Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.
Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.
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Welcome to the Stats post!!! Warning!! Lots of stats and graphs with text on them ahead! With that said, click Read More to view the whole post!!
For the most submitted people, regardless of what trio they are from, here are the numbers!! Grian came in with a smashing first place at 233 submissions, with a relatively even and natural decline from there.
Next on our list, the most submitted for SMP's regardless of trio!
We have our top 3 SMP's, and top 3 by a long shot, with Hermitcraft alone making up more than 1/4 of all the submissions, and the Dream SMP and Traffic SMP/Life Series each taking up just under 1/5 of all submissions. It is a dramatic jump to 4th place, but a happy surprise to see in 4th, Lifesteal!! Which has more submissions than the QSMP or Empires SMP!! Congrats guys!!
And finally, the moment you've all been waiting for, here are your most submitted for trios!!!
Coming in at first place, no questions asked, no competition we have the Buttercups!! Made of Grian, Mumbo, and Scar. They have exactly 100 submissions which is very satisfying. A difference of 33 submissions between first and second! Wow!
The next large leap down is from 5th to 6th where we have the Bad Boys in 5th (Grian, Joel, and Jimmy) and Gaslight, Gatekeep, Girlboss (Scott, Pearl, and Cleo) in 6th! A 21 submission difference there!
All trios listed in the top 25 will be in the final bracket, as well as many not seen here. We have trios in the bracket that have as little as just 3 submissions! So if you didn't see your favorite trio here, don't loose hope! They still might be in the final bracket!
With that said, the bracket announcement will be up tomorrow, everything is done and ready, so get hype!! Thank all very much for supporting this project!! <3
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Hmmm if CC!Forever is gone gone from QSMP then I wonder if him having @v@ locked away is a way to keep the character around if he ever wanted to come back? Granted he could also just pull a “Q!Forever remained in prison/died while @v@ hopped ship to a new host”
But it’s kinda sad and a little unsatisfying if this is the full stop ending because Q!Forever didn’t get to say goodbye to anybody or have any sort of final words, we never got to see a full glimpse at the Forever trapped within @v@. And there’s a tragedy in that but it sits heavy like a brick, making the ending a bit harder to swallow
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I find it interesting that Jesse Armstrong and others refer to Roman Roy as a "playboy" and say that he "goes back to being a playboy" in the finale cause like....where? I feel like Roman is someone that just wants everyone to think he's a playboy and "drowning in pussy", when he is clearly...not? Time and time again, it's been shown that he can't really fuck a woman and can go quite a long time without doing so. Unless you count what happens with Gerri as sex. To me it has always seemed that he is simply posturing as the kind of man who is capable of "getting pussy", that he is exhibiting a performative joy in objectifying them and fucking on the regular, and that he makes his statements disgusting enough that people don't want to pry into the truth of it any further. And what effect does that achieve, other than to be closer to whatever version of masculinity Logan might've deemed best? Or the closest version Roman is capable of achieving? What Roman lacks in corporate ambition and focus, he makes up for in exaggerated, lewd sex talk. It achieves the effect of making him seem preoccupied with sex, just the way a "normal," testosterone-oozing man would. But as we know, he is actually having very little. This is all to say, "Playboy where?"
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the one nice thing about splatoon 1 online going down is it'll be legal to trans your gender to octoling. not just because there's no online for nintendo to ban you from but also because pretendo said they're allowing it
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“Beat-wise the fastest track the Stones have ever cut or any other rock and roll song. It even beats ‘Rip This Joint’, which is always considered to be the fastest track ever cut. But it does come roaring at this beautiful beat and that's why I've been saying about Charlie Watts.
[The album] starts with Charlie and it actually ends with Charlie, the whole record, so you know, I can go on and on about him, and everybody else yeah, great, really. But to me the real pleasure is playing with Charlie Watts, who is right on the top of his game. And that makes it much easier for me. Then I can really fly, you know what I mean.”
Keith comments on ‘Flip The Switch’ (1997)
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what i find interesting is how minth 'regrets' or carries guilt for her hand and body being used (against her will) under the absolute. she says "i remember every face and life" or something to that extent. it is important to her that we, the player, know this. she thinks about them. they weigh on her.
it's not regret in any traditional sense. minth herself says she has violent intentions - and how she was raised to respond with violence has shaped her interactions with others and the world around her. when she is violence, there is, in minth's mind, always a cause to justify it - she has been hurt, she is making a statement - or in the case of raiding (because girl has razed towns while raiding) for supplies, territory, defense et cetera. it's the regret of senseless violence, it's the regret of killing without any sort of justification for it in minth's mind other than sick bloodlust and impulse - it's the regret of losing control of her body and mind, literally, and being unable to stop it or gain control again until intervention from the prism.
minth responds to hurts and slights with violence ( and she enjoys doing so )- but she wants these things to be justified, because she cannot get the satisfaction from striking without that justification. she'll never strike without what she considers to be just cause or provocation; doubly so if it falls in line with the tenants of her oath.
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