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#Barry Foster
lobbycards · 1 month
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Frenzy, Italian lobby card, 1972
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thepillovvbook · 1 year
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FRENZY (1972)
Dir. Alfred Hitchcock
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moviemosaics · 2 years
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Frenzy
directed by Alfred Hitchcock, 1972
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genevieveetguy · 1 year
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- Let's hope he slips up soon. - In one way I rather hope he doesn't. We haven't had a good juicy series of sex murders since Christie. And they're so good for the tourist trade. Foreigners somehow expect the squares of London to be fog-wreathed, full of hansom cabs and littered with ripped whores, don't you think?
Frenzy, Alfred Hitchcock (1972)
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byneddiedingo · 1 year
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Anna Massey and Barry Foster in Frenzy (Alfred Hitchcock, 1972) Cast: Jon Finch, Barry Foster, Barbara Leigh-Hunt, Anna Massey, Alec McCowen, Vivien Merchant, Billie Whitelaw, Clive Swift, Bernard Cribbins, Jean Marsh. Screenplay: Anthony Shaffer, based on a novel by Arthur La Bern. Cinematography: Gilbert Taylor. Film editing: John Jympson Frenzy is so often called a "return to form" by critics commenting on Alfred Hitchcock's films that it's worth parsing that phrase a bit. What's generally meant is that after the triumph of Psycho (1960), Hitchcock's films seemed to decline in quality: To the critics of the day, The Birds (1963) felt like a gimmicky monster movie, Marnie (1964) an overdone, miscast psychological drama, Torn Curtain (1966) and Topaz (1969) attempts to cash in on the James Bond-era vogue for spy movies. Later generations of critics have found intelligent things to say about some of these films (though there are few ardent defenders of Torn Curtain and Topaz), largely because of their ability to see the Hitchcock oeuvre as a whole and to work in the revelations of the Hitchcock biographers about the director's obsessions and predilections. But Frenzy was for many mainstream critics what Roger Ebert called it: "the kind of thriller Hitchcock was making in the 1940s, filled with macabre details, incongruous humor, and the desperation of a man convicted of a crime he didn't commit." I would qualify that observation with the remark that Frenzy is the kind of film Hitchcock couldn't have made in the 1940s because of the Production Code's restrictions on nudity, sex outside of marriage, and excessive violence. Liberated from the Code, Frenzy is rated R. And I think Hitchcock's delighted rush into the new era of frankness in film may have had a destructive effect on his ability to maintain consistency of tone. A scene like the rape-murder of Brenda Blaney (Barbara Leigh-Hunt) belongs to a different kind of film than the domestic comedy of Inspector Oxford (Alec McCowen) and his gourmet-cook wife (Vivien Merchant), and there's something a little too obvious about the snap of Mrs. Oxford's bread stick as her husband is recounting how Rusk had to break Babs Milligan's (Anna Massey) fingers to retrieve his stickpin. There is no heart in the film, the way there was in films of the 1940s like Shadow of a Doubt (1943) or Notorious (1946), in which we could feel anxiety over the plight of the characters. Hitchcock does seem to want us to feel some real-world horror at Brenda's reciting Psalm 91 and trying to cover her bared breast as she's being raped, but even that invocation of sympathy feels out of place later, especially when Babs's corpse is treated for comedy when her feet keep finding their way into Rusk's face. And a "joke" like that of the man in the pub who quips "every cloud has a silver lining" on learning that the killer rapes his victims before strangling them should never have found its way onto film. There is much to admire in Frenzy: Hitchcock never did a more skillful scene than the one in which the camera follows Babs and Rusk (Barry Foster) up to the flat where we know she's going to die, and then silently retreats back down the stairs and across the busy street. McCowen and Merchant skillfully play the comedy of the husband and wife dinner table scenes -- the soupe aux poissons is particularly unappetizing. I especially like the bit in which Mrs. Oxford offers a drink to the sergeant who brings news of the case to the inspector: It's a new cocktail called a "margarita," she explains, made with what she pronounces "tekwila." The sergeant has to leave, however, so she swigs the drink he has abandoned and then, with a rather odd look on her face, hastily makes her exit. But too often in Frenzy what Hitchcock thinks is naughty is just nasty.
