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stra-tek · 1 year

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This is one of the greatest things ever. Walk around every single version of the U.S.S. Enterprise in photorealistic 3D in your browser, from the Roddenberry Archive. On a phone you just see wraparound 3D pics. On a PC or laptop you get the full 3D interactive experience. They NEED to make this VR compatible, it'll be beyond words.

There are more Enterprises here than Tumblr will allow me photos of, and more will likely be added.

Here's the TOS Enterprise, which appears in several incarnations ("The Cage", "Where No Man Has Gone Before" and TOS proper as well as TAS with the second turbolift!), has the correct original graphics and is perfect.

This is the bridge from the unmade Star Trek: Phase II series (whose pilot episode "In Thy Image" was rewritten to become Star Trek: The Motion Picture), with it's legendary big comfy command sofa seat and tactical display bubble!

The Motion Picture, such an accurate recreation that there's even a very faint flicker on the rear-projection animated screens as seen in the movie.

Enterprise NX-01, looking exactly as it did in "Broken Bow"

Recognise this? It's the briefing room of Discovery season 2's version of the U.S.S. Enterprise NCC-1701. Although at the front of the saucer on the "real" ship, here it's off the second bridge door which may well be where the set was IRL.

I wasn't expecting modern Trek to be represented equally as the originals in this project, but it is. This is the Enterprise from Strange New Worlds, with Pike's Ready Room located just off the bridge.

Star Trek V: The Final Frontier. My favourite version of the classic bridge, as a kid I drew all these control panels and stuck them on my bedroom walls. And now I can look around and look at them all close-up! They've even replicated the noticable TVs stuffed into the panels for the more complex animated screens.

The Enterprise-C bridge from "Yesterday's Enterprise". This one has always fascinated me, being a low-budget TV set (formerly the Enterprise-D battle bridge, originally built from the rain-damaged TMP set's back wall and redressed endlessly though TNG) representing TNG's immediate predecessor. In the episode they mostly shoot the back wall and imply the consoles make a huge circle, but here you can see the set's real dimensions and the weirdness of the classic movie helm/nav console in front of the TNG con/ops panels. I love it.

You know how much I love the Kelvin movies, so seeing this was amazing. For some reason the consoles don't have their screens lit (hopefully this'll be fixed soon), but you can see the saucer under the window and it's shiny and amazing.

The last thing I expected was the U.S.S. Titan-A/Enterprise-G bridge, but it's here. And the lights are on.

Other bridges available to explore which I'm out of pictures to show: The Enterprise-D (of course), Enterprise XCV-330 (the ringship, based on concept art for the unmade non-Trek series "Starship"), the Planet of the Titans U.S.S. Enterprise (again, based on concept art for a cool multi-levelled set) and the "launch" U.S.S. Enterprise NCC-1701 (based on the very first piece of TOS bridge set concept art), the Enterprise-E, the Enterprise-F (seen on viewscreen for all of 2 minutes in Picard) and the U.S.S. Voyager NCC-74656!

Take a bow lads, you've done good. Now just add VR support!

That link again.

#star trek #star trek aos #star trek movies #tng #voyager #star trek picard #star trek phase 2 #roddenberry archive #strange new worlds #set design #deep lore #star trek ships #star trek tech #star trek discovery #star trek enterprise #enterprise #uss enterprise #ncc 1701 #starfleet museum

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sttoru · 9 months

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ෆ tags. dad!toji x female reader. toji letting baby megumi try all kinds of new food !

it was a typical monday morning: you were making breakfast for your little family, flipping pancakes and eggs as you left toji to handle the task of helping megumi go through his routine. once your husband had finished, he walked into the kitchen with your little child in his arms (this time holding the boy somewhat properly).

once you turn your head towards the two, you noticed how megumi was eagerly suckling on toji’s index finger—a habit of your son to signal you that he yearned for his daily nutrients.

