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#CREATIVE WRITING
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Silly drunk dialogue
Can also be under the influence of other stuff.
"Oh, look at the stars! Ursa Major… so beautiful!" "We're inside. Those are just ceiling lights."
"Please don't leave me!" "I'm just going to the toilette." "Can I come with you?"
"My arm is floppy. I'm like a puppet."
"Can you be my girlfriend?" "I already am." "Oh, lucky me!"
"Let’s go play baseball!" "Your shoulder is dislocated, maybe not right now."
"You look almost as pretty as this moon." "That's a street lamp." "And you're almost as pretty."
"Have you ever thought about penguins? I think we should think more about penguins."
"You have a stupid face and it's my favourite one to stare at."
"I will definitely remember this tomorrow! How could I ever forget?" *doesn't remember anything in the morning*
"Oh, I think we haven't met before." "We have been in a relationship for five years now."
"You should go, otherwise I'm doing something stupid. Like kissing you or falling asleep on the bathroom floor."
"Let's get you home." "Oh, mine or yours?" "Ours." "Oh, wow!"
"I'm totally, absolutely, not at all drunk at all. Like... at all."
"Why are you all laughing? That is not very nice. I haven't even told my joke yet."
"How many drinks did you have?" "Yes, yes I am."
"You are too beautiful for me." *starts crying*
"Why are you undressing?" "Because it's hot! And I'm hot!"
*starts singing a remix of all their favourite songs*
*then starts crying, because their own voice is too beautiful*
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deception-united · 3 days
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Character Voices
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (More)
Transitions
Pacing
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Miscellaneous:
Overcoming Writer's Block
1000 Follower Special
Writing Fantasy
Character Ask Game
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thatsbelievable · 1 day
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A List of "Ugly" Words
to try to include in your next poem/story. This is a compilation of words mentioned in articles and polls I found online deemed "ugly" or "gross", or are the "most hated".
Bulbous - fat, round, or bulging.
Chunky - bulky and solid.
Curd - a soft, white substance formed when milk sours, used as the basis for cheese.
Engorge - cause to swell with blood, water, or another fluid.
Fester - to become septic; suppurate. To become rotten and offensive to the senses. To become worse or more intense, especially through long-term neglect or indifference.
Hurl - to throw (an object) with great force.
Lugubrious - looking or sounding sad and dismal.
Maggot - a soft-bodied legless larva, especially that of a fly found in decaying matter.
Moist - slightly wet; damp or humid.
Mucus - a slimy substance secreted by mucous membranes and glands for lubrication, protection, etc.
Ooze - to slowly trickle or seep out of something; flow in a very gradual way.
Phlegm - the thick viscous substance secreted by the mucous membranes of the respiratory passages, especially when produced in excessive or abnormal quantities.
Pus - a thick yellowish or greenish opaque liquid produced in infected tissue, consisting of dead white blood cells and bacteria with tissue debris and serum.
Putrid - decaying or rotting and emitting a fetid smell.
Seepage - the slow escape of a liquid or gas through porous material or small holes.
Slobber - have saliva dripping copiously from the mouth.
Slurp - to eat or drink (something) with a loud sloppy sucking noise.
Squelch - to make a soft sucking sound such as that made by walking heavily through mud.
Squirt - cause (a liquid) to be ejected from a small opening in a thin, fast stream or jet.
Yolk - the yellow internal part of a bird's egg, which is surrounded by the white, is rich in protein and fat, and nourishes the developing embryo.
If any of these words make it into your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!
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unboundprompts · 2 days
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hi if this hasn't been asked before but maybe some book titles with themes of being hunted? plz
Hunting/Hunted Title Ideas
-> feel free to edit as you see fit.
A Merciful Death
The Tale of the Hunt
To Glorify the Hunter
A Golden Cage
The Longest Trek
Escape by Night
Bloodied Footprints
One Step Ahead
First, It Will Hurt
Run and Don't Look Back
A Trophy
A Dark Wood
I Am Lost
Until Morning Comes
Sought After
Until I Can Run No Farther
Prey
No Time for Rest
Watchful and Cold
Panic Within
Hounds of the Night
Can't Escape the Chase
Adrenaline's Embrace
Eyes Everywhere
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Text: Being cousins with death comes with a strange curse. When someone nearby is about to die, I start seeing their face in the mirror instead of my own. Begrudgingly, I become a detective.
