energy from the sword’s influence, yes, but despite that pain, he is focused solely on SQQ’s face.

The transformation from the stallion protagonist Bingge to our Bingmei is exemplified here better than any scene before it (I would argue it is later topped by the Bingge vs Bingmei extra). Unlike Binghe, Bingmei is not looking for mindless pleasure to escape his lonely life (represented here by the corrupting energy of the sword) he is seeking the one he adores above all, the one who he cares for more than anything. He has found true connection and THAT is what drives him to madness (remember, he’s trying to destroy everything to be the only one in SQQ’s world so he can’t be abandoned). That’s why, even when supposedly in a mad state, he seeks to look at SQQ’s face, because it isn’t about the sex, it’s about them, the two of them together.

The other vital part is the aftermath, before even the jade pendant. Specifically, this exchange:

“Shizun don’t hate me…I didn’t know…I never wanted to hurt you…why didn’t you push me away? Why didn’t you kill me?”

“This master knows. This master was willing”

Again, this was an act not born out of lust, like with Bingge and his wives, but something different. Bingge takes what he wants and feels no guilt because nothing was ever given to him, but Bingmei was given the world by one person and struggles with not feeling like, with not BEING the animal or monster that the rest of the world sees him as’

LBH had no intention to hurt SQQ

Just like how SQQ had no intention to hurt him by avoiding him

It’s symbolic of their relationship as a whole. Unintentional hurt and the forgiveness that follows. THATS why the remaining papapa scenes are so important. It’s about them learning to not hurt each other. Every single papapa scene that follows builds on this idea of them learning the right way to love each other (remember, their story together is just beginning after the last page of the book) and learning how to not hurt each other unintentionally, LBH physically, SQQ emotionally.

Again, clear themes of forgiveness and intention. The reasons behind why people do bad things (hence the focus on SJ and TLJ as complex characters) and the act of forgiveness and learning from mistakes, which I argue are the two main themes of SVSSS

So while Maigu ridge is terrible in terms of being an enjoyable scene to read, that was not it’s purpose. It’s purpose was to utilize the tropes of both Danmei and male fantasy to take us out of those genres (where first times always go well) and get us to THINK about the characters and why they do what they do, their intentions.

#bingqiu #svsss #shen qingqiu #luo binghe #luo bingge #luo bingmei #maigu ridge #scum villains self saving system #scum villian self saving system #papapa #SQQ #LBH #analysis #of things that maybe should not be #would my English teacher be proud or horrified? #you decide

[pianokantzart]

Movie Verse Super Paper Mario AU

Given how long my SPM comic has gotten, and the fact that it's about to become more obvious how much the story deviates from the original (particularly with DK filling the role of Bowser as a hero), I figured now would be a good time to put together a rough outline of the plot points in my AU.

This isn't required reading for my comic, this is just for everyone who wants some extra context and info about how my version of events differ from the original Super Paper Mario.

The story starts out with Mario and Luigi at home. Luigi is talking about how peaceful things have been lately, but unlike in SPM he has absolutely no desire to see this change.

Meanwhile, Mario is trying to pretend he isn't a little bored, and is quietly dropping suggestions that the two of them go off and explore some faraway kingdom to break up the monotony.

Suddenly, Toad bursts in in a panic, and The Mario Brothers are ushered to the castle as Toad hurriedly explains that Princess Peach has disappeared.

The three enter the crime scene: her bedroom shows signs of a brief struggle, but otherwise there is no clue to what might have happened except a letter that reads "If you wish to see the princess again, meet me within Bowser's castle" written in unfamiliar handwriting.

Despite this disappearance not matching Bowser's style at all, Toad and The Mario Brothers have little choice but to believe he has something to do with this. They decide to take the bait.

They enlist the help of Donkey Kong in the rescue mission, figuring it'd be best to have the extra muscle given how likely it is this is a trap (plus the karts are a more reliable form of transportation compared to the warp pipes.)

Despite the addition of a giant gorilla to the team, Mario & co. successfully sneak into Bowser's Castle undetected. The guards don't seem to be on particularly high alert. Stranger still, they can't find the princess anywhere.

When Bowser eventually discovers and confronts them, Mario explains the situation and presents the mysterious letter they found. Bowser is dumbfounded, but insists that whatever happened to Peach can wait until after he kills them.

