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carnivalcarriondiscarded · 5 months

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Phullo there, I’d like to ask you a question! I hope I won’t be such a bothersome.

So, I’m planning to write a story about Laughingstock and since I find your storytelling very pleasing I figured it’d be a great idea to ask for your advice about the writing!

My Idea in general for this story is just Howdy taking a day off from working in his bodega. And basically, he’ll be just wearing normal clothes.. shocking truly.

And thennn, Barnaby and Howdy accidentally stumbled into each other’s path. They later then of course had a very long conversation that lasted until evening maybe.

Of course there’ll be some fishy moments like them looking at each other with goggly eyes and other cheesy romantic nonsense- but it’s just mainly them having their usual conversation with a ‘couple’ of jokes here and there. It’s supposed to be a sweet memory for them to remember basically.

So, what I’m really trying to ask you for is- how the heck do you start a story exactly and not make it into just the dialogues? Like, I want my story to be kind of long but I’m afraid it’ll be just them, y’know, talking and I really don’t want it to be boring.. therefore, I really need your help.

I am so sorry if it’s such a bad timing considering the fact that you just had an interview which I am very proud for you for that! Even if it didn’t go as expected at least you did good half of it.

Soo, yeah! I’d very much appreciate your advice and I am sooo sorry that this was soo long!!! And again, a bad timing too.. but hey if you got any time, please consider answering. Thank you..

Also any response yet? On the interview of course.

hmmm... in my experience and Knowledge Accumulated Over The Years via reading And writing... the best place to start is to just drop in. no story introduction, no "it was a dark and stormy night", just Start. it sounds like your story begins with Howdy taking the day off, so maybe kick off with him getting ready / choosing an outfit, or w/ him reflexively almost opening the store before he stops and chides himself for almost forgetting that he's taking the day off

to combat the dialogue, maybe detail him leaving the bodega to go into the neighborhood. what does he see? hear? feel both physically and mentally? is there anyone else out and about? set the scene! ive been struggling with this too lately since i haven't seriously written in a while and i haven't been reading actual books

WHICH! IMPORTANT TANGENTS!! read well-written books, Not fanfic! im not saying dont read fanfic ever or i'd be the world's biggest hypocrite, but also read actual books. it's important to study how published authors write, how stories are structured, dialogue and action. because these books have more often then not gone through a Rigorous screening process. multiple drafts, beta readers, publishers reading it with great scrutiny before agreeing to publish - of course there are exceptions, but a lot of books are the highest quality they can be, and will outshine most fics. because, and i say all of this as good things, fics are unregulated. most dont have beta readers. a lot are from amateur authors new to the scene. there will be spelling mistakes, weird grammar & sentence structure, etc - most fics have Entirely different writing styles from each other. so if you only read fanfic, That is what your brain will learn, and it's gonna be harder for you to write. published books have less variation in styles, and the styles are subtler. there's less spelling mistakes if any, so your spelling will improve. your internal vocabulary will expand. even if you don't consciously study what you read, your brain will pick up on & internalize patterns, how action works, how dialogue works, how to structure a story, all that good stuff. if you want, i can recommend well-written books! i've been an avid reader since... like, ever. i've got recs galore! you can tell me your preferred genre & literary interest and i'll probably have something for you! and if you're not big on books, well... get out of your comfort zone lmao, books are fucking awesome and i guarantee there are plenty out there that you would love.

and when you're writing dialogue, intersperse it with little actions or the main povs' internal dialogue. if there's a natural lull in the conversation, explore that lull! what do the characters do in this moment? what's going on around them? sprinkle bits of setting in so that your reader knows where they are and what's going on.

plus, exploring the non-dialogue sections of your story can, and often will, spark inspiration in your brain for scenes and actions to fill out the story if you want it to be long (but also! if you just want to write the scene of their conversation, that's the beauty of fanfic - there's no requirements. do whatever you want lmao). when Howdy is going into town, maybe Wally calls him over for a quick pose - does Howdy say yes or no, and how does that decision change the story? maybe Julie invites him to join her in a game, or Eddie stops to talk to Howdy about him being out and about. maybe there are some complaints over the bodega not being open. what's the lead-up to Howdy and Barnaby running into each other? do they literally run into each other? what happens when they do? those are just a few possibilities of many!

remember, when you're writing, you're that story's god. you can do literally fucking anything. you decide what the characters do, where they go, what happens in their world. that mindset should help you bolster the plot instead of just "these two characters have a conversation", yk?

i hope this helps!

