list of acd canon sherlock holmes things i absolutely love
(and am going to mostly put under a readmore because i made most of this list while rereading the entire canon so it is very long! listen i just think sherlock holmes is the best character ever and i need to share my love for him--)
immediately upon being introduced to watson he grabs him by the sleeve, starts excitedly showing off his bloodstain testing experiment, and claps his hands “looking as delighted as a child with a new toy”. once he finishes, his eyes glitter and he puts his hand on his heart and bows “as if to some applauding crowd conjured up by his imagination”.
watson: “i object to rows because my nerves are shaken”
holmes: “do you include violin playing in your category of rows?” he asked, anxiously
he’s noted to be extraordinarily knowledgeable and zealous in his studies, and yet on the same page it’s stated that he doesn’t know the earth travels around the sun and once watson tells him about it he immediately decides to forget about it because it’s not relevant to his work. this is where the famous “brain attic” monologue comes in.
watson writes this list about him and then throws it into the fire in despair:
has a habit of laughing in a way that’s described as bursting into an “explosion” or “roar” of laughter
frequently does this at crime scenes:
enlists a gang of street orphans to help him on his cases, pays them for their work, and generally treats them as equals but also playfully talks to them like a general to his soldiers
plays the violin for watson to help him get to sleep
is incredibly knowledgable on anything from different types of tobacco, to the ways one's trade can influence the form of their hands, to medieval pottery and stradivarus violins. and yet, i reiterate, does not know the earth revolves around the sun.
has a tendency of waxing poetic about the meaningless of existence, particularly when he’s bored from not having any cases to work on
once said about a dog “i would rather have toby’s help than that of the whole detective force of london”
used the word “doggy” when speaking to toby
once told watson “i don’t wish to be theatrical” despite all evidence to the contrary
disguises himself as an old man just to play a prank on watson
watson: “i think i had better go”
holmes: “not at all, doctor. stay where you are. i am lost without my boswell.”
is known to wiggle in his chair when he gets excited about a case
discovers that a man has tricked his own stepdaughter into a fake marriage so he can keep her at home and control her life and inheritance. acknowledges that said man hasn’t done anything illegal but still tells him “there never was a man who deserved punishment more” and that he ought to get whipped for what he did, and then goes to actually get his hunting crop, causing the man to run out the door at top speed
let a criminal go free because it turned out the man he murdered was trying to force said criminal’s daughter into an unwanted marriage
was suddenly made to participate in the wedding of someone he was tracking for a case, came home and laughed about it for several minutes, exclaimed “well, really!”, laughed for several more minutes, and only then did he actually tell watson what happened
responds to the king of bohemia insulting irene adler and saying she’s not on his level by saying coldly: “from what i have seen of the lady, she seems indeed to be on a very different level to your majesty”, which is basically him saying “actually she’s way better than you, so fuck off”
refused to shake said king’s hand
built a pillow fort in a client’s house so he could think better
let a poor jewel thief go because he cried, because it was christmas and therefore it was the season of forgiveness, and because the case was really easy anyway so it’s not his fault if the police are too stupid to solve it themselves
always reassures clients that they can trust him and watson and speak freely around them
is willing to waive his fee for clients who can’t afford to pay him, because according to him his profession is its own reward
this entire scene from speckled band when he gets confronted by his client’s abusive stepfather:
this nice little example of the gentleness he often displays with his clients:
the adventure of the copper beeches. just, all of it. a woman he doesn’t know comes to holmes for advice about a potential job she’s interviewed for and they both agree it sounds incredibly sketchy, she says she’s gonna take it anyway because she needs the money, and he’s like “well i wouldn’t want any sister of mine doing something like this but FINE i guess, just please write to us and let us know if you’re okay and if anything bad happens we’ll drop everything and come help you immediately”, and then the job does in fact turn out to be super sketchy and they drop everything and get on a train as soon as she writes to them
sometimes spends several hours out on walks through the park or the town with watson just relaxing and talking with him for the sake of it, despite watson frequently noting that holmes doesn’t have much appreciation for nature
“we have had the good fortune to bring peace to many troubled souls. i trust that we may do the same for you,” he says “in his easy, genial way” to a potential client who’s clearly very upset and sleep-deprived
is completely wrong about a particular case and asks watson to remind him of that case next time he gets overconfident
is noted by watson to be very neat and methodical in his methods and way of dress, while simultaneously being one of the messiest people ever who keeps his tobacco inside a persian slipper and his unopened letters held up by a knife in the center of his mantelpiece, keeps tons of criminal relics which apparently somehow end up in the butter dish sometimes, and keeps countless stacks of papers and documents all over the place
