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#Collider
thepersianslipper · 4 months
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Yes, Collider, yes! Let's get the momentum going! Sign the petition, engage with #renewasacrew.
@renewasacrew
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fuckyeahgoodomens · 9 months
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David interview with Maggie Bocella for Collider, 10.7.2013
COLLIDER: Obviously, when you started making this show, you had the book to go off of, you had a very specific framework to work off of. But because everything for Season 2 is new, did you get to have any input with Neil Gaiman on where Crowley goes from the end of Season 1?
DAVID: Oh no, that's not my job. No, I mean, we've got Neil Gaiman, so you just get excited about what direction he's going to send you in. It wouldn't occur to me, to be honest, to start giving Neil Gaiman plot suggestions or character suggestions, that would just be limiting his brilliance, I think, if he was trying to sort of contort his ideas around mine. So no, I just sat back and was excited to let a script ping in and find out what was going to happen next. What a treat to get to be one of the first people to read the continuing adventures of Aziraphale and Crowley.
COLLIDER: In that vein, how do you think Crowley has changed between the end of Season 1 and where we see him now? Can we expect anything significantly different from him this season?
DAVID: Well, as you would expect, he's no longer working for his corporate bosses from Hell, which gives him a certain liberty. He's more of a free agent, but it does mean that they've taken back the swishy apartment that comes with the job. So he’s in slightly diminished circumstances. He's living in his Bentley in his car with his potted plant and feeling slightly hard done by it, I think. But quite early on, we see him meeting with Shax, who's his replacement in the job. So he's keeping his ear to the ground, seeing what's going on, and giving Shax a bit of guidance as to how to be Hell’s representative on Earth and also how to fix the boiler in the apartment. Yes, he's certainly as we always knew him, but probably a little bit grumpier.
COLLIDER: You mentioned the Bentley, and the Bentley being cursed to play Queen songs forever and ever and ever is one of my favorite parts of the show. I was curious what you think Crowley's favorite Queen song, is if he's not so sick of them that he never wants to hear them again.
DAVID: That's a very…wow, that's a difficult question. I need a lot of prep for that. What's my favorite Queen song? I don't know. I mean, “Don't Stop Me Now” is probably the best driving song, isn't it?
COLLIDER:Yeah!
DAVID: And he certainly enjoys driving at ridiculous, slightly supernatural speeds. I suspect that's probably the best soundtrack for that, so it's probably that, or “A Kind of Magic,” I suppose, makes a certain sense for a supernatural being with unearthly powers.
COLLIDER: That's a good answer. But you also work very closely with Michael Sheen, who you not only work with on this but also on Staged, you're quite close. What's it like getting to put that friendship dynamic to use? Especially since this and Staged are so completely different.
DAVID: It's very nice to get to work with a friend every day, you can't pretend it's not. I mean, we did have the pleasure of doing Staged during lockdown, which of course probably wouldn't have happened were it not for us getting to know each other so well on Season 1 of Good Omens. It wasn't so long after the first Good Omens came out that we were all locked in our houses for months on end. We managed to come up with this notion of doing Staged and making a show on our laptops, which, really, we did initially just to amuse ourselves, to see if it was possible. Then it ended up becoming more. We just [premiered] Series 3, so between the first season of Good Omens and the second season of Good Omens, we managed to do three seasons of something else together!
COLLIDER: This show has had such a massive fan response. How much of that are you really aware of? Are you seeing how people are reacting to this show?
DAVID: Oh, it's been quite overwhelming. I've been to a few Comic-Cons over the last few years, and when I visited them pre-Good Omens, I saw a lot of people dressed up as me from…another show. But that has slowly changed until the amount of Doctors and the amount of Crowleys I meet are certainly neck and neck these days. But what's lovely about the Crowleys and the Aziraphales is they always come in pairs, so you get to meet people who've got all dressed up often with their best mates.
That's one of the great joys of being involved in this show, that these characters are so beloved. And of course, the great honor of taking on something like that, a character that people are so enthusiastic about, is that the great terror is that you'll break it, that you won't be… I think, especially with a literary character, the act of reading a book is such an internal mental spell that you cast, isn't it? Those characters are almost more vivid than a character that you might see on screen. So embodying characters that have been so loved for so long, not breaking them, not, you know, crushing dreams… The way that we've been accepted by those fandoms, it's been quite humbling, to be honest.
COLLIDER: You're also part of another Neil Gaiman joint, you play Loki in The Sandman audio series. Obviously, that's a different medium, but are there any similarities between working on The Sandman and working on Good Omens?
DAVID: The Gaimanverse is certainly its own creation, but Good Omens is always slightly different, of course, because it wasn't just Neil, it was very much co-created by Terry Pratchett, who also had a very distinctive voice and a distinctive universe. But there's something very specific about the Good Omens universe, which is where these two very distinct, very vivid authorial voices blend together to create something very specific and quite unique. So, I don't know how similar it was being part of The Sandman. I mean, it was a great pleasure to be part of it. It was wonderful to make Loki come from Scotland as well. I think Tom Hiddleston should take some notes. There's nothing better than a Glasgow Norse god. I’m kidding, obviously, he is the definitive Loki, but I did my best to sort of, you know, target his coattails.