Before things escalate any further, Count Bleck appears from a portal in sort of a rough recreation of this scene:

Bleck is pleased to see everyone gathered together, and presents the captive Princess "as promised."

Seeing this, Mario immediately leaps to attack the count despite Luigi's desperate plea for him to wait. Like in the game, this causes Mario to get knocked out. Soon after, everyone is sucked away into the dimensional portal except the unconscious Mario.

Mario awoken by Tippi, who– after brief introductions– teleports him away to meet Merlon so they can work together to stop Count Bleck with the help of The Light Prognosticus.

Mario isn't sure how he feels about the idea of prophecies... he doesn't really buy into the idea, despite how much he matches the physical description in the book... but if playing along means Tippi will help him stop Count Bleck and save everyone, he'll do it.

Meanwhile, everyone else awakens to find themselves at Peach and Bowser's wedding. Toad, Donkey Kong, and Luigi do their best to interfere as Nastasia hypnotizes Peach into saying "I Do." Ultimately, Mario's allies fail, and the marriage unleashes the chaos heart.

From there, things continue much like in the game, albeit with a few changes:

As described before, Bowser's role is filled by Donkey Kong. Bowser, in the meantime, aligns himself with Count Bleck to spare his own army from being brainwashed, biding his time until he can usurp the count and gain control of the chaos heart.

Toad is part of Mario’s group too. He isn't mentioned in the light or dark prognosticus, but he is determined to help out nonetheless (and actually does a pretty good job.)

Unlike in SPM, Luigi stays brainwashed the entire time. The first time Mr. L is defeated, Mario and his allies try to grapple him and drag him back to Flipside so Merlon can take a look at him, but Dimentio interfered and "rescued" Mr. L before they could manage it.

O'Chunks, Mimi, Dimentio, and Mr. L work together as a unit after failing their respective attempts to stop the heroes, leading to a couple of instances of all-out battle royale between Bleck's minions and Team Mario. Bleck's Minions, as dysfunctional as they are, don't succeed in stopping the heroes from obtaining any pure hearts despite their combined efforts.

The ending is where things really get switched up:

The main four, having gathered all the pure hearts, start heading to Castle Bleck to destroy the chaos heart.

In the frenzy of everyone preparing for the confrontation, Bowser... knowing that The Dark Prognosticus prophesied that The Man In Green would be the one to bring darkness to all... draws Mr. L away from the group and tries to kill him.

Dimentio, however, saves Mr. L, and working together they successfully incapacitate Bowser enough for Dimentio to send him back to his own dimension.

This rescue– plus the earlier rescue from the clutches of Mario– causes Mr. L to place misplaced faith in Dimentio.

Seeing this, Dimentio comes clean and asks Mr. L to join him in usurping The Count. He lies that Count Bleck has no intention of creating new worlds after destroying the old ones, and offers Mr. L a portion of his own power if he agrees to assist in making sure the universe goes on.

In my version of things, you have to agree to a partnership in order to get implanted with a floro sprout. It's sort of a contractual thing... one can't just plant something in your brain while you're unconscious.

At this point, Mr. L trusts him enough to tentatively agree to his terms and let him in. This is how Dimentio manages to get the sprout seed inside Mr. L's head.

Sure enough, after Mario, DK, Peach, and Toad defeat Count Bleck and his Minions... and just as Tippi begins to get through to the disheartened Blumiere... Dimentio and Mr. L swoop in to swipe the chaos heart and teleport away.

Mario, while rushing to grab his brother, is the only one who manages to get a glimpse of where they teleported to before both Mr. L and Dimentio disappear completely.

He keeps this information to himself as he and Count Bleck's forces hold a truce, tending to the wounded Nastasia and discussing what to do next.

During this meeting, Count Bleck finally answers the question that had been the minds of everyone on Team Mario: why brainwash Luigi? Count Bleck admits the prophecy in The Dark Prognosticus, explaining that he planned on using Luigi to destroy all worlds. What's more, he insists that if they really want to put an end to the chaos heart and the threat it poses, they will have to kill Luigi as well.

This sparks a heated debate. While everyone's shouting Mario says nothing, but silently slinks away from the group to catch up with Luigi and Dimentio on his own.

