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tinyshe · 3 years

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WASHINGTON, DC (Catholic Online) - “I started this list as the 100 Best Pieces of Sacred Music, but I decided instead to recommend specific recordings. Why? No matter how fine the music, say Bach's Mass in B minor, a poor performance will leave the listener wondering where the "greatness" went. So the recommendations below represent a merging of both: All of the compositions are among the very best sacred music ever written, but the recorded performances succeed in communicating their extraordinary beauty.

“I also dithered over whether or not to make a list of "liturgical" music, or "mass settings," or "requiems." Each of these would make interesting lists, but I chose the broader "sacred music" with the hope that this list might be of interest to a wider spectrum of people. Composers are not limited to any denomination -- some are known to have been non-believers -- although the music belongs to the Christian tradition.

“I've also decided to limit my choices to recordings that are presently available on CDs, DVDs, Blu-rays, or digital downloads. I don't expect those who are curious about a particular title to start hunting down LPs, especially since these vinyl recordings are suddenly in great demand and prices are rising.

“This list is alphabetized, rather than listed in chronological order. This was necessary, since recordings will often include several pieces composed years apart, perhaps much more. Thus, to reiterate, there has been no attempt to arrange them in order of preference -- all 100 are among "the best" recordings of sacred music currently available. The recording label is indicated in parentheses.

What I would call 'Indispensable Sacred Music Recordings' are marked with an ***.

1.Allegri, Miserere, cond., Peter Phillips (Gimell).*** 2.Bach Mass in B Minor, cond., Nikolaus Harnoncourt (1968 recording;Teldec).*** 3.Bach, St. Matthew Passion, cond., Philippe Herreweghe (Harmonia Mundi).*** 4.Bach, Cantatas, cond., Geraint Jones and Wolfgang Gonnenwein (EMI Classics). 5.Barber, Agnus Dei, The Esoterics (Naxos). 6.Beethoven, Missa Solemnis, cond., Otto Klemperer (EMI/Angel). 7.Bernstein, Mass, cond., Leonard Bernstein (Columbia). 8.Berlioz, Requiem, cond. Colin Davis (Phillips). 9.Brahms, Requiem, cond., Otto Klemperer (EMI/Angel).*** 10.Briggs, Mass for Notre Dame, cond., Stephen Layton (Hyperion). 11.Britten, War Requiem, cond., Benjamin Britten (Decca). 12.Brubeck, To Hope! A Celebration, cond. Russell Gloyd (Telarc). 13.Bruckner, Motets, Choir of St. Mary's Cathedral (Delphian).*** 14.Byrd, Three Masses, cond., Peter Phillips (Gimell). 15.Burgon, Nunc Dimittis, cond., Richard Hickox (EMI Classics). 16.Celtic Christmas from Brittany, Ensemble Choral Du Bout Du Monde (Green Linnet) 17.Chant, Benedictine Monks of Santo Domingo de Silos (Milan/Jade). 18.Charpentier, Te Deum in D, cond., Philip Ledger (EMI Classics). 19.Christmas, The Holly and the Ivy, cond., John Rutter (Decca). 20.Christmas, Christmas with Robert Shaw, cond., Robert Shaw (Vox). 21.Christmas, Cantate Domino, cond., Torsten Nilsson (Proprius).*** 22.Christmas, Follow That Star, The Gents (Channel Classics). 23.Christmas, The Glorious Sound of Christmas, cond., Eugene Ormandy (Sony). 24.Christmas: Moravian Christmas, Czech Philharmonic Choir (ArcoDiva) 25.Desprez, Ave Maris Stella Mass, cond., Andrew Parrott (EMI Reflexe). 26.Dufay, Missa L'homme arme, cond., Paul Hillier (EMI Reflexe). 27.Duruflle, Requiem & Motets, cond. Matthew Best (Hyperion) 28.Dvorak, Requiem, cond. Istvan Kertesz (Decca). 29.Elgar, The Dream of Gerontius, cond. John Barbirolli (EMI Classics).*** 30.Elgar, The Apostles, cond. Adrian Boult (EMI Classics). 31.Elgar, The Kingdom, cond., Mark Elder (Halle). 32.Eton Choirbook, The Flower of All Virginity, cond., Harry Christophers (Coro). 33.Faure, Requiem, cond., Robert Shaw (Telarc). 34.Finnish Sacred Songs, Soile Isokoski (Ondine). 35.Finzi, In Terra Pax, cond. Vernon Handley (Lyrita). 36.Gabrieli, The Glory of Gabrieli, E. Power Biggs, organ (Sony). 37.Gesualdo, Sacred Music for Easter, cond., Bo Holten (BBC). 38.Gonoud, St. Cecilia Mass, cond. George Pretre (EMI Classics). 39.Gorecki, Beatus Vir & Totus Tuus, cond. John Nelson (Polygram). 40.Gospel Quartet, Hovie Lister and the Statesman (Chordant) 41.Guerrero, Missa Sancta et immaculata, cond., James O'Donnell (Hyperion) 42.Handel, Messiah, cond., by Nicholas McGegan (Harmonia Mundi)*** 43.Haydn, Creation, cond., Neville Marriner (Phillips). 44.Haydn, Mass in Time of War, cond., Neville Marriner (EMI Classics). 45.Hildegard of Bingen, Feather on the Breath of God, Gothic Voices (Hyperion). 46.Howells, Hymnus Paradisi, cond., David Willocks (EMI Classics).*** 47.Hymns, Amazing Grace: American Hymns and Spirituals, cond. Robert Shaw (Telarc).*** 48.Lauridsen, Lux Aeterna & O Magnum Mysterium, cond. Stephen Layton (Hyperion).*** 49.Lassus, Penitential Psalms, cond. Josef Veselka (Supraphon). 50.Leighton, Sacred Choral Music, cond., Christopher Robinson (Naxos). 51.Liszt, Christus, cond., Helmut Rilling (Hannsler). 52.Liszt, The Legend of St. Elisabeth, cond., Arpad Joo (Hungaroton). 53.Lobo, Requiem for Six Voices, cond., Peter Phillips (Gimell). 54.Martin, Requiem, cond. James O'Donnell (Hyperion). 55.Machaut, La Messe de Nostre Dame, cond., Jeremy Summerly (Naxos). 56.Mahler, 8th Symphony, cond., George Solti (Decca). 57.Mendelssohn, Elijah, cond. Rafael Frühbeck de Burgos (EMI 58.Monteverdi, 1610 Vespers, cond., Paul McCreesh (Archiv). 59.Morales, Magnificat, cond., Stephen Rice (Hyperion). 60.Mozart, Requiem, cond. Christopher Hogwood (L'Oiseau-Lyre). 61.Mozart, Mass in C Minor, cond. John Eliot Gardiner (Phillips). 62.Nystedt, Sacred Choral Music, cond., Kari Hankin (ASV). 63.Organum, Music of the Gothic Era, cond., David Munrow (Polygram). 64.Palestrina, Canticum Canticorum, Les Voix Baroques (ATMA). 65.Palestrina, Missa Papae Marcelli, cond. Peter Phillips (Gimell). 66.Part, Passio (St. John Passion), cond., Paul Hillier (ECM New Series). 67.Parsons, Ave Maria and other Sacred Music, cond., Andrew Carwood (Hyperion). 68.Pizzetti, Requiem, cond., James O'Donnell (Hyperion). 69.Poulenc, Gloria & Stabat Mater, cond., George Pretre (EMI Classics). 70.Poulenc. Mass in G Major; Motets, cond., Robert Shaw (Telarc). 71.Puccini, Messa di Gloria, cond., Antonio Pappano (EMI Classics). 72.Purcell, Complete Anthems and Services, fond., Robert King (Hyperion). 73.Rachmaninov, Liturgy of St. John Chrysostom, cond., Charles Bruffy (Nimbus). 74.Rachmaninov, Vespers, cond., Robert Shaw (Telarc). 75.Respighi, Lauda Per La Nativita Del Signore, cond., Anders Eby Proprius). 76.Rheinberger, Sacred Choral Music, cond., Charles Bruffy (Chandos). 77.Rossini, Stabat Mater, cond., Antonio Pappano (EMI). 78.Rubbra, The Sacred Muse, Gloriae Dei Cantores (Gloriae Dei Cantores). 79.Rutter, Be Thou My Vision: Sacred Music, cond., John Rutter (Collegium).*** 80.Russian Divine Liturgy, Novospassky Monastery Choir (Naxos). 81.Rutti, Requiem, cond., David Hill (Naxos). 82.Saint Saens, Oratorio de Noel, cond., Anders Eby (Proprius). 83.Schubert, 3 Masses, cond., Wolfgang Sawallisch (EMI Classics). 84.Schutz, Musicalische Exequien, cond., Lionel Meunier (Ricercar). 85.Spirituals, Marian Anderson (RCA).*** 86.Spirituals, Jesse Norman (Phillips) 87.Telemann, Der Tag des Gerichts, cond., Nikolaus Harnoncourt (Teldec). 88.Thompson, Mass of the Holy Spirit, cond., James Burton (Hyperion). 89.Shapenote Carols, Tudor Choir (Loft Recordings) 90.Stravinsky, Symphony of Psalms, cond., Robert Shaw (Telarc). 91.Tallis, Spem in alium & Lamentations of Jeremiah, cond., David Hill (Hyperion).*** 92.Tschiakovsky, Liturgy of St. John Chrysostom, cond, Valery Polansky (Moscow Studio). 93.Taneyev, At the Reading of a Psalm, cond., Mikhail Pletnev (Pentatone). 94.Vaughn Williams, Five Mystical Songs, cond., David Willcocks (EMI Classics).*** 95.Vaughn Williams, Mass in G, cond. David Willcocks (EMI Classics). 96.Vaughn Williams, Pilgrims Progress, cond., Adrian Boult (EMI Classics).*** 97.Verdi, Requiem, cond., Carlo Maria Guilini (EMI Classics).*** 98.Victoria, O Magnum Mysterium & Mass, cond., David Hill (Hyperion).*** 99.Victoria, Tenebrae Responsories, cond., David Hill (Hyperion). 100.Vivaldi, Sacred Music, cond., Robert King (Hyperion). “ -----

Deal W. Hudson is president of the Pennsylvania Catholics Network and former publisher/editor of Crisis Magazine. Dr. Hudson also a partner in the film/TV production company, Good Country Pictures.