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novlr · 21 hours
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Rethinking pacing
Pacing isn’t all about action. It’s about making sure that everything you write advances the story, even the quiet moments.
Instead of asking whether a scene is exciting, ask whether a scene is important.
Does it develop the plot?
Does it develop your characters?
If it does one of the above, then it's important and will fit into the pacing of your story. If it's important, that makes it interesting. If it's not important, it will be boring — and that's what pacing is all about.
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paranoia-art · 3 days
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°•°Habits to Give Your Characters°•°
╭┈◦•◦❥•◦ Constantly crosses legs when sitting
╭┈◦•◦❥•◦ Doodles when zoned out (if there's no paper around they could trace doodles like little hearts on a table or even on the back of their hand)
╭┈◦•◦❥•◦ Crucks knuckles
╭┈◦•◦❥•◦ Braids hair when their bored (or just generally plays with their hair)
╭┈◦•◦❥•◦ Stands way to close to people when talking to them.
╭┈◦•◦❥•◦ Avoids eyecontact when people talk to them.
╭┈◦•◦❥•◦ Clutches on to other's sleeves.
╭┈◦•◦❥•◦ Bites nails when nervous
╭┈◦•◦❥•◦ Raises their eyebrows when interested.
╭┈◦•◦❥•◦ Offers food to others, before taking a bite themselves.
╭┈◦•◦❥•◦ Scratches top of nails (like when you're scratching the coat of nail polish off your nails.)
╭┈◦•◦❥•◦ Whistles to ease nerves.
Follow @paranoia-art for more!
Do message me if you have anymore you would like to add!
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sunnynwanda · 2 days
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Heal me
Warnings: slightly suggestive/ kissing, touch starved Villain, sort of hurt/comfort.
Based on and inspired by this wonderful idea by the amazing @aflyingsheepnamedrose. I had to write this, it was simply eating me alive.
Villain's body hits the wall, sliding down onto the concrete floor with a loud thud. They groan, every limb of theirs aching with dull pain and acute yearning. They cough out blood but cannot stop themself from thinking about the gentle brush of Hero's fingertips against their skin that will follow once the 'battle' is over. They've been deprived of it for far longer than they could handle, their starved body longing for the pain to be followed by a touch.
Hero lands next to them, fisting their shirt to drag them into a standing position. Villain sags against the wall, heaving through every breath. Yet their injuries have positively nothing to do with the dire need flaming in their veins. It's severe, all-consuming, and it terrifies the living light out of them. Villain craves Hero's touch with the entirety of their being. Villain craves Hero. 
"Think you should surrender?" Hero suggests, eyeing Villain with a hint of concern in their bright blue eyes. Their fingers feel almost tender when they curl around Villain's chin, lifting it up so their intent gaze can inspect their buttered face.
"Not yet," Villain gargles, blood filling their mouth again. They turn away, spitting it out before meeting Hero's eyes, a pleasant thrill feeling their lungs at the sight of Hero's distress.
"I won't..." Hero wants to say they won't keep up the vicious cycle they found themselves in. They won't fight Villain anymore - only to spend the following night healing them with their touch. Hero wants Villain to know that they can't keep hurting them, that it tears them apart in ways they never imagined possible, and that it is the reason they've been avoiding them. That they cannot handle witnessing - worse yet, inflicting - their pain. They want to say that Villain doesn't need injuries to have Hero showering them with kisses. They want to tell Villain they need them safe and sound, not beaten and buttered. Hero needs Villain.
But they don't say that. They can't. Instead, they threaten. "Surrender, or I won't heal you anymore."
