#yuzo sato

[gebo4482]

EXCEPTION

Director: Yuzo Sato Story & Writer: Hirotaka Adachi (Otsuichi) Character Design: Yoshitaka Amano

#exception #yuzo sato #animation #sci-fi series #first look #teaser #netflix

[izimbracreenshots]

Bio Hunter by Yûzô Satô, 1995

#1990s anime #bio hunter #yuzo sato #sci fi anime

[byneddiedingo]

Tatsuya Nakadai in The Sword of Doom (Kihachi Okamoto, 1966) Cast: Tatsuya Nakadai, Michiyo Aratama, Yuzo Kayama, Yoko Naito, Toshiro Mifune, Ko Nishimura, Ichiro Nakaya, Kei Sato, Tadao Nakamura. Screenplay: Shinobu Hashimoto, based on a novel by Kaizan Nakazoto. Cinematography: Hiroshi Murai. Art direction: Takashi Matsuyama. Film editing: Yoshitami Kuroiwa. Music: Masaru Sato. Among the great actors who aren't exactly household names in the United States, one of the best is Tatsuya Nakadai, who threw himself into roles with such commitment that it's almost a surprise to realize that he's still alive: He's 90 years old. Even with the presence of the charismatic -- and, in the West, much better-known -- Toshiro Mifune in the cast, Nakadai carries The Sword of Doom on his considerable shoulders, playing Ryunosuke, a psychotic samurai, with frightening conviction. In his first appearance in the film, his face is partly hidden by the latticework of a hat, but his eyes burn brightly through the shadowing. He calmly murders an old man whose granddaughter has gone to fetch water. Granted, the old man is praying for death, but an easy one, not the blow of the titular sword. By the end of the film the madness that glitters in Ryunosuke's eyes has been responsible for countless deaths, and it flares up in a cataclysmic ending in which he slashes out at the ghosts he sees behind the bamboo shades of a brothel and eventually at the assassins who come for him. Nakadai does something extraordinary with his body in this final sequence: As Ryunosuke's mind comes unhinged, so does his body, killing in a kind of Totentanz that looks spasmodic but never loses its lethal precision. And there the film ends, on a freeze frame of Nakadai's face and its glittering eyes. The Sword of Doom was meant to have sequels, but they were never made. Yet although we never learn what happens to several other characters whose subplots have centered on Ryunosuke, or indeed whether he survived this orgy of blood, it doesn't really matter much. It's almost enough to have watched Nakadai in performance. 

#Sword of Doom #Kihachi Okamoto #Tatsuya Nakadai

[tumblblabber]

KAIJI: ULTIMATE SURVIVOR English Dub Wraps On HiDive

HiDive has officially launched the final English dubbed arc for Kaiji: Ultimate Survivor which includes episodes 16-26. Produced by Nippon Television, D.N. Dream Partners, VAP and Madhouse, the series was directed by Yuzo Sato , with Hideo Takayashiki handling series composition, Haruhito Takada designing the characters and Hideki Taniuchi composing the music. Here’s the English dub…

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#Kaiji: Ultimate Survivor

[hybridreviews]

TIME of the SEASON Summer 2023 Edition: The Gene of AI

Something about AI and it doesn't rip off your idea or steal your voice!

So…. This anime is about AI and yet not in the way people might think it is due to the recent things going on with AI and why people hate it (and for good reason). Thankfully, this has more to do with actual AI, not the AI that steals shit. This is The Gene of AI. Director: Yuzo Sato Series Composition: Ryunosuke Kingetsu Script: Ryunosuke Kingetsu Music: Natsumi Tabuchi Takashi…

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#Anime #Crunchyroll #drama #first impression #Madhouse #sci-fi #slice of life #Summer 2023 #The Gene of AI #Time of the Season

[newsintheshell]

AI NO IDENSHI: LO STUDIO MADHOUSE HA ANNUNCIATO L'ANIME DEL MANGA SCI-FI FIRMATO KYURI YAMADA

Il progetto riunisce lo staff principale di Police in a Pod.

Cosa ci rende umani? A che punto un'Intelligenza Artificiale può considerarsi "viva"? Quesiti che ci portano nel territorio già ampiamente battuto, ma sempre interessante della fantascienza più classica, per la quale, come immaginerete, ho un debole.

A cercare le risposte stavolta si cimenta lo studio MADHOUSE (Overlord, La Principessa Bibliofila), che ha appena annunciato di essere al lavoro su un adattamento del manga "AI NO IDENSHI" di Kyuri Yamada.