#choral #music #instrumental #classical music

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cinematic-literature · 4 years

Photo

Control (2007) by Anton Corbijn

Book title

The Death of the Family (1971) by David Cooper

The Atrocity Exhibition (1970) by J. G. Ballard

Howl and Other Poems (1956) by Allen Ginsberg

Warfare in England (1912) by Hilaire Belloc

A Portrait of the Artist as a Young Man (1916) by James Joyce

Joy: Expanding Human Awareness (1967) by William C. Schutz

Fascism: A Reader’s Guide (1976) by Walter Laqueur

The War of the Flea (1965) by Robert Taber

The British Seaman (1970) by Christopher Lloyd

The Armies of the Night (1968) by Norman Mailer

The Naked Lunch (1959) by William S. Burroughs

Crash (1973) by J. G. Ballard

Ah Pook Is Here (1979) by William S. Burroughs

Buffalo Bill (1952) by Ingri D’Aulaire

Military Uniforms: The Splendour of the Past (1969) by J. B. R. Nicholson

Castles: A History and Guide (1980) by Reginald Allen Brown

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miamiartdistrict · 4 years

Photo

KAMROOZ ARAM

on the ancient arts of Iran

Achaemenid (Iran, Susa). Bricks with a palmette motif, ca. 6th–4th century B.C. Ceramic, glaze. The Metropolitan Museum of Art, Rogers Fund, 1948 (48.98.20a–c)

The Artist Project

Vito Acconci on Gerrit Rietveld's Zig Zag Stoel

Ann Agee on the Villeroy Harlequin Family

Diana Al-Hadid on the cubiculum from the villa of P. Fannius Synistor at Boscoreale

Ghada Amer on an Iranian tile panel, Garden Gathering

Kamrooz Aram on the ancient arts of Iran

Cory Arcangel on the harpsichord

John Baldessari on Philip Guston's Stationary Figure

Barry X Ball on an Egyptian fragment of a queen’s face

Ali Banisadr on Hieronymus Bosch's The Adoration of the Magi

Dia Batal on a Syrian tile panel with calligraphic inscription

Zoe Beloff on Édouard Manet's Civil War (Guerre Civile)

Dawoud Bey on Roy DeCarava

Nayland Blake on boli

Barbara Bloom on Vilhelm Hammershøi's Moonlight, Strandgade 30

Andrea Bowers on Howardena Pindell

Mark Bradford on Clyfford Still

Cecily Brown on medieval sculptures of the Madonna and Child

Luis Camnitzer on Giovanni Battista Piranesi's etchings

Nick Cave on Kuba cloths

Alejandro Cesarco on Gallery 907

Enrique Chagoya on Goya's Los Caprichos

Roz Chast on Italian Renaissance painting

Willie Cole on Ci Wara sculpture

George Condo on Claude Monet's The Path through the Irises

Petah Coyne on a Japanese outer robe with Mount Hōrai

Njideka Akunyili CROSBY on Georges Seurat's Embroidery; The Artist's Mother

John Currin on Ludovico Carracci's The Lamentation

Moyra Davey on a rosary terminal bead with lovers and Death's head

Edmund de Waal on an ewer in the shape of a Tibetan monk's cap

Thomas Demand on the Gubbio studiolo

Jacob El Hanani on the Mishneh Torah, by Master of the Barbo Missal

Teresita Fernández on Precolumbian gold

Spencer Finch on William Michael Harnett's The Artist's Letter Rack

Eric Fischl on Max Beckmann's Beginning

Roland Flexner on Jacques de Gheyn II's Vanitas Still Life

Walton Ford on Jan van Eyck and workshop's The Last Judgment

Natalie Frank on Käthe Kollwitz

LaToya Ruby FRAZIER on Gordon Parks's Red Jackson

Suzan Frecon on Duccio di Buoninsegna's Madonna and Child

Adam Fuss on a marble grave stele of a little girl

Maureen Gallace on Paul Cézanne's still life paintings with apples

Jeffrey Gibson on Vanuatu slit gongs

Nan Goldin on Julia Margaret Cameron

Wenda Gu on Robert Motherwell's Lyric Suite

Ann Hamilton on a Bamana marionette

Jane Hammond on snapshots and vernacular photography

Zarina Hashmi on Arabic calligraphy

Sheila Hicks on The Organ of Mary, a prayer book by Ethiopian scribe Baselyos

Rashid Johnson on Robert Frank

Y.Z. Kami on Egyptian mummy portraits

Deborah Kass on Athenian vases

Nina Katchadourian on Early Netherlandish portraiture

Alex Katz on Franz Kline's Black, White, and Gray

Jeff Koons on Roman sculpture

An-My Lê on Eugène Atget's Cuisine

Il Lee on Rembrandt van Rijn's portraits

Lee Mingwei on Chinese ceremonial robes

Lee Ufan on the Moon Jar

Glenn Ligon on The Great Bieri

Lin Tianmiao on Alex Katz's Black and Brown Blouse

Kalup Linzy on Édouard Manet

Robert Longo on Jackson Pollock's Autumn Rhythm (Number 30)

Nicola López on works on paper

Nalini Malani on Hanuman Bearing the Mountaintop with Medicinal Herbs

Kerry James MARSHALL on Jean Auguste Dominique Ingres's Odalisque in Grisaille

Josiah McElheny on Horace Pippin

Laura McPhee on Pieter Bruegel the Elder's The Harvesters

Josephine Meckseper on George Tooker's Government Bureau

Julie Mehretu on Velázquez's Juan de Pareja

Alexander Melamid on Ernest Meissonier's 1807, Friedland

Mariko Mori on Botticelli's The Annunciation

Vik Muniz on The Henry R. Luce Center for the Study of American Art

Wangechi Mutu on Egon Schiele

James Nares on Chinese calligraphy

Catherine Opie on the Louis XIV bedroom

Cornelia Parker on Robert Capa's The Falling Soldier

Izhar Patkin on Shiva as Lord of Dance

Sheila Pepe on European armor

Raymond Pettibon on Joseph Mallord William Turner

Sopheap Pich on Vincent van Gogh's drawings

Robert Polidori on Jules Bastien-Lepage's Joan of Arc

Rona Pondick on Egyptian sculpture fragments

Liliana Porter on Jacometto's Portrait of a Young Man

Wilfredo Prieto on Auguste Rodin's sculptures

Rashid Rana on Umberto Boccioni's Unique Forms of Continuity in Space

Krishna Reddy on Henry Moore

Matthew Ritchie on The Triumph of Fame over Death

Dorothea Rockburne on an ancient Near Eastern head of a ruler

Alexis Rockman on Martin Johnson Heade's Hummingbird and Passionflowers

Annabeth Rosen on ceramic deer figurines

Martha Rosler on The Met Cloisters

Tom Sachs on the Shaker Retiring Room

David Salle on Marsden Hartley

Carolee Schneemann on Cycladic female figures

Dana Schutz on Balthus's The Mountain

Arlene Shechet on a bronze statuette of a veiled and masked dancer

James Siena on the Buddha of Medicine Bhaishajyaguru

Katrín Sigurdardóttir on the Hôtel de Cabris, Grasse

Shahzia Sikander on Persian miniature painting

Joan Snyder on Florine Stettheimer's Cathedrals paintings

Pat Steir on the Kongo Power Figure

Thomas Struth on Chinese Buddhist sculpture

Hiroshi Sugimoto on Bamboo in the Four Seasons, attributed to Tosa Mitsunobu

Eve Sussman on William Eggleston

Swoon on Honoré Daumier's The Third-Class Carriage

Sarah Sze on the Tomb of Perneb

Paul Tazewell on Anthony van Dyck's portraits

Wayne Thiebaud on Rosa Bonheur's The Horse Fair

Hank Willis THOMAS on a daguerreotype button

Mickalene Thomas on Seydou Keïta

Fred Tomaselli on Guru Dragpo

Jacques Villeglé on Georges Braque and Pablo Picasso

Mary Weatherford on Goya's Manuel Osorio Manrique de Zuñiga

William Wegman on Walker Evans's postcard collection

Kehinde Wiley on John Singer Sargent

Betty Woodman on a Minoan terracotta larnax

Xu Bing on Jean-François Millet's Haystacks: Autumn

Dustin Yellin on ancient Near Eastern cylinder seals

Lisa Yuskavage on Édouard Vuillard's The Green Interior

Zhang Xiaogang on El Greco's The Vision of Saint John

#The Metropolitan Museum of Art

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goalhofer · 3 years

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2020-21 Tulsa Oilers Roster

Wingers

#11 Danny Moynihan (Hooksett, New Hampshire)

#18 Adam Pleskach (Beausejour, Manitoba) C

#20 Griff Jeszka (Muskego, Wisconsin)

#27 Darby Llewellyn (Ann Arbor, Michigan)

#28 Chris Schutz (Keller, Texas)

#29 Ian McNulty (Airdrie, Alberta)

#77 Max Golod (Toronto, Ontario)

#91 Bryce Kindopp (Lloydminster, Alberta)

Centers

#8 Charlie Sampair (Maplewood, Minnesota) A

#21 Matt Lane (Rochester, New York)

#25 Kevin Domingue (Laval, Quebec)

#71 Gregg Burmaster (Clinton, New York)

Defensemen

#2 Garret Cockerill (Brighton, Michigan)

#3 Kyle Jenkins (Brampton, Ontario)

#5 Austin McEneny (Waterdown, Ontario)

#14 Stephane Beauvais (Shelby Township, Michigan)

#16 Alex Brooks (Walker, Michigan)

#22 Justin Hamonic (Winnipeg, Manitoba)

#24 Mike McKee (Newmarket, Ontario) A

Goalies

#1 Roman Durný (Liptovský Mikuláš, Slovakia)

#30 Olle Eriksson-Ek (Karlstad, Sweden)

#35 Devin Williams (Saginaw, Michigan)

#Sports #Hockey #Hockey Goalies #Oklahoma #Celebrities #Slovakia #Sweden #Michigan #Canada #Manitoba #Ontario #New York #Quebec #Wisconsin #Alberta #New Hampshire #Minnesota #Texas

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smashpages · 5 years

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Winners announced for the 2019 Eisner Awards

The winners were announced last night for the 2019 Will Eisner Comic Industry Awards.