#im so serious i am talking from personal experience #the quality of my writing improves after reading an actual book / when im reading one alongside writing #which is why im getting myself back into it #i spent a while not reading books and boyyyyy howdy have i suffered for it!#i miss when i was in elementary school reading at least one full length book a week...#BUT BOOKS HELP. GOOD BOOKS #not the fuckin cookie cutter booktok recs that're just a bunch of tropes slapped together #im talkin about the quality stuff.#im talkin about authors who really see the art in writing & storytelling #rambles from the bog #but also do take everything i say with a grain of salt #i have a lot of room for improvement myself & as with my art im an Entirely Self Taught Writer #so im by no means an expert on the subject! im a medium level writer at best <3 #and im not saying that in a derogatory way! it just means i have a ways to go in becoming a legitimately good writer #& reaching the level that i want. its something to strive for!#also thank you! ive never done an interview before so i really have nothing to compare it to!

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sysig · 5 months

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Anyway, back to testing (Patreon)

#Doodles #Portal #GLaDOS #Chell #Curiosity Core #Space Core #Cave Johnson #So many GLaDOS'!! She needs all the <3 #And then also featuring some others lol ♪ Replaying 1 really made me want to fill out the cast a bit more!#I'm still the most used to drawing her Portal 2 design tho - which is a shame because her 1 design is so weird!! I like it :D #I still haven't given her a proper study but I do like how in the audio commentary they talk about how she has a feminine edge hehe #She does! They did a good job with her design ♪ And improved upon it in 2 I think :D I still haven't gotten to that audio commentary #I'm so curious as to what they'll say about her there hehe ♫ But I'm still just playing normally for now! I forgot how much longer it is :0 #I tore through it the first time so now taking my leisurely time feels funny haha ♪ I am enjoying myself tho :3 #Anyway!! Back to what I love about 1 <3 <3 Her tone switch literally Always has my heart ♥ Ughhh I love herrr #I also quite like Chell's design from both games :) I wonder if GLaDOS keeps making remarks on her appearance because of the changes :0 #She does have fuller cheeks in 2! She's not as gaunt - and she looks like....made-up? Make up made up? Y'know? :0 #Not that we get a particularly good look at her in-game but hm! The differences #As well as in her long-fall boots! The braces really were just stuck on her legs in 1 weren't they :0 No wonder the Curiosity Core was rude #I do really love the Curiosity Core tho haha ♪ Probably my favourite canon Core :D I think she'd get along well with Space Core lol #And then leaving off with that one little human-GLaDOS headcanon thing I posted about! Impatiently lol #I made these like The Day after posting that I couldn't help it I was too deep in the paint XP It was fun ♪#I really do think she'd look so much more like Cave still! Especially after replaying the bit where he says to put Caroline in ''his'' place #Is that retrofitting? Was it designed with him in mind initially? Hmmmmm #I also figure if I'm going to give her a human design I might as well go the whole way and not just slap robot parts on her face lol #It's hard to imagine her with two eyes tho! Like I might even go so far as to say she can have three eyes but not two! Only one or three #Her third ''eye'' would be the mole next to her eye lol - how would her vision work in that case :0 #Would she have panoptic depth perception or like triple vision or what?? Or maybe just leave her with one functioning eye lol #Handplates!Gaster-core (Core lol); turtlenecked one-eyed evil scientist with labcoat lol #Y'know it's funny - when I first drew GLaDOS several years ago I compared her to Gaster at the time too. Huh. Sure that's nothing :)