“megumi’s biting my finger off,” toji exaggerates, yawning before moving towards the fridge and opening the door. the sudden breeze of cold air hitting his skin makes him shudder.

you laugh and flip a pancake, revealing its golden brown colour on the back, “i stored ‘gumi’s food on the second shelf. a little in the back.”

megumi’s tiny arms were already reaching out for the familiar bowl, making grabby hands at it as if encouraging his dad to feed him his meal. toji’s eyes, however, were scanning the entire content of the fridge for something new, “y’know, maybe it’s time to learn how to eat somethin’ else, kid. your taste buds need’ta get used to other foods.”

according to his ‘brilliant’ logic, it’s best to get kids used to new foods at a young age so they won’t become picky eaters later on. thus, toji grabs the most random combination of whatever looks edible. the gathered items consisted of pickles, strawberries, mini-carrots, tomatoes and a single lemon.

toji quickly glances over at you, but your attention was totally focused on the breakfast you were preparing. your husband takes his chance, puts megumi in his high-chair and cuts up all the food he grabbed to biteable pieces for the baby, “alright, i’ll give ya the freedom of choosin’ something on y’r own. go on.”

toji places the various items on megumi’s small tray. the boy stares at the food and picks a piece of strawberry first since the red colour was the most appealing. megumi munches on it, hands as well as his lips getting a bit messy. he didn’t seem to dislike it as his little pouty lips continued to move and digest the fruit.

“okay, so ya like the strawberries. noted.” toji makes a mental note of the new discovery, already planning on buying boxes of strawberries for his son.

once megumi swallowed the piece, the curious boy goes on and picks another type of food. this time it was a yellow coloured piece—one which megumi had no knowledge about. toji did, however, and was already grinning.

the man crossed his arms while he looked down at his kid who was about to go through an unpleasant experience. that’s what builds character according to toji, so why would he intervene and stop megumi from eating a lemon? finding out on his own will teach him a very valuable lesson.

the second megumi’s tongue picks up on the extreme sour taste, his nose scrunches up, eyebrows furrowing along with a disgusted noise escaping the back of his throat, “blegh!”

toji bursts out laughing and points at megumi whose tiny fingers were trying to wipe the taste off his tongue, spitting and almost crying from the unfamiliar taste that entered his mouth. most parents would help their child out and give them water to rinse their mouth, however the scene was apparently way too hilarious to your husband for him to even think about rushing to aid megumi.

you turn to see what the commotion was about and spot your son almost in tears from whatever he ate. you frown and walk up to the high-chair, inspecting the squished piece of lemon in megumi’s hand.

“mannnn, that was the funniest stuff i’ve seen in a while.” toji snickers once he calms down, finally grabbing a tissue to wipe megumi’s drool and spit off.

“poor baby.” you watch the small child stare at his dad with a pouty expression on his little face like he was awaiting on an apology of some kind.

even toji can’t deny it: he did somewhat feel bad now. those big and watery eyes looking up at him made him soften in a fraction of a second. the dark-haired man dumps the used tissues in the nearby garbage can and then walks back to the high chair;

“aww, okay, ‘m sorry.” toji coos and lifts megumi up in his embrace, smothering the child with kisses all over his exposed shoulders before softly poking the fat of his cheeks, “can you forgive your daddy, kiddo?”

“da-da!” megumi happily giggles without knowing the meaning of toji’s words. all the kid desired at that instant was more of his dad’s attention and affection. especially after what occurred a moment ago.

megumi was guaranteed to get what he needed since toji was already preparing to tickle and kiss his adorable son all over as an apology.

you chuckle and go back to making breakfast—your ears filled with high-pitched squeals from your son as toji’s voice called out for a ‘tickle attack’.

at least all was well in the end.

#ෆ : parenting 101.#jjk x reader #toji x reader #jjk fluff #toji fluff #jjk x you #toji x you #crisis averted ehem #shoutout to the requester 4 saving my ass #ilysm

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libraryofgage · 10 months

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Steddie brainrot continues to worsen to a concerning degree but here's a crack idea that is absolutely sending me:

Famous Spicy Six in which Jonathon is a director who decides to work on a passion project: a Scooby-Doo movie. His ideal cast is as follows:

Nancy Wheeler (investigative journalist with a few special appearances on crime dramas) as Daphne Blake

Argyle (an actor with a habit of playing small parts; he acts only because he thinks it's fun, so he's not concerned with significant roles) as Shaggy Rogers

Robin Buckley (a well-known voice actor who is more well-known for her social media posts and clap-backs) as Velma Dinkley

Steve Harrington (basketball star who is also more well-known for his social media clap-backs and for being Corroded Coffin's number one fan) as Fred Jones

Eddie Munson (frontman for Corroded Coffin, an insanely popular metal/punk/rock band and "infamous" for unashamedly posting Steve Harrington thirst tweets) as the voice of Scooby-Doo

Corroded Coffin is also creating an entirely new, original soundtrack for the movie

And because I think it's funnier this way, this is also an AU where the Upside Down still happened, so Jonathon just calls his friends up and is like "Okay, so hear me out"

The absolute insanity that breaks out when both the movie and cast are announced because nobody can figure out how Jonathon managed to convince all these powerhouses to join his movie.