Tom King and Mitch Gerads, partners on the Mister Miracle series from DC, took home five awards between them. John Allison’s Giant Days and The Prince and the Dressmaker by Jen Wang also took home multiple awards.

The Eisner Awards also inducted 10 people into the Hall of Fame last night: the judges chose Jim Aparo, June Tarpé Mills, Dave Stevens and Morrie Turner, while voters chose José Luis García-López, Jenette Kahn, Paul Levitz, Wendy and Richard Pini, and Bill Sienkiewicz to join the class of 2019.

Other awards given out last night included the The Bill Finger Excellence In Comic Book Writing Award, which was presented to Mike Friedrich and the late E. Nelson Bridwell, and the Russ Manning Most Promising Newcomer Award, which went to Lorena Alvarez.

The 2019 recipients of the Bob Clampett Humanitarian Award were Edgardo Miranda-Rodriguez, for his work on Ricanstruction: Reminiscing & Rebuilding Puerto Rico, and comic artist Tula Lotay, AKA Lisa Wood, for creating the UK-based Thought Bubble Festival. And La Revisteria Comics in Argentina won the Will Eisner Spirit of Comics Retailer Award.

You can see all the Eisner winners below, in bold.

Best Short Story

“Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)

“The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)

“Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)

“Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times

“Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)

“The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)

Best Single Issue/One-Shot

Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)

Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)

No Better Words, by Carolyn Nowak (Silver Sprocket)

Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)

The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)

Best Continuing Series

Batman, by Tom King et al. (DC)

Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)

Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)

Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)

The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)

Runaways, by Rainbow Rowell and Kris Anka (Marvel)

Best Limited Series

Batman: White Knight, by Sean Murphy (DC)

Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)

Best New Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)

Isola, by Brenden Fletcher and Karl Kerschl (Image)

Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)

Skyward, by Joe Henderson and Lee Garbett (Image)

Best Publication for Early Readers (up to age 8)

Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)

Petals, by Gustavo Borges (KaBOOM!)

Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)

This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)

Tiger Vs. Nightmare, by Emily Tetri (First Second)

Best Publication for Kids (ages 9–12)

Aquicorn Cove, by Katie O’Neill (Oni)

Be Prepared, by Vera Brosgol (First Second)

The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)

Crush, by Svetlana Chmakova (JY/Yen Press)

The Divided Earth, by Faith Erin Hicks (First Second)

Best Publication for Teens (ages 13–17)

All Summer Long, by Hope Larson (Farrar Straus Giroux)

Gumballs, by Erin Nations (Top Shelf/IDW)

Middlewest, by Skottie Young and Jorge Corona (Image)

Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)

The Prince and the Dressmaker, by Jen Wang (First Second)

Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)

Best Humor Publication

Get Naked, by Steven T. Seagle et al. (Image)

Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)

MAD magazine, edited by Bill Morrison (DC)

A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)

Woman World, by Aminder Dhaliwal (Drawn & Quarterly)

Best Anthology

Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)

Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)

Twisted Romance, edited by Alex de Campi (Image)

Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)

Best Reality-Based Work

All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)

All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)

Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)

Monk! by Youssef Daoudi (First Second)

One Dirty Tree, by Noah Van Sciver (Uncivilized Books)

Best Graphic Album—New

Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)

Come Again, by Nate Powell (Top Shelf/IDW)

Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)

Homunculus, by Joe Sparrow (ShortBox)

My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)

Sabrina, by Nick Drnaso (Drawn & Quarterly)

Best Graphic Album—Reprint

Berlin, by Jason Lutes (Drawn & Quarterly)

Girl Town, by Carolyn Nowak (Top Shelf/IDW)

Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)

The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)

Young Frances, by Hartley Lin (AdHouse Books)

Best Adaptation from Another Medium

Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)

“Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)

Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)

Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)

To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)

Best U.S. Edition of International Material

About Betty’s Boob, by Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)

Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)

Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)

Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)

A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)

Best U.S. Edition of International Material—Asia

Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)

Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)

Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)

My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)

Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)

Best Archival Collection/Project—Strips

Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)

Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)

The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books

Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books

Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)

Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)

Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)

Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)

Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)

Best Writer

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)

Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)

Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)

Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)

Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)

Best Writer/Artist

Sophie Campbell, Wet Moon (Oni)

Nick Drnaso, Sabrina (Drawn & Quarterly)

David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)

Nate Powell, Come Again (Top Shelf/IDW)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Jen Wang, The Prince and the Dressmaker (First Second)

Best Penciller/Inker or Penciller/Inker Team

Matías Bergara, Coda (BOOM!)

Mitch Gerads, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Sonny Liew, Eternity Girl (Vertigo/DC)

Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)

Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)

Best Painter/Multimedia Artist (interior art)

Lee Bermejo, Batman: Damned (DC)

Carita Lupatelli, Izuna Book 2 (Humanoids)

Dustin Nguyen, Descender (Image)

Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Best Cover Artist (for multiple covers)

Jen Bartel, Blackbird (Image); Submerged (Vault)

Nick Derington, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Joshua Middleton, Batgirl and Aquaman variants (DC)

Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)

Best Coloring

Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)

Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)

Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)

Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)

Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)

Best Lettering

David Aja, Seeds (Berger Books/Dark Horse)

Jim Campbell, Breathless, Calexit, Gravetrancers, Snap Flash Hustle, Survival Fetish, The Wilds (Black Mask); Abbott, Alice: Dream to Dream, Black Badge, Clueless, Coda, Fence, Firefly, Giant Days, Grass Kings, Lumberjanes: The Infernal Compass, Low Road West, Sparrowhawk (BOOM); Angelic (Image); Wasted Space (Vault)

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)

Todd Klein— Black Hammer: Age of Doom, Neil Gaiman’s A Study in Emerald (Dark Horse); Batman: White Night (DC); Eternity Girl, Books of Magic (Vertigo/DC); The League of Extraordinary Gentlemen: The Tempest (Top Shelf/IDW)

Best Comics-Related Periodical/ Journalism

Note: There was a tie in this category

Back Issue, edited by Michael Eury (TwoMorrows)

The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com

Comicosity, edited by Aaron Long and Matt Santori, www.comicosity.com

LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)

PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)

Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)

The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)

Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)

Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)

Best Academic/Scholarly Work

Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)

Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)

The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)

Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)

Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)

Best Publication Design

A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)

The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)

The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)

Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Aztec Empire, by Paul Guinan, Anina Bennett, and David Hahn, www.bigredhair.com/books/Aztec-empire/

The Führer and the Tramp, by Sean McArdle, Jon Judy, and Dexter Wee, http://thefuhrerandthetramp.com/

The Journey, by Pablo Leon (Rewire), https://rewire.news/article/2018/01/08/rewire-exclusive-comic-journey/

The Stone King, by Kel McDonald and Tyler Crook (comiXology Originals) https://cmxl.gy/Stone-King

Umami, by Ken Niimura (Panel Syndicate), http://panelsyndicate.com/comics/umami

Best Webcomic

The Contradictions, by Sophie Yanow, www.thecontradictions.com

Lavender Jack, by Dan Schkade (WEBTOON), https://www.webtoons.com/en/thriller/lavender-jack/list?title_no=1410&page=1

Let’s Play, by Mongie (WEBTOON), https://www.webtoons.com/en/romance/letsplay/list?title_no=1218&page=1

Lore Olympus, by Rachel Smythe, (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=1

Tiger, Tiger, by Petra Erika Nordlund, (Hiveworks) http://www.tigertigercomic.com/

#comic books #Smash Pages #eisner awards #graphic novels #webcomics

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allanfoo4u-blog · 5 years

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I don't know who authored this, but it's powerful, insightful, full of knowledge, wisdom and is educative! Take time to read it_ ....

EACH GIVES WHAT HE HAS

YOU CANNOT GET BY PRAYER WHAT YOU SHOULD GET BY CHARACTER & OBEDIENCE

A man’s character is his fate Heraclitus Thomas Jefferson, the third President of the United States (US), said: “Nothing can stop the man with the right mental attitude from achieving his goal; nothing on earth can help the man with the wrong mental attitude.”

As a clergyman, I have watched pitiably how people self-sabotage themselves by seeking spiritual solutions to character-deficit issues. They look around at everybody as suspects for their predicaments when their greatest demons lurks within them- their character.

What we often call our destiny is truly our character, and since that character can change, then destiny can be altered. Character is destiny.

Is prayer actually EVERYTHING? Many would begin to argue back and forth on this intriguing question, but my main purpose of writing this piece is not to get involved in arguments. Arguments don’t improve the validity of a ‘truth;’ they only determine how long it would take before you realise it.

Most people believe that we can pray ourselves to success and get away with virtually anything if we become a stickler to some prayer routines. There is no amount of spiritual penance that can substitute for character. Sometimes, you need character, not prayer.

Dutch Sheets said: “Prayer is not a check request asking for things from God; it is a deposit slip- a way of depositing God’s character into our bankrupt souls.”

British writer and politician, Thomas Macaulay (1800-1859), said: “The measure of a man’s character is what he would do if he knew he never would be found out.” I have often said that what would ultimately destroy a man going to high places in life is not really the enemies that are waiting for him there, but the character that followed him there.