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skitskatdacat63 · 7 months

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Boy King Seb :D

#thank you to Grace for the idea of making his chivarly collar red bull instead <33333 #he was gonna have both collars but then making that one made me suffer so no not today #this was a lot of fun but also made me suffer. but i keep looking at it and being like AAAHHHHH BABY!!! BABY BOY!!!!!!!#can you believe i tried to do this in one night? i cant #i stopped and came back to it and was like 'no way you could do this in one sitting at 1 am'#this is kinda the ascended form of that very first sketch i made for this au! concentrated boy king sebby!!!#i say to myself i need to take a break from drawing complicated things but youll prob see a nando version of this in less than a week ;;;#okay about the drawing(i wrote good tags and then tumblr deleted them so these are a bit inferior AGH):#this is typical pouty seb but is also referenced off a specific pic from AD 2009(beloved)#its very important to me how emotionally open Seb is. im not sure the specific context of this. maybe after a triumph?#but instead of being that typical stoic serious detached kind of ruler; i like him being openly emotional(think AD 2010)#its important as well for his dichotomy with nando and how they choose to portray themselves #seb is very assured in himself and his rule vs. nando who is more insecure and bitter about his #so nando takes strides to portray himself in that more stoic calculating way bcs he feels like it helps him legitimize himself better #whereas seb has absolutely no care for outward public image and shows how he feels and is loved for it(nando hates it but loves it)#not that nando cant be fun and whimsical!! but to me he always seems a bit more mysterious; like i can never tell his true thoughts tbh #anyways i feel like ill finish 10 more drawings before i end up posting the lore pt 2 LMAO #its just a lot harder to organize and layout compared to part 1 which was just an explanation #pt2 would be a mix of more world building/characterization/anecdotes ive talked about with mutuals(LOVE YOU GUYS!!!)#i have a *lot* of ideas (gotta whip out my notes app every once in a while to write down stuff abt it) just hard to put into a coherent pos #sebastian vettel #f1 #formula 1 #f1 art #formula 1 art #f1 fanart #formula 1 fanart #catie.art.#*ill prob make a process post later if anyone is curious!! its fun to write abt my process and influences and such #boy king au

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trashlie · 15 days

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ILY FP 258

I can't believe we're actually passed episode 250 lmao I Love Yoo is truly the never ending story (affectionate). I appreciate how much of the story we really get to dig into at this pace and while I know a lot of people have long-since dropped it, I imagine the rest of us (those reading this post because why else are you here?) also appreciate it. And that's what is even more refreshing about this episode - if refreshing is even a word we can use to describe it. Getting the extra scenes from other characters, a look at their lives and from these glimpses, what we can glean in the unsaid between the lines.

Can you believe I used to prey on Kousuke's downfall? There's so many posts of me talking about him from a different view, believing that the only way he could grow and develop and make the changes necessary to make him a better person was for him to crash and burn, to fail so significantly that he would be forced to pen his eyes to reality. But here we are, me, fervently swaddling him up like a baby and shoving him into my pocket because GOD he needs to be protected.

I don't even remember when it was, that my view on him began to shift, when I went from "he's interesting but awful" to "GOD THIS IS MY SON AND I WILL FIGHT EVERYONE YOU HAVE TO GO THROUGH ME" but.... lol there's no going back!

That's enough rambling, let's jump in.

There is something so painfully devastating about every time ILY confirms to us something we have long-since known or suspected through nuance, foreshadowing, reading between the lines, etc: That Kousuke isn't Rand's biological son, that Shinae was at the formal for Gun Kim, that Kousuke has been manipulated his whole life. Nothing in this episode regarding Kousuke is actually new to us. We have known, and talked about, for months and months long before the confirmation reveal that Yui drugs Kousuke - that he has been manipulated by her his entire life, that she orchestrated his life to manipulate him into situations she could take advantage of. It's the way she spoke about Rand's affair around Kousuke, the way she commodified Rand's love so Kousuke became convinced he'd never earned his father's love, the way she spoke of their family vs others and convinced him from such a young age that everyone was out to get them, to destroy them, and that he couldn't let them get close, couldn't let them near - and how Nol was very much a target planted in his mind.

But it's the fact that he is speaking of this and acknowledging it! Until now, Kousuke has heavily lived in denial. Again, we know this. We talk a lot about the chasm between reality and the reality he believes in. We talk a lot about how Kousuke couldn't face reality, even though on some level he knew everything he believed and was told was not quite true not quite real, but that he was so afraid of the truth, he couldn't do it. Kousuke admitting that he's been driven by fear and envy explains everything about him, and why he could not accept the only unwavering unconditional love he was offered.

