Melhores amigos (2/2) — São as duas pessoas mais próximas de Tyran, sejam elus amigos de anos ou que se aproximaram bem mais quando ele retornou para o acampamento. Joseph Williams e muse B são quase sempre vistos na companhia do semideus, seja quando ele esta trabalhando ou quando está no seu tempo de lazer. @joswph & @
Ex-amigos (2/2) — Andreas Adlersfeld e Tyran discutiram anos atrás quando ele resolveu largar tudo por amar uma mortal que ele mal conhecia, aconselhando que ele pensasse um pouco antes de fazer uma mudança tão drástica, algo que o semideus não deu ouvidos e acabaram parando de se falar desde então. Com Asteria Castell , ele só acabou perdendo o contato quando saiu do acampamento e quando ele voltou com um filho pequeno, só parecia estranho demais pra reatar uma amizade depois de tanto tempo. @callofvalhalla + @vsteriv
Protegido(a) (1/1) — Considerando seu instinto super protetor que acabou ficando ainda mais aflorado depois que virou pai, ele pegou Kim Haneul como seu protegido(a), prometendo que cuidaria e auxiliaria com tudo que lhe fosse possível. Seja fornecendo uma boa arma/escudo, dando lições de combate ou simplesmente dando conselhos. (Preferencialmente para chars mais novos que ele.) @haneul-ko
Má influência (0/1) — Muse E é a pessoa que sempre tenta lhe despertar o pior, por achar ele muito sério e travado sempre tenta o tirar da linha e o fazer relaxar mais, deixar de ser tão paranoico. As vezes ele considera ouvir as palavras de muse E, isso até o juízo se fazer presente de novo.
Parceiros de treino (2/3) — Ainda que não saia mais em missões, a menos que seja de extrema necessidade, Tyran ainda possui grande apreço pela batalha sendo filho de Morrigan e gostar de treinar, sempre se mantendo preparado para qualquer coisa. Calllum Killoran, Asil Hurşyt Burakgazi e muse I costumam ser seus parceiros para treino de combate mais frequentes. @chaoticvipcr + @asilafada
Cliente N°1 (0/1) — Muse I lhe pediu uma arma uma vez e desde então está sempre pedindo para concertos ou melhorias, dizendo que virou fã do seu trabalho. Ainda que o filho de Morrigan tenha quase certeza de que é apenas por conta da benção que ele recebeu de Hefesto para fazer armas especiais.
Não tão amigáveis assim:
Inimizade (1/1) — Guinevere Grant e Tyran simplesmente não conseguem se entender, talvez não exista um motivo exato, mas ter ambos no mesmo local é receita para o desastre. Ainda que Tyran costume dizer que é simplesmente obra do destino. @evesfeast
Você me lembra de alguém (1/1) — Para a total infelicidade do Doherty, Suzanna Garcia é extremamente semelhante a sua esposa, Ashley, seja em aparência ou em personalidade. O que deixa ele sempre em alerta e esperando sempre o pior de Suzanna Garcia, que provavelmente nem faz ideia do por que do Doherty a detestar tanto. (F) @shuzannag
Meu filho disse que não! (0/1) — É engraçado que a palavra de alguém tão pequeno tenha tanta influencia, mas desde que seu filho disse que muse M é detestável e não digno de confiança, Tyran não pode deixar de desgostar da presença de muse. Mesmo que talvez seja tudo um mal entendido e muse M seja uma ótima pessoa.
Românticas:
Ex-namoradas (1/2) — Katriona Winter Delhom foi um de seus primeiros relacionamentos sérios(ele não teve muitos), isso quando ele tinha seus 23 anos, tudo era lindo e maravilhoso até que caiu por terra. Motivos a serem discutidos. Já com muse O, foi um relacionamento que ele até tentou depois que voltou para o acampamento uns anos atrás, mas simplesmente não foi pra frente, ainda mais com Cailleach aparecendo pra ele em situações inoportunas, o que levou o relacionamento ao fim. (F) @rebcrnwitch
Crush (0/1) — Muse P tem um crush que pode até não ser tão secreto assim, mas com a lerdeza de Tyran, ele simplesmente não faz ideia. Apenas acha que muse P é super educado(a) e gentil com ele, nada fora do padrão.