Non c'è ancora un periodo di debutto per la serie animata, ma vi posso già dire che a dirigerla c'è Yuzo Sato (Police in a Pod, Marvel Future Avengers), mentre della sceneggiatura si sta occupando Ryunosuke Kingetsu (Police in a Pod, Samurai Girls).

Per quanto riguarda il character design, tutto è in mano a Kei Tsuchiya (Police in a Pod, Laidbackers), che ha anche il ruolo di direttore d'animazione.

La colonna sonora, invece, è composta a quattro mani da Takashi Ohmama (Mobile Suit Gundam: The Witch From Mercury) e Natsumi Tabuchi (My Next Life as a Villainess: All Routes Lead to Doom!).

Siamo in un futuro prossimo, nel quale il 10% della popolazione è ormai composta da umanoidi, androidi quasi del tutto indistinguibili dagli essere umani. La storia segue il dottor Hikaru Sudo, un medico specializzato in umanoidi, che opera segretamente anche in contesti illegali, sotto lo pseudonimo di Moggadeet. Pur essendo forme di vita artificiale, gli umanoidi lo mettono spesso di fronte a dilemmi morali decisamente reali e complessi.

Svelato anche il cast per i due protagonisti: Hikaru Sudo e Risa Higuchi sono interprertati, rispettivamente, da Takeo Otsuka (Kakeru Kurahara in Run with the Wind) e Yume Miyamoto (Rikka Takarada in SSSS.Gridman).

Il manga originale è stato pubblicato in 8 volumi, a cavallo fra il 2015 e il 2017. In seguito è arrivato il primo sequel, dal titolo "AI NO IDENSHI: RED QUEEN", che è stato raccolto in 5 volumi.

Dal 2020 ne viene serializzato un secondo sequel, chiamato "AI NO IDENSHI: BLUE AGE", tuttora in corso e con all'attivo 4 volumetti.

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO)))

blogger // anime enthusiast // twitch addict // unorthodox blackster - synthwave lover // penniless gamer

[FONTE]

#ai no idenshi #anime #manga #scifi #serie tv #giappone #fantascienza #ia #animazione #cartoni animati #newsintheshell #news in the shell #madhouse #robot #kyuri yamada #takeo otsuka #yume miyamoto

[sonyclasica]

RYUICHI SAKAMOTO

EXCEPTION BSO

Milan Records anuncia hoy EXCEPTION (SOUNDTRACK FROM THE NETFLIX ANIME SERIES), un álbum de música original de RYUICHI SAKAMOTO para el anime de ciencia ficción de Netflix, de Final Fantasy, Exception se estrenó en exclusiva en Netflix el 13 de octubre de 2022.

Consíguelo AQUÍ

Sobre el álbum, el compositor RYUICHI SAKAMOTO dice: "Quería que el tema principal fuera una pieza sinfónica, del tipo que se ha convertido en un elemento básico de la ciencia ficción desde Star Wars. En cuanto a la banda sonora en su conjunto, me esforcé por mantener un ambiente oscuro, queriendo que se percibiera como una sola pieza musical en lugar de estar separada por escenas. Dicho esto, he incluido un grado de sonidos duros en las escenas de lucha. En general, he conseguido hacer una banda sonora que me gusta mucho".  

SOBRE EXCEPTION

En un futuro lejano, la humanidad ha sido expulsada de la Tierra y obligada a trasladar su población a otra galaxia. Los miembros de un equipo de exploración son enviados a buscar un planeta adecuado para la terraformación. La tripulación fue creada mediante una impresora 3D biológica, pero un fallo del sistema hace que uno de los miembros de la tripulación, Lewis, salga deformado. Mientras Lewis se vuelve contra sus compañeros de tripulación Nina, Mack, Patty y Oscar, comienza una cuenta atrás para el final de la misión en la aterradora oscuridad de la nave. Un relato de terror espacial con historia de Hirotaka Adachi (Otsuichi) y diseños de personajes de Yoshitaka Amano.

