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jimraisedmeup · 11 days

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TICK // 1.1 - gimme danger

Pairing: Eddie Munson x Fem!Reader

Rating: mature (language, sexual content)

Word Count: 640

☾

There's nothing in my dreams Just some ugly memories Kiss me like the ocean breeze

Now, if you will be my lover I will shiver and sing But if you can't be my master I will do anything

☾

September 1983 - junior year

"Who does your tattoos, Edward Munson?"

The blunt voice behind him took him off guard, appearing out of nowhere. It didn't even sound like a question. More like a matter-of-fact demand.

Your voice was thick and dripping like honey. Deeper than the voices of other girls in your school. Eddie was so used to the high-pitched, bubblegum-popping, giggling tones of the artificial female species that wandered the halls of Hawkins High.

The cafeteria around him was bustling with all the usual assholes, but suddenly all he could focus on was the figure of you standing behind him.

Finally turning around to lay eyes on the culprit, Eddie was shocked to see you.

He knew you, of course. Or at least knew of you.

In the back of his mind, he tried to remember if he had ever even spoken to you before. But he would have remembered your unique voice. Eddie's whole life revolved around sounds, melodies, vibrations.

You were a year younger than him, being a junior while he was a senior. He recalled seeing you in the crowded hallways. Plain hair. A face that said leave me the fuck alone. Weren’t you a part of the French Club or some shit?

His mind was racing, but still responded to you without any sign of hesitation. There were too many witnesses around for him to let his guard down. Bako and Donny, seated at the table with him, openly stared in awe.

Eddie found his vocal cords. "I do some of them. My uncle has a friend that does some of them."

Your disarming gaze bore into him, squinting for a moment. Eddie took a second to glance down at your clothes. Blue jeans. Gray fitted t-shirt. You were plain. No other word for it.

"How much for one?"

"What?"

"A tattoo. How much do you charge for a tattoo."

Again, you didn’t really ask it as a question. It was less of an innocent query and more of a personal space invasion, a solicitation. Your face gave away not a single emotion or even a hint of a personality.

Eddie scratched his head, acting like he was thinking deeply. He glanced at Donny, who looked at him like well, say something, idiot!

"Well, sunshine, that depends."

That's all he could think of. Why were you suddenly speaking to him? You had successfully ignored each other for the last however many years.

Your shoulders dropped in annoyance, but you still held onto the lunch tray in your hands.

"Okay, depends on what?"

A wicked grin painted his lips. At the motion of your shoulders falling, he could easily tell that you definitely weren’t wearing a bra. Your tits were smaller than average, basically nonexistent, but Eddie had x-ray vision at the short distance between you and him.

"Hmm… size, the design… location." Leaning over in the plastic chair, he purposely fixed his eyes on your ample behind.

You scoffed at him, "Cool, you're a real Don Juan. Let's get to the point, yeah? I want a quarter sized half moon on my hip. Just the outline, nothing fancy. Need more info?"

Taking his time to answer, mainly because he suddenly found himself entertained by your impatience, he shrugged.

"Nah. I'll do it for fifteen bucks."

"Deal. How soon can you do it?"

You were all business and no play. Eddie was enticed by your no-bullshit confidence.

A shocking flash of pink passed behind you: a popular girl chatting excitedly with a football player. Neon pink windbreaker, bleach blonde hair in perfect curls. Eddie observed her.

And then he looked back at you. So ordinary yet so different.

"How does this weekend sound?"

You held your hand out in front of him to shake. Your skin was smooth and warm on his callouses.

"Don't fuck this up, Munson. I'll see you Friday."

☾

There's nothing left alive But a pair of glassy eyes Raise my feelings one more time

☾

(song lyrics credit: "Gimme Danger" by The Stooges)

TAGLIST for this series if you would like to be notified when I post new chapters!

#eddie munson #eddie munson x reader #eddie x fem!reader #eddie munson smut #eddie munson fanfic #eddie munson fanfiction #eddiemunson #eddie munson x female reader #stranger things #eddie munson slow burn #eddie x you #eddie munson x you #eddie munson x buckley!reader

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jpopstreaming · 6 months

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MUCC to release 'Timeless': A 25-Year Musical Legacy Compilation

MUCC, a trailblazer in the Japanese music scene, is set to captivate fans with the release of their new album "Timeless" on December 28th. This eagerly anticipated album is a culmination of their profound musical journey, featuring an eclectic mix of 12 tracks. These include six songs from the exclusive singles of their album replication tour, "MUCC 25th Anniversary TOUR 'Timeless'", four re-recorded versions selected from the albums performed during the tour, a track from their split single with deadman, and their latest song "Timeless". Among these, one of the venue-limited singles has been remixed, adding a fresh dimension to the album.

To add to the excitement, MUCC has announced a series of in-store events titled "MUCC's Gift-Giving Party from Santa!" in six locations throughout December. In a delightful twist, band members will don Santa Claus costumes, engaging with fans through personalized signed goods, hand-written Christmas cards, handshake sessions, and photo opportunities. These interactions promise to create an intimate and memorable experience for their devoted followers.

The celebrations don’t stop there. Coinciding with the album release is the launch of the "25th Anniversary Special Edition MUCC FUKYU", an anniversary book commemorating MUCC's 25 years of musical legacy. The book, set to be released on December 28th, features content from the music magazine "Ongaku to Hito" and its special issue "PHY", along with recent interviews with the band members. Furthermore, a video collection titled "MUCC Live Chronicle 5 25TH ANNIVERSARY Upper Volume" will be released on February 14, 2024. This exclusive collection, available only to official fan club members through pre-order starting December 1st, includes six selected live performances from the first half of their 25th-anniversary year.