I want to emphatically underline the fact that this write-up is not meant to trivialise prayers in any way. I have observed that many people take character for granted, while overzealously tuning on into their spiritual mode.

We have become so spiritually in tune through prayers that we neglect the place of character and our relationship with people. Many are actually ‘heavenly’ bound, but with no earthly relevance. You can speak with spiritual eloquence, pray in public and maintain a holy appearance, but it is your behavior and character that will actually trigger the manifestation of all that God has for you.

You must learn to treat people with courtesy.

The Shunammite woman must have been praying for a child all through her life. By being hospitable to a man of God, she eventually got her much-awaited miracle. It wasn’t prayer that opened the door for her; it was her character. Assuming she wasn’t hospitable, she would have missed a critical miracle.

Many times, we pray, fast and bind demons that don’t exist when our real demons are just our greatly flawed character. Many have insulted people that were divinely placed and orchestrated to help them fulfil their destiny. Some people are keeping malice with their destiny helpers.

Treat people with respect. Treat strangers with courtesy. Never look down on anybody. God can use anyone to change your story.

Abigail Van Buren said: “The best index to a person’s character is how he treats people who can’t do him any good, and how he treats people who can’t fight back.”

You can easily judge the character of a man by how he treats those who can do nothing for him. The way we treat people we think can’t help or hurt us, like housekeepers, waiters, and secretaries, tells more about our character than how we treat people we think are important. How do you treat people?

One of the most impressive architectural feats and the greatest military defence project in history is the Great Wall of China. In 1987, UNESCO designated the Great Wall a World Heritage site, and a popular controversial claim that emerged in the 20th century holds that it is the only man-made structure that is visible from space.

Originally conceived by Emperor Qin Shi Huang (c. 259-210 B.C.) in the 3rd Century B.C. as a means of preventing incursions from Mongolians and barbarian nomads into the Chinese Empire, the wall is one of the most extensive construction projects ever completed.

History has it that when the ancient Chinese decided to live in peace, they made the Great Wall of China; they thought no one could climb it due to its height. During the first 100 years of its existence, the Chinese were invaded thrice and every time, the hordes of enemy infantry had no need of penetrating or climbing over the wall, because each time, they bribed the guards and came through the doors.

The Chinese built the wall, but forgot the character- building of the wall-guards. Though the Great Wall has over the years become a powerful symbol of the country’s enduring strength and spirit, but it has actually been a good reminder to the Chinese of the superiority of human character.

The Chinese realised much later that the best defence against the enemy is not a fortified wall, but a fortified character. Thus, the building of human character comes before building of anything else.

Prayer is not EVERYTHING! Build relationships, and don’t ever forget that God will always use man. Be mindful of your words and how you speak to people. Work seriously on your character and attitude towards life.

I want to say emphatically that character is not optional; it is sacrosanct to the future that God has planned for you. No matter where you place prayers, character matters. The greatest fraud in life is religion without character. A man without character is recklessly alive.

William Shakespeare captured it succinctly when he said: “The fault is not in our stars, but in ourselves.” Peter Schutz, the former chief executive officer of Porsche said: “HIRE CHARACTER; TRAIN SKILLS.” Back in the days when Germany was divided, a huge wall separated East and West Berlin.

One day, some people in East Berlin took a truck load of garbage and dumped it on the West Berlin side.

The people of West Berlin could have done the same thing, but they didn't.

Instead they took a truck load of canned goods, bread, milk and other provisions, and neatly stacked it on the East Berlin side.

On top of this stack they placed the sign:

“EACH GIVES WHAT HE HAS"

How very true! You can only give what you have.

What do you have inside of you?

Is it hate or love?

Violence or peace?

Death or life?

Capacity to build or capacity to destroy?

What have you acquired over the years?

Team spirit or pull down architecture ?

"EACH GIVES WHAT HE HAS"

Think about it!

Please give out the good in you always.

God bless you...

#prayer #god #gods #insightful #wisdom

1 note · View note

pooma-education · 3 years

Text

YOU CANNOT GET BY PRAYER WHAT YOU SHOULD GET BY CHARACTER & OBEDIENCE

What we often call our destiny is truly our character, and since that character can change, then destiny can be altered. Character is destiny.

Dutch Sheets said: “Prayer is not a check request asking for things from God; it is a deposit slip- a way of depositing God’s character into our bankrupt souls.”

You must learn to treat people with courtesy. The Shunammite woman must have been praying for a child all through her life. By being hospitable to a man of God, she eventually got her much-awaited miracle. It wasn’t prayer that opened the door for her; it was her character. Assuming she wasn’t hospitable, she would have missed a critical miracle.

Treat people with respect. Treat strangers with courtesy. Never look down on anybody. God can use anyone to change your story.

Abigail Van Buren said: “The best index to a person’s character is how he treats people who can’t do him any good, and how he treats people who can’t fight back.”

One day, some people in East Berlin took a truck load of garbage and dumped it on the West Berlin side.

The people of West Berlin could have done the same thing, but they didn't.

Instead they took a truck load of canned goods, bread, milk and other provisions, and neatly stacked it on the East Berlin side.

On top of this stack they placed the sign:

“EACH GIVES WHAT HE HAS"

How very true! You can only give what you have.

What do you have inside of you?

Is it hate or love?

Violence or peace?

Death or life?

Capacity to build or capacity to destroy?

What have you acquired over the years?

Team spirit or pull down architecture ?

"EACH GIVES WHAT HE HAS"

Think about it!

Please give out the good in you always.

0 notes

fouetteturns · 7 years

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Best Dancers Top 20/10 VEGAS

Best Dancers

Mini Females (Top 22/ Top 10) Brooklyn Cooley Keagan Capps Allie Andrew Sabine Nehls Ava Kendall Brightyn Brems Addison Leitch Summer M Emma Donnelly Crystal Huang Tegan Chou Kameron Couch Isabella Laina Mae Gianna M Aimee Cho Lola Iglesias Ali Ogle Vanessa V Alexis Savannah K Charlotte C

Mini Males (Top 13) Degie S Jonah B Patricio Lopez Landon I Shane Wexelman Nathan Coish Asher Morgado JT Church Oscar Roman Pesino Merce Meynardie Ethan Huang Marcus Taylor

Junior Females (Top 21 / Top 11) Ava Wagner Selena Hamilton Audrey Caldwell Brooke Shaw Sophie Santella Hailey Meyers Zoe Ridge Haley Beck Avery Gay Marley Heath Peyton Macdonald Samantha Mcgowan Christian Burse Ava Brooks Emma S Ally Cheung Brooke Cheek Bennet E Ella Horan Milla Fabirkiewicz Kailyn Yi

Junior Males (Top 13) Holden Kunowski Easton Magliarditi Jonah Smith Jackson Foley Morgan Stowell Colin Benning Tai Pampo Garris Munoz Amadeus Tiesling Tristan Ianiero Rylen Besler Ashton Eatchel Isiah Wilson

Teen Females (Top 21 / Top 11) Alexis Weldner Briana Aysia Ianiero Emmy Cheung Eva Igo Summer Vu Mia Maxwell Taylor Nunez Olivia Alboher Michelle S Jessica Wicke Lauren Yakima Chau Aaliyah Zolina Madison Foley Ellie Wagner Andrea Tarbay Lauren Shaw Jade Bucci Abby Werner Megan Goldstein

Teen Males (Top 22 / Top Carter Williams Sky B Alexander Shulman Riley Schutz Joshua Ukura Finley Lawton Jaxon Willard Aldo Lozano Brian Hooper Jonathan Smith Yadiel F Spencer Seebach Ryan Maw Ty F Jemoni Powe Jarod Smith Zeke Lindsey Brandon Herron Nicholas B Matthew Fish Zack Sommer Alex Arce

Senior Females (Top 22/Top 10) Stephanie Sosa Grace Chan Simrin Player Karina Cairo Calista Walker Elise Monson Delaney Miner Jaida Underwood Ariana Mcclure Katelin Macdonald Mindy Platt Lauren G Taylor P Mikele K Grace Channell Bridget D Aubrey M Jamie Bacon Aria Terango Abbi Keley Lexus Johnson

Senior Males (Top 20 Jack Maier Emiliano J Braxton Hew-Len Tucker F Danny Jamieson Timmy Blankenship Riley Kurilko Brandt C Eli Smutny Zachary Bastille Christian Smith Jared Harbour Scott Autry David Wright Andres Penate Sam Hall Dominick Burkhardt Ezra Sosa Luke Romanzi Joshua Bergner

#tdalasvegas #sorry i didn't get the complete senior boys list other than thats its complete!#congrats to all dancers!

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arh4591-5500 · 4 years

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Group 4: Draft Narrative & Item Checklist

Exhibition Proposal/ Draft Narrative: Last Tuesday, the class discussed proposals for various features of the exhibition that required collective decisions. Many proposals overlapped, such as the use of the “Skyscraper Gothic” book for source material of font, color scheme, and decorative motifs.

FLOW AND ORIENTATION: Most groups appeared to agree on the use of an “L-shape” wall, which would create a directional flow for the entire exhibit. The introduction section would use the inside space of the wall for their content, and they would also have the lobby, staircase, and elevator area to set the tone of the exhibition. The construction section would follow, which would then transition to the buildings section and then to replication. The buildings section would use the back wall of 201, as well as coordinate with construction in their space to create an appropriate transition. As most of our proposed objects are 2D, we can use both walls in the tight hallway to create an impactful visual experience.

MATERIALS: Paint will be required for the walls of the exhibition, including the constructed L-wall. The color of the walls will depend on each section, although our buildings section has discussed using a darker navy color for the walls. The temporary walls are familiar to the Fralin, and the museum may be able to reuse walls to construct the L-shape. Special lighting and technology for visual projections may also be necessary for the exhibition. The copy of the exhibition could be printed vinyl letterings which stick on to the walls, which the Fralin is using for their current exhibition.

