#youtube coppa

[budder-mastersblog]

Honestly, props to content creators still pumping out YouTube videos despite the constant threat of being fined $42,000 from COPPA.

#youtube #content creator #COPPA #YouTube COPPA

[hiya-im-mary]

Now thinking about it…with the whole Spiderman Multiverse presented in the Spiderverse movies…

There’s probably a universe where Elsagate’s Spiderman is canon…

And considering that Disney owns Marvel…

…Elsa could be his Gwen…

…There’s a whole Elsagate universe in the spiderverse I KNOW IT!!!!!!!!!!!!!

#I am very sorry!! #But it has to be said!! #If Spooderman could make a cameo in ATSV ANYTHING CAN HAPPEN #Spooderman #I dunno if that version of him would even be enlisted…too busy making videos under the noses of YouTube and Coppa… #Elsagate #Spiderverse #Spiderman #Across The Spiderverse

[scarefox]

Moon Jo & Jong Woo | All We Need ► [SFH]🔪🔪

by Minna Min

#gotta post this here to save it #because dumb yt COPPA filter thinks this is a kids movie and therefore wont let my save it in my playlist #AIs don't understand the sarcasm / irony in the song #and 'think' it's a kids song #anyways it's a nice fmv #strangers from hell #fmv #COPPA #youtube filter #ai fail

[bravio-san]

Moi qui pensait être à l'abri du problème de la loi COPPA parce que contrairement à certains, je vérifie toujours que l'option de l'audience « Non, elle n'est pas conçue pour les enfants » soit toujours cochées, me voilà bien baisée...

Au début, je l'avoue, j'ai tenté de faire en sorte que la vidéo ne soit plus pour les enfants en ajoutant de la vulgarité dans le titre et puis je me suis dit que vu la vidéo, ça ne vallait pas la peine de s'y attarder.

#coppa #youtube #yt #vidéo #loi coppa #vidéos #bob l'éponge #on est des hommes #bob l'éponge le film #bob l'éponge le film - on est des hommes

[crisicsgames]

RIDE 5 LAST RACE IMOLA BICILINDRICA ITALIANA 🎮 PS5 UHD 60f

#ride 5 #coppa BICILINDRICA ITALIANA #mv agusta #Walkthrough #imola circuit #youtube #gameplay #ps4 #ps5 #xboxone #xbox series x #wiiu #pc gaming #nintendo #videogame

[grazer-razor]

thank glob google's trailer for interland wasn't COPPA'd...

also this is gonna sound out there, but how similar do you guys think this game is to homestuck in terms of concept

#COPPA #Youtube

[sardies]

La Coppa Davis a Sassari fino a domenica 31 dicembre

Sassari. Grande partecipazione di pubblico e addetti ai lavori giovedì mattina alla conferenza stampa di presentazione della “Coppa Davis in tour”. L’“insalatiera” resterà esposta nella sede della Torres Tennis fino a domenica prossima 31 dicembre. Abbiamo approfittato dell’occasione per sentire l’amarcord di Gavino Caddia, presidente della Torres Tennis, e del presidente nazionale della Fitp,…

View On WordPress

#Coppa Davis #Youtube

[alfredol70]

Jannik Sinner show! Che spettacolo alle finals di Malaga

#youtube #Immensa Italia torna la Coppa Davis dopo 47 anni. Jannik Sinner fa la storia a Malaga un weekend pazzesco alle finals Rivivete il trionfo co

[supernightboy08]

Message To All YouTubers: We Need To Stop YouTube From Marking Our Favorite Videos As Kids Content!

Are You With Me?! 😡

#youtube #youtubers #supernightboy08 #coppa

[vidding]

The Best Vidding Safe Haven?

Forgive the "read bait" meme above but if you are reading these words right now that means it worked. If you are a vidding fan then it was worth it. Vidders.net was born July 19, 2010. It is a Vidder-friendly AO3 Embed Certified Vid hosting & streaming site with over 18K vids. Its growth benefited from You Tube's increased use of content ID and the closing of Imeem. It was mentioned in the "Vidding: A History" book by Francesca Coppa. Its members (most who host some great vids there) include:

Luminosity

Lim

Laura Shapiro

Lithiumdoll

Obsessive24

Clucking Bells

Charmax

Bradcpu

thedothatgirl

kiki miserychic

Milly

Hollywoodgrrl

bop radar

Loki (secretlytodream)

Condsdmlk

newkidfan

NCISMelanie

Shoopdancer

Absolute Destiny

SD Wolfpup

Arefadedaway

camelia1986

adfproductions

Astarte

Such Heights

Mithoborien

mresundance

Just to name a few. You may not recognize these names but if you do you know these vidders literally made a name for themselves with the quality of their work during that time. At least in my opinion. The site is a time capsule of awesome vids even if some of the vidders listed are no longer active. Additionally, it hosts vids no longer available on You Tube like "Boom Boom Ba" by Charmax (a classic Xena vid). And yet it can still host new content without the issues faced on some other vid hosting options.