Escolhida das crianças (1/1) — Declan pode amar muito o pai, mas ainda sendo falta da mãe e Saiorse apesar de ainda bem pequena também se sente da mesma forma. Ambos os irmãos pareceram entrar em um consenso depois de passar algum tempo com Luisa Helena de Bragança, eles acham que seria perfeita pra ser a nova mãe deles, coisa que falam abertamente sem se importar de envergonhar Tyran ou Luisa Helena de Bragança.(F) @luisahelena
For Augustus Muller of Massachusetts-via-Georgia electropop duo Boy Harsher, feeling the pressure gets results. Not for the duo's studio albums, mind you, but for the impressive number of film scores that he and Boy Harsher have been releasing the past few years. "Soundtracks are cool because you have 2-3 weeks to write them. You have to be prolific in that amount of time," he told me over the phone last month. "A record is going to take a couple years to finish, for the same amount of music...you don't have a lot of time to make a mistake." Looking at Muller's history as a creative, from his early days to his recently released scores for Cellulosed Bodies and My Animal, his spontaneous mindset has paid off.
Before he made music, Muller was an aspiring filmmaker, creating short films as a teenager, and attending film school. As he started making music for his own films, he realized her liked that part, too, and his career shifted. Of course, his project with film school classmate, vocalist Jae Matthews, took off, starting as Teen Dreamz and eventually becoming Boy Harsher, as the combination of her spoken word and his beats became more dance-oriented. Films were on the backburner, and it wasn't until 2020, when he teamed up with progressive adult film producer collective Four Chambers, headed by experimental pornographer Vex Ashley, that Muller released his score debut. Machine Learning Experiments (Original Score), comprised of distinct scores to two films (Orgone Theory, tracks 1-5, and Hydra, tracks 6-10), was released via the band's imprint Nude Club Records. In combination with the film's subject matter and Boy Harsher's usual minimal synth wave, the music fittingly sounded like a sort of dystopian cousin to the works the late Patrick Cowley made for John Coletti in the 80's. And early last year, the band released The Runner, which started as a piece of music but sounded to them so suited for the screen that they simply directed an accompanying short horror film.
Now, Muller has given us two more scores. Cellulosed Bodies is another collaboration with Ashley, structured similarly to Machine Learning Experiments in that it features two scores for two films, Crash and Automaton. What makes Cellulosed Bodies a standout in Muller's oeuvre is that the two scores that make it up simultaneously provide a cohesive whole and exercises in textural contrast. Both films deal with the relationships between bodies and machines, the former an homage to David Cronenberg's erotic body horror film of the same name, the latter exploring pandemic-influenced digital isolation and dependency. Crash uses all analog instrumentation, sounding appropriately tactile on the pulsating synthesizers of "Fur And Metal" the crispy, synaptic drum machines of "Perverse Technology", and the booming bass of "Shattered Glass". Automaton, on the other hand, doesn't abide by as many patterns, using more FM synths for its droning vignettes and metallic harmonics, notably oblique strings and organ synthesis on "Observation" and "Who Is In Control" and vocal samples on "Subdue Yourself". But whether taking a more traditional or contemporary approach, Muller exudes the same visceral quality from his compositions.
On Friday, Muller released his score for Jacqueline Castel's My Animal, which, like Crash, uses mostly hardware but has the same abstractly filmic quality as The Runner. If you didn't know it was a film score, you'd think it was just a standalone piece of instrumental 80s synthwave, as effective in the club as it is soundtracking horror romance. "Sanctuary" borders on stadium rock, layered with drum fills and arpeggios, while the combination of wincing synthesizer and shuffling beats propels tracks like "Transformation #1", "The Slots", "Outside the Rock", and "Something's Building". More simply, many of the record's tracks are heavy on vibes, with the music evoking exactly what the titles suggest: "A Soft Howl", or "Winter Drone". At this point, Muller and Boy Harsher have amassed a solid following for their studio albums, but all signs point to Muller--still an aspiring filmmaker, after all--becoming an in-demand name for helping filmmakers bring their corporeal visions to life.