The "Timeless" album is a treasure trove for fans and music enthusiasts alike, featuring tracks that showcase MUCC's evolving sound and artistic depth. From the haunting melodies of "Siren" and "99" to the dynamic "G.G. -Timeless Ver.-" and the reflective "Libra -Timeless Ver.-", each song tells a story, woven into the fabric of MUCC's rich musical history. The album also includes the poignant "Shi no Ubugoe" and the contemplative "Yo -yo-", culminating in the introspective title track "Timeless" and the innovative "Sora -ku- (JaQwa Remix)".

Fans can also look forward to the unique in-store events, starting on December 2nd in Tokyo, with subsequent events in Miyagi, Aichi, and Osaka, where individual band members will participate. These events not only bring the music to life but also strengthen the bond between MUCC and their fans, celebrating the band's enduring presence in the music world.

In conclusion, "Timeless" is not just an album; it's a celebration of MUCC's artistic journey, a testament to their enduring appeal, and a gift to fans who have walked this path with them. It encapsulates the essence of MUCC - a band that continues to evolve, inspire, and connect with hearts across the globe.

Siren

G.G. -Timeless Ver.-

under the moonlight

Libra -Timeless Ver.-

Sō -so-

Gerbera -Timeless Ver.-

Shi no Ubugoe

Yō -yo-

Rojiura Boku to Kimi e -Timeless Ver.-

Timeless

Sora -ku- (JaQwa Remix)

#mucc #jrock #visual kei

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spidereticas · 4 months

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I was asked if I could share the tracklist for the if someone asks, this is where i'll be playlist, so posting it here!

TRACKLIST: See You Again (feat. Kali Uchis) - Tyler, the Creator ■ Love You More - Buzzcocks ■ Close To You - Frank Ocean ■ This Must Be the Place (Naive Melody) - Talking Heads ■ I Wanna Be Your Boyfriend - Ramones ■ Mona Lisa (Spider-Man: Across the Spider-Verse) - Dominic Fike ■ No Diggity - Blackstreet ■ Genius of Love - Tom Tom Club ■ Jam - Bad Brains ■ Link Up - Metro Boomin & Don Toliver, Wizkid, BEAM, Toian ■ Hit Me Up - Omar Apollo, Dominic Fike, Kenny Beats ■ Mbilo Mbilo - Eddy Kenzo ■ You and I - Toro y Moi ■ Retrograde - James Blake ■ Time Will Tell - Blood Orange

#as with my previous fic playlist please know that this is (1) specific to the fic and (2) 100% based on vibes tbh #spiderverse #across the spiderverse #punkflower #flowerpunk #playlists #my fic #isa #(trying out another fic acronym lmao)

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purebloods-mudbloods · 5 days

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𝐼𝓃𝓉𝓇𝑜𝒹𝓊𝒸𝒾𝓃𝑔: 𝑀𝒶𝓇𝒾𝒶 𝒥𝑒𝒻𝒻𝑒𝓇𝓈𝑜𝓃

(ella/suya) nació el 12 de julio de 1960 y trabaja como actriz de teatro musical. su alianza se fija pro-orden. formó parte de Hufflepuff , es hija de muggles,

DATOS PERSONALES

Nombre completo: Maria Jefferson.

Apodo: Mari.

FC: Fiona Palomo

Fecha de nacimiento: 12 de julio

Ocupación: Actriz de Teatro Musical.

Padres: Camila Alvarez y Aaron Jefferson.

Hermanos: Bernardo Jefferson.

Mascota: Melody una gata cara de muñeca blanca, Dante una lechuza igualmente blanca y Coqueta una chihuahua blanca.

Alianza: Pro Orden

Frase con la que se identifica:

“I gotta have my star on the door.”

Historia de vida:

Lupita Alvarez y su familia emigraron a Los Estados Unidos hace mucho tiempo para darle una mejor oportunidad a sus hijos Camila, Santiago, Alberto y Elena. Ahí como unos mexicanos indocumentados sufrieron mucho, pero lograron salir a delante y sobre todo lograron que los 4 hijos fueran a buenas universidades en las carreras que todos eligieron. Camila la mayor se había graduado como diseñadora de vestuario lo que la llevo a trabajar en Broadway como vestuarista lugar donde conoció a Aaron Jefferson, hijo de unos de los mas grandes directores de la industria y chico con el cual no tardó en entablar una relación y 5 años después casarse para a los escasos dos años de matrimonio tener a sus dos gemelos Bernardo (el mayor por solo 2 minutos) y María chicos a los cuales nombraron así por los personajes de la obra West Side Story en la cual sus padres trabajaban en esa época.

Camilia y Aaron les inculcaron a sus hijos desde muy pequeños el amor al teatro musical y en cuanto pudieron andar y hablar los inscribieron en clases de canto y baile puesto que su mayor sueño era que ambos fueran estrellas de Broadway (cosa que con el paso de los años también fue el sueño de los chicos). Tanto Maria como Bernardo poseían mucho talento para ese tipo de arte, pero nunca se imaginaron que Maria tuviera un don excepcional pues era una bruja. Esto lo descubrieron cuando después de haberse mudado a Londres cuando sus hijos tenían 8 años por una oportunidad laboral de Aaron, la joven empezaba a hacer cosas raras como levitar los objetos a su alrededor y no fue hasta que llegó a la edad de los 11 años que una carta de Hogwarts arribó informándoles que su pequeña era una bruja. Este hecho había logrado que su hermano y ella (antes inseparables) se pelearan puesto que el chico estaba celoso de que su hermana tuviera un don que el no pero cuando ambos tenían 13 años termino por aceptarlo y la relación se compuso.