The further screaming online after one of the movie promo interviews where a reporter asks how they all agreed to the movie and Nancy hits them with, "Well, Jonathon asked, and he never asks for anything."

Which leads to the discovery that they all knew each other in high school, and the reporter jokingly asks if that means they've all dated each other, too, which leads to Eddie jumping in with absolute delight like, "Well, that's a funny story, there. See, Stevie here dated Nancy, who then dated Jonathon when they broke up, who then dated Argyle after they broke up. And I thought Stevie and Robin were dating, so I was very confused when I saw Robin and Nancy kissing. But then I found out that Robin was a true-blue lesbian, which meant Stevie here was open for the taking, and we've been banging ever since."

and Steve is just sitting there, head in his hands while Robin cackles and decides to tell the reporter all about Steve's "fuck I have a crush on Eddie" crisis

This interview, of course, leads to even more freaking out online and comments like "I know I asked for poly Scooby gang, but this is ridiculous," and "I can't believe that in this, the year of our lord 20xx, ScoobyXFreddy became a canon ship," and "if I had a nickel for every romantic relationship the Scooby gang actors have had with each other, I'd have five nickels, which is way more than any of us fucking expected to have," and "suddenly Eddie Munson's thirst tweets make a lot more sense, but can we talk about Steve Harrington's CC tweets now," and "everyone say thank you to Eddie Munson for revealing that mess of a relationship map," and "finally, the canon lesbian velma and daphne we deserve"

The movie is a box office hit, btw, and bloopers from filming roll with the credits, among which is Eddie Munson making Steve Harrington lose his shit laughing on set while dressed in a Scooby Doo onesie and singing Corroded Coffin songs with his Scooby Voice

#Steddie #Steve Harrington #Eddie Munson #Jonathon Byers #argyle stranger things #Nancy Wheeler #Robin Buckley #scooby doo #Scooby Doo is my special interest btw #I know more Scooby lore than you could dream of babygirl #thoughts of this AU completely send me into absolute fits #please appreciate the sheer crack-value of it all I'm begging

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imgae-insertshockedgasps-16 · 4 months

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humans are space orcs

imagine someone with chronic joint pain, whose dream their whole lives has been to go to space and meet the aliens and be a scientist and learn

so they look up the requirements as a kid and go "fuck."

they wouldn't make the cut.

their dreams are dashed. hopes ruined. lifelong dre destroyed.

except....

they've never really said a whole lot about their pain. they don't particularly like doctors, and they think that they've been managing just fine, so they never saw the point.

so maybe... maybe if they just don't say anything, they can make it to space.

they spend all of their time training. doing physical therapy exercises so that their joints aren't so loose, soaking up as much scientific and mathematical knowledge as they can, teaching themselves to push through the worst of it in pursuit of their dream.

and they make it.

they make it to space! it was gruelling, tortuous work, but they made it!

their first mission is an exploratory one, with a diverse crew which only has one other human.

they're thrilled.

they have dozens of alien friends and acquaintances. they spend hours learning and researching alien planets and cultures. it's everything they've ever wanted!

but

it's exhausting.

they're in more pain than they've ever been, more frequently than they ever have.

they keep up their exercises as best they can, but even those are often too much.

they smile when asked if they're alright, tell everyone that "i'm fine! just tired."

but they need a break. they can't imagine going or being sent back to earth, this is their home now, with these people, on this ship. but they don't know how much longer they can take this.

one day, on their day off, a fellow researcher comes and knocks on their door.

"are you here?"

"not today islith."

"but we've been called! there are some exciting new discoveries that need further cataloging and investigation, and carlmoth thought you would enjoy the task!"

"i can't today, islith."

"are you ill?"

"...kind of? but i'll be right as rain tomorrow. it's my day off anyhow."

"nonsense! you should go down to medbay!"

"i'm alright, i promise."

"you get out here right this minute or i'll report you to medbay myself!"

"no!" there's a series of crashes and thumps, and then they open the door.