Below, read my conversation with Muller, edited for length and clarity.
Photo by Jimmy Fontaine
Since I Left You: Describe the process of working on Cellulosed Bodies with Vex Ashley. Was the music made in tandem with the visuals or in response to them?
Augustus Muller: She'd send me a rough cut of what she was working on, and I'd write something to that. It was pretty loose. She cut around stuff. I would send something back, she'd send me notes, and edit around what I'd written. Then she'd send another cut, and we'd work on transitions and put finishing touches on it.
SILY: What's unique about this soundtrack as compared to others you've done?
AM: Compared to writing a feature film, there's a lot more space for music. Crash has no dialogue at all. With porn, the music can lead. I felt like I had full freedom with that. I could write a full track. With other scores, for narrative, you have to hide it under dialogue, so it's a different sound palette.
SILY: Are you often given the whole film without the score, and then you work around it?
AM: Yeah. For Crash and Automaton, there wasn't even temp music. I started from scratch.
SILY: Why did you decide to release "Fur And Metal" and "Stretching / Invading" as the first tastes of Cellulosed Bodies?
AM: For this project, it's been difficult to explain to our fans and the world what it is. It's my solo music, but not an album, but an original score to porn films. People are blasting through social media, not really reading through the fine print. "Fur And Metal" was one of my favorite tracks from Crash, and I thought it was important to share something from Automaton, which is what "Stretching / Invading" is from. It's more of an ambient, droney track. It's good to show the range the album has.
SILY: It emphasizes the distinct textures and qualities of the scores, too. You used strings and organs on the latter.
AM: Yeah. It's two pretty different sounding scores. Similar subject matter--a techno dystopian future--but Crash was all analog gear and vintage hardware. It has that older sound. Automaton is a lot of FM synths to get these new sounds.
SILY: The final track, "Subdue Yourself", has vocal samples [from dominatrix Miss Marilyn]. Why did you choose to introduce voice at the very end?
AM: That track is not in the film. It's something I wrote and ultimately didn't use, but it's a song I really liked. I love Miss Marilyn's monologues, so I thought it was a cool thing to include in the soundtrack. Giving it context, like when original scores and soundtracks have clips from the movie in it.
SILY: Do you think this score holds up separately as its own piece of art? Can it be consumed and appreciated separately from the film?
AM: I think it really varies soundtrack to soundtrack. This one can definitely stand by itself. I'm really proud of the tracks. I think it's listenable. I was just listening to Vangelis' Blade Runner [soundtrack]. I had never actually listened to the LP before even though I've seen the movie a million times. There are a lot of instrumental tracks that must be so low in the mix in the film that when listening to the LP, it felt like I'd never heard them before. They're banging tracks!
SILY: Crash is a direct homage to Cronenberg's film of the same name. Have you ever called out an influence that directly in your music before, whether with Boy Harsher or your solo work?
AM: On tour, we're playing a "Wicked Game" cover. [laughs] But in terms of the Crash score, I watched [Cronenberg's film] and wanted to get Howard Shore's soundtrack channeled through me. I then realized, "I can't do this. Howard Shore's a genius. This is not my style." I just started playing some driving bass and went a totally new direction.
SILY: When I listened to your score for My Animal, I thought it was pretty banging itself. There are a lot of catchy tracks on there, like "Sanctuary" and "The Slots". These could be singles.
AM: I was writing with a lot of temp music. [Jacqueline Castel] was putting Boy Harsher songs in it as temp music. So I was channeling drum-driven material.
SILY: Do you think Boy Harsher songs work well within a film context?
AM: I think so. We've had some stuff licensed for films and TV shows. When I'm writing something, I know it's good when it feels visual, when it's evoking some imagery or takes me some place.
SILY: I feel like certain general aesthetics seem to fit films very well. What are some of your favorite film soundtracks or creative influences when making a soundtrack?