He knows that the two have merely gone into a chamber deeper within the castle. He knows where to look. If he can just get through to his brother, maybe he can be saved...

Which leads us right up to where my comic begins.

#long post #super paper mario #spm AU #mario movie #Super Mario Bros

[hiimawarish]

laws of attraction

s. alhaitham has solved many enigmas, except you. cw. mutual pining? kind of? fluff. a lil romantic tension. implied academic rivals. tw. none. not proofread. wc. 0.69k a/n. i was getting ready for bed, the first sentence popped up in my mind, and here we are. i have no excuse. credits. dividers by @/cafekitsune.

There were not many things Alhaitham struggled to understand.

From his focus on linguistics and ancient languages to his almost obsessive pursuit of knowledge in other areas such as physics, he had discovered from a young age that his mind was gifted. No book was too advanced for him. No lecture too complicated or dense. Alhaitham’s life had been overcome with a thirst for knowledge that he had never quite quenched, or perhaps he had never been truly interested in satiating it. 

Whatever the reason, the truth remained that Alhaitham had found fewer challenges the more he studied. Be it Kaveh’s emotional outbursts or the inefficiency of his classmates, Alhaitham was unfazed. Keeping to himself was more a second nature than a habit by now—as natural as breathing, as reading.

It allowed him fewer failures. Not that they were ever abundant.

Unless it came to you, that is.

“Struggling?” His voice left him in his usual stoic manner, and yet the flash of anger in your eyes did not go unnoticed. Although subtle, if one were to pay close attention to his face, they’d notice the slight curve on his lips—a smile. “Which book?”

“Shut up.”

An amused chuckle left him at your words whispered in anger. The heat gathered in your cheeks at the sound, shame spreading to your ears and down into your neck and cleavage, hidden from his eyes under the Akademiya’s uniform. His laughter, though short, seemed to anger you even more—Alhaitham had discovered, quite quickly, that any sound coming from him seemed to have that effect. Even when he was merely offering his help to reach the book that you not-so-gracefully had been trying to get for the past ten minutes.

In spite of your mumbled, aggressive words, Alhaitham stretched his arm. His fingers traced the spine of a few books—linguistics in context, a comparison in-depth of language evolution around Teyvat, a compilation of ancient runes—until he finally got to the one he was sure you needed. He plucked it out from the shelf, admiring the familiar cover for a few seconds, before handing it to you.

“I never said I needed this.” You replied stubbornly. 

You were always too fast to refuse his help. That was his fault, according to Kaveh, but Alhaitham disagreed. Giving you fake praise on that draft you presented him on your first day of class would have been a disservice to you, and yet you had been far too prideful. Now you avoided his help—him—like the plague. 

Alhaitham glanced once toward the table you had been sitting at, an arrangement of old textbooks, reports, and scribbled notes surrounding your space. He turned his eyes to you, a questioning look that told you the answer was obvious. You did need it. You did need the comparative essay on how language had shaped Sumeru’s two faces. 

You were, still, too prideful, it seemed.

“You do, actually.” He placed the book on your table, dismissively. “It’s a primary source, shouldn’t you know that?”

A stubborn silence on your part is all he received. 

Alhaitham sighed. “It seems I overestimated your common sense. Or lack-there-of.”

He should leave. He knew that—his rationality screamed at him to stop bothering, to take your words at face value, and just leave you alone. But he couldn’t. Whether he relished in provoking you or simply saw you as an enigma that he needed to understand, he couldn’t tell. 

“See? You’re an idiot.” You nudged him angrily, ineffectual fists hitting his chest. Some other students had stopped, looking curiously at your exchange—usually, the attention would bother him, but he was too focused on you. On your scrunched-up nose, your furrowed brows, your lips pressed together in a thin, tempting line. “If you’re here just to make fun of me, leave. I’m sure you have far better and more important things to do.”

He sighed, though his lips curved in a subtle smile—he was familiar with facts, concrete information, but you seemed to be too abstract for him to grasp. The only thing Alhaitham knew for sure was that you were a magnet.

And he understood the laws of attraction too well to fight.

more works.