Reparto inglés y japonés:

Lewis: Nolan North / Chikahiro Kobayashi

Mack: Robbie Daymond / Takahiro Sakurai

Nina: Ali Hillis / Yuko Kaida

Oscar: Eugene Byrd / Takanori Hoshino

Patty: Nadine Nicole / Atsumi Tanezaki

Equipo de trabajo:

Historia original, guion: Hirotaka Adachi (Otsuichi)

Director: Yuzo Sato

Música: Ryuichi Sakamoto

Diseño de personajes: Yoshitaka Amano

Producción: Tatsunoko Production (Bakken Record), Studio 5

CONECTA CON EXCEPTION

PÁGINA WEB | TRÁILER

SOBRE RYUICHI SAKAMOTO

Ryuichi Sakamoto es un compositor, productor, artista y activista medioambiental nacido en Tokio. Tras debutar en 1978 con el álbum Thousand Knives, el variado currículum de Sakamoto incluye trabajos electrónicos pioneros en el legendario grupo de tecno Yellow Magic Orchestra, la producción de álbumes de pop de inspiración global y numerosas composiciones clásicas, dos óperas y casi 40 partituras cinematográficas originales para directores, como Bernardo Bertolucci, Pedro Almodóvar, Brian De Palma y, más recientemente, Alejandro González Iñárritu, para quien compuso la música de "The Revenant". Sus bandas sonoras de películas han ganado prestigiosos premios, como un Oscar, dos Globos de Oro y muchos más. El activismo de Sakamoto se ha extendido hasta incluir varios esfuerzos de conservación del medio ambiente y promover la desnuclearización y la paz mundial. Después del 11 de marzo en Japón, se convirtió en una fuerte voz de apoyo a las víctimas del terremoto, el tsunami y la fusión nuclear en Fukushima.

Sakamoto ha contribuido considerablemente al mundo del arte con instalaciones individuales y en colaboración, así como con exposiciones de varias piezas presentadas en galerías y museos de todo el mundo. Recientemente, MWOODS (Pekín) presentó la mayor y más completa colección de 30 años dedicada a las obras de Sakamoto en diversos medios, centrada en 8 instalaciones sonoras a gran escala.

En 2017, el documental Ryuichi Sakamoto: CODA (Stephen Nomura Schible) se estrenó coincidiendo con la publicación de su célebre decimocuarto álbum en solitario async. Además, Sakamoto presentó actuaciones únicas en el Park Avenue Armory (NYC), que posteriormente se estrenaron en todo el mundo como la películaRyuichi Sakamoto: async Live at the Park Avenue Armory. En 2021, con su viejo colaborador Shiro Takatani, Sakamoto presentó una nueva pieza teatral, TIME, que se estrenó en el Festival de Holanda.

Sakamoto reside en Nueva York desde 1990.

Sony Music Masterworks comprende los sellos Masterworks, Sony Classical, Milan Records, XXIM Records y Masterworks Broadway. Para actualizaciones por email y más información, visita https://lnk.to/sonysoundtracks.

CONECTA CON MILAN RECORDS: PÁGINA WEB | FACEBOOK | INSTAGRAM

#bso #ryuchi sakamoto

[guyinlovewitheremika]

EP 37: Scream

My favorite manga chapter is about to be animated, and here are staff and synopsis for it!

First things first, the staff, which is....incredibly unusual this week.

The episode is directed by FOUR PEOPLE: Tetsurou Araki, (s1 series director, ep 1/25 director, s2 general director) Satonobu Kikuchi (s1 key animation and animation director) , Takayuki Hirao (storyboard ep 30,32,36 and ep 32 direction) and Yoshihide Ibata (ep 27 and 34 direction, junior high series director and writer)

The episode is storyboarded by Ryoutarou Makihara (s1 key animation, ep 28 and 33 storyboards) and Yuzo Sato (lots of key animation and storyboarding overall, including a storyboard for Araki’s Death Note)

Another set of 5 animation directors like the last two episodes.

To my knowledge, not a single Attack on Titan episode has ever had more than two people directing a single episode, and I lack the knowledge about the industry whether four is amazing or terrible news. What I can say for certain is that A) a lot of WIT staff is already working on The ancient magnus bride putting the AoT team under more pressure (the excess of unanimated stills and weird 3dcg compositions from ep 11 are proof of that unfortunately) resulting in them emergency deploying more staff; but I can also say that Araki himself  has been passionate about animating this particular material since its release in 2013. From my point of view, this huge amount of staff could either be really good or really bad from my point of view, but I’ll chose to stay optimistic.