AM: Recently, that Jonathan Glazer movie Birth. Alexandre Desplat does that really tight chamber music. I like it because it's the opposite of what the scene is showing. It really changes the mood. That was really inspiring for me, to show what music can do for a film, to take a scene and transport it into a totally different vibe.
Abraham Marder and Nicolas Becker's [work on Sound of Metal]. I have to shout out Tangerine Dream's Sorcerer. That's such a powerful tool in the film. It really elevates all the emotions, but it's also an album I can listen to on its own.
SILY: Have you ever thought about curating a film's soundtrack, picking songs from other artists?
AM: Like Trent Reznor for Lost Highway? Yeah, I think I could do that.
SILY: It seems like you have that ear as a film and music fan.
AM: I just love putting music to visuals. That's how I got into music, making shitty short films as an 18-year-old. I was like, "Wow! This film got so much better with this music behind it." That's why I kept making music before making it on its own.
SILY: Are you going to make films again?
AM: I want to so bad. But it's such a privilege, and you need so much money. It's something I've been working towards for a while. I just need to find that opportunity for someone to trust me for a big chunk of change.
SILY: You could make the film and the music.
AM: That's what I dream about every day. Make the film, edit it, write the score.
SILY: Anything you've been listening to, watching, or reading that's caught your attention?
AM: I just saw Bottoms. It's really funny. A feel-good movie. I've been watching a lot of [Rainer Werner Fassbinder]. Somebody gave me a book on him, and I realized I hadn't watched a lot of his films. I watched Querelle, which was definitely a vibe. The Marriage of Maria Braun was really cool. I love genre films that are an allegory for something else. It's been fun digging into his movies.
Good morning, everyone! I hope you’re all doing well on this fine November day! :) Sorry again for the brief hiatus between these posts, life gets a bit crazy and my work doesn’t really have a set schedule so I just have to work whenever sometimes, haha. I’ve been really enjoying this time of year, although our weather has been a bit up and down. How have you all been?? I hope things are going well for you all and that you’re still managing to stay safe and healthy. :)
There are a ton of awesome books on sale today, so be sure to have a look if, once again, you are in need of something new to read. :) There’s a bunch of SFF in particular on sale today, so if that’s your cup of tea then it’s a great day for you! There’s also some contemporary, historical fiction, nonfiction, etc., so hopefully a tiny bit of something for all. Also, that Tade Thompson (who is awesome!) book just came out in October, so it’s crazy it’s included on sale!
I hope you all have an amazing day, and happy reading! :)
Today’s Deals:
Leviathan Wakes by James A. Corey - https://amzn.to/30ExNbg
Children of Time by Adrian Tchaikovsky - https://amzn.to/30yJlNm
Revelation Space by Alastair Reynolds - https://amzn.to/3oAXlOt
Ancillary Justice by Ann Leckie - https://amzn.to/3CoFuPP
The Ladies of the Secret Circus by Constance Sayers - https://amzn.to/30wtgqU
Velocity Weapon by Megan E. O'Keefe - https://amzn.to/3FpfaXU
Far From the Light of Heaven by Tade Thompson - https://amzn.to/3ckMzq5
The Doors of Eden by Adrian Tchaikovsky - https://amzn.to/3Fl66TQ
First Love, Take Two by Sajni Patel - https://amzn.to/3wTb9b9
A Boy and His Dog at the End of the World by C.A. Fletcher - https://amzn.to/3ChmUZL
Feral Creatures by Kira Jane Buxton - https://amzn.to/3nh4GDv
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Notes from the Burning Age by Claire North - https://amzn.to/3nkwJSA
The Silken Rose by Carol McGrath - https://amzn.to/3wPuABD
Tyrant's Throne by Sebastien de Castell - https://amzn.to/3kHyV4T
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The Effort by Claire Holroyde - https://amzn.to/3DmvCap
The Fire Within by Chris d'Lacey - https://amzn.to/3Cj1xax
Fusion: How Integrating Brand and Culture Powers the World's Greatest Companies by Denise LeeYohn - https://amzn.to/3l2s4mX
The Boy Who Steals Houses by C.G. Drews - https://amzn.to/3osygFm
Amira & Hamza: The Way to Save the Worlds by Samira Ahmed - https://amzn.to/3l2skSX
Geek Love by Katherine Dunn - https://amzn.to/3Huxb8G
Half a King by Joe Abercrombie - https://amzn.to/3cfIeob
Thomas Cromwell by Tracy Borman - https://amzn.to/3kIgsoF
The Electric Kingdom by David Arnold - https://amzn.to/3CgJJNr
Bookish and the Beast by Ashley Poston - https://amzn.to/3nkLmVZ
NOTE: I am categorizing these book deals posts under the tag #bookdeals, so if you don’t want to see them then just block that tag and you should be good. I am an Amazon affiliate and will receive a small (but very much needed!) commission on any purchase made through these links.
