i do often feel like i need to get over the fact that my grandmother is dead because it happened like 17 years ago and i Have been told i did not “know her long enough for it to matter this much.”. but also she was my mother more than my birth mover ever was or will be and the fact that i am “supposed” to just “”get over”” it is rather evil of a concept. to be honest. like i think i am allowed to hurt forever and that she still meant the world to me and shaped a lot of my sense of self when it comes to the positive things. so. 🤷♂️
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TEST DRIVE TEST DRIVE TEST DRI-
I have so many thoughts about this entire sequence, from the way Hiccup and Toothless get along to the MUSIC- (the music analysis is going to my tags)
.
But im gonna talk about Toothless pov again
I always think of this is like, the forbidden friendship scene for Toothless the way the actual forbidden friendship was for Hiccup
If Hiccup's scene was Toothless connecting to Hiccup through human things (sharing food, smiling, art and all that)
Then this scene is Toothless' because Hiccup connects with Toothless through flying, something I've always headcanoned to be what dragons (the ones that fly anyway) need not just to survive, but to live and bond with others.
if Hiccup's FF is the beginning of the potential then Toothless' FF is the "end", the moment where the potential is found and fulfilled, the thing that really solidifies their friendship because both has now experienced and accepted the other's unique sides
Just, yeah Toothless sees Hiccup just getting it, understanding why flying is so wonderful, hearing him cheer and whoop in joy like a fledgling's first time in the air, and seeing him at the end instinctively understand what to do-
Like that sudden spin near the end of the sea pillars- and both of them looked surprised they even managed to do that together instinctively- when just a few minutes ago Hiccup couldnt even dodge the two very obvious sea pillars in the beginning
He looks up at this human, this strange clever, brilliant little human who has somehow made this even possible, who has broken every preconception he has, who is now flying with him with a dragon's instinct but baring his teeth in that human way of expressing joy, screaming something he could not parse perfectly in his dragon tongue but understood the meaning all the same.
"We did it."
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'Yes, that old oak with which I saw eye to eye was here in this forest,' thought Prince Andrei. 'But whereabouts?' he wondered again, looking at the left side of the road and, without realizing, without recognizing it, admiring the very oak he sought. The old oak, quite transfigured, spread out a canopy of dark, sappy green, and seemed to swoon and sway in the rays of the evening sun. There was nothing to be seen now of knotted fingers and scars, of old doubts and sorrows. Through the rough, century-old bark, even where there were no twigs, leaves had sprouted, so juicy, so young that it was hard to believe that aged veteran had borne them.
'Yes, it is the same oak,' thought Prince Andrei, and all at once he was seized by an irrational, spring-like feeling of joy and renewal. All the best moments of his life of a sudden rose to his memory. Austerlitz, with that lofty sky, the reproachful look on his dead wife's face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon and ... everything suddenly crowded back into his mind.
'No, life is not over at thirty-one,' Prince Andrei decided all at once, finally and irrevocably. 'It is not enough for me to know what I have in me- everyone else must know it too: Pierre, and that young girl who wanted to fly away into the sky; all of them must learn to know me, in order that my life may not be lived for myself alone.
From War and Peace by Leo Tolstoy
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One day, you comes across the staffbot in the abandoned theater.
There is a fine layer of dust to them, just as there is on everything else in the room. You are hesitant to even walk in, at first. You climb the stares from stage right, approaching with enough time to let them back away if they wanted to. They don't. You come up so you are face to face with them. Though frozen in an empty, static pose, their eyes are dusky, lifeless. You stare for a while. It's odd, seeing your reflection like this.
You take the time to lower their suspended hands to a more relaxed position. You straighten their hat and adjust the front of their vest, dusting off the shoulders. You stand, looking at them for a while.
You don't check as you leave and carefully, noiselessly, close the door behind you, but you know their head turned to follow your silent departure. Both you know it will be a long time before you return. Hopefully, they do not blame you. No one ever likes coming to a silent theater to look upon the long-cold corpse of themselves.
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Pharma's place in a Functionist society (headcanon)
So I've talked in some previous posts about all the reasons that Pharma isn't a functionist because canon never showed him espousing functionist ideals + he's actually in a place to be a victim of functionism. And I've been working on a Pharma-centric oneshot that made me put into words the best metaphor I can think of for Pharma's relationship with Functionism:
He doesn't support Functionism, but is simultaneously a beneficiary of it and also marginalized by it, because his position of being forged both a doctor and a jet basically turns him into a "token minority" of sorts.