"oh, you look awful. come on, you really must need medbay, what if you're contagious." islith tries to grab them but they shy away.

"i'm not contagious, i promise."

"how can you possibly know that? what if you picked it up from a sample, or, or, garfon has been sick recently! humans can't survive cerian sicknesses-"

"i didn't catch something from garfon, islith," they sigh and open the door wider. "come in and let me explain."

"alright, but if i think you should go to medbay afterwards then i'm taking you there."

"sure, islith."

islith enters, notices the piles of clothes, rumpled bedsheets, the lights are off and the port window shut.

"what's wrong?"

they sigh again, "my body doesn't work like it's meant to, islith."

islith is wildly alarmed, "and you said there was no need for medbay?!? come with me right now and-"

"no! i can't, islith, you don't understand."

"then explain it to me."

"i've... always been this way, although it's gotten worse as i've gotten older. my body, it just isn't built quite right, there's something wrong with it that makes it not work properly and hurt often."

"you're right, i don't understand. why can't you go to medbay?"

"i'd... be thrown off the ship."

"what?!?"

and so they tell islith a story about a young child whose dream was to touch the stars.

"and now, it's too late. i'd get in huge trouble for lying to the government, especially for so long."

"well- but- but humans are so resilient! you hear all the stories!"

"not every human is the same, islith. some of us are born disabled, and some of us get hurt in accidents, just like any other species."

"well, then, well there must be something we can do?"

they look up in shock, "we?"

"of course we, you ridiculous creature," islith said with a fond sigh. "you didn't think i'd leave you to suffer, would you?"

"but, you could get in so much trouble!"

"that's alright, i don't mind. what else are friends for? and, anyway, we don't have to tell your government, we can tell mine."

"but i'll-"

"we don't have any rules like that. any of us who are disabled can still manage in space just fine with the right support, and i bet you could too."

"i- islith- i don't-"

"don't worry, we'll all back you when it comes down to it. you're out teammate, our family. no one on this ship wants to watch you leave because of something you can't control. now come on, let's talk to glidlep in medical, she'll understand."

and for years, things continued on that way, until eventually it was an open secret that the human with the exosuit was disabled and not technically allowed onboard.

and down the line, when nasa found out and was furious, the entire ship and more stood by their side.

#anyway i need to go cry now #humans are space orcs #humans are weird #humans are deathworlders #humans are space australians #disabled #disability #disability in space #chronic pain #chronic illness #chronically ill #joint pain

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lisafication · 1 year

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For those who might happen across this, I'm an administrator for the forum 'Sufficient Velocity', a large old-school forum oriented around Creative Writing. I originally posted this on there (and any reference to 'here' will mean the forum), but I felt I might as well throw it up here, as well, even if I don't actually have any followers.

This week, I've been reading fanfiction on Archive of Our Own (AO3), a site run by the Organisation for Transformative Works (OTW), a non-profit. This isn't particularly exceptional, in and of itself — like many others on the site, I read a lot of fanfiction, both on Sufficient Velocity (SV) and elsewhere — however what was bizarre to me was encountering a new prefix on certain works, that of 'End OTW Racism'. While I'm sure a number of people were already familiar with this, I was not, so I looked into it.

What I found... wasn't great. And I don't think anyone involved realises that.

To summarise the details, the #EndOTWRacism campaign, of which you may find their manifesto here, is a campaign oriented towards seeing hateful or discriminatory works removed from AO3 — and believe me, there is a lot of it. To whit, they want the OTW to moderate them. A laudable goal, on the face of it — certainly, we do something similar on Sufficient Velocity with Rule 2 and, to be clear, nothing I say here is a critique of Rule 2 (or, indeed, Rule 6) on SV.

But it's not that simple, not when you're the size of Archive of Our Own. So, let's talk about the vagaries and little-known pitfalls of content moderation, particularly as it applies to digital fiction and at scale. Let's dig into some of the details — as far as credentials go, I have, unfortunately, been in moderation and/or administration on SV for about six years and this is something we have to grapple with regularly, so I would like to say I can speak with some degree of expertise on the subject.