How much does it cost to host and stream all those vids? Well, that is one of the reasons for this post. The assumption I'm making is that if there is a Vidding "community" it's more likely than not that members of it would see a post like this and/or share it with fellow members of the community. Is it worth it to keep a site like this around? It's mostly been a solo operation for these past 13 years but now I am starting to wonder after such a long time.

I'll spare you the obligation of filling out a poll or survey. I'll make it simple. We have a Patreon account at patreon.com/vidding. If you don't feel it's worth keeping up. Nothing to do. Thank you for reading this far. If you feel there is some value based on what was mentioned earlier, then a minimum level of support at the Patreon is $1 a month. You'll not only be supporting the Vidders.net but other projects like the recent purchase of the Vidding.com domain name and more. The OTW October fundraiser drive begins in October and is on track to raise about 250k. Rasing even 1 percent of that amount would be more than adequate. After all Vids on AO3 make up less than 1 percent of the content on there anyway. I've been told by a fellow fan that I should keep it running but if it's not even supported by a community, it's a personal expense at my expense I am on the hook for. Again, there is no survey or poll to take but if you have questions that may help you determine your willingness to support just contact me. If you find value in preserving the site just visit Patreon.com/vidding or get your questions answered. This form of funding is more sustainable than occasional stop and start donation efforts we've done in the past. If you prefer another form of funding let us know.

I will check in by the end of October to see where things are. I am not going to do anything drastic. It's just that it's been 13 years and I started to wonder especially with my current financial situation but didn't want to do anything without communicating the situation. The site costs about $720 a year to run. At about $60 a month to run so it should be doable.

Boom Boom Ba by Charmax

If you liked this post you might like this:

The YouTube Vid Purge of 2021

#fanvid #vidding #vidders

[fanhackers]

Vidding’s Grandchildren? Edits, corecore, and other video feels

Thinking about the descendants of vidding, since I was quoted in this recent article on fan edits, “Why Do Fan-Made Trailers Rule the Internet?” by Cat Zhang. The edits of the article, like the fanvids of old, are scenes from television shows and movies set to music.  But while these edits are typically much shorter and more feels-focused than vids, they seem to me clearly a descendant of the form. In my book, Vidding: A History (2018), I talk about the ways in which YouTube and the algorithms of the internet were already affecting the aesthetics of vids back in the 2010s (spoiler alert: they’ve became shorter & more intense) and we can clearly see this trend in the 2020s now that fans are firmly on short-form platforms like Insta and Tiktok.  The edits in Zhang’s article are all about the feels, and a sub-class of edits, corecore (as explained in this Mashable article by Chance Townsend, “Explaining corecore: How TikTok’s newest trend may be a genuine Gen-Z art form”) is often used to express chaotic or overwhelmed feels.  Townsend says that what makes corecore so interesting is that “one’s feelings that couldn't be expressed through words are instead presented through images. Whether that emotion is happiness, a fear of the future, or the excitement of falling in love, corecore edits, through the use of multimedia, speak to our common experience.”  The idea of expressing emotion by the artistic act of combining disparate clips with music–well, it sounds like vidding, but at the same time it seems a long way away, too. That said, a work like this hip-hop based edit of The Bear, made by an artist at the X/Twitter account “black boy cinematic universe,” seems to be doing the kind of reparative fannish media work vis a vis race that older vids did for gender and sexuality. Zhang quotes the artist as saying: “There’s an energy to the show where it’s being carried by the people of color. So in my edit, I want to make sure there’s a song that represents that.”  That’s a very similar (and familiar) vibe: that urge to make the thing that will Get. It. Right.

–Francesca Coppa, Fanhackers volunteer

#fanhackers #author:francescacoppa #vidding #edits #race and fandom #feels

[transformativeworksandcultures]

TWC 42: Fandom and Platforms [Special Issue]

Editorial

Maria K. Alberto, Effie Sapuridis, and Lesley Willard; Putting forward platforms in fan studies

Article

David Kocik, PS Berge, Camille Butera, Celeste Oon, and Michael Senters; "Imagine a place:" Power and intimacy in fandoms on Discord

Kimberly Kennedy; "It's not your tumblr": Commentary-style tagging practices in fandom communities

Axel-Nathaniel Rose; #web-weaving: Parallel posts, commonplace books, and networked technologies of the self on Tumblr

Sam Binnie; Using the Murdoch Mysteries fandom to examine the types of content fans share online

Gamze Kelle; How Covid-19 has affected fan-performer relationships within visual kei

Rhea Vichot; The expression of sehnsucht in the Japanese city pop revival fandom through visual media on Reddit and YouTube

Welmoed Fenna Wagenaar; Discord as a fandom platform: Locating a new playground

Sourojit Ghosh and Cecilia Aragon; Leveraging community support and platform affordances on a path to more active participation: A study of online fan fiction communities

Paul Ocone; Fandom and the ethics of world-making: Building spaces for belonging on BobaBoard

Amber Moore; Analyzing an archive of allyish distributed mentorship in "Speak" fan fiction comments and reviews

Jionghao Liu and Ling Yang; Censorship on Japanese anime imported into mainland China

