Franck Biyong - Moonwatching 2 - new album from Cameroonian guitarist
Franck moves the limitations of African music with
Moonwatching II, extending the palette of newer sounds
in creative guitar music. As Afropop and Nigeria's Afrobeats
are recognized worldwide, African rock is almost missing,
although it’s one of the fundaments of Western rock music.
Is Franck Biyong the African Jimi Hendrix? Well ... Let’s say
it this way: Moonwatching II combines the abrasive sonics
of James Blood Ulmer with the melodic structures of early
progressive and art-‐rock. So yes, Franck (who by
the way never intended to copy Jimi) naturally deals with
similar topics and sounds in his music…
Driven by eerie melancholy, surreal guitars, ghost voices
and strong musicianship, the psychedelic music does not get transfigured through the gentle but clear melodic lines...With Moonwatching II, Franck Biyong swaggers from Funkadelic
style rock before leading us to Frippertronics-‐likesound
scapes...
CREDITS
Cello - Tess Crowther
Vocals: Melissa James (2 & 7), Haylen Namvarazad (2 & 6)
Drums: Emmanuel Yakobo (3), Gabriel Oladayo (All other tracks)
Piano, Fender Rhodes (4), Hammond Organ (2) - Florian Pellissier
Electric Bass - Asaph Uzele (1), Antonella Mazza (2, 5, 6 & 7)
Ghost voices: Silayio, Emma, Owuor, Haylen, Prisca, Ernest,
Tony, Sage, Linda, Brian & other helpful spirits & ghosts
Tape Effects, Percussion, Bass (3 & 4), All Guitars - FB
In this insightful interview, Franck Biyong, a seasoned musician
in the realm of progressive and experimental rock, takes us on a journey through his musical evolution, creative process, and influences.
From his early fascination with the guitar to the intricate
storytelling behind his featured track “Dreamland,” Franck
shares the challenges he’s faced as an artist, the ever-evolving
music scene, and his unique contributions.
As he reflects on memorable moments and future projects,
Franck offers a glimpse into the dynamic world of his Afro jazz
and rock-oriented endeavors. Join us as we delve into the mind
of Franck Biyong, exploring his passion, influences, and the intersection of his music with the broader artistic landscape.
Forget the jazz and no-wave vibes from their debut EP. Pigeon’s second offering brings afro disco laced with electro beats, rocking grooves, and catchy synth-pop vibes this time. With five tracks to make your hips shake, listen to this energetic offering that moves fluidly across genres.
The way Franck Biyong composes is unlike any other
musician you will find. This artist has blended roots of
Afrobeat to a jazz and electric sound that has a vantage
point on the contemporary. His latest album is a thematic
entrance into a slice of time which only he can master.
This album is called Moonwatching 2.
When he approaches music, he has to find an incredible
balance between these two different styles. It might not
mean much as listeners, but to find that razor fine line,
that is what Franck Biyong is working with. His music has
a resonating power to it that fuses elements of the West
with the vernacular heartbeat of Cameroon. New Crescent
shows this exact sentiment, and you can hear it in the
electric influences, even in the tones and monologues.
It is like the opening of Maggot Brain by Parliament,
where some delectable guitar notes introduce you to
the rich textures.
In tonal heaven, all the way
Leave it to Franck Biyong to genuinely surprise you.
The next song has the soul of rock, but teases with
tones and compositional parts that you’d never put
together. He is able to manipulate the feelings of a
voice you can never hear, just by how he composes.
Fever might be one of my favourites from this
talented artist, with elements of blues, soul and
rock convening in grace.
Music Better proceeds with a funky effect, and a unique
time signature. Just this can give you a nice peek into his
brain, where you’re also hearing a Hendrix like riff with
percussions that are clearly having African roots. There is
this cinematic edge to his music because of the experience
and civil way he performs the marriage of such different
genres. Moonwatching 2 is thematically perfect, these
are his thoughts and muses without trying to disturb the
sonic membrane of either of these genres.
To explore, and to seek
Franck Biyong retains the key to soft soundscapes with
Soldier Boy. It is a sensitive, soothing single with honey
like melodies. How it all overlaps, is not even worth
discussing, for it is like a door to paradise. Biyong has
detailed the sounds to move from groovy to funky, rock
to stylish and punchy, and the result is incredible. I’d like
to pick this artist’s brain just to know how he comes up
with the concepts he sees through. The guitars are really
the ones shining under the lunar halo, and they differ in
tone with each song. Freedom Day even has that patriotic
element with the percussion building, creating an
excitement.
By the time you hear On This Road and Dreamland,
you’re spellbound. If we were to send extra-terrestrial
life perfect music that showcases more than one part
of the world, Franck Biyong has done the necessary.
Listen to his album here and dwell in fascination.
i wanna talk about one really small detail from Wendall and Wild that i absolutely loved
on the back of the cyclops, there’s a sticker that says Pure Hell on it. Pure Hell is an 80’s black punk band. they’re relatively obscure, only 7,000 monthly listeners on spotify.
i dont know who chose to add that, and which ever behind the scenes person chose to do it probably knew it wouldn’t be something many people understood and could have chosen a more well known punk band to reference. but this just feels so much more genuine.