Vida escolar:

Al entrar Hogwarts Maria fue seleccionada en Hufflepuff y no tardó en hacerse conocida entre los tejones por pasarla cantando en cualquier situación o por encontrarse ya fuera Tap o Ballet pues a pesar de estar lejos de casa la chica seguía practicando. Y también se hizo conocida por a pesar de ser una chica considerada de la clase alta no era arrogante o pedante si no mas bien por ser una chica dulce y siempre dispuesta a ayudar exceptuando claro cuando se trataba de su talento para el canto y la actuación ramas en las cuales estaba segura de ser la mejor. Incluso mas de una vez trato de convencer a Sprout que la dejara hacer un club de teatro musical pero dado que realmente ninguno de sus compañeros conocía ese tipo de mundo dudaban que fuera a funcionar. Lo único que incomodaba a Maria era el hecho que al ser una hija de muggles y tener lo que llamaban un acento extraño gracias a su ascendencia mexicana fue blanco de burla de muchos Slytherins puristas haciéndola incluso llorar pero nunca demostrárselo pues siempre deseaba mostrarse como alguien fuerte.

Vida actual:

Actualmente Maria se encuentra cumpliendo sueño de ser estrella de Broadway momento solo en Londres puesto no se siente lista para separarse de su familia y emigrar a su país de origen. Al inicio de la guerra no quería involucrarse pues todo aquello la afecta demasiado y en muchas ocasiones le han hecho querer ser solo una chica muggle como toda su familia, pero con todo los acontecimientos la chica ahora apoya a la Orden. Aparte de sus clases normales sigue tomando ballet, tap, canto e incluso de varios instrumentos y unos cursos de diseño pues también cree que sería una gran idea montar algún día su propia obra desde cero.

Personalidad:

Maria es lo que se considera una hija de papi en muchos aspectos y en cierta forma lo es pues al ser la única hija de los Jefferson-Alvarez es la consentida de Aaron pero a pesar de esto suele ser una chica muy dulce y cariñosa y nadie la considera una pedante, esto es por las circunstancias que ser una hija de muggles en esta época le ha dejado. Su hermano la describe como su pequeña princesa y su rayo de sol y Maria es muy apegada a él, motivo por el cual la pelea que tuvieron cuando se enteraron que era una bruja le rompió el corazón e hizo todo lo posible para arreglar las cosas. Es muy ambiciosa y siempre logra lo que se propone incluso se puede decir que es una chica muy necia.

Es muy leal con sus amigos pero sobre todo con su familia y esta sumamente orgullosa de sus raíces latinas motivo por el cual es común encontrarla hablando en español especialmente cuando esta enojada. A pesar de que le encantan los beneficios de ser una bruja (tales como poder cambiarse de ropa más rápido o empacar muchas cosas en una maleta pequeña) dadas las circunstancias de la guerra mágica Maria desearía ser una chica común y corriente y esto también la ha llevado a no querer involucrarse en la guerra mágica a pesar de no estar de acuerdo con las matanzas y demás eventos.

Maria también suele ser descrita como una romántica empedernida y busca su gran amor estilo Broadway o estilo la historia de sus padres y no duda que algún día llegara su príncipe azul con el cual podrá cantar y bailar y sobre todo ser feliz y sobre todo sabe que será alguien que la acepte tal como es y sobre todo alguien que su familia aceptara puesto que ella siempre busca la aprobación de cada uno de los miembros de su familia pero especialmente su padre y su hermano.

Datos extras:

— Su sueño mas grande es interpretar a Maria en el musical West Side Story en compañía de su hermano como Bernardo ya que son los personajes que le dieron nombre.

— No es común verla usando pantalones.

— Es muy raro encontrarla sin estar cantando o bailando.

Futuro:

— Migra a Nueva York donde se vuelve una famosa estrella de Broadway.

Estatus de Sangre: Hija de Muggles.

CARACTERÍSTICAS MÁGICAS

Boggart: Ve a su familia asesinada por los autores de la guerra por el simple hecho de que ella es una bruja.

Patronus: Canario pues es una de las aves con un canto hermoso.

Varita: Cerezo, pelo de unicornio, 22.5 cm bastante flexible

Amortentia:

Gardenias: sus flores favoritas.

Madera: Le recuerda a los escenarios.

Vainilla: Uno de los aromas que siempre predomino en su casa.

Café de olla: su bebida favorita.

Espejo de Oesed: Se ve a ella misma intrepretando a Maria en un escenario de Broadway

#[ ⭐ ] : shining star ➜ maria jefferson

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jpbjazz · 8 days

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LÉGENDES DU JAZZ

BILLY HIGGINS, ‘’SMILING BILLY’’

“Billy Higgins’s talent will never be duplicated – not that any style can be – but his mark on jazz history is indelible. Billy Higgins represents four decades of total dedication to his chosen form of American music: jazz.”

- Cedar Walton

Né le 11 octobre 1936 à Los Angeles, en Californie, Billy Higgins était issu d’une famille de musiciens. Élevé dans le ghetto afro-américain de Watts, Higgins avait commencé à jouer de la batterie à l’âge de cinq ans sous l’influence d’un de ses amis batteurs. À l’âge de douze ans, Higgins avait travaillé avec des groupes de rhythm & blues, notamment avec des musiciens comme Amos Milburn et Bo Diddley. Au début de sa carrière, Higgins avait également collaboré avec les chanteurs et chanteuses Brook Benton, Jimmy Witherspoon et Sister Rosetta Tharpe.