A few weeks ago I saw a video on instagram of this father talking about a conversation he had with his daughter, who was feeling a little uncomfortable with her friend group. A new girl started to play with her and her best friend and she said she wasn't exactly jealous, but that maybe it was that she was afraid that there wasn't enough love to go around. Her dad had to explain to her that love is not like a pizza - it's not finite, a limited amount that could be taken and hogged by someone else. But Kousuke never learned this. His father's love was commodified and he was made to fear this other kid who he mistakenly believed knew a version of his father he'd never been privy to. He never learned that love is finite, that Rand could have enough love for the both of them, and feared that Nol would hog it all - that he WAS hogging it all because whether or not it was good or bad, Nol received more attention that Kousuke did. And that speaks VOLUMES about how Kousuke sees Rand, what he thinks of their relationship. In his mind, he is still unworthy, that he's not noteworthy enough.

This part gets to me so badly. We, as omniscient readers, know that Rand has tried his best, but that Yui runs a spectacular interference with which he can't compete, largely because of the roles their family have placed them in - Rand the busy businessman, Yui the mommy homemaker. But no matter how hard he tries, it isn't good enough. Rand tries to reach Kousuke, but the manipulation and paranoia are so far gone that the times Rand does have the chance to convey his feelings, Kousuke can't even believe it, because he thinks he's not good enough to deserve that love, that he hasn't fully qualified for it yet. And despite that, Nol, who Kousuke feels hasn't done half of what he has to deserve Rand's love, gets the attention. It doesn't matter that it's negative attention, that Rand barks at Nol, that Nol feels Rand hates and regrets him, because ultimately, it's still more than Kousuke receives. And worse, to him, every time Rand is busy reprimanding Nol, he turns away from Kousuke to do it.

I want to make it clear that this is a deep trauma point of Kousuke's. He's never learned healthy love and the only person who gave him healthy love was someone he was set to fear and fight. Something I think about a lot is the flashback to Kousuke, in the bushes, watching Nessa and Nol's display of warm affection, before Yui appears literally looming before him. In that moment, he witnesses something he's been deprived of. "We're not like other families"'. He's told from a young age he shouldn't compare himself to those healthy families, to warm and affectionate relationships that he will not cultivate in this household. From such a young age it is normalized, that they aren't like others, that they are cold and distant. From a young age, he's made to stuff down his feelings, his tender wants and desires, in order to earn them. To be a good little boy who makes his parents proud. To make his father look his way.

There's also something about the way he says "I've been a good boy" that echoes Shinae learning she's been manipulated by Yui, devastated and angry and yelling about how she's been a good girl so why do these things keep happening to her, all she wanted to do was help her dad. Two people who, from a young age, felt they had to be so obedient, so good, to not be a burden, and despite following the rules, despite doing as they were told, despite trying to be whatever version of "good" they believed in, the world still beat them up and mistreated them. The world still punished them.

As Rin in our discord server pointed out, though, to some degree, Kousuke is very much a person who can - and does - act out, when he's emotionally high-strung. He's a volatile man, and it's largely to do with the fact that he's been drugged to placate him for so long. He never learned emotional regulation, he never learned how to deal with high-stress situations or to face conflict or to own up to things. This is something that some readers who hate Kousuke and expect him to act a certain way because of his age are missing. You don't just learn these things with age. You learn them with experience and Kousuke was deprived of the opportunity TO have those experiences. He never had to learn these behaviors, and now as an adult he cannot function when overwhelmed.

Idk this whole episode is just heartbreaking. It's devastating. I remember when I was someone praying on Kousuke's downfall and now I want to take it all back ;___; I always believed he had to crash and burn to be able to see the world for what it really was and to face his fears, but this is somehow so much worse.

And even though he's drunk, I don't think he's going to forget all of this in the morning. Rather, I think what he's voicing are things that have been plaguing him since waking up in the hospital. From that moment, we saw him wary and distrustful of his mother, we saw his concern for Nol rising above everything else, but grappling with the understanding that he doesn't deserve to stand in front of Nol anymore. These aren't epiphanies coming to him just because he's drunk; it's more like he's only voicing them because he's drunk. But even when he sobers up, he will probably still be haunted by these fears, these agonies, these truths, this understanding.

How does he face his mother after this? How does he face anyone? He may not even feel like he can trust Jayce - who while very kind to him, is still employed by his family. He may not even feel like he can trust Hansuke (though I really hope that's not the case).