Villain has to restrain themself from outright begging. They press their lips together, nodding shortly, and avert their eyes, gulping as their mind runs at a hundred miles a minute. Hero's hands let go of their shirt and Villain exhales shakily, shutting their eyes to suppress the shudder raking through their entire being. Something inside them quivers, helpless and desperate. Villain decides to call it disappointment, but then Hero's arms wrap around them, picking them off the ground with close to no effort.
Villain knows it's not disappointment, because the quiver in their chest grows stronger, thrashing against their ribs with unabated persistence. They refuse to open their eyes as Hero carries them all the way to their apartment and straight to their bedroom.
They lay Villain down on their bed and sit beside them, cupping their jaw with a cold hand. "Vil..." Hero's voice is small, and - if Villain didn't know better - they'd think it sounds choked up. "Look at me."
Villain groans, peeling their eyes open. The sight that greets them leaves their heart throbbing in their throat. Hero's eyes are brimming with tears, and their lips are trembling when they lean in, pressing them to Villain's forehead. They pull away, only to plant a kiss on Villain's split eyebrow, then shift to their bruising cheekbone, over to the other one - the small cut on it heals in mere seconds.
Villain watches them with bated breath, biting the inside of their cheek to keep any sounds from escaping them. Hero's hand on their jaw moves, tilting their head up as their lips trail down Villain's neck, ghosting over their collarbones. Villain registers a wet sensation on their skin but fails to process what it is until it drips down the base of their throat, leaving a damp trail in its wake.
Another drop hits Villain's burning skin, then one more. Their nemesis chooses to ignore them as their hands make quick work of Villain's shirt, pushing it open and trailing their lips down Villain's chest, fixing a broken rib back into place.
"Hero?" Villain can't help it when their hands take hold of Hero's head, lifting it off their body. Their tear-stained face wrecks Villain's heart worse than any injury could.
"I can't." Hero mutters in explanation, leaning down to plant another tender kiss onto Villain's feverish skin, their hands gripping their enemy's sides with uncharacteristic urgency. "I can't..."
"Hero, please," the pleading tone of their voice seems to snap Hero out of it as they withdraw hastily, their eyes widening. Villain moves to sit up.
"I'm sorry, I was... t-that was the last cut, y-you're all good now," Hero stutters out, panic contorting their face into a mask of horror. "I didn't mean to overstep."
Villain can't help the chuckle that escapes them at that conclusion. Their fingers brush through Hero's hair, earning a soft sigh from their nemesis. "I wasn't exactly trying to protest the kisses."
"You were not?" Hero repeats, their gaze finally daring to land on Villain as the criminal shakes their head. "I thought you wanted me to stop." Hero confesses, their head dropping, only to be brought back up again.
"No way in hell." The words fly out of their mouth before Villain can process them. They cannot bring themself to care about the consequences at this point. Not when Hero's hands are rubbing their sides unconsciously, not when they can still feel Hero's tears on their skin. "If you ask me, you don't have to stop, ever."
"What?" Hero's gaze darts back and forth between Villain's lips and eyes, wheels turning in their head as Villain watches them with a small smile tugging at the corner of their mouth. They bite their lip to keep their grin under control but fail miserably.
"You heard me," Villain states, causing Hero to roll their eyes. "Why were you crying?"
Hero freezes like a deer in headlights. Villain lets out an amused chuckle, still holding Hero's face in their hands. And, when Hero doesn't respond, Villain decides to take matters into their own hands.
"Can you heal one more cut for me?" They ask, barely containing the cheeky smile threatening to break onto their face any minute now.
Hero nods, their expression shifting into that of worry. "Yes. 'Course I can. Where?"
Villain doesn't utter a word, instead pointing to their bitten lip. They also give up on keeping a neutral expression, allowing the smug smirk to stretch in full glory.
Now that leaves Hero speechless and gaping. For several seconds, they stare at Villain in disbelief, their heart pounding heavily in their ribcage.
"Are you gonna let me bleed o-"
Villain's playful remark is cut short when Hero lunges at them, connecting their lips with more force than Villain anticipated. They fall onto their back, with Hero landing on top of them as they focus on healing Villain's 'dreadful' injury with painstaking dedication.