As for the actual staff itself, I’m very pleased with some of the choices. Not only has Araki himself been passionate about this material, his directing style is often noted to be overemotive or excessively dramatic---which is incredibly appropriate for the emotional clusterfuck that is chapter 50. Having an animation director in Kikuchi on board could indicate high quality visuals (the preview shots so far all looked good), and Ibata does a great job portraying the characters. Takayuki’s storyboards work well for action sequences, even though he’s technically not drawing them this time.

Though both episode 28 and 33 have caused some controversy in the fandom, it’s undeniable that the storyboards are excessively close to the original manga panels, so having Makihara in board here too was the perfect choice in my eyes. I can’t say much about Sato, but he appears to be an industry veteran and has worked with Araki before--that’s good in my eyes.

Overall, I’m very happy with the individual staff choices (except for the lack of input from series director Koizuka Masashi who’s only storyboarded ep 26 and 27), Araki and Makihara were on top of my wishlist and they’re here. All the staff has experience and has proven itself to be very competent on the series, so assuming this huge amount of people isn’t an act of desperate compensation for lack of resources, we should be in for a treat (unlike the s1 finale there shouldn’t be any script complications damaging the production process, so this finale has no reason to not be completely amazing). 

The Synopsis doesn’t cover anything beyond Eren attempting to transform against the smiling titan--no further information as to where in 51 we’ll end (though I personally doubt the timeskip will be included)       

#snk season 2 #snk ep 37 #attack on titan #snk #aot #shingeki no kyojin #chapter 50 #eren jaeger #s2 staff #tetsurou araki #satonobu kichuki #takayuki hirao #yoshihide ibata #ryoutarou makihara #yuzo sato #wit studio

[snknews]

Preview Image and More on Episode 55 (Season 3 Episode 18) Revealed

The official SnK anime website has released a preview image for the 18th episode of season 3, also episode 55 in the series, featuring Eren!

The episode title will be “ 白夜 ” (Byakuya), or “Midnight Sun,” which corresponds with chapter 84 in the manga. Key staff members include Seko Hiroshi for Screenplay, Sato Yuzo for Storyboards, Tanaka Hiroyuki + Itoga Shintaro as Episode Directors, and Kikuchi Satonobu, Shimojou Yumi, Nishihara Erika, Tezuka Kyouhei, Oosugi Naohiro, Miyamura Akira, Chiba Takaaki, Tamura Yasuho, + Tomita Megumi as Animation Directors.

On NHK’s website, the list of episode titles revealed so far are:

Episode 13: はじまりの街 / The Town Where Everything Began (Ch. 73)

Episode 14: 雷槍 (らいそう) / The Thunder Spears (Ch. 76)

Episode 15: 光臨 / Descent (Ch. 78)

Episode 16: 完全試合（パーフェクトゲーム）/ Perfect Game (Ch. 79)

Episode 17:  勇者 / Hero (Ch. 82)

Episode 18:  白夜 / Midnight Sun (Ch. 84)

Episode 19: 地下室 / The Basement (Ch. 85)

Note: the titles do not necessarily mean that the episode will correspond exactly with the manga chapter. Case in point, episode 38 was titled the same as 53 but included scenes from chapters 51-57 and 90.

Update (May 30th, 2019): The key staff list has been publicized!

Related News: Season 3 || Staff || WIT Studio Archival News: Season 3

#snk news #eren yeager #wit studio #snk season 3 #snk staff #seko hiroshi #sato yuzo #tanaka hiroyuki #itoga shintaro #kikuchi satonobu #shimojou yumi #nishihara erika #tezuka kyouhei #oosugi naohiro #miyamura akira #chiba takaaki #tamura yasuho #tomita megumi

[gebo4482]

Exception

Director: Yuzo Sato Story & Writer: Hirotaka Adachi (Otsuichi) Character Design: Yoshitaka Amano

Netflix Geeked Week Day Four: All the Biggest Anime and Animation Announcements (ign.com)

#exception #yuzo sato #hirotaka adachi #otsuichi #yoshitaka amano #anime #animation #sci-fi series #teaser #poster #netflix

[ljaesch]

Tubi TV Is Now Streaming the Pita-Ten Anime

Tubi TV Is Now Streaming the Pita-Ten Anime

The Fandom Post is reporting that Tubi TV is now streaming the Pita-Ten anime on its service. The series is available in the United States and Canada with the original Japanese audio and English subtitles. The series is based on the manga of the same name from Peach-Pit and is directed by Toshifumi Kawase and Yuzo Sato, and features animation from MADHOUSE. The series aired in Japan in 2002. The…