COLOR: The colors from the “Skyscraper Gothic” book provide inspiration for the exhibition color scheme. The contrast between dark navy and bright white and yellow engage viewers and relate to technological advancements in skyscraper lighting of the period. Some considerations that were discussed in class are ensuring the color scheme will not be too bright and overwhelming, as well as ensuring it won’t clash with the terracotta tiles on the Fralin floor. The four main colors we envision using would be: navy, a grey/blue color, white, and bright yellow as an accent color. These colors feel engaging, modern yet appropriate for the period, and set the mood for the exhibit. This color scheme also draws inspiration from colors associated with skyscrapers.

LIGHTING: Using lighting to create visual effects will be an important part of the exhibition, as lighting in this period revolutionized the perception of skyscrapers and influenced the architectural design of the tops of buildings. Especially in the buildings section, we intend to use spotlight lighting to illuminate certain features. We would ideally like to use lighting to create a skyline.

FONTS: The class all supported the idea of using the font from the “Skyscraper Gothic” book cover as the title font for the exhibition. However, we will also use a more generic and legible font for copy throughout. Our group discussed using a more narrow, vertical, san-serif font to emulate the sleekness of skyscrapers. We liked “Nanum Gothic” and “Gothic A1” as the font families for copy.

Potential Checklist Items for Buildings Section:

As detailed in the “orientation” section of our draft narrative, we imagined organizing the items in the “buildings” section of the exhibit by the city where the building was located. The three major cities which disrupted architecture and revolutionized the perception of skyscrapers were New York, Chicago, and Detroit. While highlighting certain impactful buildings, we hope to emphasize the effect these buildings had on civic identity and national branding. In addition to 2D materials, we would like to use the building models. We also propose to use images and artifacts of other “copycat” buildings to transition from the buildings section to the replication section of the exhibit. The buildings section would also like to use the postcards to articulate the impact skyscrapers had on cities’ identity and branding.

New York: Woolworth and Radiator *Chystler, Empire State

· Wall Street, Arnold Ronnebeck.

· Buildings on West 35th St, Sherril Schell

· [Woolworth Building] [model] A.C. Williams & Co.

· Woolworth Bldg Souvenir model bank c. 1920

· Statue of Liberty with Woolworth Bldg Plaque

· Woolworth building from Manhattan Municipal building 1920 Anton Joseph Frederich Schutz

· Radiator Building and surrounding area 1926 Vernon Howe Bailey

· New and Old New York Dey Str lkg toward broadway 1938 with woolworth Carl Abel H.L. Wittemann

· Lower Manhattan 1908 Joseph Pennell

· The Skyscraper and the Hovel 1904 Childe Hassam

· Woolworth Building No. 28 John Marin

· Telephone Building lower manhattan John Marin

· Aerial view of Manhattan showing skyscrapers and high-rise buildings with the Hudson River in the background, Ilse Bing

· Woolworth Building, Washington Square, Jacob Vanderbilt

· The Woolworth through the arch, Joseph Pennell

· New York, Abraham Walkowitz

· An American Cathedral The Woolworth Building #10 from NY Series 1921, John Taylor Arms

· View of Midtown Skyscrapers

· American Radiator Building (at night) Samuel Gottscho

· American Radiator Building (interior) Samuel Gottscho

· American Radiator Building (exterior) Kenneth Clark (Sig. not legible)

· 40th st between 5th and 6th 1938 Berenice Abbot

· West St Building 1905 Cass gilbert

· Broadway and the Woolworth Building 1912 J Pennell

· Woolworth Tower in the clouds 1928, Fairchild Aerial survey

· Study for Woolworth building 1910, Cass gilbert

· Study for the Woolworth Building 1911, TR Johnson delineator

· America’s tallest tower 1914, John Marin

Chicago: Tribune, Skyline Views

· Tribune Tower, Chicago [model] /Tribune Tower Souvenir Model

· Palmer Shannon, Tribune Tower, (Ext.) Photograph

· Tribune Tower (Detail) Trowbridge Photographs (7 items)

· Tribune tower looking northeast photo 1931

· Chicago Skyline 1931 with Tribune Wrigley and several others Underwood & Underwood

· Downtown Chicago at Night 1930, Pacific and Atlantic Photo

· Tribune competition 1922 designed RY mine

· Tribune Competition 1922 designed RY Mine

· Chicago Tribune Building 1928-38, Philip H. Giddens

· Chicago Tribune Entry 1922, Ralph Thomas walker architect

· Fisher Building Chicago elevator grille 1895-6, Charles Atwood for Burnham & Co

· Chicago Board of Trade 1930-63, Hedrich Blessing firm collection photo by Trowbridge who died in 1936

· Model of Ceres c. 1930, John Storrs

Detroit: Guardian, Penobscot, Skyline, Union Trust Building

· Penobscot Noir 2003 printed 2005, Russ marshall

· Penobscot Building 1937 (photograph)

· Penobscot, Guardian and Buhl bldgs. 1974 William Rauhauser

· Watercolor of Detroit John Gelsavage

· Photo of construction site with Buhl, Guardian and Penobscot among others in background c. 1948 Tony Spina

· Detroit Skyline 1960 (photograph)

· Panoramic view of Detroit skyline 1931 (photograph)

· New Union Trust Building c1927, Charles Barker

· Doorway Union Trust c1927, Charles Barker

· Old and New Union Trust c1927, Charles Barker

· Lobby of the New Union Trust c1927,Charles Barker

· Downtown Detroit Enveloped in Fog 1936, Don Walker

· Penobscot Commemorative Medallion 1927

· [Buhl building and Detroit cityscape] Detroit Publishing Co

· Detroit, Michigan. Top of Detroit's city hall dwarfed by the modern Penobscot Building in the background 1942 Arthur Siegal

Replications:

· Series of Alfred Stieglitz photographs

· Postcards

· “The Way to Reach the moderns” brochure of 1920s

· Atlanta City Hall series of 7 images after 1933, HABS Survey photos

· Atlanta City Hall c 1920-50, Horydczak, Theodor

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melbynews-blog · 6 years

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7. Circuit Sides mit Sanctuary Cities, hält bundesweit Geldfluss bundesweit

Neuer Beitrag veröffentlicht bei https://melby.de/7-circuit-sides-mit-sanctuary-cities-haelt-bundesweit-geldfluss-bundesweit/

7. Circuit Sides mit Sanctuary Cities, hält bundesweit Geldfluss bundesweit

Die Stadt Chicago, auf Kosten der Steuerzahler von der Kanzlei WilmerHale vertreten, hat einen Sieg gegen die Bemühungen des Justizministeriums erzwungen, bestimmte Subventionen des Bundes als Reaktion auf die absichtliche Nichteinhaltung der Einwanderung durch die Stadt zu zügeln.

Das US-Berufungsgericht für das siebte Circuit mit Sitz in Chicago bestätigte, dass das US-Bezirksgericht eine landesweite Verfügung verhängt hat, die Generalstaatsanwalt Jeff Sessions und sein Justizministerium daran hindert, "Bryne Grants" für staatliche und lokale Strafverfolgungsbehörden in den Gerichtsbarkeiten zurückzuhalten sogenannte "Heiligtums" -Politik

Alle drei Richter des Panels stimmten mit dem Bezirksgericht überein, dass Chicago eine vernünftige Wahrscheinlichkeit hat, bei ihrem Argument zu argumentieren, dass das Zurückhalten von Geldern die verfassungsrechtlich gebotene Gewaltenteilung zwischen Kongress und Exekutive verletzt und unzulässig verletzt über Chicagos Souveränität unter Föderalismus. Alle drei sind republikanische ernannte.

Die Majorität, Richter William Bauer und Illana Rovner, ernannt zum Siebten Stromkreis durch die Präsidenten Gerald Ford und George H.W. Bush entschied außerdem, dass das Bezirksgericht in der Lage sei, ihre Verfügung landesweit zu erlassen, während der Fall anhängig ist, was die Anti-Heiligtums-Agenda der Session in Gefahr bringe. Der Fall Chicago ist Teil eines umfassenderen Bemühens, die Einhaltung eines Bundesgesetzes zu fordern, 8 U.S.C. § 1373, Sperrung der Einmischung der Bundesbehörden vor der Verteilung von Bryne Grants

Diese Strategie steht vor den rechtlichen Herausforderungen der liberalen Gerichtsbarkeiten, die von ihr im ganzen Land betroffen sind. Das US-Berufungsgericht für den Neunten Kreis hört ebenfalls einen ähnlichen Fall, nachdem ein Bezirksrichter in San Francisco eine einstweilige Verfügung ähnlich der in Chicago erlassen hat.

Ein teilweiser Widerspruch des von Reagan ernannten Richters Daniel Manion stimmte der Wahrscheinlichkeit Chicagos zu Erfolg in der Sache, aber bestritten, ob der Bezirksrichter die Befugnis hatte, diese einstweilige Verfügung zu dieser Zeit bundesweit zu verhängen. Er schrieb:

Andere Jurisdiktionen, die die Bedingungen von Notice und Access nicht erfüllen wollen, waren keine Parteien dieser Klage, und es besteht keine Notwendigkeit, sie zu schützen, um Chicago zu schützen. Eine einstweilige Verfügung, insbesondere eine einstweilige Verfügung, ist eine extreme Abhilfe. Eine bundesweite einstweilige Verfügung ist noch extremer. Man sollte nur dort ausgegeben werden, wo es absolut notwendig ist, und es ist hier keineswegs zwingend notwendig. Folglich würde ich dem Bezirksgericht Anweisungen unterbreiten, die einstweilige Verfügung zu ändern, um zu verhindern, dass der Generalstaatsanwalt die Bedingungen nur in Bezug auf Chicagos Antrag auf Mittel durchsetzt.