He's so miserable and it genuinely hurts to have him lay it all out for us - everything we've known and suspected, like how it was so painfully clear he WANTED Nol's friendship, their brotherhood, but feared it, didn't believe that there was enough love to go around, that there could only be one of them and that even if it was for good or bad reasons, Nol cast him in the shadow. And all these years, watching as Nol, as Yeonggi, grew into this person who sounded so very much like this unknown version of their father, someone funny who makes others laugh, someone goofy, someone so boyish in the ways Kousuke was never allowed to be. Watching as he gathers friends, while Kousuke, so unlikeable, is wanted only for his money, for his status, for the clout.

He doesn't even know WHO HE IS! Questioning his own traits he's believed of himself, wondering if this is even him, if these parts of him are real or does he just act it, say it, pretend it, while trying to fulfill a role he was shoved into. That makes me feel SO deeply sad, because it's something I've been anticipating for so long: Kousuke wondering WHO he really is, how much of him is real and how much of it is the result of manipulation.

And that moment that he catches himself and says no no that's offensive and rude you can't be like that. ;AAA;

For him to admit how much he envies others, how much he craves the kind of connection others have, the kind of family others have, to feel that love and warmth that he's been deprived of, forced to endure this solitude because, as he believes, he didn't get the good parts of Rand. And what will happen when he learns that Rand isn't his father? That he never stood a chance to inherit any of those traits. Kousuke has operated on this belief that, if he tries hard enough, he can earn the things he craves, but I fear learning about his parenthood will make him think that no matter how hard he tried, he would never earn that, because none of it was ever him, could have gone to him.

I think this is where Shinae, in the future, will come in. I feel so very strongly that she will be someone who helps Kousuke to see that this isn't true, that these kinds of personality traits aren't something inherited, but rather something learned. For him to one day realize it's the paralyzing fear that holds him back, not his genetics. Of course, I acknowledge this will still take a lot of therapy but...

Something else very remarkable to me is the way Kousuke recognizes Shinae in Shinhye, because their eyes "feel the same" and he opens up to her - on some level, whether or not he is consciously aware of it, Kousuke knows, or maybe just wants to, that he can trust Shinae. That she is someone who is safe. He even knows how she feels about his mother. I don't think we'll see a lot of Kousuke and Shinae's friendship until we're passed our timeskips, but it makes me feel a little hopeful about it, that she'll be able to reach him, because she feels like someone who is safe. It's the way he sees Nol in her and wants to try to have that do over, a relationship with someone who has unconditional love for him. It's the way he knows he mistreated Nol, that it was wrong, that he took it all out on this kid he was so afraid of because he had no other outlet, and he wants to do better but knows that there's nothing to salvage anymore.

But also, it just makes me hope more and more that in the future we WILL see a reconciliation between the brothers. As I say every time, it doesn't mean they have to become brothers or friends, but I just want them to see each other fully. Kousuke knows what he did to Nol. He doesn't deny it, even if he might not say it out loud unless he's drunk. But Nol is still so in the dark. Yujing is trying to tip him off and make him aware of it, but I hope one day when Nol realizes it, when he finds out that Kousuke, too, was Yui's victim, that he wasn't the only one, that Kousuke was made to fear Nol's love, he might.... understand. I'm saying understand here loosely because I don't want people to get the idea that I mean Nol will forgive him and Kousuke will be justified, but rather that Nol would be able to understand why Kousuke felt that way, and move on. But I can't help but hope that it will lead to an understanding, a reconciliation, where maybe they can try to be in each other's lives.

I think it's also interesting that Shinhye was somewhat honest, even if she wasn't very forthcoming, with Kousuke about her own family. It sounds like her mother has been gone for a long time, that she's been on her own the whole while, and I think it reinforces the idea that she believes both that Simhan is her father and that he rejected her, that he didn't want anything to do with her. It lines up, too, with how she feels that he wouldn't react well if he saw her (although I think she credited that to looking like their mother). In the same way that Shinae has felt abandoned and cast aside by their mother, Shinhye probably thinks their father never tried reach out, to find them, to maintain a relationship with her. Or perhaps it's that her mother fed her lies about him, made her believe him a different type of man, made her believe there would never be anything of their relationship to salvage. And given that she's the one who Kousuke opened to, it makes me think that there must be some kind of parallel there; the way she mentioned her own mother feels like maybe her mother, too, was a manipulative - or at the very least, dishonest - person.