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#anime #pita-ten #tubi tv

[byneddiedingo]

Yuzo Kayama and Toshiro Mifune in Red Beard (Akira Kurosawa, 1965)

Cast: Toshiro Mifune, Yuzo Kayama, Tsutomo Yamazaki, Reiko Dan, Miyuki Kuwano, Kyoko Kagawa, Tatsuyoshi Ehara, Terumi Niki, Akemi Negishi.  Screenplay: Masato Ide, Hideo Oguni, Ryuzon Kikushima, Akira Kurosawa. Cinematography: Asakazu Sakai, Takao Saito. Production design: Yoshiro Muraki. Music: Masaru Sato. 

The influence of American movies on the work of Akira Kurosawa is well-known. His viewings of American Westerns, for example, helped shape such classics as Seven Samurai (1954) and Yojimbo (1961). But Red Beard seems to me an instance in which the influence wasn't so fortunate. It's a kind of reworking of MGM's series of Dr. Kildare movies of the 1930s and '40s, in which the ambitious young intern Dr. Kildare tangles with the crusty older physician Dr. Gillespie and thereby learns a few lessons -- a dynamic that persists today in TV series like Grey's Anatomy. In Red Beard, ambitious young Dr. Noboru Yasumoto (Yuzo Kayama) is sent to work under crusty older Dr. Kyojo Niide (Toshiro Mifune), known as "Red Beard" for an obvious facial feature. It's the 19th century, the last years of the Tokugawa shogunate, and Yasumoto, having finished his studies in Nagasaki, expects that the influence of his father, a prominent physician, will land him a role as the shogun's personal physician. He's angry when he finds that he's been sent to a rural clinic that mainly serves the poor. There is one affluent patient at the clinic, however: a young woman known as "The Mantis" (Kyoko Kagawa) because she stabbed two of her lovers to death. Her wealthy father has built a house for her on the grounds of the clinic, but only Red Beard is allowed to approach and treat her. Yasumoto initially rebels against the assignment, feeling disgust for the patients: When he asks the physician he's replacing at the clinic what smells like "rotten fruit," he's told that that's the way the poor smell. But eventually (and predictably), he learns to respect the work of Red Beard and to value the lives of his patients. Red Beard is hardly a bad movie: Kurosawa brilliantly stages the first encounter of Yasumoto and The Mantis, who has escaped from her house, in a carefully framed sequence, a long take in which the doctor and the madwoman begin at opposite sides of the wide screen -- it's filmed in Tohoscope, an anamorphic process akin to Cinemascope -- with a tall candlestick between them. Gradually, accompanied by slow camera movements, the two approach each other, the doctor trying to gauge the motives and the sanity of the young woman. Finally the calm framing of the scene is shattered into a series of quick cuts, as she attacks with a pair of scissors, and the scene ends with a brief shot of Red Beard suddenly opening the door. Red Beard was shot by two acclaimed cinematographers, Asakazu Nakai and Takao Saito, both of whom frequently worked with Kurosawa, and the production design was by Yoshiro Muraki, who fulfilled Kurosawa's exacting demands for meticulous faithfulness to the period, including the construction of what was virtually a small village, using only materials that would have been available in the period. But what keeps Red Beard from the first rank of Kurosawa's films, I think, is the sentimental moralizing, the insistence of having the characters "learn lessons." Yasumoto, having learned his initial lesson about valuing the lives of the poor, is given a young patient, Otoyo (Terumi Niki), rescued from a brothel where she has essentially gone feral. (During the rescue scene, Kurosawa can't resist having Mifune, in his last film for the director, show off some of his old chops: The doctor takes on a gang of thugs outside the brothel and single-handedly leaves them with broken arms, legs, and heads. It's a fun scene, but not particularly integral to the character.) When Yasumoto has succeeded in teaching Otoyo to respond to kindness, it then becomes her turn to teach others what she has learned. The moralizing overwhelms the film, leaving us longing for the deeper insight into the characters found in films by Kurosawa's great contemporaries Yasujiro Ozu and Kenji Mizoguchi.

#Red Beard #Akira Kurosawa #Yuzo Kayama #Toshiro Mifune

[recentanimenews]

Heroes Relax in MUTEKING THE Dancing HERO TV Anime ED Animation

  The laidback ending animation has been published for MUTEKING THE Dancing HERO, an upcoming TV anime that reboots Tatsunoko Production's 1980 - 1981 Muteking, the Dashing Warrior series about a superhero who saves the world with the power of dance.