Surtout influencé par Kenny Clarke, Higgins avait aussi été marqué par Art Tatum et Charlie Parker. En octobre 2001, le chef d’orchestre John Riley du Vanguard Jazz Orchestra avait résumé ainsi les influences d’Higgins: “Billy dug the melodiousness of Max Roach and Philly Joe Jones, Art Blakey’s groove, Elvin Jones’s comping, Ed Blackwell’s groove orchestration, and Roy Haynes’ individualist approach.” Higgins avait hérité de son surnom de ‘’Smiling Billy’’ en raison du plaisir communicatif qu’il avait de jouer de la batterie.

DÉBUTS DE CARRIÈRE

Higgins, qui s’était rapidement intéressé au jazz, avait commencé sa carrière en se produisant avec différents musiciens locaux comme Dexter Gordon, Carl Perkins, Leroy Vinnegar, Slim Gaillard, Teddy Edwards, Joe Castro et Walter Benton. À l’âge de quatorze ans, Higgins avait rencontré le trompettiste Don Cherry. En 1953, le duo était parti en tournée sur la Côte ouest avec les saxophonistes George Newman et James Clay dans le cadre du groupe The Jazz Messiahs.

En 1957, Higgins s’était joint au quartet de Red Mitchell qui comprenait également la pianiste Lorraine Geller et le saxophoniste ténor James Clay. Higgins avait d’ailleurs fait ses débuts sur disque avec le groupe de Mitchell dans le cadre d’une collaboration avec les disques Contemporary de Lester Koenig. Higgins avait quitté le groupe de Mitchell peu après pour se joindre à la nouvelle formation d’Ornette Coleman, aux côtés de Don Cherry à la trompette, de Walter Norris au piano, et de Don Payne et de Charlie Haden à la contrebasse. Higgins, qui avait commencé à pratiquer avec Coleman en 1955, avait fait partie du groupe du saxophoniste sur une base permanente de 1958 à 1959, participant notamment à l’enregistrement des albums ‘’Something Else’’ (février-mars 1958), ‘’The Shape of Jazz to Come’’ et ‘’Change of the’’ Century’’, tous deux enregistrés en 1959. Higgins avait également participé aux concerts controversés du groupe au club Five Spot de New York en novembre 1959. Commentant la prestation du groupe, le critique Jon Thurber du Los Angeles Times avait qualifié le concert d’un des événements les plus légendaires de l’époque. Thurber avait ajouté: ‘’The event crowded the room with every available jazz musician and aficionado.”

Higgins s’étant vu interdire l’accès des clubs de New York à la suite d’une altercation avec la police, Higgins s’était joint au quintet de Thelonious Monk. Il était par la suite allé jouer avec le groupe John Coltrane en 1960.

Le 21 décembre 1960, Higgins avait de nouveau retrouvé Coleman dans le cadre de l’enregistrement de l’album controversé ‘’Free Jazz: A Collective Improvisation’’ mettant en vedette le double quartet de Coleman, composé de Coleman au saxophone alto, de Don Cherry à la trompette et au cornet, de Freddie Hubbard à la trompette, d’Eric Dolphy à la flûte, à la clarinette basse et au saxophone soprano, de Scott LaFaro et Charlie Haden à la contrebasse et de Higgins et Ed Blackwell à la batterie.

Devenu un des batteurs les plus en demande du monde du jazz, Higgins avait participé à plusieurs sessions pour les disques Blue Note dans les années 1960, principalement dans des contextes de hard bop. En 1962-63, Higgins s’était joint au groupe de Sonny Rollins avec qui il avait participé à une tournée en France. À la même époque, Higgins s’était également produit avec Donald Byrd, Dexter Gordon, Hank Mobley, Art Farmer, Jimmy Heath, Steve Lacy, Jackie McLean, Herbie Hancock et Lee Morgan.

Le jeu de Higgins à la batterie avait été particulièrement mis en évidence sur des enregistrements comme “Point of Departure’’ d’Andrew Hill, “Takin' Off’’ d’Herbie Hancock (qui comprenait le classique ‘’Watermelon Man’’), “Freedom Jazz Dance” d’Eddie Harris, ‘’Go !’’ de Dexter Gordon et “The Sidewinder’’ de Lee Morgan.

À partir de 1966, Higgins s’était produit régulièrement avec le pianiste Cedar Walton, avec il a enregistré plusieurs albums pour des compagnies de disques européennes jusqu'au milieu des années 1980.

DERNIÈRES ANNÉES

Après s’être fait désintoxiquer en 1971, Higgins avait formé le groupe Brass Company avec le saxophoniste ténor Claude Bartee et le trompettiste Bill Hardman. Après s’être installé à Los Angeles en 1978, Higgins avait formé avec Walton et le le saxophoniste George Coleman le groupe Eastern Rebellion. À la fin des années 1970, Higgins avait également enregistré comme leader, faisant paraître des albums comme ‘’Soweto’’ (1979), ’’The Soldier’’ (1979) et ‘’Once More’’ (1980).

Dans les années 1980, Higgins avait également collaboré avec Pat Metheny et Slide Hampton. Tout en participant à des tournées internationales avec les Timeless All Stars et à des réunions avec Ornette Coleman et Don Cherry, Higgins avait eu un petit rôle dans le film de Bertrand Tavernier ‘’Round Midnight’’ aux côtés de Dexter Gordon en 1986. Il avait aussi fait partie du trio de Hank Jones. Toujours en 1986, Higgins avait fait partie du Quartet West de Charlie Haden, aux côtés d’Ernie Wax au saxophone et d’Alan Broadbent au piano. Après avoir connu certains problèmes de santé, Higgins avait été éventuellement remplacé par Larance Marable.