COLLIDER: Besides Good Omens and Staged, you are coming back to Doctor Who this year. It's all anybody I know can talk about, but obviously, the spoiler police will come and get me if I attempt to talk to you about too much. So if you could describe what audiences are gonna see in November in, like, three words, what three words would you use?
DAVID: Three words? Three words?! Three new stories. That's not very good, is it? That doesn't give you very much away. Neil Patrick Harris! There you go.
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“This is about, this is about… the emotion and what sentiments being communicated here”…
Beyond words... the raw emotion Tim felt about the kiss of a lifetime... It wasn't just a scene... it was heartbreaking... so much so that he even wanted to punch a wall in frustration...
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lavoixhumaine · 12 days
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“…she continues to prove that 9-1-1 would be lost without her.”
🗣️ say it louder for the jackasses in the back
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harveyguillensource · 9 months
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This pre-season and pre-strike Collider interview with Harvey and Kristen is both insightful and hilarious! They discuss Guillermo's first Pride, vampire 'virginity', and Guillermo and Laszlo's relationship among other topics.
Some excerpts:
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joelkinnamanfansilvia · 3 months
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Joel with Wrenn Schmidt and Krys Marshall at the Collider screening of For All Mankind Season 4 Finale on January 11th, 2024.
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b-skarsgard · 7 days
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Boy Kills World featurette sneak peak from Collider
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awerager · 2 years
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"As Elio and Oliver have their last kiss, the shot goes out of focus, distilling to a textured, blurry image as they passionately embrace. Its haziness evokes the somber feeling of looking back on a cherished moment that has become a distant, intangible memory."
How ‘Call Me By Your Name’ Depicts Desire Through Nostalgia by Collider in October 2022
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polkadotjohnson · 9 days
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Nothing much, just David confirming he's a vampire...
(full awesome interview)
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10 Underrated TV Villains of the 21st Century, Ranked by Collider.
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fuckyeahgoodomens · 9 months
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A great interview with Michael with Collider :), mostly no spoilers (or what already been said elsewhere :)❤)
COLLIDER: Obviously, when you were making the first season of this show, you had the book to work off of, you had a characterization to work off of, but because this season is an all-new thing that Neil Gaiman has written, did you get to work with him at all to develop what Aziraphale was doing this season, or was it all dependent on what he wrote?
MICHAEL SHEEN: Yes, I think when we were doing the first season, Neil always talked about the idea that he and Terry [Pratchett] had talked quite a bit about future storylines and that they had worked out quite a lot of it, actually. They just never got around to writing it down in a book. So there was quite a lot of material already in his head. One of the wonderful things about this, as well, working on this project, has been how much myself and David have been able to collaborate with Neil on the characters and inhabit them and bring them to life, and developing the relationship between them and the storylines. So it’s felt very collaborative, but then, of course, Neil is very good at making it feel collaborative even when he knows exactly what he wants.
QUESTION: Speaking of that relationship between Crowley and Aziraphale, you are obviously quite close with David Tennant. You work with him not only on this but also on Staged. What's it like getting to put that friendship dynamic to use on those shows, especially since Staged is something that's so completely different from Good Omens?
SHEEN: It's just wonderful, really. You know, often you work with actors that perhaps you have very good chemistry with on-screen or on stage, but maybe off-stage, off-screen there's not a particular spark. It's fine, but there's nothing particularly special about your relationship on stage or on-screen. Then other times, there are people you get along with really, really well, but maybe there isn't necessarily that amazing chemistry on-screen or on stage. So it's very rare that you have both. I think with us, we've just sort of discovered that that is the case, or it seems to be that people feel like we have good chemistry together when we're working. And we just have a lovely time together in between working as well, so it's such a pleasure to be able to do that, and to be able to work on projects like Good Omens and Staged with the characters that we play in those. It's just a real joy, so, you know, long may it continue.
QUESTION: Personally, I love the relationship between Aziraphale and Crowley, and the show has had such a massive fan response. How much are you aware of that, and what do you hope fans take away from this season as opposed to the first one?
SHEEN: Oh, I'm very much aware of it. Yeah, it's one of the most enjoyable aspects of working on this, to see how much the audience and in particular Good Omen fans just give to the project. It does feel like a fulfilled kind of creative collaboration with the fans as well. There's so much talent when people come to writing fanfiction or artwork, or just discussing ideas or things that have sort of been born out of it. I mean, there are all kinds of amazing groups who fundraise now for charities and do all kinds of incredible things. There are conventions and all sorts. I love that, and I love seeing how people have made friends, really close friends, through their connection to this and these characters in this story, and how communities have been created, and how much people are helping each other. I see all that online and I hear about it. It feels very in the spirit of the story, you know, it feels very in keeping with what it's all about. I think that's a big part of why Neil and I and the rest of us have all really opened ourselves to that fan community, because I think it feels like a very living part of the story.