We All Think We’re Bad With Names, The Genius of Hobo Code, and How Attractive Do You Think You Are Learn about why everyone claims they’re awful at remembering names; how “hobo code” helped itinerant workers communicate in the 1900s; and whether you probably see yourself as more attractive than you really are. We all think our memories are above average, except for remembering names by Steffi Drucker Finally, One Area Where We Don’t Think We’re Better Than Others: Remembering Names. (2020, August 5). Research Digest; Research Digest. https://ift.tt/2XuYOJA Hargis, M. B., Whatley, M. C., & Castel, A. D. (2020). Remembering proper names as a potential exception to the better-than-average effect in younger and older adults. Psychology and Aging, 35(4), 497–507. https://ift.tt/2Fobzzq If You Rode the Rails in the 1930s, Hobo Code is How You'd Know Where to Go by Reuben Westmaas Delana. (2010, June 3). Hoboglyphs: Secret Transient Symbols & Modern Nomad Codes. WebUrbanist. https://ift.tt/2F0JcSj Britt Hobo Days. (2020). Britt-Hobo-Days. https://ift.tt/2EFI87a Does your brain perceive you as five times more attractive? by Ashley Hamer (Listener question from T.J.) Epley, N., & Whitchurch, E. (2008). Mirror, Mirror on the Wall: Enhancement in Self-Recognition. Personality and Social Psychology Bulletin, 34(9), 1159–1170. https://ift.tt/2RfeBbZ Gordon, P. C., & Holyoak, K. J. (1983). Implicit learning and generalization of the "mere exposure" effect. Journal of Personality and Social Psychology, 45(3), 492–500. https://ift.tt/3bRj2Dd Swami, V., Inamdar, S., Stieger, S., Nader, I. W., Pietschnig, J., Tran, U. S., & Voracek, M. (2012). A dark side of positive illusions? Associations between the love-is-blind bias and the experience of jealousy. Personality and Individual Differences, 53(6), 796–800. https://ift.tt/2FjwHXV Neyret, S., Bellido Rivas, A. I., Navarro, X., & Slater, M. (2020). Which Body Would You Like to Have? The Impact of Embodied Perspective on Body Perception and Body Evaluation in Immersive Virtual Reality. Frontiers in Robotics and AI, 7. https://ift.tt/33fXZ9H Subscribe to Curiosity Daily to learn something new every day with Cody Gough and Ashley Hamer. You can also listen to our podcast as part of your Alexa Flash Briefing; Amazon smart speakers users, click/tap “enable” here: https://ift.tt/32VQXbo See omnystudio.com/policies/listener for privacy information. --- Subscribe to Curiosity Daily to learn something new every day! Official website: https://ift.tt/2YVKS9r You can find our award-winning daily science podcast on: Spotify — https://ift.tt/2D2HKmj Apple Podcasts — https://ift.tt/2hpJXdU Google Podcasts — https://ift.tt/39u7sgl RSS — https://ift.tt/3hG0Puc Plus, Amazon Echo users: add Curiosity Daily to your Alexa Flash Briefing. Just tap Enable to satisfy your curiosity every day! https://ift.tt/32VQXbo Originally posted to https://ift.tt/3hlAn8m on September 11, 2020.