  The ED animation (below) features the official ending theme for the series, entitled "Kibou no Uta" ("Song of Hope"), which is performed by KALMA.

    Tatsunoko Production describes the story of MUTEKING THE Dancing HERO as follows:

  MUTEKING is set in the free and cheerful coastal town of Neo San Francisco. The kind-hearted boy Muteki moves to Neo San Francisco and meets DJ, who claims to be a DJ, and finds himself thrust into the role of the dancing hero Muteking. To save the town from monsters who suddenly appear, Muteki and DJ fight with song and dance, but little do they know that behind these strange events, a true danger to humanity is approaching…

    MUTEKING THE Dancing HERO is directed by Yuzo Sato and features animation production by Tatsunoko Production and Tezuka Productions. The series scheduled to broadcast in Japan on TV Osaka and TV Aichi beginning on October 02, 2021, with additional broadcasts to follow on TOKYO MX and BS NTV beginning on October 03, 2021.

  Source: Ota-suke

  Copyright notice: ©Tatsunoko Production/MUTEKING Production Committee

    ---

Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

By: Paul Chapman

#Anime #News #Latest in Anime News by Crunchyroll!

[elfamosodemon]

Cooldown: Obscure VGM 17

Goo! Goo! Soundy - My Pleasure 

Mr. Driller Drill Land - Arcade - Go Shiina

PSYCHIC FORCE 2012 - Season, Getting Gray (CARLO BGM) - HIDEKI "HAGGY" TAKAHAGI  

Rave Master - BGM41_StSlow_l - Kenji Kawai, Kumoko

Tokyo Xanadu eX+ - Moment Of Rest

Mario & Luigi: Dream Team - Shopping in Wakeport - Yoko Shimomura

Tourist Trophy - BRAZILIAN WIND - KASAI 

Tokyo Xtreme Racer 2 - Night Fly 

Option TUNING CAR BATTLE 2 -  UNREAL -CIRCUIT- - MISPATHZ 

Raiden Fighters 2: OPERATION HELL DIVE - スタッフロール - Go Sato 

COZMO ~ZUNTATA 25th Anniversary~ - Twinkle Venus Twinkle - SHU 

Radirgy - 24/7 -Stage 05- - Kou Hayashi  

E.X.TROOPERS The Bounded - Frontier Base - 北川保昌 

Touge: King the Spirits 2 - 11 

Shin Sekaiju no MeiQ² - FAFNIR no Kishi - Cityscape - Peaceful Dining - Yuzo Koshiro 

Katekyō Hitman Reborn! Dream Hyper Battle! - Hunting Field - The Second Movement - Yuzo Koshiro, Motohiro Kawashima 

Chibi-Robo! Zip Lash - Birdie Explain 

Uncharted Waters - Olive Wind - Yoko Kanno 

Natsuiro☆Communication♪ - My Elder - Nekono Comet 

ROBOTICS;NOTES DaSH - Akiho - Takeshi Abo 

Bike Banditz - Epilogue... (Ending) - Raito

#VGM #video game music #bossa nova #Dance #Electronic

[newsintheshell]

TUDUM: tutte le novità sui prossimi anime e live action in arrivo su Netflix

Durante l’evento non sono mancati tanti trailer, nuovi annunci e qualche anteprima.

Il lungo roundup dell’Aniplex Online Fest 2022 che ho pubblicato ieri non era abbastanza? Avete ancora fame di annunci e trailer?

Ci pensa Netflix, che durante la nuova edizione dell’evento TUDUM, ha colto l’occasione per aggiornarci sulle tante novità in arrivo dal Giappone nei prossimi mesi e oltre. 

🔶🔸THE SEVEN DEADLY SINS: GRUDGE OF EDINBURGH

Mostrato un nuovo teaser trailer per il film d’animazione sequel di “The Seven Deadly Sins”.

La pellicola, prodotta in computer grafica dagli studi MARVY JACK e ALFRED IMAGEWORKS, sarà divisa in due parti e racconterà una storia inedita scritta da Nakaba Suzuki in persona, con protagonista Tristan, il figlio di Meliodas.

🔶🔸MOONRISE

Svelato un primo teaser trailer per l’originale anime sci-fi realizzato da WIT STUDIO (Vampire in the Garden, Ranking of Kings), sceneggiato da Tow Ubukata (Mardock Scramble, Psycho Pass 2, Soukyuu no Fanfer) e diretto da Masashi Koizuka (Attack on Titan - Season 3).

