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#1970 films
cressida-jayoungr · 5 months
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One Dress a Day Challenge
Anything Goes December
Darling Lili / Julie Andrews as Lili Smith/Schmidt
This dress evokes the right lines for World War I, when the movie takes place. I doubt the material is period-appropriate, but I'm open to being corrected if someone knows more about it than I do. At least it appears to be a housedress, almost a glorified robe--Lili wears it when at home with a cold, and she wears a different costume later when she goes out. So I guess the chenille-like texture is possible, but it still seems unlikely. I do like the contrast between the soft gold and the satiny black trim, however.
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rookie-critic · 6 months
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Rookie-Critic's Halloween Horror-thon: Part 2 - #6-10
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#6: Doctor Sleep: The Director's Cut (2019, dir. Mike Flanagan)
I have, of course, seen Doctor Sleep before, but I am not labeling this as a re-watch because the Director's Cut of this film, while not really that different from a plotting/through line perspective, is a wholly unique experience to the theatrical version of the film from a character perspective. This version of the movie gives you much more context around the its antagonists, The True Knot, and it's secondary protagonist, Abra Stone, that those major story beats existing in both versions hit with much more impact in the director's cut. It bumped this particular work of Flanagan's up in my ranking of his stuff all the way to third behind Hill House and, now, Usher.
Score: 9/10
Not currently available on streaming.
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#7: Gemini (1999, dir. Shinya Tsukamoto)
This one surprised me by not being the kind of film I was anticipating it to be (this happened a handful of times this month). Gemini is the story of three characters plagued by their circumstances/upbringings, and a look at classism and people's desire to give and receive love, shot and told in a frenetic, gonzo style that only Japanese cult-director Shinya Tsukamoto can make work. Tear down the walls of your expectations for this one, it's a great watch.
Score: 8/10
Not currently available on streaming.
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#8: Nightmare Detective 2 (2008, dir. Shinya Tsukamoto)
The sequel to Tsukamoto's lukewarmly received 2006 film Nightmare Detective (which you will see further down on this list), this one makes the original look like a litmus test for the concept. A much more restrained and patient film compared to just about all of Tsukamoto's prior efforts, Nightmare Detective 2 sits in the corner, quietly analyzing its core cast in a story about misfits and generational trauma. Really, a lot of the themes and ideas presented here would be honed in on and presented again, albeit from a different viewpoint, in Kotoko. This one really feels like a turning point for Tsukamoto in terms of tone and approach. Not to say that his earlier, more frantic films aren't sometimes just as good, it's just the mark of a talent that's willing to evolve.
Score: 8/10
Not currently available on streaming (this film has actually never seen any kind of official release in the States at all, so unless you're willing to do a little swashbuckling, this one's out of your reach).
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#9: The Bird with the Crystal Plumage (1970, dir. Dario Argento)
Horror icon Dario Argento's (Suspiria, Deep Red) debut feature is an unrivaled "whodunit" mystery thriller with that hallmark giallo flair that Argento would become known for. There isn't a whole lot to say about this one other than this was one of the most singularly entertaining of my October viewings, and that I highly recommend it for just about anyone.
Score: 8/10
Currently streaming on Amazon Prime Video.
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#10: Noroi: The Curse (2005, dir. Koji Shiraishi)
This is the best Japanese found footage horror has to offer. Noroi is told in a documentary style, acting as the discovered footage of the final film made by a supernatural investigator that has disappeared without a trace. This was my final watch of the Horror-thon and I couldn't think of a better way to send off the spooky month, because this was one of, if not the scariest watch of the entire month. It had me wanting to turn the lights on and sleep with one eye open, and certain images from the film's final moments will be burned into my retinas until I die. If I had any complaints, it's that I honestly could have used even more, although I guess an argument could be made that that's actually one of the film's good qualities.
Score: 8/10
Currently streaming on AMC+/Shudder.
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his-strange-eyes · 1 year
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Anyone know how to watch “Keep off My Grass”?!?!
Hey everyone. I’m desperately trying to find out how to watch the 1972 comedy film Keep off My Grass. Does anyone know where/how I can watch it?!?!?
I’m desperate.
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vinyl-connection · 1 year
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M*A*S*H UP
The album cover of M*A*S*H Original Soundtrack Recording proudly announces, “One of America’s funniest bloody films—also one of its bloodiest funny films” (Time magazine). Nowadays Robert Altman’s 1970 black comedy is perhaps most famous for being the inspiration for one of television’s finest and most beloved series, yet the film itself was well received at the time, its style becoming an Altman…
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adamwatchesmovies · 1 year
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Scrooge (1970)
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Charles Dickens’ A Christmas Carol has been adapted so many times you need to do more than end it with a line other than “God Bless us, everyone” to stand out. So how about a musical version of the classic story? Sounds like an odd fit but the terrific soundtrack and impressive dance numbers make 1970's Scrooge a new favourite.