Très impliqué socialement, Higgins avait co-fondé en 1989 avec le poète Kamau Daáood le World Stage, un centre communautaire et culturel qui avait pour but de favoriser le développement de la musique, de la littérature et de l’art afro-américain. Le groupe, qui soutenait également la carrière de jeunes musiciens de jazz, organisait régulièrement des ateliers, des enregisrements et des concerts dans le quartier de Leimert Park à Los Angeles. Tous les lundis soirs, Higgins donnait des cours de batterie aux membres de la communauté. Higgins, qui s’intéressait particulièrement aux enfants, avait déclaré au cours d’une entrevue accordée au magazine LA Weekly en 1999:

"They should bus children in here so they can see all this, so they could be a part of it. Because the stuff that they feed kids now, they'll have a bunch of idiots in the next millennium as far as art and culture is concerned. I play at schools all the time, and I ask, 'Do you know who Art Tatum was?' 'Well, I guess not.' Some of them don't know who John Coltrane was, or Charlie Parker. It's our fault. Those who know never told them. They know who Elvis Presley was, and Tupac, or Scooby-Dooby Scoop Dogg--whatever. Anybody can emulate them, because it's easy, it has nothing to do with individualism. There's so much beautiful music in the world, and kids are getting robbed.’’

Également professeur, Higgins avait enseigné à la faculté de jazz de l’Université de Californie à Los Angeles (UCLA). Il avait aussi été très impliqué dans plusieurs activités en faveur de la conservation et de la promotion du jazz.

Toujours très en demande dans les sessions d’enregistrement, Higgins s’était produit sur une base régulière avec le saxophoniste Charles Lloyd de 1999 à 2001. Il dirigeait aussi ses propres groupes.

Atteint d’une maladie des reins, Higgins avait dû mettre sa carrière sur pause dans les années 1990, mais il avait repris sa carrière après avoir subi avec succès une greffe du foie en mars 1996, se produisant notamment avec Ornette Coleman, Charles Lloyd et Harold Land.

Billy Higgins est mort le 4 mai 2001 au Daniel Freeman Hospital d’Inglewoood, en Californie, des suites d’un cancer du foie. Il était âgé de soixante-quatre ans. Ont survécu à Higgins ses fils Ronald, William Jr., David et Benjamin, ses filles Ricky et Heidi, son frère Ronald, son gendre Joseph (Jody) Walker, son neveu Billy Thetford et sa fiancée Glo Harris. À l’époque, Higgins avait divorcé de sa première épouse Mauricina Altier Higgins.

Peu avant sa mort, Higgins avait joué le rôle d’un batteur de jazz dans le film ‘’Southlander’’ de Steve Hanft et Ross Harris.

Au moment de son décès, Higgins venait d’être hospitalisé pour une pneumonie et attendait une seconde greffe du foie. Dans son dernier numéro publié avant la mort de Higgins, la revue française Jazz Magazine avait lancé une campagne de souscription en faveur de Higgins, le batteur n’ayant pas des revenus suffisants pour couvrir ses frais médicaux. Deux ans avant sa mort, le saxophoniste Charles Lloyd avait témoigné de la santé fragile de Higgins en déclarant: ’’Billy Higgins a une santé précaire, et cette fragilité physique confère à son jeu une délicatesse unique. Jouer avec lui, c'est un peu comme jouer à la maison. Il y a une telle conjonction entre nous. Un seul regard suffit et le disque est enregistré.’’ Comparant Higgins à un maître zen, Lloyd avait ajouté: “everybody who plays with him gets that ecstatic high.” Rendant hommage à Higgins après sa mort, son collaborateur de longue date, le pianiste Cedar Walton, avait ajouté: “Billy Higgins’s talent will never be duplicated – not that any style can be – but his mark on jazz history is indelible. Billy Higgins represents four decades of total dedication to his chosen form of American music: jazz.”

Higgins avait livré sa dernière performance le 22 janvier 2001 dans le cadre d’un concert présenté au club Bones and Blues de Los Angeles. Le concert, qui mettait également en vedette les saxophonistes Charles Lloyd et Harold Land, avait pour but de soutenir la lutte d’Higgins contre le cancer du foie.

Reconnu pour son swing léger mais actif, son jeu subtil et raffiné et sa façon mélodique de jouer de la batterie, Billy Higgins avait collaboré avec les plus grands noms du jazz au cours de sa carrière, de Ornette Coleman à Don Cherry, en passant par Sonny Rollins, Cedar Walton, Herbie Hancock, Abudullah Ibrahim, Bheki Mseleku, Roy Hargrove, Pat Metheny, Charles Lloyd, Donald Byrd, Freddie Hubbard, Eric Dolphy, John Scofield, Thelonious Monk, Scott LaFaro, Cecil Taylor, Charlie Haden, Hank Jones, Dexter Gordon, Hank Mobley, Grant Green, Joe Henderson, Art Farmer, Sam Jones, Dave Williams, Bob Berg, Monty Waters, Clifford Jordan, Ira Sullivan, Sun Ra, Milt Jackson, Jimmy Heath, Joshua Redman, John Coltrane, Eddie Harris, Steve Lacy, David Murray, Art Pepper, Mal Waldron, Jackie McLean et Lee Morgan. Higgins avait également collaboré avec le compositeur La Monte Young.