I know that sounds kind of silly or maybe like a clumsy political allegory, but hear me out. There are a couple facts about Pharma and the circumstances of his forging that put him at the crossroads between privilege and marginalization within Functionism:
Tyrest says that Pharma was "famous for being forged." Not famous for being a forged medic-- otherwise surely Ratchet would be just as noteworthy-- but famous for being FORGED. But also, note that this is an opinion that SOCIETY had about Pharma, not something that Pharma espouses about himself. (For the sake of an example, Pharma isn't Starscream, who has an explicit, deep-seated need for others' love and approval. Pharma himself doesn't express any opinions on his own popularity or convey that fame/adoration is something he wants.)
Functionism on Cybertron held that if someone was born with a certain alt-mode, they can/should only have certain jobs. For people born with flight alt-modes, those people were almost always regulated to military or transportation/courier jobs
SIMULTANEOUSLY, Pharma was forged with medic hands, which under a Functionist society were viewed as the peak of medical care and all the best doctors were forged or at least had a "special something" that non-forged hands lacked (according to Ratchet).
So taken in combination, this means that from the moment of Pharma's birth, he straddled a line of Functionism between two different "predestined" paths for him, where he was simultaneously forged to be a doctor and also forged to fly, fitting into BOTH of these categories despite norms of Functionism which say you're one or the other. And I speculate that the reason Pharma is "famous for being forged" is precisely because of those lines he straddles: his very existence is a contradiction, but he was also FORGED that way. The same creed that dictated the two different functions of "hands" and "alt-mode" also says that Pharma should be what he was born to be. What he was born to be was a forged medic jet.
In my opinion, I think that being "famous for being forged" is sort of like a token-minority situation for Pharma, where perhaps Pharma was seen as a curiosity or even something exotic, not just as a person. Maybe because he was a jet and people assumed jets were only soldiers/transportation, a lot of his achievements were put in the light of "Oh, he's a really amazing doctor, for a jet" or "It's crazy that he's a doctor AND a jet at the same time". The attention Pharma received for the unique circumstances of his birth WAS positive, but it would've likely been framed in a bit of a condescending way, as if Pharma is noteworthy and famous not for being a good doctor, but for being a good doctor despite being born a jet.
So I would say that as far as Pharma's personal experience with Functionism, he simultaneously experienced privilege and marginalization. He enjoyed the privileges of being a medic while avoiding the restrictions of being a flight frame. However, a lot of the idolization and attention he received would have also come from a place of tokenizing Pharma: he's "famous for being forged," because in this society he's defying expectations merely for existing as himself. That is to say, Pharma in a Functionist society wasn't treated as remarkable because of who he is as a person and how hard he worked to be a good doctor; he was treated as remarkable for the circumstances of his forging, something he had no control over and can't change, and apparently Pharma being a forged medic jet is such a noteworthy origin that he's "famous" for it.
The above paragraph is purely headcanon, of course, but I like to imagine that part of Pharma's reason for having a big ego isn't out of simple vanity or insecurity, but because of a sort of "gifted student" syndrome, in a sense. From the moment he was forged he was treated as a rarity and an incredible phenomenon, and he would have had to work incredibly hard to be seen as "an incredible doctor" in his own right rather than just "that forged medic jet." Maybe, as a jet, he also had something to prove; he had to show to a Functionist society that being a jet doesn't make him an inferior doctor and that his alt-mode has nothing to do with his skills at his profession.
That is to say, I don't think Pharma would have been openly anti-Functionist, or had many opinions about it at all. I actually lean towards the interpretation that Pharma basically saw himself as getting lucky with the way he was forged and being content with the fact that he'd managed to carve out a reputation for himself as being incredibly skilled. However, Pharma not getting involved politically in Functionism doesn't change the fact that he WOULD have had a very complicated relationship with Functionism, in that alt-mode discrimination would have had an effect on him even though he was in the scientific/medical class and supposedly privileged.
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I love you Karl Jacobs. I love your cheek to cheek smile. I love how your giggles cause me to giggle. I love your sense of style that never ceases to amaze me. I love your curly brown hair that frames your head just right at a certain length. I love how bright and clear your eyes get at certain lighting. I love how expressive you are. I love how you are unapologetic about your loves and interests and hobbies, like watching cartoons and playing yugioh. I love how you openly wear things like rings and nail polish even though its not "masculine". I love how you aren't afraid to show people you love them by always hugging them and being close. I love how you let out your toxic gamer moments at the wildest of times. I love how you try to include multiple people in your lobbies so everyone can have fun and talk with friends. I love how, even though you often plan more projects then you can physically do and can get busy at times, you try your best to give us at least one stream to enjoy. I love you, Karl Jacobs and I wish you really know how much we appreciate you 💜
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