Beide Meinungen gingen sehr darauf ein, zu betonen, dass sie die Sache nicht belasteten der Einwanderungspolitik. Die Mehrheit besteht zum Beispiel darauf:

Unsere Rolle in diesem Fall besteht nicht darin, die optimale Einwanderungspolitik für unser Land zu bewerten; das ist heute nicht vor uns. Das Thema, das uns bevorsteht, greift vielmehr auf eines der Grundprinzipien unserer Nation zurück, deren Schutz über die politische Parteienzugehörigkeit hinausgeht und im Zentrum unseres Regierungssystems steht – der Gewaltenteilung.

Die Sprachwahl der Richter weist jedoch auf die Bereitschaft hin, sich mit dieser politischen Debatte zu befassen. Beide Meinungen akzeptieren unkritisch die Legitimität der Zwecke hinter Chicagos "Welcoming City" -Verordnung, die es den Strafverfolgungsbehörden in Chicago verbietet, auf bestimmte Anfragen der US-Einwanderungs- und Zollbehörde zu reagieren und sich weigern, auf illegale Ausländer als solche zu verweisen. Anstelle des Begriffs im Bundesgesetz wählten alle drei Richter wiederholt die bevorzugte Nomenklatur der "undokumentierten Personen" der Stadt Chicago und der Befürworter der offenen Grenzen.

"Das Justizministerium glaubt, dass es seine vom Kongress gegebene Autorität ausübte , um Bedingungen an Byrne JAG Zuschüsse, die die Zusammenarbeit mit den Bundesimmigrationsbehörden zu fördern, wenn die Gerichtsbarkeit hat einen illegalen Ausländer, der ein Verbrechen in ihrer Haft begangen hat, zu fördern, sagte DOJ Sprecher Devin O'Malley in Reaktion auf die Entscheidung, und fügte hinzu:

Bundesweite Verfügungen erlauben einem einzelnen Bundesbezirksrichter, Politik zu machen, indem er eine Entlastung außerhalb des Bereichs des jeweiligen Falles anordnet. Viele in der Rechtsgemeinschaft haben ihre Besorgnis darüber geäußert, dass die Anwendung landesweiter Verfügungen nicht mit der Gewaltenteilung vereinbar ist und dass ihre verstärkte Nutzung einen gefährlichen Präzedenzfall schafft. Wir werden weiter dafür kämpfen, dass das Ministerium sich für die Rechtsstaatlichkeit einsetzt, die öffentliche Sicherheit schützt und kriminelle Ausländer von der Straße fernhält, um weitere Verbrechen zu begehen.

Die Reaktion der Einwanderungsreformgruppen war ähnlich skeptisch. "Die heutige Entscheidung ist ein weiterer Schritt in Richtung der Erosion des Föderalismus und der Einhaltung der Supremacy Clause", sagte Dale Wilcox, Executive Director und General Counsel des Immigration Reform Law Institute gegenüber Breitbart News. "Das Ergebnis wird wahrscheinlich eine chaotischere Nation sein, in der Gewaltverbrechen zunehmen und die Staaten entscheiden können, welche Bundesgesetze sie befolgen oder ignorieren wollen. Dieser Weg ist gefährlich und nicht in Amerikas besten Interessen. "

Der Herausgeber von Breitbart News, Ken Klukowski, hat zu Beginn dieses Falles vorausgesagt, dass er und seine Schwesterfälle letztendlich beim Obersten Gerichtshof der USA enden werden. Es wird erwartet, dass das Justizministerium weitere Maßnahmen ergreifen wird, aber der Weg, den sie zu den Supremes beschließen, ist noch nicht öffentlich.

Der Fall ist Chicago gegen Sitzungen Nr. 17 – 2991 im US-Berufungsgericht für den Siebten Kreislauf

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dreamilypurpleavenue-blog · 6 years

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Flora Mare

Laut - weitere Einschränkung muss in einer von mehr als 0,001% in Leave-on und 0,01% in Wash - off Produkten werden. Um ein mit bilden, müssen die Freunde gleichartige Versicherungen abschließen, also ebenfalls - , Hausrat oder eine Rechtsschutzversicherung. Ab dem 11. Juli 2013 müssen bei Kosmetik Nano-Rohstoffe in der Liste der Inhaltsstoffe (INCI-Deklaration) mit dem Hinweis „(Nano) gekennzeichnet werden. Dabei sich Luftblasen mit dem Absence und landen Auftragen in Schicht auf dem Nagel , Baur, Dozentin an der Berufsfachschule Norkauer in München An diesen platze die Farbe ab. Dann nichts mehr zu retten: „Ich kann zwar darüberlackieren, aber es sehr gut sein, dass im Laufe des Tages mehr absplittert, sagt die Kosmetikerin. Für zertifizierte Naturkosmetik sind Stoffe, perish bilden können that is Nitrosamine , nicht erlaubt. Auch bei der unter den Produkten Haut viele Tagescremes stomach ab. Kurzum muss nicht unbedingt ein Anti-Aging- Präparat sein. Während einer bin notgedrungen zu einer anderen Kosmetikerin und sofort den Unterschied gespürt. Folglich steigt durch Alkohol die Gefahr, dass sich in Nieren Harnsäuresteine bilden. Mit vereinten werden auch in Zukunft alles dafür tun, Ihnen nur das Beste aus der der Düfte und Schönheit anzubieten. Besonders populär sind dabei die Elixir-Ultime- Vertreter aus dem der Naturkosmetik sind die Unternehmen und Schoenenberger. Mit einem Hauttyp passenden Reinigungspräparat entfernt perish Kosmetikerin zunächst makeup und Hautunreinheiten. Wir empfehlen trotzdem, diese Behandlungen beim im Kosmetikstudio zu lassen. Weil jede Rasur consequently individuell und den Bedürfnissen der ausgerichtet unser Sortiment keine Wünsche offen that is hinsichtlich that is lässt. Meine Kosmetikerin halbtags als und halbtags als Kosmetikerin, sie ist also nicht voll auf ihren Umsatz angewiesen. Alverde hat sich nicht nur der Herstellung natürlicher Pflegeprodukte sondern nach Advancement in der Kosmetikbranche im der Nachhaltigkeit und sozialen Verantwortung. Wer aber keinen Anspruch Klimperwimpern, sondern sauber getrennte Wimpern fürs Tages-makeup hat, ist mit dieser Wimperntusche beraten! Unsere Haut nichts: Wer sich zu lang deren ultraviolet-Strahlung altert schneller that is aussetzt Falten und bilden sich that is Altersflecken. Kosmetik und Medizin nutzen die Wirkung der Natursubstanz schon länger. Kosmetik beschäftigt also nicht nur uns Frauen, sondern auch eine Horde an Juristen. Und nebenbei kann man nach Kosmetik bei noch tolle Schnäppchen machen der Revenue immer aktuelle und zu besonders günstigen Preisen an. Das können Düfte hochwertiger aber dekorative oder Produkte. Das Unternehmen, das forty mit 130 verschiedenen Kosmetika und 900, kommt that is beliefert größtenteils mit Quadratmeter in Poor Boll am der aus. Das habe allerdings auch reklamiert und kostenlose bei anderen bekommen. Vorher war Kosmetik für mich nicht wichtig, liebe es that are jetzt die verschiedenen zu benutzen. Bevor die Zertifikate zur Unterscheidung von Naturkosmetik eingeführt wurden, gab viele Firmen, die versucht haben, auf den Zug der Bio- Bewegung aufzuspringen. Ich pflege seit 10 Jahren mit BJ (manchmal probiere ich auch andere Marken) aber zur Kosmetik von Fr. Johnen kehre ich immer wieder zurück. http://lonelylove-blog.info könnte es durchaus ernst die Kosmetikerin: Zahlt sie bis zum 20. November die Summe nicht, muss sie sich den Berichten zufolge Gericht verantworten. Ich habe eine ausbildung an. Blindow schule in halle gemacht und bin seit diesem juli stattlich Kosmetikerin. Vor allem aber sich die Kosmetikerin ein genaues Bild Hauttyps machen, um die Behandlung abzustimmen that is perfekt. Ganz besonders lohnt sich der Versandhandel für Dinge, die es vielen Ausführungen und , wie Kosmetik der ist that is gibt. Ob für das Büro, die Freizeit oder lange Nächte, ob für trockene reasonable fettige Haut - der Auswahl an und Make-up unseres Flaconi Online-Shops wird jeder fündig. Comes Sie zu Herren einen dezenten, aber eleganten Duft suchen, therefore wäre das Boss Canned Perfume eine sicherlich Wahl durchaus beliebter der mit Note Nelke und verschiedenen Jahren that are orientalischen zu den Populärsten der Kosmetik zählt. Es ist nicht als Naturkosmetik enthält aber dennoch kritisch bewertende Chemie. Es are wirded by eingestuft in die Energieeffizienzklasse A+. Für eine des GGV -Exquisit KS Prime mit Klimaklasse D sind Umgebungen mit einer Temperatur von 16 bis 32 °C optimal. In der dunklen Jahreszeit bedecktem reichen die Sonnenstrahlen nicht aus, um natürliches that is genügend Vitamin D zu können. Für ihre schauspielerischen wurde im Jahr darauf schließlich mit Nominierung NAACP Prize als Beste Schauspielerin bedacht. Der nail-art silk matt top-coat schenkt den ein angesagtes seidenmattes finish. Expire Hills Kosmetikerin Gina Mari Cellulite angeblich mit einer Behandlung gemahlenden involviert Kaffee solle man sich Klarsichtfolie 30 Minuten lang über die kleben that is Fat. E.l.f. Um die individuell hervorzuheben und zu akzentuieren, die Haut zu pflegen, zu und zu versorgen. Perish Weichheit Sanftheit mit Naturkosmetik bringt und wieder in Einklang. Und: ja - 2 bis 3 Sitzungen sind, bei mir war beim ersten maximum, aber das sicherlich sowohl a der eigenen Haut, wie die annimmt - und natürlich an Erfahrung Kosmetikerin. Ich liebe ja die Kosmetik von Williams, aber die meistens von sind total altbacken!!! Nun habe ich das Collection heute erhalten, sofort ausprobiert und ich kann nur sagen: WOW:-)).das ist mit Abstand das beste Ergebnis, dass ich bisher bei einer Mascara hatte.- aktuell befinden sich 10! Fluoride that is so genannte, Mittel Knochenaufbau, bilden mit dem Kalzium der schwer lösliche Salze. Damit das flüssige Haarwaschmittel zu den beliebtesten Produkten der Republik. Denn die Substanzen die Lippen in, und dies in weitaus größerem Maße als bei anderen Kosmetika. Die dekorative Kosmetik zeichnet sich durch eine Textur und eine aus that is demanding. Leider kann ich dieser eine ganz schlechte Bewertung abgeben, Sie bewirkt nichts. Dann hatte ich mich aber entschlossen das nicht zu tun und erstmal zu sehen wie der Beruf der Ksmetikerin sich im alltäglichen Berufsleben darstellt Es gibt soo viele Kleinigkeiten, expire man einfach nicht wissen kann und die man sich auch nicht erzählen lassen kann, das sind einfach Erfahrungswerte, die im wesentlichen zu deiner Weiterentwicklung zur Kosmetikerin notwendig sin. Vor allem haben eine große Auswahl an Kosmetik in unserem Web Store. Die wichtigste Regel im Kampf gegen dicke Augen verrät Kosmetikerin und Visagistin Jenny Krause vom „JK Hair & Make Up Musician aus Hannover: „Wer zu geschwollenen Augen neigt, sollte unbedingt immer ausreichend Flüssigkeit trinken und so gut es geht auf salzhaltige Speisen und Lakritz verzichten, um den Gewebefluss in der Haut in Team zu halten und keine Anlagerungen oder Stauungen zu provozieren. Speziell für die Kosmetik Wirkstoffkomplex Diamagen mit echtem Diamantpuder dermatologisch bewiesen die Kollagensynthese hilft therefore Ihrer Haut den Kollagen -Haushalt zu stärken. Schön mit Fön: Tanja (Sybille Waury) und Urszula (Anna Nowak) bilden auch im neuen Friseursalon ein eingespieltes Staff. imp source , dabei ist egal, um edle Kosmetik von Rimmel Lidschatten Paletten von Urban Decay handelt. Zum Kiel sind die angebracht that is Bodenwrangen; sie zusammen mit den Längsträgern perish Schiffsbodens. Am 11. März 2013 endete die Übergangsfrist, die der EU- Endpunkte that is kosmetikrechtlichen von Inhaltsstoffen für drei Sicherheitsaspekte, so genannte, einen Tierversuch der noch zuließ. In zertifizierter Naturkosmetik Tensid den Criteria NaTrue that is nach nicht werden. Perish Produktspanne geht vom Parfum (EdP) über Gesichts-und Körperpflege sowie dekorativer Kosmetik bis hin zur Nahrungsmittel-Ergänzung (hier vor allem Aloe Vera). Als beste gingen der Braun Multitoast HT 450 und der Exclusive Assortment TAT6801 aus Assessments hervor. Bin Kosmetikerin hatte selbst mit Haut ich Dr.Baumann kennenlernte. Der dekorativen Kosmetik von Lancôme lassen sich Appears zaubern. Therefore sieht meine wirklich perfekt und meistens braucht auch gar nicht mehr, ab zu Kommt aber noch ein durchsichtiger lipgloss und wimperntusche drauf. Sie welche Inhaltsstoffe in Kosmetika vorhanden sein welche Anforderungen diese.