tells watson anecdotes about his past just to avoid cleaning up said documents
deliberately knocks over a table, shattering a glass fruit bowl which then sends oranges rolling all over the room, and then blames it on watson and runs away
says snarky things like “when gregson or lestrade are out of their depth–which, by the way, is their normal state” and “you’ve done very well, watson! it’s too bad you’ve missed everything of importance”
laughs when watson suggests he’s being modest about his abilities
picked up a rose and got all sappy and poetic about it
more specifically, picked up a rose and said that religion can be a science which involves a lot of careful deduction, and that flowers are a source of hope and proof of the goodness of god due to the fact that they aren’t a necessary part of life but are still so beautiful anyway
recovered an incredibly valuable government treaty for a client and had it served to him on a platter at breakfast because, in his own words, he “never can resist a touch of the dramatic”
faked his death and then revealed to watson that he was still alive in a manner that even he admitted was unnecessarily dramatic
had a full-scale wax model of himself created and used it to fool his enemies
made a diagram out of breadcrumbs to explain something to watson
broke into a blackmailer’s house for a case because he believed it to be morally justifiable, and admitted that he always thought he might make a good criminal
held watson’s hand while they were burgling said house together
twice
allowed said blackmailer to be murdered in front of him by one of his victims and then refused to take the case when asked because he just hated the guy that much
“flushed up with pleasure” when watson complimented him
asked watson to sell his medical practice and move back into 221b with him after the death of his wife. and then secretly gave a relative of his a ton of money to buy watson’s medical practice at the highest price watson would ask for, just so they could live together again
was nearly brought to tears by lestrade saying he was proud of him
let a dog lead him around on a case, multiple times in different stories
was very gentle with a client who he knew to be the victim of an abusive marriage and allowed the man who killed her husband to go free out of sympathy for their situation
noticed watson looking sad and touching his war wound and tried to cheer him up by echoing his thoughts and providing a deduction of how he knew what he was thinking
mentioned watson’s sparkling eyes in said deduction
talked about nothing but violins and his favorite violinist for an hour while he and watson had lunch together
likes going to classical music concerts and getting lost in the music
does scrapbooking
chuckles and rubs his hands together when he’s happy
this:
takes getting called "the devil himself" as a compliment
let a killer go because he had only killed in retaliation for the unjust murder of his lover, and holmes felt that he might’ve done the same if someone were to kill the woman he loved
on a completely unrelated note tells a guy who shoots watson “if you had killed watson you would not have got out of this room alive”
also reacted like this when watson got shot:
went undercover to supposedly give a guy secret government intelligence documents, and then gave him a book about bees instead
frequently disguised himself either for cases or just to fool watson and was noted to be a great actor
once disguised himself as an old woman with a parasol
tried the best he could to talk a young woman out of marrying a man who had a history of “collecting” women for sport and destroying their lives, and admitted to watson that he thought of her as he would think of his own daughter
was prone to “imp-like moods”
sent watson a message to come over at once ("if convenient--if inconvenient come all the same") just so he could infodump to him about dogs
wasn’t surprised that a dog died of grief shortly after its owner’s death, because of “the beautiful, faithful nature of dogs”
listened with great sympathy to a depressed woman who wanted to tell him her tragic story, picked up on hints that she was planning to commit suicide, talked her out of it by convincing her that her life does have value and then called her brave for choosing to live
got lost in thought looking out the window at the publicly funded elementary schools and randomly went on about how he believes they and the children who attend them are beacons of a brighter future
made hot cocoa for watson
shook hands with a baby
retired to the countryside to live on a farm and become a beekeeper.
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Out of curiosity: why do you think Philip hates Alex specifically? (cakegate aside) Do you think he'd just be okay with Henry dating some upper-class English guy?
Why I think he hates Alex
He has no been kind to him once in the book. Also Alex ruined his wedding cake. Not a great first impression.
I don’t think there’s more to it tbh. Alex hasn’t been kind to him either, and Philip sees Alex being so “open” with the public, having fun with it, his public persona completely different to their (Philip, Bea, and Henry’s) public persona, and just being the compete opposite to what monarchy considers proper, so he doesn’t like him, let alone want him dating Henry.
Answering your second question,
I think it’s not based on Alex not being an upper-class English guy, but more based on how Alex is as a person, as in his personality. And also the fact than he’s the son of the president of the states.