©2023 hiimawarish do not translate, repost, copy, modify

#genshin impact #alhaitham #alhaitham x you #alhaitham x reader #alhaitham x y/n #genshin impact alhaitham #genshin alhaitham #natsu writes #i dont even like this guy #i just like how he's perfect for enemies to lovers #its like when my friend told me i disliked him because we're too similar academically speaking #i just know i could spend hours fighting him on linguistics #and literature

[lovemyromance]

Every time I see another absurd Elucien or Gw*nriel headcannon or theory that’s like:

“What if one day elain and Lucien get so tired of the bond they just snap and have sex?”

“What if Gwyn ties Az up with the ribbon and then the shadows dance around them (and then they f*ck)”

“What if Lucien and Elain rule day court and spring court and autumn court (and basically exist anywhere else away from Az) ?”

“What if gwyn and Az save Illyria (bc Emerie’s not relevant anymore ig) and establish Valkyrie headquarters”

“What if…”

Nah, what if we actually read the book? You know the actual words on the page? Opened up ACOFAS instead of telling everyone and their mothers to skip it because it’s “not important”. Read the actual books instead of random out of context quotes on TikTok and just the Azriel bonus chapter?

Wouldn’t that be fun? What if we all just read the books as they are? Wouldn’t it paint a much clearer picture to everyone?

I thought it was obvious 🤷🏻‍♀️

#elriel #pro elain #elain x azriel #elain archeron #azriel #acotar

[creature-wizard]

So, a pretty damn concerning thing is going on with starseeds, and I think we need to all be aware of this - not just as a problem with starseeds, but as a thing that can potentially happen in any context, and without critical thinking and discernment, lead to some... pretty worrying outcomes, let's put it that way.

There's a number of people who basically start learning about starseeds from stuff like YouTube videos. They start feeling resonance with the concept (which of course they do; the concept of starseeds is built to prey on certain vulnerabilities); and then a short while later, they start having everything from dreams to visions as they spontaneously "remember" their past life on another planet.

Now just in case anyone reading this isn't aware, the thing about starseeds is, this is a concept that developed over the 19th and 20th centuries, and is fundamentally rooted in colonialism, eugenics, pseudohistory, pseudoscience, and conspiracy theories that are often as not just thinly-veiled antisemitism. It rides on fabricated and distorted evidence that there was no possible way ancient people (mostly POC) could have constructed sophisticated architecture, and claims that they were constructed by aliens. They have no evidence of these alien visitors, mind. What they try to pass off as "evidence" is largely cherry picked and misrepresented mythology, sacred texts, etc. Occasionally these texts are modern forgeries or channeled literature, such as The Emerald Tablets of Thoth the Atlantean - not to be confused with The Emerald Tablet. Oh, and one piece of influential literature in the starseed movement - Other Tongues, Other Flesh - claims that the swastika is a holy symbol among the "good" aliens. Meanwhile, the "bad" aliens are pretty obviously antisemitic stereotypes in space. The book's author, George Hunt Williamson, used to be buddies with an actual fascist/Nazi sympathizer, William Dudley Pelley.

In short, it's not just bullshit; it's incredibly obvious bullshit if you actually take the time to look into it properly. And we have a bunch of people who are spontaneously "remembering" past lives that fit into this bullshit narrative. Based on their own reports, these people aren't even being hypnotized or anything; they'll just spontaneously have "memories" come to them in the middle of the day or something.

So yeah, it's very important for people in witchy and occult communities, or any kind of fringe interest communities whatsoever, to understand that these kinds of experiences can happen, and that they don't necessarily have any bearing on reality whatsoever. Because we can see right here that acceptance of these experiences as absolutely valid is leading people down dangerous roads - including the New Age to Alt Right pipeline.

#starseeds #starseed #new age #spirituality #critical thinking #discernment #pseudohistory #witchblr #conspiracy theories #conspiracism #conspirituality

[twitteringthings]

Yoneda-Sensei

Just some thoughts…

In order to craft a story as rich and as layered as saezuru, you have to be a person who really gets humans. You know? And in order to make characters this realistic and this tragic, you truly have to understand the motivations and deeply rooted traumas that drive the human spirit. Along with the truths they bury so that they may move forward. In order to create a story like this, these primal and honest human traits must imbue every action and thought process of each character. And at this, Yoneda is a genius.