So, what are the problems with moderating bad works from a site? Let's start with discovery— that is to say, how you find rule-breaching works in the first place. There are more-or-less two different ways to approach manual content moderation of open submissions on a digital platform: review-based and report-based (you could also call them curation-based and flag-based), with various combinations of the two. Automated content moderation isn't something I'm going to cover here — I feel I can safely assume I'm preaching to the choir when I say it's a bad idea, and if I'm not, I'll just note that the least absurd outcome we had when simulating AI moderation (mostly for the sake of an academic exercise) on SV was banning all the staff.

In a review-based system, you check someone's work and approve it to the site upon verifying that it doesn't breach your content rules. Generally pretty simple, we used to do something like it on request. Unfortunately, if you do that, it can void your safe harbour protections in the US per Myeress vs. Buzzfeed Inc. This case, if you weren't aware, is why we stopped offering content review on SV. Suffice to say, it's not really a realistic option for anyone large enough for the courts to notice, and extremely clunky and unpleasant for the users, to boot.

Report-based systems, on the other hand, are something we use today — users find works they think are in breach and alert the moderation team to their presence with a report. On SV, this works pretty well — a user or users flag a work as potentially troublesome, moderation investigate it and either action it or reject the report. Unfortunately, AO3 is not SV. I'll get into the details of that dreadful beast known as scaling later, but thankfully we do have a much better comparison point — fanfiction.net (FFN).

FFN has had two great purges over the years, with a... mixed amount of content moderation applied in between: one in 2002 when the NC-17 rating was removed, and one in 2012. Both, ostensibly, were targeted at adult content. In practice, many fics that wouldn't raise an eye on Spacebattles today or Sufficient Velocity prior to 2018 were also removed; a number of reports suggest that something as simple as having a swearword in your title or summary was enough to get you hit, even if you were a 'T' rated work. Most disturbingly of all, there are a number of — impossible to substantiate — accounts of groups such as the infamous Critics United 'mass reporting' works to trigger a strike to get them removed. I would suggest reading further on places like Fanlore if you are unfamiliar and want to know more.

Despite its flaws however, report-based moderation is more-or-less the only option, and this segues neatly into the next piece of the puzzle that is content moderation, that is to say, the rubric. How do you decide what is, and what isn't against the rules of your site?

Anyone who's complained to the staff about how vague the rules are on SV may have had this explained to them, but as that is likely not many of you, I'll summarise: the more precise and clear-cut your chosen rubric is, the more it will inevitably need to resemble a legal document — and the less readable it is to the layman. We'll return to SV for an example here: many newer users will not be aware of this, but SV used to have a much more 'line by line, clearly delineated' set of rules and... people kind of hated it! An infraction would reference 'Community Compact III.15.5' rather than Rule 3, because it was more or less written in the same manner as the Terms of Service (sans the legal terms of art). While it was a more legible rubric from a certain perspective, from the perspective of communicating expectations to the users it was inferior to our current set of rules — even less of them read it, and we don't have great uptake right now.

And it still wasn't really an improvement over our current set-up when it comes to 'moderation consistency'. Even without getting into the nuts and bolts of "how do you define a racist work in a way that does not, at any point, say words to the effect of 'I know it when I see it'" — which is itself very, very difficult don't get me wrong I'm not dismissing this — you are stuck with finding an appropriate footing between a spectrum of 'the US penal code' and 'don't be a dick' as your rubric. Going for the penal code side doesn't help nearly as much as you might expect with moderation consistency, either — no matter what, you will never have a 100% correct call rate. You have the impossible task of writing a rubric that is easy for users to comprehend, extremely clear for moderation and capable of cleanly defining what is and what isn't racist without relying on moderator judgement, something which you cannot trust when operating at scale.

Speaking of scale, it's time to move on to the third prong — and the last covered in this ramble, which is more of a brief overview than anything truly in-depth — which is resources. Moderation is not a magic wand, you can't conjure it out of nowhere: you need to spend an enormous amount of time, effort and money on building, training and equipping a moderation staff, even a volunteer one, and it is far, far from an instant process. Our most recent tranche of moderators spent several months in training and it will likely be some months more before they're fully comfortable in the role — and that's with a relatively robust bureaucracy and a number of highly experienced mentors supporting them, something that is not going to be available to a new moderation branch with little to no experience. Beyond that, there's the matter of sheer numbers.

Combining both moderation and arbitration — because for volunteer staff, pure moderation is in actuality less efficient in my eyes, for a variety of reasons beyond the scope of this post, but we'll treat it as if they're both just 'moderators' — SV presently has 34 dedicated moderation volunteers. SV hosts ~785 million words of creative writing.