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smashpages · 5 years

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2019 Eisner Award nominees announced

The nominees for the 2019 Will Eisner Comic Industry Awards have been announced by Comic-Con International. Image Comics received the most nominations with 19, while DC Comics received 17 nominations (not including the “shared” categories, like colorists who work for multiple companies).

On the creator end, Tom King received the most nominations with six, followed by Alex de Campi and Jeff Lemire with four. Also, if you’re of the betting persuasion, here’s a tip: put your money on an Image series walking away with the Best New Series Eisner.

The announcement follows the list of nominees for the Will Eisner Hall of Fame, which was released in January. The awards will be announced in July at Comic-Con International in San Diego. Check out the complete list of nominees below.

Best Short Story

“Get Naked in Barcelona,” by Steven T. Seagle and Emei Olivia Burrell, in Get Naked (Image)

“The Ghastlygun Tinies,” by Matt Cohen and Marc Palm, in MAD magazine #4 (DC)

“Here I Am,” by Shaun Tan, in I Feel Machine (SelfMadeHero)

“Life During Interesting Times,” by Mike Dawson (The Nib), https://thenib.com/greatest-generation-interesting-times

“Supply Chains,” by Peter and Maria Hoey, in Coin-Op #7 (Coin-Op Books)

“The Talk of the Saints,” by Tom King and Jason Fabok, in Swamp Thing Winter Special (DC)

Best Single Issue/One-Shot

Beneath the Dead Oak Tree, by Emily Carroll (ShortBox)

Black Hammer: Cthu-Louise, by Jeff Lemire and Emi Lenox (Dark Horse)

No Better Words, by Carolyn Nowak (Silver Sprocket)

Peter Parker: The Spectacular Spider-Man #310, by Chip Zdarsky (Marvel)

The Terrible Elisabeth Dumn Against the Devils In Suits, by Arabson, translated by James Robinson (IHQ Studio/ Image)

Best Continuing Series

Batman, by Tom King et al. (DC)

Black Hammer: Age of Doom, by Jeff Lemire, Dean Ormston, and Rich Tommaso (Dark Horse)

Gasolina, by Sean Mackiewicz and Niko Walter (Skybound/Image)

Giant Days, by John Allison, Max Sarin, and Julaa Madrigal (BOOM! Box)

The Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José (Marvel)

Runaways, by Rainbow Rowell and Kris Anka (Marvel)

Best Limited Series

Batman: White Knight, by Sean Murphy (DC)

Eternity Girl, by Magdalene Visaggio and Sonny Liew (Vertigo/DC)

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, and Mark Morales (DC)

Mister Miracle, by Tom King and Mitch Gerads (DC)

X-Men: Grand Design: Second Genesis, by Ed Piskor (Marvel)

Best New Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Green (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)

Isola, by Brenden Fletcher and Karl Kerschl (Image)

Man-Eaters, by Chelsea Cain and Kate Niemczyk (Image)

Skyward, by Joe Henderson and Lee Garbett (Image)

Best Publication for Early Readers (up to age 8)

Johnny Boo and the Ice Cream Computer, by James Kochalka (Top Shelf/IDW)

Petals, by Gustavo Borges (KaBOOM!)

Peter & Ernesto: A Tale of Two Sloths, by Graham Annable (First Second)

This Is a Taco! By Andrew Cangelose and Josh Shipley (CubHouse/Lion Forge)

Tiger Vs. Nightmare, by Emily Tetri (First Second)

Best Publication for Kids (ages 9–12)

Aquicorn Cove, by Katie O’Neill (Oni)

Be Prepared, by Vera Brosgol (First Second)

The Cardboard Kingdom, by Chad Sell (Knopf/Random House Children’s Books)

Crush, by Svetlana Chmakova (JY/Yen Press)

The Divided Earth, by Faith Erin Hicks (First Second)

Best Publication for Teens (ages 13–17)

All Summer Long, by Hope Larson (Farrar Straus Giroux)

Gumballs, by Erin Nations (Top Shelf/IDW)

Middlewest, by Skottie Young and Jorge Corona (Image)

Norroway, Book 1: The Black Bull of Norroway, by Cat Seaton and Kit Seaton (Image)

The Prince and the Dressmaker, by Jen Wang (First Second)

Watersnakes, by Tony Sandoval, translated by Lucas Marangon (Magnetic/Lion Forge)

Best Humor Publication

Get Naked, by Steven T. Seagle et al. (Image)

Giant Days, by John Allison, Max Sarin, and Julia Madrigal (BOOM! Box)

MAD magazine, edited by Bill Morrison (DC)

A Perfect Failure: Fanta Bukowski 3, by Noah Van Sciver (Fantagraphics)

Woman World, by Aminder Dhaliwal (Drawn & Quarterly)

Best Anthology

Femme Magnifique: 50 Magnificent Women Who Changed the World, edited by Shelly Bond (Black Crown/IDW)

Puerto Rico Strong, edited by Marco Lopez, Desiree Rodriguez, Hazel Newlevant, Derek Ruiz, and Neil Schwartz (Lion Forge)

Twisted Romance, edited by Alex de Campi (Image)

Where We Live: A Benefit for the Survivors in Las Vegas, edited by Will Dennis, curated by J. H. Williams III and Wendy Wright-Williams (Image)

Best Reality-Based Work

All the Answers: A Graphic Memoir, by Michael Kupperman (Gallery 13)

All the Sad Songs, by Summer Pierre (Retrofit/Big Planet)

Is This Guy For Real? The Unbelievable Andy Kaufman, by Box Brown (First Second)

Monk! by Youssef Daoudi (First Second)

One Dirty Tree, by Noah Van Sciver (Uncivilized Books)

Best Graphic Album—New

Bad Girls, by Alex de Campi and Victor Santos (Gallery 13)

Come Again, by Nate Powell (Top Shelf/IDW)

Green Lantern: Earth One Vol. 1, by Corinna Bechko and Gabriel Hardman (DC)

Homunculus, by Joe Sparrow (ShortBox)

My Heroes Have Always Been Junkies, by Ed Brubaker and Sean Phillips (Image)

Sabrina, by Nick Drnaso (Drawn & Quarterly)

Best Graphic Album—Reprint

Berlin, by Jason Lutes (Drawn & Quarterly)

Girl Town, by Carolyn Nowak (Top Shelf/IDW)

Upgrade Soul, by Ezra Claytan Daniels (Lion Forge)

The Vision hardcover, by Tom King, Gabriel Hernandez Walta, and Michael Walsh (Marvel)

Young Frances, by Hartley Lin (AdHouse Books)

Best Adaptation from Another Medium

Anne Frank’s Diary: The Graphic Adaptation, adapted by Ari Folman and David Polonsky (Pantheon)

“Frankenstein” by Mary Shelley, in Frankenstein: Junji Ito Story Collection, adapted by Junji Ito, translated by Jocelyne Allen (VIZ Media)

Out in the Open by Jesús Carraso, adapted by Javi Rey, translated by Lawrence Schimel (SelfMadeHero)

Speak: The Graphic Novel, by Laurie Halse Anderson and Emily Carroll (Farrar Straus Giroux)

To Build a Fire: Based on Jack London’s Classic Story, by Chabouté (Gallery 13)

Best U.S. Edition of International Material

About Betty’s Boob, by Vero Cazot and Julie Rocheleau, translated by Edward Gauvin (Archaia/BOOM!)