Higgins a participé à plus de 700 enregistrements au cours de sa carrière, ce qui en faisait un des batteurs les plus enregistrés de l’histoire du jazz. Qualifiant le jeu de Higgins, le critique Ted Panken du magazine Down Beat avait commenté: "To witness him--smiling broadly, eyes aglimmer, dancing with the drum set, navigating the flow with perfect touch, finding the apropos tone for every beat--was a majestic, seductive experience." De son côté, le chef d’orchestre Larry Riley avait précisé: “Billy was a facilitator, not a dominator. He would enhance the direction the music ‘wanted’ to go in rather than impose his own will on the composition. You can hear that Billy was a master at creating a good feeling in the rhythm section. Dynamically, he used the entire spectrum— but with great restraint. His comping and overall flow were very precise but very legato.”

Higgins, qui avait surtout appris son métier en utilisant une approche d’essais-erreurs, avait résumé ainsi sa méthode d’apprentissage:

“That’s where you learn. You learn to be in context with the music and interpret. You make your mistakes and you learn. Most of the drummers that are working are people who know how to make the other instruments get their sound. Kenny Clarke was a master at that. It sounds like he was doing very little, and he was, but what he implied made all the instruments get their sound. Philly Joe, Elvin—as strong as they played, they still bring out the essence of what the other musicians are playing. Roy Haynes, Max, Art Blakey—none of them played the same. You try to add your part, but the idea is to be part of the music and make it one. That’s the whole concept for me.”

Décrivant la contribution d’Higgins à l’histoire du jazz, le contrebassiste Ron Carter avait ajouté: “Billy Higgins was the drummer of the 20th century who put the music back into the drums. He was fabulous. He always played the form, and he was aware not only of the soloists, but also of his rhythm section mates.” Saluant le professionnalisme et la grande préparation d’Higgins, Carter avait précisé: “He was always on time, with his equipment ready, and he contributed to the general outlook of the group no matter where [we were] or how many people were involved. He made the music feel good.” De son côté, le pianiste Cedar Walton avait commenté: “His style is well-documented, but to see Billy in person at his drums was the ultimate jazz experience.”

Billy Higgins avait été élu ‘’Jazz Master’’ par la National Endowment for the Arts en 1997. En 1988, Higgins avait également remporté un prix Grammy conjointement avec Ron Carter, Herbie Hancock et Wayne Shorter pour la composition “Call Sheet Blues” tirée de la bande sonore du film ‘’Round Midnight.’’ Par la suite, Higgins avait fait partie du Round Midnight Band avec le saxophoniste Dexter Gordon.

Le saxophoniste Charles Lloyd avait rendu un des meilleurs hommages qu’on pouvait rendre à Higgins lorsqu’il avait déclaré: "Jazz is the music of wonder and, and he's the personification of it.’’ Higgins s’était toujours considéré comme un peu privilégié d’avoir pu faire une carrière musicale. Comme il l’avait mentionné peu de temps avant sa mort: "I feel blessed to play music, and it's also an honor to play music. You've got a lot of people's feeling in your hands."

#jazz

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blastikmusik · 7 months

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sunny side down 625

Don Melody Club - Zontimenteel Lush - Olympia Ryan O'Connell - Dog Drop Nineteens - A Hitch Pure Bathing Culture - The River Kate Bollinger - You At Home Explosions in the Sky - Loved Ones Eartheater - Chop Suey Jamila Woods - Good News The Kaleidoscopes & Shuttle - Kung Fu Mitski - I'm Your Man ((( O ))) - TRAVELIN' Sam Himself – Eisbär rosetan - ok nevermind Holysloot - Point of No Return

#music #dreampop #dream pop #shoegaze #bedroom pop #bedroompop #postpunk #post punk #mixtapes #mixtape

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attallahmusic · 1 year

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Top 10 March

Tyler, The Creator unreleased songs, finding out Manuel Turizo is only 22 years old and a Khalid comeback. March has had a lot on store for us, music wise.

Find the playlists here on Spotify and Tidal.

To start off with we have one of the songs from Manuel Turizo's new album 2000. The album's cover is a picture of him as a baby, as he was born in the year 2000. An incredible discovery, to see such a talented artist become internationally known at such a young age. Turizo has earlier released his hit La Bachata and on the album follows it up with El Merengue, which certainly is worth a listen. However, I would like to highlight the song Verte de Nuevo.

Next up I wanted to bring your attention to this song, by up and coming Danish rapper D1MA. What you'll see is that in recent years, the Danish rap scene has certainly been mixed a lot with pop and more melodic sounds and this song is no exception.

Eladio Carrión has also released a new album this month, a mixture of Spanish rap and reggaetón. In contrast to D1MA and other Danish rap artists, you'll see that Eladio and many other Spanish spoken artists still use a heavy beat when rapping, more inspired by the American south. Therefore it is no surprise, that this song Peso a Peso is featuring American artists Quavo and Rich the Kid.

This next song isn't completely new, it's a re-release - but none the least it's a great song. HOT WINDS BLOWS by Tyler, The Creator and Lil Wayne. It's a wonderful mixture of rap and melody.

Becky G usually releases reggaetón and fast paced songs, but has slowed it down for this acoustic guitar driven song with Peso Pluma. Listen to their beautiful and slow love song, Chanel.

Moving from slow and Spanish to soft and English. Khalid has brought a nice summer pop song to our ears, Softest Touch is a nice bop, reminds me a lot of recent Lizzo releases. Sweet and pop-py.

This list would be nothing if I forgot to mention Kali Uchis amazing new album Red Moon in Venus. Another bilingual release by her, suave vocals and relaxing sounds. She is ethereal. The song which I have chosen to highlight is one of her few featured songs, where Don Toliver gets the pleasure of sharing a Fantasy with her.