Masterlist
Taglist: @marvellousdaisy @alltimelowing @lateuplight @surplus-of-sarcasm @betwist @excusemeasibangmyheadonawall @enemies-to-idiots-to-lovers @miaowmelodie @thatonerandomauthor @hhabaddon @burningoutlikeicarus @daemonvatis @weepingcowboywolfbat @thelazywitchphotographer @kaiwewi @soul-of-a-local-bard @pigeonwhumps @aflyingsheepnamedrose @thatneptune @ohwellthatslifesstuff @worldsfromhoney @thiefofthecrowns @crow-with-a-typewriter @qualityrabbitsoup @stargeode @villain-life @villainsblood @whumpifi @glassthedumbass @silviathebard @misskowe @ayeshaturnedtoashes4444
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automeris-io-moth · 2 days
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Short #2
Part #2
Part 1
Hero turned their back to the bathroom door, a beam of light peeking through the cracked door, the faint, almost muted sound of running water disturbing the idle radio-filled ambiance from before, a jazz song, some they had never heard before playing. 
Villain had arrived then, and the routine would follow: silent steps for their blood-stained shoes were left at the door every night, shower, dinner, and after they would pretend to fight the want to lay besides Hero, only for a few minutes of play-pretend, of false stoicism before giving in, opening the covers an settle in bed. 
Hero would take their arms in their own grasp after a while, feeling the embrace of the other tighten. To admit the fear they had both felt was senseless, it was only to make themselves look vulnerable and there was no point on that, they could communicate perfectly well though only touch, Hero huffed. 
A hand on their shoulder. 
"Are you awake?" Villain asked, Hero grunted in response "Come, join me in the shower." 
With an opposing grunt, Hero walked behind them to the bathroom.
Hero had had a hard time keeping up with daily tasks after the event, they knew Villain was aware. Eating, showering, getting out of the room were then not so optional suggestions. 
They did not think that as per their enemy's words, allowing Villain to do whatever they wanted was going to get them bickering about something as simple as eating an carrot. But it did. 
When inside the room, it was apparent that the dirty clothes were already placed away, the steam from the hot water fogging the mirror. 
"You already showered," they said.
"I wanna do it again," 
"How convenient." 
Yet, despite their protests, Hero allowed themselves to be undressed, clothes two days old thrown to the designated basket.
Water was lukewarm, a negotiated middle ground from Hero's ice-cold showers, and Villain's burning-hot ones. Hero's muscles did distend at the touch of the water, and Villain's hands on their skin felt as a reassurance. 
A rough hand, though with a soft touch, brushed over the scar dangerously close to Hero's heart, the middle of their chest, just slightly turned to the left. 
"I'm sorry," Villain whispered.
"You’ve already apologised, it’s okay." 
"It’s not, I could have lost you, you could have been dea…”
“Villain,” Hero interrupted, the concept of their very close encounter with death was still upsetting, they, some night, were still afraid “it’s okay.” 
“What if one day is not, what if one day you wanna go back there, if you want to leave me and go there, what will I do then?” 
“Maybe,” hero said, stopping to think about their answer, they did not know, then and there they could not imagine an scenario where they wished to go out, to get further from Villain than arm's length, yet, they knew a wrong answer could condemn them to stay “maybe then we’ll have healed, and you’ll be able to let me go.” 
“Will I be able?” Villain answered, turning Hero’s face around with a firm grasp by their chin “Will I want to?” 
And then, with Hero’s heart beating faster, abnormally so, why would it? if they knew Villain so well.
Then, they reciprocated a kiss.
_
Masterlist
I saw some requests for a continuation, and I really liked the first part too so I did it :D
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raineandsky · 3 days
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#111
tw: implied violence
The hero stumbles back, like they can put distance between them and their mistake. They can do that physically, sure, but they know this evening is going to bury itself into their mind in a way they’ll never escape.
“[H– Hero]…”
Another stagger away. They can’t escape this, not really, because they know they have to do the right thing.
“Please…”
The superhero would love this. The hero can practically see the scene—dumping a villain at their feet, defended, defenceless, harmless. The superhero would love it. The hero should want it.