Brazen: Rebel Ladies Who Rocked the World, by Pénélope Bagieu (First Second)

Herakles Book 1, by Edouard Cour, translated by Jeremy Melloul (Magnetic/Lion Forge)

Niourk, by Stefan Wul and Olivier Vatine, translated by Brandon Kander and Diana Schutz (Dark Horse)

A Sea of Love, by Wilfrid Lupano and Grégory Panaccione (Magnetic/Lion Forge)

Best U.S. Edition of International Material—Asia

Abara: Complete Deluxe Edition, by Tsutomu Nihei, translated by Sheldon Drzka (VIZ Media)

Dead Dead Demon’s Dededede Destruction, by Inio Asano, translated by John Werry (VIZ Media)

Laid-Back Camp, by Afro, translated by Amber Tamosaitis (Yen Press)

My Beijing: Four Stories of Everyday Wonder, by Nie Jun, translated by Edward Gauvin (Graphic Universe/Lerner)

Tokyo Tarareba Girls, by Akiko Higashimura (Kodansha)

Best Archival Collection/Project—Strips

Pogo, vol. 5: Out of This World At Home, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Sky Masters of the Space Force: The Complete Sunday Strips in Color (1959–1960), by Jack Kirby, Wally Wood et al., edited by Ferran Delgado (Amigo Comics)

Star Wars: Classic Newspaper Strips, vol. 3, by Archie Goodwin and Al Williamson, edited by Dean Mullaney (Library of American Comics/IDW)

The Temple of Silence: Forgotten Words and Worlds of Herbert Crowley, by Justin Duerr (Beehive Books

Thimble Theatre and the Pre-Popeye Comics of E. C. Segar, edited by Peter Maresca (Sunday Press)

Best Archival Collection/Project—Comic Books

Action Comics: 80 Years of Superman Deluxe Edition, edited by Paul Levitz (DC)

Bill Sienkiewicz’s Mutants and Moon Knights… And Assassins… Artifact Edition, edited by Scott Dunbier (IDW)

Dirty Plotte: The Complete Julie Doucet (Drawn & Quarterly)

Madman Quarter Century Shindig, by Mike Allred, edited by Chris Ryall (IDW)

Terry Moore’s Strangers in Paradise Gallery Edition, edited by Joseph Melchior and Bob Chapman (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, edited by John Lind (Kitchen Sink/Dark Horse)

Best Writer

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Tom King, Batman, Mister Miracle, Heroes in Crisis, Swamp Thing Winter Special (DC)

Jeff Lemire, Black Hammer: Age of Doom, Doctor Star & the Kingdom of Lost Tomorrows, Quantum Age (Dark Horse); Descender, Gideon Falls, Royal City (Image)

Mark Russell, Exit Stage Left: The Snagglepuss Chronicles, Green Lantern/Huckleberry Hound, Lex Luthor/Porky Pig (DC); Lone Ranger (Dynamite)

Kelly Thompson, Nancy Drew (Dynamite); Hawkeye, Jessica Jones, Mr. & Mrs. X, Rogue & Gambit, Uncanny X-Men, West Coast Avengers (Marvel)

Chip Zdarsky, Peter Parker: The Spectacular Spider-Man, Marvel Two-in-One (Marvel)

Best Writer/Artist

Sophie Campbell, Wet Moon (Oni)

Nick Drnaso, Sabrina (Drawn & Quarterly)

David Lapham, Lodger (Black Crown/IDW); Stray Bullets (Image)

Nate Powell, Come Again (Top Shelf/IDW)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Jen Wang, The Prince and the Dressmaker (First Second)

Best Penciller/Inker or Penciller/Inker Team

Matías Bergara, Coda (BOOM!)

Mitch Gerads, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Sonny Liew, Eternity Girl (Vertigo/DC)

Sean Phillips, Kill or Be Killed, My Heroes Have Always Been Junkies (Image)

Yanick Paquette, Wonder Woman Earth One, vol. 2 (DC)

Best Painter/Multimedia Artist (interior art)

Lee Bermejo, Batman: Damned (DC)

Carita Lupatelli, Izuna Book 2 (Humanoids)

Dustin Nguyen, Descender (Image)

Gregory Panaccione, A Sea of Love (Magnetic/Lion Forge)

Tony Sandoval, Watersnakes (Magnetic/Lion Forge)

Best Cover Artist (for multiple covers)

Jen Bartel, Blackbird (Image); Submerged (Vault)

Nick Derington, Mister Miracle (DC)

Karl Kerschl, Isola (Image)

Joshua Middleton, Batgirl and Aquaman variants (DC)

Julian Tedesco, Hawkeye, Life of Captain Marvel (Marvel)

Best Coloring

Jordie Bellaire, Batgirl, Batman (DC); The Divided Earth (First Second); Days of Hate, Dead Hand, Head Lopper, Redlands (Image); Shuri, Doctor Strange (Marvel)

Tamra Bonvillain, Alien 3 (Dark Horse); Batman, Doom Patrol (DC); Moon Girl and Devil Dinosaur, Multiple Man (Marvel)

Nathan Fairbairn, Batman, Batgirl, Birds of Prey, Wonder Woman Earth One, vol. 2 (DC); Die!Die!Die! (Image)

Matt Hollingsworth, Batman: White Knight (DC): Seven to Eternity, Wytches (Image)

Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel)

Best Lettering

David Aja, Seeds (Berger Books/Dark Horse)

Alex de Campi, Bad Girls (Gallery 13); Twisted Romance (Image)

Jared Fletcher, Batman: Damned (DC); The Gravediggers Union, Moonshine, Paper Girls, Southern Bastards (Image)

Best Comics-Related Periodical/Journalism

Back Issue, edited by Michael Eury (TwoMorrows)

The Columbus Scribbler, edited by Brian Canini, columbusscribbler.com

Comicosity, edited by Aaron Long and Matt Santori, www.comicosity.com

LAAB Magazine #0: Dark Matter, edited by Ronald Wimberley and Josh O’Neill (Beehive Books)

PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book

Comic Book Implosion: An Oral History of DC Comics Circa 1978, by Keith Dallas and John Wells (TwoMorrows)

Drawn to Purpose: American Women Illustrators and Cartoonists, by Martha H. Kennedy (University Press of Mississippi)

The League of Regrettable Sidekicks, by Jon Morris (Quirk Books)

Mike Grell: Life Is Drawing Without an Eraser, by Dewey Cassell with Jeff Messer (TwoMorrows)

Yoshitaka Amano: The Illustrated Biography—Beyond the Fantasy, by Florent Gorges, translated by Laure Dupont and Annie Gullion (Dark Horse)

Best Academic/Scholarly Work

Between Pen and Pixel: Comics, Materiality, and the Book of the Future, by Aaron Kashtan (Ohio State University Press)

Breaking the Frames: Populism and Prestige in Comics Studies, by Marc Singer (University of Texas Press)

The Goat-Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics, by Eddie Campbell (Library of American Comics/IDW/Ohio State University Press)

Incorrigibles and Innocents, by Lara Saguisag (Rutgers Univeristy Press)

Sweet Little C*nt: The Graphic Work of Julie Doucet, by Anne Elizabeth Moore (Uncivilized Books)

Best Publication Design

A Sea of Love, designed by Wilfrid Lupano, Grégory Panaccione, and Mike Kennedy (Magnetic/Lion Forge)

The Stan Lee Story Collector’s Edition, designed by Josh Baker (Taschen)

The Temple of Silence: Forgotten Worlds of Herbert Crowley, designed by Paul Kepple and Max Vandenberg (Beehive Books)

Terry Moore’s Strangers in Paradise Gallery Edition, designed by Josh Beatman/Brainchild Studios/NYC (Abstract Studio/Graphitti Designs)

Will Eisner’s A Contract with God: Curator’s Collection, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic

Aztec Empire, by Paul Guinan, Anina Bennett, and David Hahn, www.bigredhair.com/books/Aztec-empire/

The Führer and the Tramp, by Sean McArdle, Jon Judy, and Dexter Wee, http://thefuhrerandthetramp.com/

The Journey, by Pablo Leon (Rewire), https://rewire.news/article/2018/01/08/rewire-exclusive-comic-journey/

The Stone King, by Kel McDonald and Tyler Crook (comiXology Originals) https://cmxl.gy/Stone-King

Umami, by Ken Niimura (Panel Syndicate), http://panelsyndicate.com/comics/umami

Best Webcomic

The Contradictions, by Sophie Yanow, www.thecontradictions.com

Lavender Jack, by Dan Schkade (WEBTOON), https://www.webtoons.com/en/thriller/lavender-jack/list?title_no=1410&page=1

Let’s Play, by Mongie (WEBTOON), https://www.webtoons.com/en/romance/letsplay/list?title_no=1218&page=1

Lore Olympus, by Rachel Smythe, (WEBTOON), https://www.webtoons.com/en/romance/lore-olympus/list?title_no=1320&page=1

Tiger, Tiger, by Petra Erika Nordlund, (Hiveworks) http://www.tigertigercomic.com/

#comic books #Smash Pages #eisner awards

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