Kiko el Crazy El Alfa is here to switch it up. Going from the slow beautiful songs to --- well a Kiko el Crazy and El Alfa song. Ass shaking, quick lyrics, sex fixated and a good bass.

You can feel the summer is creeping up when afrobeats are in the air. One Of A Kind by Jaido P and Fireboy Dml is a great song to add to your playlist for sunny days and sunbathing.

Lastly, NATTI NATASHA brings your typical reggaetón song, beat and fun to the scene with ALGARETE. Let Natti Nash make you move in the club, in the kitchen, whenever and wherever.

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lilolilyrae · 1 year

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Songs & poetry I currently know by heart

Thought it might be fun to start a list of these :) just cause... And because if I don't go through these from time to time, I'll unlearn them again, and I tend to forget half of these even exist, so... List :D

Vaguely in the order I learned them:

Songs:

Amy McDonald - Pretty Face

Halsey - New Americana

Don McLean - American Pie (though I keep messing up the 3. & 4th stanza adsfg)

Coldplay - Viva la Vida (and I can more or less do it on the piano but like. the vocal melody? xD)

Taylor Swift - The Lakes

King Princess - 1950 (... probably need to re-learn hL of that)

Hole in the bottom of the sea (my parents taught me on vacation two years ago or so? Hilarious)

Måneskin - Zitti e Buoni

Jax - Victoria's Secret (2022)

Four Seasons - December, 1963 (Oh, What a Night) (Dec'22)

Poetry:

Madelline - Dopamine (french version) (Jun'23)

Jericho (Jul'23)

Theodor Fontane - John Maynard (leider nur noch halbwegs :( also ich kriegs hin aber nur mit viel überlegen lol xD dang it, I used to know this one!)

John McCrae - In Flanders Fields (I'm 99% certain I learned that one bc it was mentioned in some fanfic but I can't for the life of me remember which fic or even which fandom adsfg)

Update 03/23: Caitlyn Seida - Hope Is Not A Bird, Emily, It's A Sewer Rat Update

04/23: Mary Elizabeth Frye - Do not stand at my grave and qeep

04/23: Emily Dickinson - Hope is the Thing with Feathers

Piano:

PotC melody (right hand properly, left hand not rly at all)

LotR (pretty much all of them one finger style, but part of the elves theme I can do with both hands properly)

Good Omens theme (right hand)

Also every song I know the melody of I can pretty much do one finger style by ear... Reminds me I used to know a couple songs by Eisblume and LaFee by heart that are no longer on the above list, o.o (I can still do the melody, but not the words)

... to be taken with a grain of salt though, I've not had access to a piano for a few months now, and while I'm sure I can still do PotC, I'm not certain I've learned the other two by heart enough for them to stick that long without practice

Learning:

Ursula K. Le Guin - Hymn to Time (I can do the first two stanzas now) - update 04/23: three stanzas!

Sappho - On What is Best (haven't really started yet but I have the tab open)

Irish Eyes (Jun'23)

Aaaand the probably largest category of them all:

Shit I've unlearned :((

LaFee - Ring Frei

Eisblume - Louise

Eisblume - Eisblumen

Taylor Swift - Love Story

Amy Macdonald - Spark

Amy Macdonald - This is the Life

ABBA - Mamma Mia

ABBA - Honey Honey

Lena - Satellite

Das verdammte Gedicht mit midestens zehn Strophen das wir in der Schule hatten auswendig lernen müssen, mit einem angeklagten der noch was erledigen muss und sein Kumpel bleibt als Pfand zurück oä?? Weiß nicht mal mehr den Namen (edit: die Bürgschaft)

Idk whether it counts as poetry or what but I used to be able to do large parts of Shakespeare's Romeo & Juliet and Midsummer Night's dream, plus other plays (though usually just the parts I played in drama club)

#x #personal #by heart

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thestageonbroadway · 29 days

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Barbecue, Boots, and Beats: a Perfect Day as a Tourist in Nashville

Nashville, Tennessee, a city synonymous with twangy guitar strings and smoky barbecue, is a haven for tourists seeking a slice of authentic American culture. Known affectionately as Music City, it's a place where Nashville live music, Nashville music venues, and the Best BBQ in Nashville converge to create an unforgettable experience. Let's embark on a journey through a day packed with barbecue, boots, and beats, showcasing why this vibrant city is a must-visit destination for anyone looking to immerse themselves in the heart and soul of American music and cuisine.

Morning: Kicking Off with Nashville Boots Fashion

Start your day by diving into the local fashion scene, particularly the iconic Nashville boots fashion. Nashville isn't just about music; it's also where fashion makes a statement with a pair of well-crafted cowboy boots. Head over to any local boot store, and you'll find yourself amidst a wide array of styles, from classic to contemporary designs that embody the city's spirit. Donning a pair of these boots elevates your style and connects you to Nashville's rich cultural heritage.

Afternoon: Savoring the Best BBQ in Nashville

No visit to Nashville is complete without indulging in some of the Best BBQs in Nashville. The city's barbecue scene is a melting pot of flavors, where slow-cooked meats meet a variety of sauces ranging from sweet to tangy to fiery hot. Establishments like Martin's Bar-B-Que Joint and Peg Leg Porker offer a gastronomic journey through the soul of Southern cooking, serving up succulent ribs, pulled pork, and brisket that melts in your mouth. Pair your meal with traditional sides like mac and cheese, collard greens, and cornbread for a truly authentic Nashville dining experience.