Lin Zhang; Boys’ love in the Chinese platformization of cultural production

Matt Griffin and Greg Loring-Albright; Platforming the past: Nostalgia, video games, and A Hat in Time

Irissa Cisternino; Players, production and power: Labor and identity in live streaming video games

Symposium

Yvonne Gonzales and Celeste Oon; Public versus private aca-fan identities and platforms: An academic dialogue

Dawn Walls-Thumma; The fading of the elves: Techno-volunteerism and the disappearance of Tolkien fan fiction archives

Martyna Szczepaniak; The differences between author’s notes on FanFiction.net and AO3

Muxin Zhang; Fandom image-making and the fan gaze in transnational K-pop fan cam culture

Sabrina Mittermeier; "One day longer, one day stronger": Online platforms, fan support and the 2023 WGA and SAG-AFTRA strikes

Book review

Sebastian F. K. Svegaard reviews "Vidding: A history" by Francesca Coppa

Laurel P. Rogers reviews "Fandom, the next generation," edited by Bridget Kies and Megan Connor

Axel-Nathaniel Rose reviews "Mediatized fan play: Moods, modes and dark play in networked communities," by Line Nybro Petersen

Multimedia

Naomi Jacobs, Katherine Crighton, and Shivhan Szabo; Building the spear: A demonstration in faking and remaking real feelings for an imaginary work

Rachel Loewen; "Darkness never prevails": Doctor Who Covid-19 videos as keystones for pandemic engagement

#twc #otw #fandom #fan studies #academia #fandom studies #academic journals

[justanotherfanfolks]

Story time for the class.

So a couple of years ago, I was really into Ninjago (good stuff). So I'm watching a bunch of Ninjago clips on YouTube because that's where I like watching things. Anyway so one of the main characters is named Lloyd. The Green Ninja. But on this particular video the title was this:

When I tell you there were some LEGENDARY comments on this video! Alas they were lost to time.

(Dang it, COPPA)

But yes "Floyd the Freen Ninja" had me in hysterics.

And then I got into TWST.

And you wanna know something about TWST.

You see this dude:

This is Floyd.

So yeah my brain glitched when I got into TWST.

#twisted wonderland #twst #Ninjago #floyd leech #lloyd garmadon #top 10 YouTube videos I wish I could have the comment section of #but the l and f keys are so far apart how did they do this... #i actually didnt know floyd was a real name...

[scarefox]

I love when Pole Dance and cosplay gets combined 😂

AURORA PAQUIER MARIE ELISE DE GIUSEPPE VIAL - POLE ART ITALY DECENNIAL - DOUBLE SEMI PRO 3RD PLACE

#cute and funny #pokemon #pole dance #pole acrobatics #side note: they have some insane poses #ALSO RAGE NOTE: damn COPPA claimed this video as kids video once again and I can't save it in my pole dance playlist TT___TT #why does that always happen with pole dance videos #Youtube

[teeth-cable]

https://twitter.com/PrideRing666/status/1686378992830668800?t=4n-1I-vVf_GxoXe55Ox6Vw&s=19

I've posted my issue with this on Emmynous' blog but Vivziepop does a shit job at keeping the Hellaverse away from kids

And I recall her on a stream saying she didn't care kids were watching her shows because she watched South Park as a kid

She also didn't start putting warnings until AFTER COPPA probably to prevent getting sued or marked for kids.

Like Vivziepop is not doing this to protect kids only to keep COPPA off her ass.

I’m going to be honest, I’m sorta of Viv’s side for this. It’s awful kids are seeing Helluva Boss but also what choice does Viv have? YouTube is the 1st platform for indie companies to post their videos to get mass engagement and money if Viv age restricts Helluva Boss, those videos will do terrible because YouTube isn’t promoting those videos and no money is being made because of the lack of or no ads. Plus YouTube age restrictions are really easy to get around, you just need a signed google account and lie that you’re 18. It’s really not worth losing money and engagement over age restricting videos that kids can easily bypass.

When posting a video, YouTube will ask you to check out a box asking if the video is made for kids or not and Viv does appropriately mark the videos not for kids and she does put a content warnings at the beginning of Helluva Boss episodes specifying it is for mature audiences. All I can say is it’s the parent’s fault not checking what their kid is watching since YouTube isn’t even kid friendly, it’s 13+ so swearing, violent, sex references, and drugs mentioned is allowed on the platform.

My only issue is what Viv said in that livestream if it does turn out to be true, I hope she has changed her mind since then. Kids shouldn’t see adult content because it can messed them up terribly and desensitize them, just because Viv turned out fine, it doesn’t mean other kids will. There has been studies done and proven kids who were exposed to adult content at a young age were messed up in adulthood.

#꧁rambles꧂ #➥asks #vivziepop critical #vivziepop criticism

[grazer-razor]

i'm very happy this wasn't COPPA'd.

on a side note...

don't you just hate it when you hear giga pudding and deltarune in the same sentence and think it's like the thanos rude buster meme but it's just from an AU where kris is spamton neo instead?

#COPPA #Youtube