For just ₹201.60 This is a demonstration store. You can purchase products like this from Baby & Company The Basic Short by Kristensen du Nord presents a flattering length silhouette to women's frame. Side angled pockets at front, two pockets at back. Elastic waistband for easy fit. Color Castel Rock. 96% Cotton, 4% Elastane. Made in Italy. Ashley is wearing a Size 1. Shop our collection of Kristensen du Nord.
Basic Short for just ₹201.60 This is a demonstration store. You can purchase products like this from Baby & Company The Basic Short by Kristensen du Nord presents a flattering length silhouette to women's frame. Side angled pockets at front, two pockets at back. Elastic waistband for easy fit. Color Castel Rock. 96% Cotton, 4% Elastane. Made in Italy. Ashley is wearing a Size 1. Shop our collection of Kristensen du Nord.
CHIC SUMMER LOOKS AT THE 2019 VEUVE CLICQUOT POLO CLASSIC CELEBRATIONS / STYLE BY BRIANNA KOZLAREK FRIDAY JUNE 7, 2019 Part 2 Chic Summer Looks at the 2019 Veuve Clicquot Polo Classic Party goers to the 12th Annual Veuve Clicquot Polo Classic wore stylish summer looks from Ralph Lauren, Zimmermann, Oscar de la Renta, Rosie Assoulin, and more. We saw so many killer hats. Oversized sunglasses. Straw purses. Pastels. Handsome designer suits with elaborate details. Pocket squares. Loafers. And even, a perfête ensemble inspired by Pretty Woman. The 2019 summer event drew some of the biggest stars, like Jennifer Lawrence, Madison Rian, Chey Carty, and Michael B. Jordan. Yet, it was also open to the public. I am 100% going to check out the one in Los Angeles this October. Here are some of our favorite summer looks to inspire your wardrobe: Stylish looks at the 12th annual Veuve Clicquot Polo Classic. Celebrity and influencer a-listers at the veuve clicquot 12th annual polo classic. Colorful pantsuit inspiration: chic purple pantsuit with heels. by perfête. Kick off the summer in style with perfete. Favorite summer looks from 12th Annual VC Polo Classic 2019. Images via: Michael Oyolede, Asiyami Gold, Afro_Child, Shutterstock, Alpho_91, Hason Castell,Shea Marie, , Simbarashe Cha, Mark Leibowitz Pictures DESIGN BY ASHLEY & MALONE *Italian et Americaine Haute Couture et Coiffure is a GIANewYork / Global Influencer Agency New York affiliate. @fashionguru327 @GIANewYork @olney_fashions_ @Pinterestbusiness @globalinfluenceragency fashionguru327.com Pinterest.com vogue.com vogue.co.uk behance.net globalinfluenceragency.com #Italianetamericainehautecoutureetcoiffure #fashionguru327 #entrepreneur #linkedin #smallbusiness #contentmarketing #vogue #condénast #vintagephotography #tumblr #instagram #socialmediamarketing #blog #OlneyFashions #globalinfluenceragency #nostalgia #vintage #fashionphotography #Behancé #RalphLauren #blackweddingdress #blackisthenewwhite #RalphLaurenpurplelabel #davidtlale #loulousbar #capequarter #WillyChavarría #trending #TrendWatch https://www.facebook.com/fashionguru327/ (at The White House . Kommetjie .) https://www.instagram.com/p/B66D0TVnc9e/?igshid=wwpbccnz81lk
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Hey Guys, So as I confirmed the other week. I will now be doing To Be Read posts. This will explain what my reading list is and also a small summery of them. I’m hoping that will help you guys see what’s out there and are good reads. Lets start with what I’ll be reading. Starting with Spellslinger, My Fairy Godmother is a Drag Queen, The Ninth Circle, Geekerella, Captivate and Legend. Its more…
After high school, Castell said she would like to be a physical therapist. The varsity dance team includes Grace Alhaus, Lauren Anderson, Skya Barton, Mackenzie Briggs, Kiersten Johnson, Kaley Martin, Kiley Martin, Makenna Medley, Olivia Nuckles, Anna Paul, Ashley Reinstadtler, Jenna Stromquist, ...
from Google Alert - Physical Therapist http://ift.tt/2GqWDg6