Evening: Exploring Nashville Live Music and Venues

As the sun sets, the city's heartbeat shifts to its world-renowned Nashville live music scene. Music Row Nashville serves as the epicenter of this musical extravaganza, housing some of the most legendary Nashville music venues. A stroll down this iconic street reveals a plethora of bars, clubs, and honkytonks, each pulsating with live performances ranging from country and blues to rock and pop.

One such venue that stands out is The Stage on Broadway, known for its vibrant atmosphere and top-notch live music acts. Here, you can immerse yourself in the sounds of Nashville, enjoying performances by both up-and-coming artists and seasoned musicians. The Stage on Broadway epitomizes the essence of Nashville's music scene, offering an authentic experience that captures the spirit of what makes this city a pilgrimage site for Nashville Tourists and music lovers alike.

Night: Ending on a High Note

After a night of music and dancing, take a moment to soak in the ambiance of Nashville's nightlife. The city's skyline, illuminated against the night sky, provides a perfect backdrop for reflection on the day's adventures. From the savory delights of its barbecue to the stylish flair of cowboy boots and the soul-stirring rhythms of live music, Nashville offers a rich tapestry of experiences that cater to all senses.

A day as a tourist in Nashville is a journey through the heart of American culture, where every corner holds a story, and every melody carries the legacy of musical giants. Barbecue, boots, and beats are not just elements of a day in Nashville; they are symbols of a city that prides itself on its heritage, welcoming all who wish to partake in its celebration of life, freedom, and creativity. Whether you're a first-time visitor or a returning aficionado, Nashville's charm lies in its ability to make everyone feel at home, bound together by the universal language of music. So, pack your bags, bring your appetite, and prepare for an adventure in Music City – where the rhythm never stops, and the spirit of Nashville lives on.

#country music bar in nashville tennessee #nashville live music calendar #live music #live performance

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openingnightposts · 2 months

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#BlissStreet #CityWinery #HolliHarms #Musicaltheater #OffBrodway #Rockn'Roll

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toptorontoclub · 2 months

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Bollywood Parties Toronto

From Beats to Bliss: The Irresistible Allure of Bollywood Parties You Can't Ignore!

Attending Bollywood Parties Toronto is a mesmerizing journey that transcends mere social gatherings. It's an immersive experience where vibrant beats and cultural richness converge, creating an irresistible allure that captivates everyone entering this glamorous world.

From the glitz of the red carpet to the rhythmic dance floors, Bollywood parties offer a unique blend of entertainment, culture, and unabashed bliss.

vimeo

The Rhythmic Pulse of Bollywood Beats:

At the heart of every Bollywood party is its pulsating beats. The infectious rhythm of Bollywood music, infused with a kaleidoscope of melodies and beats, sets the stage for an unforgettable night.

The DJ becomes the maestro, orchestrating the symphony of classic and contemporary tunes that echo through the venue.

Whether you're a seasoned dancer or someone tapping your foot in the corner, the irresistible allure of these beats compels you to join the dance floor.

Glamour and Glitz on the Red Carpet:

Bollywood parties are synonymous with glamour, and the red carpet is where the magic begins. Attendees showcase their sartorial splendor, donning outfits that range from traditional ethnic wear to chic contemporary ensembles. Celebrities and commoners alike revel in the opportunity to make a style statement.

The red carpet becomes a fashion spectacle, giving a sneak peek into the diverse tastes and trends defining the Bollywood party scene.

Cultural Extravaganza:

Beyond the surface glitz, Bollywood parties are a celebration of culture. From traditional dance performances to live music, these events pay homage to the rich tapestry of Indian traditions.

The fusion of modernity and tradition creates an immersive cultural experience. Attendees are transported to a world where the vibrant colors, intricate patterns, and rhythmic movements tell the story of India's cultural diversity.

Unleashing the Dance Diva:

Bollywood parties are a haven for dance enthusiasts. The dance floor transforms into a canvas where attendees unleash their inner dance diva.

Whether you're a professional dancer or someone attempting your first Bollywood dance steps, the energy on the dance floor is infectious.

It's a space where inhibitions are shed, and everyone becomes a part of the collective rhythm, moving to the beats that echo the spirit of Bollywood.

Networking with the Who's Who:

Bollywood parties in Toronto are not just about revelry but also networking hubs.

Celebrities, influencers, and industry professionals often grace these events. The allure of rubbing shoulders with the who's who of the industry adds an extra layer of excitement.

Attendees find themselves immersed in conversations beyond the dance floor, opening doors to new opportunities and connections.

Blissful Memories:

As the night unfolds and the beats continue to weave their magic, Bollywood parties leave attendees with blissful memories. The laughter, the dance, the cultural immersion – all contribute to an unforgettable experience.

Whether you attend as a Bollywood enthusiast or a casual partygoer, the allure of these events lingers, leaving a lasting impression that beckons you to return for more.

Conclusion:

Bollywood parties in Toronto are more than just social gatherings; they celebrate music, culture, and the unbridled joy of being alive.

From the beats that make your heart race to the cultural extravaganza that unfolds, these events are a testament to the magnetic allure that keeps drawing people in.

So, buy tickets from Top Toronto Clubs to attend Bollywood Party Toronto and never miss the opportunity to join the rhythm, dance under the stars, and create memories that will remain in your heart long after the melody fades.

It's not just a party; it's an invitation to a world where every beat resonates with the spirit of celebration, and every step on the dance floor becomes part of an unforgettable journey through the irresistible allure of Bollywood.

Look at our homepage to get more information about 1!

#Bollywood Night Toronto #Bollywood Toronto #Bollywood Club #Bollywood Party Toronto #Bollywood Parties Toronto #Vimeo #SoundCloud

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