Il design della serie, in arrivo nel 2024, è stato concepito nientemeno che da Hiromu Arakawa (Fullmetal Alchemist, La leggenda di Arslan, Silver Spoon).

🔶🔸ONIMUSHA

Annunciata a sorpresa una serie animata ispirata alla celebre saga di videogiochi di casa Capcom, che sarà supervisionata dal leggendario Takashi Miike (regista di live action come Ichi the Killer, Like a Dragon, L’Immortale, JoJo's Bizarre Adventure: Diamond Is Unbreakable).

Il progetto è diretto da Shin'ya Sugai (Dragon's Dogma, Shikizakura) e in produzione presso SUBLIMATION. Piccola curiosità: per il protagonista Miyamoto Musashi, è stato preso come modello l’aspetto del compianto simbolo del cinema giapponese Toshiro Mifune.

🔶🔸EXCEPTION

p>PPubblicatain anteprima la sigla di testa dell’originale serie horror sci-fi, diretta da Yuzo e sceneggiata da Hirotaka “Otsuichi” Adachi (My Capricorn Friend, Summer Ghost, Goth), che debutterà sulla piattaforma il 13 ottobre.

La canzone in sottofondo è firmata firmata da Ryuichi Sakamoto (Arrivederci Tyrano, Appleseed), che ha curato tutta la colonna sonora dell’anime.    

🔶🔸JUNJI ITO MANIAC: JAPANESE TALES OF THE MACABRE

L’antologia animata porterà le storie dell’orrore del maestro Junji Ito, fra cui Tomie, Soichi e Kubitsuri Kikyu, dal 19 gennaio 2023.

🔶🔸MAKE MY DAY

Il film d’animazione, basato su una storia originale fornita dal mangaka Yasuo Ohtagaki (Moonlight Mile, Mobile Suit Gundam Thunderbolt), arriverà a febbraio 2023.

La pellicola è diretta da Makoto Honda e realizzata in computer grafica presso lo studio taiwanese 5 INC.

🔶🔸AGGRETSUKO

La quinta e ultima stagione della popolare commedia, con protagonista l’adorabile e metallara mascotte di Sanrio, arriverà a febbraio 2023.

🔶🔸LOOKISM

Il 4 novembre arriverà la serie animata del popolare webtoon coreano firmato Park Hyung Suk.

L’adattamento è una nuova produzione targata STUDIO MIR (DOTA: Dragon’s Blood, The Witcher: Nightmare of the Wolf)  

🔶🔸ALICE IN BORDERLAND

p>Presentato finalmente il teaser trailer per la seconda stagione del survival thriller, diretto da Shinsuke Sato (regista dei live action di Bleach, Kingdom, Gantz, Inuyashiki e I am a Hero), basato sull’omonimo manga di Haro Aso, pubblicato in Italia da J-POP Manga.

I nuovi episodi della serie live action arriveranno dal 22 dicembre.

🔶🔸KENGAN ASHURA

La seconda stagione della serie animata, tratta dall’omonimo manga di Yabako Sandrovich (How heavy are the dumbbells you lift?) e Daromeon, edito in Italia da Planet Manga, arriverà nel corso del 2023.

🔶🔸MAKANAI

Diffusa, in anteprima, anche la sigla di testa della serie live action basata su “Kiyo in Kyoto: From the Maiko House”, in arrivo nel 2023.

Il manga slice of life di Aiko Koyama ha già ispirato una serie animata, arrivata qua in Italia grazie a Crunchyroll.

🔶🔸LA VIA DEL GREMBIULE - LO YAKUZA CASALINGO

La serie animata tratta dal manga di Kousuke Ono, edito in Italia da J-POP Manga, tornerà con una nuova stagione da gennaio 2023.

🔶🔸ONI: LA LEGGENDA DEL DIO DEL TUONO

Il 21 ottobre arriverà la serie animata di quattro episodi, ispirata al folklore giapponese, creata dall’ex direttore artistico Pixar, Daisuke "Dice" Tsutsumi (co-regista di The Dam Keeper e Moom).

🔶🔸ONMYOJI

I romanzi di Baku Yumemakura (La vetta degli dei, Garouden, Chimera) ispireranno una serie animata, il cui debutto è previsto nel corso del 2023.