I don't speculate a lot on Shinhye because frankly I don't think I know enough about her to really try to talk about her, but I do think that it's very likely there's some kind of connection between Shinhye and the Hirahras or Gun. To be clear, I don't believe she's working with Yui at all. I think it's more like... Alyssa isn't the only girl who has been trafficked by Gun. What's the likelihood that Shinae and Shinhye's mother was? Given her history, the gambling addiction that was so egregious her reputation haunted Shinae and chased her to a new neighborhood and school, was she seeking money somewhere else, somewhere more dangerous? Is that part of why they had to change their name? There's so many questions left about them, and I look forward to learning more about her, but, much like with Alyssa, I think it will take time and be dropped in little tidbits like this - things to read into and try to glean something from.

And maybe we'll see more of this duo in the future? It would feel a little weird to give them this one single run in, but I'm not entirely sure. Quimchee likes to keep us on our toes. After all, Minhyuk and Shinhye have also had only the one run in. Still, I think it would be interesting to watch, if Shinhye ever felt.... I want to say maybe compelled? to dig in more to Kousuke, ever feel a kind of kinship. I don't think she'll open up to him at all, but rather, maybe she'd keep going back because a. he's wealthy and there's more she can nick from him (assuming he doesn't realize she stole anything while in his apartment, if he even remembers any of this) and b. wanting to gather more intel.

Like I said though, she's hard to read so I don't want to cling too hard to any ideas and, instead, sit back and enjoy the show.

#ILY Brainrot #ILY FP #ILY Spoilers #I Love Yoo #Kousuke Hirahara #Shinhye #idk what to tag her as because we know she isn't known as Shinhye anymore #and because Simhan and their mother never married AND she was from a previous relationship Yoo isn't even her family name #so I can't really use Shinhye Yoo lol #alas #anyway this episode was DEVASTATING and quimchee said it's the beginning of the sad episodes meant to happen in March #literally said 'It's all downhill from here'#which I take to mean til the timeskip #BUCKLE UP BABIES WE'RE GOING FOR A BIG CRY SESH ;______;#i gotta say tho this episode didn't even make me cry - i guess because none of this is new and I've been bracing myself for it #Kousuke is so fucking wet cat it agonizes me ;_____;#I could write a whole essay on how Yui destroyed him and Nol in one fell swoop #i think a lot about precocious little Kousuke who tried so hard to be a good little boy and rushed through school because he wanted so badl #to hurry up and catch up to his father and join him in the workplace #all the opportunities he lost #the way he tried to fit himself into a personality a person he never picked out but just believed would get him what he wanted #he lost himself in the process #or maybe he never even got to know himself #i think too a lot about Kousuke who played piano and gave it up when he came to believe it wasn't important to his dad #that it didn't garner the attention and praise he seeked #so he dropped it to better mold himself into someone he thought Rand WOULD be proud of #FUCKING DEVASTATED #I'M GOING TO JUMP OFF THE ROOF SOBS

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rearranging-deck-chairs · 5 months

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nothing interesting here it's the exact same scene i just like seeing it

#french 13 isnt my favourite but i think she did a good job here. also in the gallery scene i liked that too #french yaz i love as much as english yaz #there IS smth interesting here btw but no one else will find it interesting but 'i know' is one of those #idk #like.........measuring things. for me. when im learning a new language #bc in english it's i know obvs and in french evidently it's 'i know' too - je sais #in dutch if you said 'i know' that'd be wrong #you have to say 'i know it'. or i suppose you could inverse it and do 'weet ik' and then you can leave out the 'it' but thats not the poin #so when im learning a new language im always like is it i know or is it i know it #and thats a stand in for lots of other similar questions of course #it's a never ending list of similar questions #but it's like the thing i remind myself of #so i dont go around saying 'ik weet'#i dont mind making like conjugation or grammar mistakes that much. thats like. it'll happen its whatever #but these kind of 'i can see how you got there but thats not how we say it' errors? hate it. dont want to make them #which is why i take forever to start writing/speaking bc yes i CAN make that sentence #but idk if thats how a french speaker would make that sentence so i'll wait until ive heard someone say 'je sais'#dont want to be speaking english/dutch with french words you know

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boxwinebaddie · 3 months

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do u think we can hear a little bit of the kyle cant say i love u ask?

ugh, yes </3

so...fair warning, idk what this is. also...

why is it written in present tense? idk. anyways!

i started ~writing~ something ( bad ) that i was going to maybe slap to the end of the ask, which is not proofread or finished, but basically context is that it's the #ravesey divorce fight, the climax of it...