“I don’t care if you’re gay,” Philip says, dropping that big fat if like Henry hasn’t already specifically told him. “I care that you’ve made this choice, with him”—he cuts his eyes sharply to Alex as if he finally exists in the same room as this conversation—“someone with a fucking target on his back, to be so stupid and naive and selfish as to think it wouldn’t completely fuck us all.”
Alex is, since the start of the book, very different to Henry. Interests and family aside, Alex kind of enjoys being in the public eye. At least at the start of the book. He likes being in front of a crowd, make them scream. Is true than Alex is probably the most private one out of the White House trio, but just because he doesn’t share his private life to the public, it doesn’t mean he doesn’t get along with them. One of the first scenes of him we have is him talking about how he and Nora like creating rumours and being in magazines and all.
I have a point I swear, just wait.
Monarchy (Philip, Henry, Bea), is the complete opposite to this. They stay out of directly interacting with the public, they don’t have fun with it like Alex does. Not because is a personal choice (which that too) but because they can’t, because they have a reputation to uphold. And isn’t everything about monarchy based on reputation?
Alex, Nora, and June, also have reputations, but theirs are handmade, you could say, while Philip, Henry, and Bea’s and premade, they had no choice on them, they are just something they have to do, something the have to look like.
Alex, Nora and June chose their own reputations, they decided how they wanted people to see them. They had control over that.
All three of them—himself, June, and Nora—have their roles.
Nora is the cool brainy one, the one who makes inappropriate jokes on Twitter about whatever sci-fi show everyone’s watching, a bar trivia team ringer.
He looks at June—ahead of him now, caramel highlights in her swinging ponytail catching the midday sun—and he knows her place too. The intrepid Washington Post columnist, the fashion trendsetter everyone wants to have at their wine-and-cheese night.
But Alex is the golden boy. The heartthrob, the handsome rogue with a heart of gold. The guy who moves through life effortlessly, who makes everyone laugh. Highest approval ratings of the entire First Family. The whole point of him is that his appeal is as universal as possible.
For example Alex is not his public personal (aside from heart of gold). That’s something he created. The whole point of him is than his appeal is as universal as possible.
Stopping myself here because if I don’t I’ll go on yet another rant about Alex (I love my boy so much).
But basically in the book there’s a deep contrast between Alex’s family and Henry’s family, one is warm the other is cold. Alex has, and has always had, a choice. Sure, being on the public eye was not something he chose, it just happened because his mother wanted to be president, but he could choose everything else. His public persona, his decisions, who to date and who to not date. They didn’t even stop him from dating Henry. Just told him than he has to know what he wanted, to choose. But they didn’t stop him.
Henry is the opposite. He can’t choose how to present himself, how the world sees him. He can’t even wear ties with patterns.
Patterns are considered a “statement.” Royals aren’t supposed to make statements with what we wear.
They aren’t supposed to make statements.
The Royal Family are, as a rule, expected to stay out of politics, and refrain from giving their personal opinion on certain topics, so as to remain impartial.
Dating Alex, son of a political leader, is a statement. Is saying “I support this and I do not support that”.
And, Alex wants to be involved in politics, he talks about how he wants to make a change, how he genuinely cares, and the fastest way to make a change is making it while being on positions of power, somewhere people can hear you.
Alex’s whole reason for wanting to go into politics, when he knows so many past presidential sons and daughters have run away screaming the minute they turned eighteen, is he genuinely cares about people.
He has a very visible political position. People know what he supports and what he doesn’t, what he wants to do and what he doesn’t. And since he likes being on positions of power, because that gives him the possibly to make a change (even if at the end the change he did was unrelated to politics but about who he was as a person), he doesn’t get out of it. He continues being on it, he doesn’t mind attention on him, as long as they see what he wants them to see.
Philip sees Alex always on the public eye for one reason or another, a photo shoot, a new rumour, etc, and sees how his public persona is different to theirs, “wilder”, not so formal.
And, conservatives hate Alex. He is everything they stand against, even before knowing he was bi. He’s a grandchild of immigrants, he’s mixed race, he’s brown, he’s outspoken about his views (which are opposite to theirs), he’s the son of the first president who’s a woman, and who is also a democrat, he comes from a mixed race family, etc etc. Monarchy is supposed to be neutral. Alex is the opposite from neutral.
