gortash insists that he and the dark urge are the only two people in the world who matter-- his will is above all others, and the dark urge is his only equal.
and i think an interesting thing to consider, given the choices you can make in the game, particularly on the resisting path, is a dark urge who learns to value other people because gortash valued them, but that value doesn't stop at gortash. maybe it's true for a while that gortash is the only person in the world who can understand the dark urge, but he planted the seed of personhood (in the face of a cult who wanted a weapon, and a society that doesn't want a bhaalspawn) in the dark urge, and when they awake on the nautiloid, it's that seed that remains and allows them to truly connect with their companions. people who they otherwise would have seen as bodies on the alter of their father.
gortash is frozen in time, stuck in a world where there are only two people, after he gave the dark urge the key to a much broader and brighter world. and for a while, he lives in a world where that only other person was snatched away, until they come back, and now they want things gortash implanted in them that he will probably never understand.
gortash never experienced even a sliver of the temptation off the path of alienation that the dark urge is implied to have been offered in some of their flashbacks, and there's something so desolate about the idea of a person who gave someone exactly what they needed until that person's needs outgrew him, because he cannot change in the manner that they were able to.
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I think we should be allowed to burn corporations to the ground
even aside from all the current residuals&streaming availability fuckery, I was looking at 978-0786847655 one of the Disney Fairies books with some lovely illustrations and the artists listed are
The Disney Storybook Artists
That’s nothing. That’s less than nothing. I want names and proper credits. SO many books are published by the mouse with only this catch all name listed for worlds of work. What if I want to track down the artists and support their individual work? Do you keep them in a cave and not let them see the sun? Or do you just not believe in proper crediting.
‘oh but there was probably a contract and they were surely paid’ yeah and ???? paid how much what about residuals are the artists even allowed to put these books on their work history since without their name credited anywhere. The contract or job listing or internship clause or whatever tactic disney uses to get away with this is scummy while sure this type of thing should be low on the list of priorities on how to de-shitify the world, it should be on the list.
yes some of the artists who have worked on the franchise are listed on the artofdisneyfairies tumblr, but that’s a fan account and it’s incomplete. A book should have full proper credits in it
The corporation may own the art but they didn’t make it and they shouldn’t hide who did the work as neither artists nor ‘consumers’ benefit from that.
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Jawbone asking Riz about his deal and saying he's the only Bad Kid he hasn't really had a heart to heart with implies that at some point he's had an honest conversation with both Gorgug and Fabian about their feelings, OR Fabian and Gorgug are so easy to read that he can just clock their various mental issues with a glance and I'm not sure which concept I like more
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My last post made me want to spin the ballet au to suit the general cast, keeping Es as the protagonist 🩰
I don't have art for this one but I still got a bit carried away with the details LOL This definitely leans more into a sweet fix-it :3
The story would open with Es waking up in the medical room of Milgram Dance Academy, a very small and isolated school. Es is told they suffered a bad head injury during a performance, resulting in amnesia. Their instructor (Jackalope. Make this work however you wish.) tells them not to worry about it, and to focus on their dancing for now. Es feels a pressing responsibility to stay and rehearse, so they agree.
Jackalope tells them they must understudy several roles while recovering, not ready to jump into things right away. They're grateful, since they're struggling with their identity and expression without their memories.
The first student they are directed to is a shy and lanky dancer by the name of Haruka. They study under him as the role of a graceful, melancholic swan. They watch the choreography in general, and it looks nice enough. Es proceeds to spend several rehearsals with him, talking and bonding and learning he has a bit more going on than meets the eye. They try to offer help as he admits to familial issues, self esteem questions, and comments about sibling jealousy. In turn, he teaches Es to mimic some of his powerful emotions. At the end of their time together, they both perform for their class in full costume and staging. Now, Es understands each move with a deeper understanding than their initial look at the steps.
Next, they’re sent to meet the bubbly girl playing Juliet and begin the process anew. This continues to make a total of ten roles. Some of the dancers take the sessions kindly, while others are brash, secretive, or just confusing.
After rehearsing with Kotoko and learning to understand her determination and confidence, Es is sent back to Haruka, who has moved onto a new show and new role. They’re shocked to discover that their words to each dancer – always well-intentioned – had caused some issues backstage. Now, there are rivalries and changes in stage presence. While experiencing stress (that Es has inadvertently caused,) some were distracted in rehearsal and got injured. Es must take on the interpersonal issues as well as the choreography challenges.
I don’t have all the roles down and was trying to stick to well-known shows anyway, but I think I’d want Muu to be the Sugar Plum Fairy, Kazui to be Albrecht from Giselle, and Amane to be Clara. I wanted to keep them traditionally gendered to prove there are plenty of roles for men, but I can’t help but have Odette/Odile thoughts for T1 Mikoto ;-;
Like the other post, I'm equally tempted to have the dancers performing ballet adaptations of the mvs 👀 I want to see. Bee tutu. Doctor coat costume. Marching band tutu. AKAA mismatched look. The backgrounds. The music. The choreo. So many cool possibilities...
As a sweet au, it all ends with everyone better for having met one another. Es is cast in a solo performance, combining everything they've learned both emotionally and technically from the others. They feel satisfied with their sense of identity, and shine onstage ✨️✨️✨️
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Hey do you wanna dance to Loser Baby??
(I love you please please please)
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i feel like people wouldn’t have been so shitty in regards to violet if the game was more transparent about the issues within violet and minerva’s relationship before she was taken.
like i’m pretty sure the game developers did mention how vi wasn’t really getting the treatment she should’ve been (??) in the relationship, and you do see it in certain scenes, but those scenes are mostly in the romance violet route, so people who already decided to hate her and only play the louis route didn’t get to see them.
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