The villain is dying. They know that much. They’re laying on their side, their chest rising and falling in short, desperate breaths. Their brow is knitted slightly, like this is all confusing, like they don’t quite understand. The hero doesn’t understand either.
A choke of a cough leaks from the villain’s mouth, their face creasing like the action is wrong somehow. “It—” A short breath, barely enough. “It hurts…”
“I know,” the hero says without thinking.
They’ve no doubt it does. Blood is painting the villain’s clothes, a crimson halo slowly melding into the concrete underneath them. What has the hero done? What have they come to?
They take another mindless, horrified step back.
“[Hero].” The hero doesn’t like it. Too frail, too close to an inevitable edge. “Please don’t– don’t leave me here.”
They won’t; of course they won’t. They have to take the villain somewhere. A hospital. A jail cell. Somewhere.
The hero steps back towards the villain, towards their mistake, towards the future of their job, their life, everything.
“It’s okay, [Villain].” The hero tries to make their words soothing. They wonder if the villain can hear the fear leaking through their voice. “I’m right here. I’m not going anywhere.”
They card a hand through the villain’s hair for a moment before turning their eyes to the hell they’ve caused—it’s bad. The villain’s not going anywhere painlessly.
The hero carefully pulls them upright, and the villain makes some involuntary, agonised sound that will dig into the hero’s mind with the rest of this evening for years to come.
Their mind is made up. They have to do the right thing.
They whisper one last promise in the villain’s ear, position their hands under their arms, and pull.
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local-alien-51 · 3 days
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"Salvation is the reward."
You can read my Hazbin Hotel fanfiction, Hummingbird: Melody of Atonement here. Thank you for your support!
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deception-united · 3 days
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Before you kill a character...
Consider the following.
Does it advance the plot?
Killing off a character should serve a purpose in propelling the story forward. It could introduce a new conflict, escalate existing tensions, or trigger a series of events that drive the plot in a new direction. If the character's death doesn't contribute to the overall narrative arc, it might feel gratuitous or unnecessary.
Does it fulfil their personal goal?
Each character has their own arcs and objectives within the story. If the character's death aligns with or resolves their personal journey or goal, it can add depth and closure to their character arc. Conversely, if their death feels disconnected from their goals or character development, it may come across as arbitrary or unsatisfying.
Does it emphasise the theme?
The death of a character can highlight or support key themes by demonstrating their consequences or illustrating the moral dilemmas faced by the remaining characters. A well-executed death can deepen the audience's understanding of the story's themes and add layers of complexity to the narrative.
Does it motivate other characters?
Character deaths can serve as catalysts for growth or change in other characters. The loss of a loved one or ally can drive characters to reevaluate their beliefs, make difficult decisions, or embark on new paths. The impact of the death on other characters can reveal their strengths, weaknesses, and relationships, adding depth to the story's interpersonal dynamics.
Does it create realism?
The inclusion of death can lend authenticity to the story world. If the character's death feels earned and plausible within the context of the narrative, it can enhance the story's credibility and emotional resonance. However, if the death feels contrived or forced, it may strain the reader's suspension of disbelief.
Is it a fitting recompense?
In some cases, characters may meet their demise as a consequence of their actions or decisions. If the character's death serves as a form of justice or retribution for their deeds, it can feel narratively satisfying and thematically resonant. However, if the death feels arbitrary or disconnected from the character's arc or the story's events, it may feel unsatisfying or even unjustified.
Don't kill off a character for the sake of shocking the reader or invoking sadness; when considering whether to kill off a character in your story, it's crucial to ensure their demise serves a purpose beyond mere shock value or convenience. Ensure each character serves a purpose that enriches and enhances the story to avoid having to eliminate them solely for convenience. Don't use death as a means to remove an extra or irrelevant character—you shouldn't have them in the first place, if they're disposable. Doing so will undermine the depth and integrity of the narrative.
Hope this was helpful! Happy writing ❤
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keyotosprompts · 10 hours
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not easy to please ⋆⭒˚。⋆
alternatives to popular tropes
⇴ siblings's worst enemy
they're your sibling's enemy, so of course they're yours too. they're despicable and you seriously want them dead. luckily for you, the feeling's mutual.