Many other stories or manga that I’ve read present the reader with a characture of what a person is. Their ideals too manufactured, and understating of life too naive. I find this leads to stagnant protagonists, cliche character archetypes, pseudo-conflicts, and a predictable/flat storyline. This is especially why I love how the characters are actual adults and not some cliche teenagers. They’ve lived through much and are aware of the true nature of the world they live in.

Saezuru is unlike anything I’ve read if I’m being honest. The core of what makes this story so successful and passionately loved is that Yoneda-Sensei allows these characters - these people - to control their own narrative. It’s their love story after all. Do you know how easy it would be to say “okay, it’s been 12 years, I think it’s time to wrap this up and give the people what they want. I’m tired.” This is the very idea she rejects. I know she is probably wanting to work on a new series and that we are nearing the rising action/climax, but I am so glad she isn’t rushing it. She simply refuses to - that sex scene could have been five pages, but they needed to do what THEY NEEDED TO DO! It is so cool to see an author allow her characters to develop at their own pace. She’s spent all these years truly getting to know them herself and so, she tells their story with integrity.

It is their own motivations, flaws, and decisions that drive the story, Yoneda doesn’t impose her own will onto them. She doesn’t allow her own idea of what the plot should be control the characters actions (if that makes sense - this is getting kinda meta lol). The story purely responds to the decisions of the men who it follows, whether they are born from greed, jealousy, lust, anger, Yashiro’s explosive temper tantrums, or love. Sometimes the characters don’t even know why they do the things they do - because that is real life! And I cannot express how well it allows the story to flow. I’ve also noticed that this allows for the story to mimic real life under the context of “Nothing is truly black or white.” In traditional storytellings, there is obvious right and wrong, blatant heroes and villains. But in Saezuru these lines are sometimes blurred, what can I say…true art mimics life. And that is why you must pay attention to every nuance or you’ll miss a core theme.

The topics of childhood trauma, rape, assault, sexual abuse, being thrown into a world of ruthless men, parentless children, homosexuality amongst wolves, fearing one’s own feminity, self-hatred, lovelessness, hopelessness, shame, grief, guilt, being hurt by and hurting the ones you love, and the true nature of love as paradox are all topics needing to be dealt with using the highest sensitivity and empathy. And Yoneda-Sensei has proved that she is an author who can handle these nuanced and difficult topics with grace. And it’s so cool that she trusts us readers to empathetically understand these characters as well!

As Yashiro says, “People are full of contradictions. They’re lonely and then they’re not, they’re missed and then they’re not.” So simply put. This very understanding of the human condition is what makes Yoneda-Sensei an amazing storyteller in my book.

This story could play out for another five years and I wouldn’t mind.

Thanks for reading!

<3

#I will write my masters thesis on Saezuru any day #saezuru tori wa habatakanai #ramblings #twittering birds never fly #yoneda kou #saezuru feels #doumeki x yashiro #saezuru analysis #yaoi bl #manga #yaoi manga #it’s almost saezuru month

[bllk-hq]

twst reactions

~ pretending to flirt with a guy online ♡ crack / gn. reader

[c]  ࣪⋆་ ˖ .  ︶⏝︶⏝  ୨ ♡  ୧ ⏝︶⏝︶   . ˖ ་⋆ ࣪

-[i] ⎯⎯⎯⎯⎯⎯⎯⎯⎯     း   " Sorry if this sounds kind of rushed besties, time and stress is a thing sadly... o(TヘTo). But enjoy! ☆⌒(>。<)."  ͮ     𑄹

pairing] Idia, Ace, Kalim, Vil cw] . (g/c): game of your choice. عزيزي: ‘Dear’ in Arabic. Amoureuse: ‘Sweetheart’ in French.

Idia Shroud:

It´s no secret that he´s used to people being flirty over video games before since he even went through this before. It happens more in games that have voice chat.

He usually is right by your side when your playing video games, either playing two-player or co-op games is his favorite.

Idia tends to have a fiery side to him that is only available at 3 am or and has a vast range of emotions. It was curious how he rarely showed it, and why it piqued your interest so much.

You then decided to test if you could maybe unlock the side of him.

You quickly texted Idia that you wanted to hang out and chill... it has been 10 minutes and you were currently playing on the new Xbox he got as Idia was chilling on his bed looking at his phone.

Finally, you felt like this could be the right time to prank him!