...where stan starts packing a bag and for one of the first times in his pleated, completed, type-a, show no mercy, no nonsense, new jersey slaughterhouse life, kyle broflovski...is paralyzed with fear.

because kyle who always has his shit together is completely losing it.

everything.

his everything.

his stan.

again.

and he's ripped at the seams, dissolving right before our very eyes: his perfect auburn tresses which usually cascade and glide effortlessly down his lithe shoulders, are fucked up, frizzy and falling all over his face which is pale, creased and gaunt...like he's seen a ghost.

his pupils are blown to high heaven and shot to all hell. dilated like two green distress signals. once fierce now frightened, floundering.

his special stan glasses are crooked and fogging up from how hard and uneven his breathing is with the chain nearly suffocating him from how rough and imprecise his startled, frenzied movements are.

he's shaking his head in horror, in shock, in grief, in utter disbelief. really, his whole fucking body is shaking like an addict going through withdrawals, but this is a million times worse than watching someone flush a pack of cigarettes down the toilet. it stings. it burns. it lingers.

in a way that stan won't.

but kyle needs him to, needs him to stay, needs him close, needs him forever, so he's talking fast, way, way, way too fast, like if he can say enough other words, i love you will seem far less grand and lustrous...

but they're not.

whilist time passes achingly slow. and kyle's given hundreds of speeches, debates and lectures, but words fail him, his lips quiver, his mouth opens and closes helplessly and that booming voice is barely a whisper when he finally musters up the dis-courage to mumur;

"...b-baby? baby! where—where are you going?! w-where are YO—“

kyle darts forward and reaches for his boyfriend before he turns into a memory again, not sure where he was aiming. to please, to squeeze, to stroke his tear-slicked cheek, maybe? to dust the tips of the his trembling, unworthy fingers cross that little spot of sun just beneath his right eye. the gentle curve of his jaw, far less violent than his, or—or even just on the side of his arm where love is written in spanish. amor. like tracing the letters onto his skin would be good enough.

but it never was.

he never was.

and as proof of his inadequacy, stan sails to the left and ducks right under kyle's arm, which collides with the quilted down of their couch.

…their couch.

how long would their couch be their couch? kyle thought that their couch would always be their couch! kyle thought that—

"out."

it was a single syllable, uttered in the same bratty voice harnessed by misbehaved teenage boys everywhere, but it was different coming from stan, whose mouth was not made to start fights or draw blood. it was a horrible, harsh sound, wrought with an undercurrent of sadness.

it was then that the realization dawns on him.

stan wasn't angry with him.

stan was disappointed in him.

which was far, far worse.

kyle wants to look strong, look stable, look sturdy, so stan would look at him — god, he would do anything for stan to just look at him! and stop packing that stupid fucking bag, that dumb black jansport backpack they'd bought back to school shopping because...his stan was going back to school. and kyle was so...so proud of him.

but gerald never was, gerald was loud, so kyle was loud, so when he should have congratulated stan for doing something difficult, he criticized him for not doing something easy! like the dishes and told stan he'd stitched his name into the bag...just in case he lost it.

funny how things happen.

…not funny.

not funny at all, actually!

so then…why was he laughing?

why the Fuck was he laug—

"out? Out? O-OUTSIDE?! stan, you—ya can't be serious?! you're in a little t-shirt and—and shorts, you'll freeze to death! you'll—“

kyle clings to the thin fabric of stan's tee-shirt, admiring the myriad of sauce stains and makeup marks that, on a normal night, kyle might be livid about, but tonight...they're lovely; they're so, so lovely.

just like the boy who made them.

the boy kyle loves.

not rockstar raven of crimson dawn.

but sweet, sensitive stanley marsh.

his stan.

his...

kyle's eyes fall absentmindedly to the tattered hem of stan's shorts, where amidst a jagged, serrated sea of angry self mutilizations past, was a new beginning...the beginning of a word, a sound, a letter...a

a k...for kyle.

stan had gotten it done last anti-valentine's day, as a gift, for him, but mostly...for himself. because stan cruelly hated himself, every part of his body, but he hated that part the most. his inner thighs, the valley that stretched between them...so he'd gotten kyle's name tattooed down there, so that when he was off on tour and missed his boyfriend terribly...he was with him.

always.

so that on his very worst days, when he felt the worst about himself, he could still see his super best friend. a precious skin-deep reminder that when the dysphoria hit and he felt like shit, craved a stiff drink and the razor blade winked…that when he felt falsely ugly...