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vintagewarhol · 2 years
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motionpicturelover · 1 year
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"The Wild Geese" (1978) - Andrew V. McLaglen
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Films I've watched in 2022 (180/210)
Watch/download the full film on Archive.org:
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spryfilm · 1 year
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DVD review: “Van der Valk” (1972 - 1992) 
“Van der Valk” (1972 – 1992)  Television Thirty Two Episodes Created by: Nicolas Freeling  Featuring: Barry Foster, Michael Latimer, Susan Travers, Martin Wyldeck, Sydney Tafler, Joanna Dunham, Nigel Stock, Meg Davies, Richard Huw and Ronald Hines “Van der Valk” (1972 – 1992) Van Der Valk was a British detective television series that originally aired on ITV between 1972 and 1977. The show…
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justtrashperson · 5 months
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chibi hatchefield characters like in the shokogast request<333
like paul<3, emma, richie<3, pete, grace, ethan, lex, garygoldsteinattorneyinlaw, the works, yknow??
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using this opportunity to redraw some of hatchetfield's scenes
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just-an-enby-lemon · 11 months
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D&Dads Season 1:
The Daddies
Henry Oak: It's ok to ask for help.
Darryl Wilson: You're not a burden
Gleen Close: Murder is okay
Ron Stampler: Your feelings matter.
Interlude:
The Sons/Dads
Lark Oak-Garcia: Murder is okay.
Sparrow Oak-Garcia: Murder is okay.
Nick Close/Foster: Murder is okay.
Grant Wilson: Murder is reaally okay.
Terry Jr. Stampler: Your feelings matter also murder is okay.
D&Dads S2
The Teens
Normal Oak: You're not a burden.
Lincoln Li Wilson: Is okay to ask for help.
Taylor Swift: Murder is okay.
Scary Marlowe: Eh... whatever... Murder is okay, I don't care.
Bônus.
The Omega Daddies + Frank
Barry Oak: Is okay to ask for help not everyone is a natural like me. And murder is okay.
Bill Close: Your feelings don't matter. And murder is okay.
Willy Stampler: You ARE a burden. And murder is okay.
Frank Wilson: Murder is okay but also what the fuck, guys?
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lobbycards · 1 month
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Frenzy, Italian lobby card, 1972
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y2ksnowglobe · 4 months
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Dndads Dad characters and what I consider to be their most notable parenting crime
The amount of seriousness for any of these is highly variable
Barry: Using a giant hamster water bottle type thing to hydrate the soulless bodies of your grandkids. Bill: Not letting his son murder him. Cern: Getting your kids involved in the doomsday cult you're a member of. Darryl: Honestly? Being a slightly more boring version of my own dad. Frank: Not super canon, but like...he'd give the "Eat some peanut butter to stop being depressed" advice. Gartok: Enslaved his kids. Glenn: Pretended to not like minions with an intensity that it made him look really bad in court. Grant: Probably should have taken Lincoln to a therapist right after the cat incident. Henry: Seems to have forgotten he has a daughter. Jodie: Gave his child a flashbang. Lark(?): Didn't tell Normal about the bulletproofing in the mascot outfit. Poor kid was probably wondering why all the cheerleading moves were harder now. Marco: So unsure of himself that he's able to be convinced he signed a permission slip for his son to go to Seattle. Nicky: Suggests friend murder way too easily as a problem solving method. Ron: "Who's your daddy now?" Scam: Hermie is a teenager because that's the funniest age for him to be. Sparrow: Did not stop Normal from being Vinny the Vulture during a heatwave. Terry Jr.: Offered Scary some kale chips that one time. Willy: Honestly? It's the I have two fish and two plates...lemme just stack these plates together and eat both of the fish moment. That's just such an inexplicable, what the fuck? moment for me.
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scarriestmarlowe · 5 months
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hey guys! discuss.
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wishfulsketching · 1 year
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Dndads doodles. Realized I hadn’t drawn Morgan and then needed to draw the awful grandaddies again.
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gregor-samsung · 7 months
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Hunt for the Wilderpeople (Taika Waititi, 2016)
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