You put on the headset as you felt Idia glance at you. Then you went to play (g/c). As you finally went into the lobby, you then smiled evilly as you fake laughed.

The sudden laugh caused you to look as you confused mixed with curiosity... ¨Y/N, who- what are you doing?¨ He said as he put his phone down to then walk over to you.

You felt a guilt bubble in your stomach as you gripped the controller tighter than before. You then brushed it off as you went back to (g/c).

A few more minutes went past as you kept this whole act going. Then later when your (g/c) ended, Idia looked at you annoyed. ¨Y/n-shi, you still have to tell me who your talking to.¨

Idia groaned as he looked at you dead in the eyes with your startled face.

Idia pouted as you looked at him with your smiling features holding in your laugh.

Ace Trappola:

Ace is generally kind of a clingy person in general so it would be kind of hard to prank him without him knowing or even being by your side 24/7.

Not to mention, Ace could probably read through your actions like a book (yet he can't read through emotions. so good luck.

The moment you ever pass through a sly comment when you're talking to "someone else". his head darts over to you.

"Y/N, who are you talking to~' He'd say in a cherry monotone, then his mood shortly changes when he hears obvious flirts come from your lips.

Ace isn't one to become territorial real fast, but that comment triggered something in his brain. He is quick to action, as he makes his way over to your frame on the floor.

Then he takes the headset off your head mid-speech, and he then speaks into the microphone himself. For there only to be no answer.

he rolls his eyes handing the headset back over to you.

"Ace it's a prank," You say as you let out a chuckle to yourself. But Ace only scoffs as he then begins to lay in your lap.

"I know."

Kalim Al-asim:

Kalim seems to be on the more chill and forgiving side of the whole jealousy scale. During situations like this on the other hand... he's internally panicking.

He can't believe what he's witnessing! You, the most lovely, loyal, and prettiest person; flirting with some random guy!

This poor guy wouldn't even try to find the context of what's going on, in front of his eyes too!

He sighs in defeat as he flops on the ground near you, "عزيزيwho are you talking to? :(". Kalim then begins to stare at you.

With only your confused eyes meeting his. "Sorry, what did you say?" You took your headphones off your head.

Kalim then pouts as he runs to back-hug you.

In case you actually were genuinely flirting with the guy online, he would never think you would willingly do that because, as I said, he loves you with every fiber in his body <3.

As he pulls you closer, you gently rest your head on his shoulder. "I'm sorry Kalim, it's a prank :(".

He sighs, "I couldn't believe that you were 'flirting' with random guys online! What if he was serious? What if he wanted to take you out? Or get you to go out with him? Or something-"

You give him a soft kiss on his cheek.

"Kalim, you don't need to be paranoid. I wouldn't go out with random guys online." You chuckle as you look at the sad puppy in front of you.

"Okay :("...

Vil Schoenheit:

Vil for one isn´t one to encourage staring at a screen for anything under 15 minutes since he generally believes that it leads to lazy behavior.

But you were testing his patience right now, weren´t you? The sound of your laughter presumably talking to someone. He wouldn´t ever mind as much as if you two were just talking...

But, nope. You were occupied 'flirting' with someone over a video game you both were playing.

Now Vil never was the type to jump to conclusions... but he could tell you were just enjoying as much as the person you were talking to was.

A burning flame of jealousy filled his system as he eyed you from the current place he was standing in the room. Vil is an insignificantly jealous one only when his s/o puts compliments, praises, and flirty comments out there... when they are not for him.

He sighed as he went over to where you were currently sitting, extending his palm out for you to hold. ¨Amoureuse~, Sweet Potato... Will you tell me to who you are singing those praises?~ You are saying them to my face.

Vil said tenderly as he pulled a sly and jealous smile on display. You responded that you were talking to one of the people in the lobby you were in.

Vil´s smile seemed to get more conniving as he went to get up, ¨Well tell them that you have a boyfriend.¨

You chuckled as you pretended to say goodbye to whoever you were talking to, Then got up to calm Vil down who was fuming inside.

#twisted wonderland x reader #twisted wonderland imagines #twisted wonderland #vil shoenheit x reader #vil schoenheit x reader #idia shroud x reader #kalim al asim x reader #ace trapolla x reader #ace trappola x reader #twisted wonderland fanfiction