...someone thought he was truly beautiful.

and he was.

he was really...and truly beautiful.

everyday. every second. even now. especially now. and god, what kyle wouldn't do to place his lips in that spot right there, anywhere, everywhere! because kyle couldn't say i love you and they weren't married, no, not in the traditional sense, but even so, kyle went to temple, a place of sacred worship & recited his vows every night.

every stroke, every sigh, every stretch of blessed skin.

i love you.

i love—

"because you're so worried about me, right, kyle?"

stan sneers, holding his name like a knife between teeth.

"—because you love me, right?"

he spit and twist it.

it was twisted. and kyle feels those spiteful syllables split him open like shrapnel. he gasps like stan had shot him, grasping the hem of his shirt so hard that it hurt, like a little kid clinging to his mother's skirt.

so scared she would leave.

so scared she would go, begging

don't go.

please don't go.

please, please, please don't g—

"NO! i—i do! stan, i do!”

kyle tries to argue but nearly breaks his neck nodding, with his shrill voice weak and watery and wanting.

“baby—BABY! i do, i DO! i really do! i—I LO—“

but the words wouldn't come.

kyle was banging on the wall, iron clad and impenetrable, he fought and shouted, kicked and screamed and still...nothing would come.

he couldn't say it. he couldn't FUCKING say it!

why...why?

Why?

WHY?!

he had never wanted to cry before but he could feel it in the back of his throat. he wants to come out. the little boy he'd trapped back there. but he couldn't be that big again, that small...that pathetic. so he bites down HARD. harder than he'd even bitten before and thrashes his cheek with his teeth, the taste of blood filling his mouth.

and for a moment...he feels dizzy...

because the blood tastes like metal.

like stan.

just like sta—

"save it, mi sabelotodo."

stan sniffs and lifts his head up slowly. his damp bangs are stuck to his forehead, the tips just barely kissed with bleach, mere whispers of the boy they wanted him, those beautiful dark roots growing with him into the man he wanted to be. whose wonderful face was flushed with frustration, whose kind, bright blue eyes were...

god, all kyle had wanted was for stan to look at him. but it gores him; it guts him. it carves him; it cuts him.

it was wrong. it was all wrong!

he took it back. he took it all back!

take me back, baby.

he wants to plead, while his lip shakes and bleeds.

stanley, PLEASE take me ba—

then, in one foul swoop, the boy with the bag shrugs his shoulders and kyle's hand crumples back down onto the couch. broken. lifeless.

"—save it for someone you actually love."

#anyways hope i die #actually tho bc this was so poorly written oh my god #i am in pain i am sorry i wanted this to be not bad #i'll proof it and fix it later smh #BUT I WANTED YALL TO HAVE IT #ANYWAYS I HATE MY LIFE SO BAD I HATE IT HERE #also stans spicy lil inner thigh kyle tattoo is important to me #hot boy self care behavior #WHICH EVEN IF IT WASNT #THATS OKAY BC KYLE TAKES REALLY GOOD CARE OF HIM AND LOVES HIM SO MUCH EVEN THO HE CANT SAY IT #MAAAAAAAAN #WERE IN HELL #ANYWAYS #jerseys perspective makes me wanna kword myself so bad like hes so desperate and loving and sad and i LOVE HIM #BABY ITS GONNA BE OKAY :((((#mi sabelotodo WAS VIIIIIIIIOLENT #LIKE OH MY GOOOOOOOD #i fixed it so the tenses are right now #im so bad at that idk why i did present tense im insane sorry #we know this we sometimes love this #I HAD SO MUCH FUN WRITING THIS I LOVE ANGST #I LOVE WRITING AAA IM SMILING IM SO HAPPY #LIKE IM SAD BUT IM HAPPY IM WRITING EEEE

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