AO3 hosts ~32 billion.

These are some very rough and simplified figures, but if you completely ignore all the usual problems of scaling manpower in a business (or pseudo-business), such as (but not limited to) geometrically increasing bureaucratic complexity and administrative burden, along with all the particular issues of volunteer moderation... AO3 would still need well over one thousand volunteer moderators to be able to match SV's moderator-to-creative-wordcount ratio.

Paid moderation, of course, you can get away with less — my estimate is that you could fully moderate SV with, at best, ~8 full-time moderators, still ignoring administrative burden above the level of team leader. This leaves AO3 only needing a much more modest ~350 moderators. At the US minimum wage of ~$15k p.a. — which is, in my eyes, deeply unethical to pay moderators as full-time moderation is an intensely gruelling role with extremely high rates of PTSD and other stress-related conditions — that is approximately ~$5.25m p.a. costs on moderator wages. Their average annual budget is a bit over $500k.

So, that's obviously not on the table, and we return to volunteer staffing. Which... let's examine that scenario and the questions it leaves us with, as our conclusion.

Let's say, through some miracle, AO3 succeeds in finding those hundreds and hundreds and hundreds of volunteer moderators. We'll even say none of them are malicious actors or sufficiently incompetent as to be indistinguishable, and that they manage to replicate something on the level of or superior to our moderation tooling near-instantly at no cost. We still have several questions to be answered:

How are you maintaining consistency? Have you managed to define racism to the point that moderator judgment no longer enters the equation? And to be clear, you cannot allow moderator judgment to be a significant decision maker at this scale, or you will end with absurd results.

How are you handling staff mental health? Some reading on the matter, to save me a lengthy and unrelated explanation of some of the steps involved in ensuring mental health for commercial-scale content moderators.

How are you handling your failures? No moderation in the world has ever succeeded in a 100% accuracy rate, what are you doing about that?

Using report-based discovery, how are you preventing 'report brigading', such as the theories surrounding Critics United mentioned above? It is a natural human response to take into account the amount and severity of feedback. While SV moderators are well trained on the matter, the rare times something is receiving enough reports to potentially be classified as a 'brigade' on that scale will nearly always be escalated to administration, something completely infeasible at (you're learning to hate this word, I'm sure) scale.

How are you communicating expectations to your user base? If you're relying on a flag-based system, your users' understanding of the rules is a critical facet of your moderation system — how have you managed to make them legible to a layman while still managing to somehow 'truly' define racism?

How are you managing over one thousand moderators? Like even beyond all the concerns with consistency, how are you keeping track of that many moving parts as a volunteer organisation without dozens or even hundreds of professional managers? I've ignored the scaling administrative burden up until now, but it has to be addressed in reality.

What are you doing to sweep through your archives? SV is more-or-less on-top of 'old' works as far as rule-breaking goes, with the occasional forgotten tidbit popping up every 18 months or so — and that's what we're extrapolating from. These thousand-plus moderators are mostly going to be addressing current or near-current content, are you going to spin up that many again to comb through the 32 billion words already posted?

I could go on for a fair bit here, but this has already stretched out to over two thousand words.

I think the people behind this movement have their hearts in the right place and the sentiment is laudable, but in practice it is simply 'won't someone think of the children' in a funny hat. It cannot be done.

Even if you could somehow meet the bare minimum thresholds, you are simply not going to manage a ruleset of sufficient clarity so as to prevent a much-worse repeat of the 2012 FF.net massacre, you are not going to be able to manage a moderation staff of that size and you are not going to be able to ensure a coherent understanding among all your users (we haven't managed that after nearly ten years and a much smaller and more engaged userbase). There's a serious number of other issues I haven't covered here as well, as this really is just an attempt at giving some insight into the sheer number of moving parts behind content moderation: the movement wants off-site content to be policed which isn't so much its own barrel of fish as it is its own barrel of Cthulhu; AO3 is far from English-only and would in actuality need moderators for almost every language it supports — and most damning of all, if Section 230 is wiped out by the Supreme Court it is not unlikely that engaging in content moderation at all could simply see AO3 shut down.

As sucky as it seems, the current status quo really is the best situation possible. Sorry about that.

#archive of our own #endotwracism #end otw racism #content moderation #sufficient velocity #i hate how much i know about this topic

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