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#30s cinema
jeanharlowshair · 5 months
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Photoplay Magazine, February 1936.
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silentagecinema · 4 months
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modern times (1936) directed by charlie chaplin
"well, you're a free man."
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witchesonatree · 1 year
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old hollywood movie posters really hit different
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bimbomoviebash · 4 months
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42nd Street, 1933
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gingerbaci · 1 year
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Carole Lombard, 1930s - via x
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twoheadedfilmfan · 8 months
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Groucho Marx and the premiere event for Max and Dave Fleischer’s Gulliver’s Travels (1939)
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kekwcomics · 1 year
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THE FIGHTING DEVIL DOGS (Republic, 1938)
Is this where George Lucas got his inspiration for Darth Vader -- from its villain, The Lightning?
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unefemmemapparut · 2 years
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What do you see in my eyes?
Death.
Dracula’s Daughter (1936)
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disorqer · 1 year
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Vihtori ja Klaara (1939)
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tinuvielsblog · 2 years
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The Thin Man (1934) promotional pictures || dir. W. S. Van Dyke || starring William Powell and Myrna Loy
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jeanharlowshair · 7 months
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Movie Classic Magazine, February 1936.
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silentagecinema · 3 months
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queen christina (1933) directed by rouben mamoulian
"Spoils. Glory. Flags and trumpets. What is behind these high sounding words ? Death and destruction. Triumphals of crippled men. Sweden victorious in a ravaged Europe. An island in a dead sea. I tell you, I want no more of it! I want for my people, security and happiness. I want to cultivate the arts of peace. The arts of life! I want peace and peace I will have!"
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witchesonatree · 1 year
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bogie. 🩶
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mimsyfarmerfanclub · 2 years
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Bette Davis in Ex-Lady (1933)
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gingerbaci · 2 years
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Sylvia Sidney - via x
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firelise · 20 days
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Alfre Woodard on Crooklyn (1994) for R29:
“To my knowledge, we hadn’t seen a Black family that was just presented as we are in life, as human beings,” Woodard said. “I get told in Belgium by white Belgians ‘I love Crooklyn, it reminds me of growing up.’ Which is what happens when you tell a story from a specific point of view, you don’t have to mention race. You didn’t get up this morning like ‘I’m a black woman that wants a cup of coffee.’ You just want a cup of coffee. It was us as we are. Just us being fabulous, complex, funny, delightful, and making ends meet. And seeing, even within that story, that we’re not monolithic...The specificity is what makes it universal. Diversity is not the point; showing reality is the point.”
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