QUESTION: How do you think Aziraphale has changed between where we leave him at the end of Season 1 and the beginning of Season 2? Is there anything unusual that we can expect from him this season?
SHEEN: Well, I think he's in a quite odd position for him because, on the one hand, he's got a lot of the things that he's always wanted. He's always wanted to just be left alone and live in his bookshop, and drink tea and listen to music, and read books and go to the theater, and eat nice meals and drink nice wine, and be with the being that he loves being with the most. But on the other hand, he's also someone who feels very anxious about not being part of the company, you know, being out on his own and sort of independent. It’s quite a challenge for him. It’s that thing about “be careful what you wish for.” He got what he wished for, but he still feels a bit off-kilter, I think, and then this unexpected guest arrives and turns the world upside down for him again.
But one of the things that we wanted to explore with Aziraphale in this series is perhaps finding something a little steelier underneath the apparent soft surface, that maybe there's something else going on under there. So we see that kind of come out as the story goes on, as well.
QUESTION: In addition to playing Aziraphale, you also did the voice for Lucifer in The Sandman audio series, which is obviously also a Neil Gaiman joint. So what's the difference between playing an angel and playing a demon?
SHEEN: Well, of course, Lucifer is an angel, was once a fallen angel. My first experience of Neil’s work was The Sandman. That was what I first read when I was still a teenager in the late ‘80s, and it just absolutely blew my mind and opened me up to all kinds of things and started a journey [with] Neil’s work, but also all the people that Neil kind of points you towards through his work as well. It opened so many doors for me. So to be able to then be a part of The Sandman world, as well, to play such an iconic character, it was and is, because we're still doing it, just a bit of a dream come true.
QUESTION: I have one last question for you, and it's a little bit of a silly one. One of the most iconic parts of Good Omens is Crowley's Bentley, which is cursed to play nothing but Queen songs forever and ever. I would love to know what you think Aziraphale’s favorite Queen song is.
SHEEN: Well, I think he likes the more operatic ones. So he probably…I think he likes “Bohemian Rhapsody.” All those nifty chorus bits. He’d love that. So yes, probably “Bohemian Rhapsody.”
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hisonetrueloveee · 10 days
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This is what one of the producers said about Inside Out 2 recently
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You can find the article on Collider
Also does this mean it's likely we may hear a new 4*Town song? Maybe they'll return on my birth month 🫢????
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inthefallofasparrow · 2 months
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published one hour apart
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jbaileyfansite · 5 months
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As we get past the halfway point of the Showtime series Fellow Travelers, there’s one aspect of the story that makes us wonder about the fate and state of mind of characters like Tim Laughlin. In an interview with Collider, Bridgerton star Jonathan Bailey opened up about how he sees his character (Tim) and why he makes some decisions that may seem controversial – especially when it comes to his potentially destructive relationship with Hawk Fuller (Matt Bomer).
The more we watch the series, the more evidence we have that Hawk will stop at nothing to protect himself and his reputation. Tim has certainly noticed this, and yet he keeps going back to Hawk in order to keep their relationship going, even though he could get hurt. Why does that happen? In Bailey’s opinion, this has to do not only with the era the series is set in – the 1950s – but also with the LGBTQIA+ and straight dynamics of the relationship. He explained:
"I think it's something fundamental to the existence of being in a society that doesn't accept you from a young age. I think Tim is so anxiously attached to his love that he feels he has to do everything to get love from his partner. Obviously, Hawk is the opposite. I think he's avoidant. I think the way that he manages things is that he allows Tim to deliver in the way that Tim wants to so that it's a functional relationship, and that then when the emotion that Tim brings to it is too much for Hawk to handle, and when Hawk's held accountable, and if he does something that destabilizes Tim, Tim explodes and then Hawk retreats and that is a perfect cycle. I think that's very common, not just in queer relationships, but it's a very common dynamic. Neither of them is secure, and so I think that is partly why they are drawn to each other and that cycle continues."
Bailey also added that he thinks Hawk and Tim’s relationship is “brilliant” to explore since Hawk can’t understand why "Tim cannot operate on any other level other than who he is and what he believes is right and wrong,” while Hawk is a person who can operate on multiple levels out of sheer self-preservation. Of course, the biggest discussion that this raises boils down to what lengths you’re willing to go to keep yourself closeted – and in the McCarthy era the answer to this question represented the difference between life and death.
Source
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slack-wise · 10 months
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Simon Norfolk
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fragile-teacup · 1 year
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I love that Hugh is acknowledging the validity of Hannigram. Not so happy about Collider airquoting the romance! 🧐
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