Philip’s main problem with Henry being gay is than he wanted to come out. Henry’s gay? Ok but he can’t come out. And that’s not based on homophobia (no matter if it sounds like it), is deeper, Henry coming out would challenge everything. First, he wouldn’t be neutral anymore. Monarchy is built upon manipulation upon privilege upon capitalism, etc. Henry coming out would threaten everything, all the rules, all the stuff would have to change, people would be asking why he didn’t come out before, and if Henry said the truth, their reputation would be dammed. And many many people would stop liking them. Some would not like them for being homophobic, other wouldn’t like them because Henry is gay. People from both sides would be against them. Their reputation (as mentioned as repeatedly through the book as repeatedly as I’m mentioning it now) is something that must be perfect. They can’t make statements, they’re perfect, formal, they’ll continue the bloodline, etc. If Henry is gay and people know, it no longer affects him, but all of them.
And many people see queerness and something political. Again, Henry wouldn’t be neutral.
I think than if Henry married a woman (hopefully a beard, someone who knows he’s gay and doesn’t care to cover for him) and had affairs with men, and Philip knew (than he was gay), he wouldn’t mind. He did what he had to do. Henry’s reputation is good, their reputation is good, they’ll continue the bloodline, etc. Because Philip, like Henry, was taught to leave their wants aside, and focus more on monarchy and what’s good for it.
The thing with Philip is, he isn’t evil. And many seem to forget that. He did bad things, and I’m holding him accountable for them, but at the end of the day, he was just brainwashed by Mary, specially after Arthur’s death. He was vulnerable after his father died, his mother wasn’t there mentally, he felt like he had to step up, be the “man of the house”, and he clung to his grandmother (the only adult in his immediate family who was physically and mentally there for him), and Mary took this opportunity to make him into the version of him monarchy wanted him to be (rule follower, defends their reputation no matter what, cares more about monarchy and what people think of them than what he wants to do.), which is just what Mary tried to make Henry to be too.
But he was on about Martha, and land holdings, and the hypothetical heirs they have to start working on, even though Philip hates children, and suddenly it was as if . . . as if everything you said last night came back to me. I thought, God, that’s it, isn’t it? Just following the plan. And it’s not that he’s unhappy. He’s fine. It’s all very deeply fine. A whole lifetime of fine.”
She probably tried with Bea, but Bea saw the manipulation right away and it didn’t work, or she didn’t get to try because with Arthur alive, that man would have never let her do that to his children, and with Arthur gone, Bea was like Catherine, mentally somewhere else. After rehab, she was still mourning, but she had Henry, she didn’t need her like Philip did. Because I think Henry and Bea were closer than Philip and Henry/Bea even before Arthur died, after it and Mary’s manipulation, they just drifted more apart.
If Casey wanted us to believe Philip was bad he would have made him be bad until the end, made him not change. Philip did change. Henry is even trying to make amends with him. Maybe he hasn’t fully forgiven him, which makes absolute sense and just because Philip was a victim it doesn’t he mean he was a victim inside their relationship, than he couldn’t continue the cycle of abuse. But Philip realized the cycle of abuse, realized he was continuing all this time. And tried to stop. That’s growth. Maybe not forgivable, not after everything, but he’s trying.
Philip came to Kensington two weeks ago to apologize to both Henry and Bea for the years since their father’s death, the harsh words, the domineeringness, the intense scrutiny. For basically growing from an uptight people- pleaser into an abusive, self-righteous twat under the pressure of his position and the manipulation of the queen. “He’s fallen out with Gran,” Henry had told Alex over the phone. “That’s the only reason I actually believe anything he says.”
Mary isn’t trying, Mary didn’t decide to support Henry at the end, didn’t try to do better. No one forgives her, and we are not supposed to see than she’s trying to be better, because she isn’t. “Isn’t Mary also a victim of this cycle of abuse, wasn’t she like Philip, brainwashed by her own parents probably (and her parents by their parents and so on), and continued the cycle?” Yes, but she doesn’t actively try to be better, doesn’t realize that, doesn’t even feel bad about it, different to Philip.
Answering again with shorter answers.
Why does Philip hate Alex specifically?
Because Alex is the whole opposite to what they stand for, he’s a walking statement, and he’s so himself, different to monarchy with their perfect flawless formal public personas.
Would Philip be fine with Henry dating some upper-class English guy (before coming out and everything than happened after he did)?
As long as he kept it secret, Henry could date whoever he wanted as long as he didn’t want to make it public, as long as he planned on marrying a woman and following his duty, as long as that someone was responsible, and didn’t have a “target on his back”, and Philip says Alex has.
Again, holding Philip accountable for everything he did, just explaining the reason why he did it.
Does this make sense? Because in my head it does but I don’t know if it does when I write it down
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