Ebenezer Scrooge (Albert Finney) is a bitter miser who considers the ideals and spirit of Christmas pure humbug. He hesitates to give his underpaid assistant Bob Cratchit (David Collings) the day off and scoffs at his nephew Harry (Michael Medwin) when he suggests a holiday dinner. One cold Christmas Eve, the ghost of Scrooge's partner Jacob Marley (Alec Guinness) appears to him with a warning: "Tonight, you will be visited by three spirits. Heed their counsel and change your ways or risk an eternity of suffering."
I know you’re still incredulous at the idea of an all-singing, all-dancing Ebenezer Scrooge. Trust me, it works. It’s not like this was a story grounded in realism from the get-go with the multiple spirits and all. Plus, Christmas has a wide cannon of songs attached to it - so does the nearby New Year’s celebration - so is it really a stretch? These choices give Scrooge a way to stand out. If you’re a fan of musicals, it gives you one more to add to your lineup. How about a whole day of White Christmas, Jingle Jangle: A Christmas Story, The Nightmare Before Christmas, Meet Me in St. Louis, Holiday Inn (if you consider those last two Christmas movies) and you conclude it with Scrooge?
This is the best kind of musical. Every song adds to the story and tells you more about the characters. Some are so catchy you’ll want to rewind the film just to hear them again. I’d single out December the 25th and Thank You Very Much (for which the film received an Academy Award nomination) as the best. That later one blew my socks off. It’s a big parade march that comes up during the “Spirit of Christmas Future” segment and at first, I thought its cheery tone was ill-suited for the darkest point of the story but that’s the point. It’s so cheery it drives home how people feel about Ebenezer Scrooge just as well as a couple of old ladies cackling over his stolen possessions could. Then, the film adds a new scene, a delightfully ironic final fate that drives the lesson home even better than the song did. What’s next? a delightful reprise where the previous songs are now given a completely different meaning thanks to the transformation that’s taken place. My favourite part of musicals (and hear me out on this one) often turns out to be the end credits because that’s when we get a second chance to hear the best songs as the film ushers us out. This conclusion is that second chance but even better because it also adds to the plot.
The great thing about Scrooge is that you get all of these songs and the story you love too. The film hits all of the emotional beats, contains all the characters, events and plot points too. Albert Finney’s scratchy old man voice is a bit off-putting but it fooled me. I wasn't sure if he was an actor in makeup or a marvelously spry senior. It’s a great performance and within a few minutes, you’ll have set you incredulity aside.
Certain musicals contain nothing but hits. Others have a few good tunes and the rest among mostly forgettable numbers. I’m not 100% sure where the soundtrack to Scrooge lands. I’ll say this; any song becomes memorable if you hear it enough times and Scrooge is the kind of movie you will come back to. Just as fans of Home Alone occasionally swap it for the sequel, I predict you will eventually feel like taking a break from the George C. Scott and Alastair Sim versions of A Christmas Carol and reach for Scrooge instead. You might even include two or all three when the holiday season comes around, as this British musical is perfect as a movie you put in the background while decorating or wrapping gifts. The more I think about it, the more I like Scrooge. (December 26, 2020)
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20th-century-man · 24 days
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Ellen Burstyn / Joseph Strick's Tropic of Cancer (1970)
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nickdewolfarchive · 26 days
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new york city 1978
greenwich village
photograph by nick dewolf https://www.flickr.com/photos/dboo/50587667147
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Amore libero - Free Love (1974)
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2001hz · 1 year
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Shelley Duvall (1970)
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cressida-jayoungr · 6 months
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One Dress a Day Challenge
October: Black Redux
Darling Lili / Julie Andrews as Lili Smith/Schmidt
This is the costume Lili wears for her opening performance of "Whistling Away the Dark." The black dress is meant to blend with the backdrop, and the song opens with a tight spotlight on just her head and shoulders, making it look as if her head and the sparkly collar are floating in midair. Later, the spotlight pulls back to include the rest of her gown, picking out the silver designs around the cuffs and skirt as well. It's pretty magical, and the song is beautiful too.
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inthedarktrees · 10 months
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Sissy Spacek | Carrie
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luckywildgirl · 2 months
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Les Novices (1970)
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velvet4510 · 27 days
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Note: this list references the 1961 version of West Side Story and the 1954 version of A Star Is Born.
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sarwah · 1 year
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Willie Dyamite (1973)
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20th-century-man · 2 years
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Sigourney Weaver / production still from Ridley Scott’s Alien (1979)
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jacquesdemys · 11 months
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Elle - March 25, 1974. Anny Duperey photographed by Peter Knapp, costumes designed by Yves Saint Laurent for the film Stavisky (1974, dir. Alain Resnais)
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