L’adattamento è diretto da Soubi Yamamoto (Meganebu!, This Boy is a Professional Wizard) e in produzione presso MARVY JACK.

🔶🔸GUDETAMA: UN NUOVO VIAGGIO

p>Dopo Retsuko, un’altra mascotte Sanrio si prepara a sbarcare sulla piattaforma, con un mix di live action e animazione in computer grafica.

Il 14 dicembre, infatti, arriverà in streaming la serie dell’uovo Gudetama, accompagnato per l’occasione dal pulcino Shakipiyo.

🔶🔸MY DAEMON

Annunciata un’altraserie originale scritta da Hirotaka “Otsuichi” Adachi (My Capricorn Friend, Summer Ghost, Exception), ambientata stavolta in un futuro prossimo, dopo che un'esplosione nucleare ha fatto sì che la Terra si sovrapponesse per un momento all'Inferno, causando l'inquinamento da parte di una polvere infernale. I protagonisti saranno un ragazzino di nome Kento e la sua piccola daemon Anna. La regia è affidata a Nat Yoswatananont e il tutto sta venendo realizzato presso lo studio taiwanese IGLOO STUDIO.

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO)))

[FONTE]

#la via del grembiule #lo yakuza casalingo #onimusha #onmyoji #oni #make my day #moonrise #kengan ashura #makanai #maiko-san chi no makanai-san #kiyo in kyoto #anime #netflix #tudum #giappone #live action #alice in borderland #lookism #junji ito #exception #grudge of edinburgh #the seven deadly sins #aggretsuko #junji ito maniac #news in the shell #gudetama

[mendelpalace]

90s Game Music's take on Jungle / Drum & Bass

Tracklist: 01 Rave Racer - RALLY-JNGL-X - SANDOG 1995 Namco 02 Rave Racer - HEART OF HEARTS - Aya Hirano 1995 Namco 03 Vatlva - T-31501G_11 - Yuzo Koshiro 1996 SEGA Saturn 04 Jet Force Gemini - Something Faster - Robin Beanland, Graeme Norgate 1999 N64 05 Rage Racer - Silver Stream - Tetsukazu Nakanishi 1996 PS1 06 FX Fighter - Kiko - 7A - Justin Scharvona - MS-DOS 07 Gran Turismo - high - TMF 08 1080° - Lost - Kenta Nagata 1998 N64 09 Deadly Arts - G.A.S.P. - tight-street - Kazuhiko Uehara 1998 N64 10 Another Mind - Piece and Piece - Junya Nakano 1998 PS1 11 Ape Escape - Specter Land_Haunted House - Soichi Terada 1999 PS1 12 Sonic wings 3 - Scorchers (Doitsu Gunkou Stage) - Hoso-Q 1995 Neo Geo 13 Sonic wings 3 - Show Me What You've Got! (Stage Boss) - Hoso-Q 1995 Neo Geo 14 New Tetris - Haluci - Neil D. Voss 1999 N64 15 Ace Combat 3 - Alert - Tetsukazu Nakanishi 1999 PS1 16 LSD - Dream Emulator - SLPS-01642_OPENINGE_01016401_0000 Osamu Sato 1998 PS1 17 1080° - Review - Kenta Nagata 1998 N64 18 1080° - White out - Kenta Nagata 1998 N64 19 Tail of the Sun - 21 - Yasuyuki Suzuki, Emiko Suganuma 1996 PS1 20 15 Ace Combat 3 - Lithium - Tetsukazu Nakanishi 1999 PS1 21 LSD - Dream Emulator - SLPS-01642_OPENINGF_01016401_0000 Osamu Sato 1998 PS1 22 Rippin' Riders Snowboarding T-36901M_07 1999 SEGA Dreamcast 23 Breath of Fire 4 - いくさするかみ - Yoshino Aoki 2000 PS1 24 Assault Rigs - Gems - Andrew Crowley, Stuart Duffield, Matt Furniss PS1 1996 25 LSD - Dream Emulator - ELECTRO_STG02_BGD Osamu Sato 1998 PS1

If you love video game music and aren’t following Oke on YouTube, you’re doing yourself a disservice. 

@nine-hundred-and-nine @theamazingsallyhogan @fuchinobe

#Jungle Music #Drum 'n' Bass #Gamewave #Oke #Rave Racer #Jet Force Gemini #Song Wings 3 #Ape Escape #Video #VGM #Music