⇴ struggling ceo and their know-it-all office worker
how did this mf become the ceo of one of the most progressive countries in the world?? they're clueless and you're the one that has to fix all their mistakes. you seriously don't get paid enough for this (unless they can come up with another way to pay you).
⇴ marriage of inconvenience
what happens in vegas stays in vegas. except when you've signed an official marriage contract, and everything is so much more complicated before. now this person is stuck with you until you can divorce! (or will you?)
⇴ forbidden hate
your parents absolutely adore the idea of the two of you together. they have wedding pinterest boards, future plans, and baby names for the two of you. only one thing: you two kinda hate each other, and hell would have to freeze over before you'd ever get with them.
⇴ no more second chances
sorry dude! f'ed up really bad the first time, and now you're not giving anymore chances, and your ex has to deal with the consequences. one problem: they can't deal with the consequences bc they're literally in love with you. hm. just what will this person do to get you back?
⇴ not so secret identity
everyone knows who they are. not even the old mask and hat trick could prevent people from identifying them. and it's fine–they absolutely bask in the fame. one problem though: they're a constant target to the entire world. perfect!
⇴ separated from each other
they never get any alone time. alone together in an elevator? too bad, a party of ten just showed up, pushing the two of you on the opposite side of the elevator. finally alone at home? nope! unfortunately, your friends make a surprise visit! oh how will you two ever get past this?
⇴ "you deserved it."
a normal person would've asked "who did this to you?" except your bond is not normal. not in the slightest. i mean seriously, what does this person want from you?
⇴ "i can't have you, so i'll let someone else take my place."
they know that they're not good enough for you, and that you deserve someone better than them. so, they choose to let you go, and hope that someone else can make your world light up like they used to
⇴ the one that is still here
everywhere you go, this person is there. whether it's physically, mentally, or spiritually, everything ties back to them. everything reminds you of them. you couldn't even escape if you tried.
⇴ playboy but he's actually a nerd that cannot get play
he's gorgeous–he's the most attractive man you think you've ever seen in your life. you think he's probably got it all–girls or boys coming up to him nonstop. only, that's not true in the slightest. somehow, he's managed to fumble every single time.
⇴ nobody wants the bad boy
he's troubled. there are rumors of him starting fights 24/7, and he lives in a bad area. he could really fuck someone up. nobody wants him.
⇴ "you must be delusional"
lovers that know that they're in love with each other, but when admitting it to their friends, they shut down their feelings.
⇴ loving someone to save them
none of that breaking up nonsense. love is power. their love and support causes you to be stronger than ever. knowing that there's love out there gives you a reason to keep on going. love saves you.
⇴ too smart to live
you've outdone yourself this time. bypassed every guard, rule, and law without anyone catching you. so, of course, there's only one solution here: to eliminate you.
⇴ different worlds (revised)
you grew up poor while they grew up rich. now, in the present, you are the more successful one, while they are struggling to get their life together. now, you must help the one who used to be in your current position, and fix things together.
⇴ one-sided blind date
rule one of having a blind date: you should not know who you're meeting. well, too late! you sneaked a peek at your friend's phone and found out who you'll be seeing soon. now, you're scrambling to get out of this date because you know exactly who it is.
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imastoryteller · 2 days
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Creating a main character with depth requires a careful selection of traits
Avoid the temptation to overload them with a plethora of flaws, wounds, and virtues. Instead, focus on developing one dominant positive trait, one glaring flaw, and one profound pain. This approach allows you to delve deeply into each aspect, creating a character who is not only realistic but also compelling. By embodying these three elements to the fullest, your protagonist will be more than just a collection of traits—they will be a multifaceted individual with a clear, meaningful story arc. Embrace this approach, and your hero will stand out as truly unique in the literary landscape.
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unboundprompts · 3 days
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Random Prompt #142
"I should text him."
"You absolutely, under no circumstances, should text him."
"I'm gonna text him."
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